Bach Bibliography
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TypeListAuthor Title[further info]SeriesVolNoYearPagesStatus
[]
1. Hudson, FrederickBach's wedding music. CurMcol 7 1968 111-120
2. Moe, OrinArt of the Fugue. CurMcol 7 1968 23-25
3. Wiora, WalterZur Stellung Bachs im Weltbild der Goethezeit. - Bach's Place in the World-view of the Goethe Era. CurMcol 9 1969 174-182
4. May, ErnestBach Research. CurMcol 10 1970 21-25
5. Wright, CraigRare music manuscripts at Harvard. CurMcol 10 1970 25-33
6. Cantrell, ByronThree B's--three chaconnes. CurMcol 12 1971 63-74
7. Lester, JoelProblems in the Neue Bach Ausgabe of the E major Partita for Violin Alone. CurMcol 13 1972 64-67
8. Newman, AnthonyThe 20th-Century Performer as Interpreter of the Baroque Tradition. CurMcol 14 1972 145-154
9. Stauffer, George B.Bach's 'Art of fugue': An Examination of the Sources. Introduction. [Seminar Report.] CurMcol 19 1975 47-50
10. Dedel, PeterDissemination and Dispute. CurMcol 19 1975 50-54
11. Seaton, DouglassThe Autograph: An Early Version of the 'Art of Fugue'. CurMcol 19 1975 54-59
12. Bagnall, Anne; et al.The Simple Fugues. CurMcol 19 1975 59-61
13. Koprowski, RichardBach 'Fingerprints' in the Engraving of the Original Edition. CurMcol 19 1975 61-67
14. Baker, ThomasBach's Revisions in the Augmentation Canon. CurMcol 19 1975 67-71
15. Wolff, ChristophThe Last Fugue: Unfinished? CurMcol 19 1975 71-77
16. Lester, JoelThe Fux-Mattheson Correspondence: An Annotated Translation. CurMcol 24 1977 37-62
17. Chafe, Eric T.Key structure and tonal allegory in the Passions of J. S. Bach: an introduction. CurMcol 31 1981 39-54
18. Schulenberg, DavidComposition as Variation: Inquiries Into The Compositional Procedures of the Bach Circle of Composers. CurMcol 33 1982 57-88
19. Seaman, GeraldAn Eighteenth-Century Russian Pocket-Book. CurMcol 34 1982 53-63
20. Cammarota, Robert M.The Sources of the Christmas Interpolations in J. S. Bach's Magnificat in E-flat Major (BWV 243a). CurMcol 36 1983 79-99
21. Lester, JoelReading and Misreading: Schumann's Accompaniments to Bach's Sonatas and Partitas for Solo Violin. CurMcol 56 1994 24-53
22. Schachter, CarlThe Prelude from Bach's Suite No.4 for Violoncello Solo: The Submerged Urlinie. CurMcol 56 1994 54-71
23. Waltham-Smith, NaomiDisruptive Spatiality and the Experience of Recordings of Bach's Solo Cello Suites. CurMcol 82 Fall 2006 33-60
24. Lloyd, RebeccaBach: Luther's Musical Prophet? CurMcol 83 Spring 2007 5-32
25. Greitzer, Mary LeeBecoming Bach, blaspheming Bach: Kinesthetic Knowledge and Embodied Music Theory in Ysa˙e's 'Obsession' for Solo Violin. CurMcol 86 Fall 2008 63-78

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