Type | List | Author | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Cameron, Jasmin Melissa | The Crucifixion in Music: An Analytical Survey of Settings of the Crucifixus between 1680 and 1800. Lanham, MD: Scarecrow Press, 2006. xxiv, 371p. ISBN: 0-8108-5275-6 (cloth); 0-8108-5872-X (paper). (= Contextual Bach Studies, 1) |
ContextBachStud |
1 | | 2006 |
xxiv, 371p |
|
| 2. | Elferen, Isabella van | Mystical love in the German Baroque: theology, poetry, music. Lanham, Md.: Scarecrow Press, 2009. xxvi, 357p. ISBN: 0-8108-6220-4; 978-0-8108-6220-3. (= Contextual Bach Studies, 2) |
ContextBachStud |
2 | | 2009 |
xxvi, 357p |
|
| 3. | Leahy, Anne | J. S. Bach's 'Leipzig Chorale' Preludes: Music, Text, Theology. Edited by Robin Leaver. - Lanham: Scarecrow Press, 2011. xxviii, 297p. ISBN-13: 978-0810881815. (= Contextual Bach Studies, 3) |
ContextBachStud |
3 | | 2011 |
xxviii, 297p |
|
| 4. | Göncz, Zoltán | Bach's Testament: On the Philosophical and Theological Background of The Art of Fugue. Translated by Peter Laki and Erzsébet Mészáros. - Lanham, Toronto and Plzmouth: The Scarecrow Press, 2013. xvi, 178p. ISBN: 978-0-8108-8447-2. (= Contextual Bach tudies, 4) |
ContextBachStud |
4 | | 2013 |
xvi, 178p |
|
| 5. | Irwin, Joyce L. | Foretastes of heaven in Lutheran church music tradition: Johann Mattheson and Christoph Raupach on music in time and eternity. Lanham, Md. [u.a.]: Rowman & Littlefield, [2015]. xlix, 162p. ISBN: 978-1-4422-3263-1. (= Contextual Bach studies, 5) |
ContextBachStud |
5 | | 2015 |
xlix, 162p |
|
| 6. | Paczkowski, Szymon | Polish style in the music of Johann Sebastian Bach. trans. Piotr Szymczak. - Lanham, MD: Rowman & Littlefield, 2017. xvi, 402p. ISBN: 978-0-8108-8893-7; 978-0-8108-8894-4. |
ContextBachStud |
6 | | 2017 |
xvi, 402p |
|
| 7. | Bartel, Dietrich (trans.) | Andreas Werckmeister's Musicalische Paradoxal-Discourse: A Well-Tempered Universe. Translated with Commentary by Dietrich Bartel. - Lanham: Lexington Books, xv, 157p. ISBN 978-1-4985-6634-6 (Hardback); 978-1-4985-6635-3 (eBook) |
ContextBachStud |
7 | | 2017 |
xv, 157p |
|
| 8. | Rathey, Markus | In Honor of God and the City: Strategies of Theological and Symbolic Communication in Bach's Cantata Gott ist mein König (BWV 71). |
ContextBachStud |
8 | | 2018 |
3-22 |
|
| 9. | Chafe, Eric | Two 'Johannine' Cantatas: Darzu ist erschienen der Sohn Gottes (BWV 40) and Sehet, welch eine Liebe (BWV 64). |
ContextBachStud |
8 | | 2018 |
23-50 |
|
| 10. | Peters, Mark A. | Death to Life, Sorrow to Joy: Martin Luther's Theology of the Cross and J. S. Bach's Eastertide Cantata Ihr werdet weinen und heulen (BWV 103) |
ContextBachStud |
8 | | 2018 |
51-73 |
|
| 11. | Greer, Mary | Toward an Understanding of J. S. Bach's Use of Red Ink in the Autograph Score of the Matthew Passion. |
ContextBachStud |
8 | | 2018 |
75-102 |
|
| 12. | Petzoldt, Martin | The Theological in Bach Research (2007). |
ContextBachStud |
8 | | 2018 |
103-118 |
|
| 13. | Sanders, Reginald L. | Formal and Motivic Design in the Opening Chorus of J. S. Bach's Magnificat. |
ContextBachStud |
8 | | 2018 |
121-137 |
|
| 14. | Lee, Kayoung | The Tonally Open Ritornello in J. S. Bach's Church Cantatas. |
ContextBachStud |
8 | | 2018 |
139-151 |
|
| 15. | Allanbrook, Wye J. | The Christian Believer and the Sleep of Jesus: 'Mache dich, mein Herze, rein' from J. S. Bach's Matthew Passion. |
ContextBachStud |
8 | | 2018 |
153-164 |
|
| 16. | Schulze, Hans-Joachim | Parody and Text Quality in the Vocal Works of J. S. Bach. |
ContextBachStud |
8 | | 2018 |
167-176 |
|
| 17. | Leaver, Robin A. | J. S. Bach's Parodies of Vocal Music: Conservation or Intensification? |
ContextBachStud |
8 | | 2018 |
177-203 |
|
| 18. | Butler, Gregory | J. S. Bach's Dresden Trip and His Earliest Serenatas for Köthen. |
ContextBachStud |
8 | | 2018 |
205-214 |
|
| 19. | Saunders, Steven | Bach's Second Thoughts on the Christmas Oratorio: The Compositional Revisions to 'Bereite dich, Zion,' BWV 248/4. |
ContextBachStud |
8 | | 2018 |
215-224 |
|
| 20. | Tomita, Yo | The Passions as a Source of Inspiration? A Hypothesis on the Origin and Musical Aim of Well-Tempered Clavier II. |
ContextBachStud |
8 | | 2018 |
225-242 |
|
| 21. | Kevorkian, Tanya | The Leipzig Audiences of J. S. Bach's Matthew Passion to 1750. |
ContextBachStud |
8 | | 2018 |
245-259 |
|
| 22. | Grant, Jason B. | The Vocal Music of the Bach Family in Carl Philipp Emanuel Bach: The Complete Works. |
ContextBachStud |
8 | | 2018 |
261-279 |
|
| 23. | Scheide, William H. | The Need for a New Music: J. S. Bach in Contemporary Context (1946). |
ContextBachStud |
8 | | 2018 |
281-295 |
|
| 24. | Marshall, Robert L. | Bach at the Boundaries of Music History: Preliminary Thoughts on the B-minor Mass and the Late Style Paradigm. |
ContextBachStud |
8 | | 2018 |
297-303 |
|
| 25. | Peters, Mark A.; Sanders, Reginald L. (eds.) | Compositional Choices and Meaning in the Vocal Music of J. S. Bach. Edited by Mark A. Peters and Reginald L. Sanders. - Lanham: Lexington Books, 2018. xxi, 328p. ISBN: 978-1-4985-5495-4 (Hardback); 978-1-4985-5496-1 (eBook) |
ContextBachStud |
8 | | 2018 |
xxi, 328p |
|