Bach Bibliography
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Series : ^ColMSymposium$
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TypeListAuthor Title[further info]SeriesVolNoYearPagesStatus
[]
1. Cahn, Meyer E.Bach is not enough. ColMSymposium 12 Fall 1972 47-53
2. Godt, IrvingC. P. E. Bach his mark. ColMSymposium 19 2 1979 154-161
3. Brown, A. PeterApproaching musical Classicism: understanding styles and style change in eighteenth-century instrumental music. ColMSymposium 20 1 1980 7-48
4. Brown, Leslie EllenOratorical thought and the tragedie lyrique: a consideration of musical-rhetorical figures. ColMSymposium 20 2 1980 99-116
5. Eiseman, DavidA structural model for the 'Eroica' finale? ColMSymposium 22 2 1982 138-147
6. Jordan, PaulHelmut Walcha: artist-teacher. ColMSymposium 22 2 1982 148-154
7. Harrow, PeterBach the humorist. ColMSymposium 25 1985 48-51
8. Rogers, M. R.The Rich Messiness of Music. Teaching Theory in Music With Contradictions and Paradox. ColMSymposium 30 1 1990 134-135; 137-139
9. Loewy, Andrea KapellFrederick the Great: Flutist and composer. ColMSymposium 30 2 1990 117-125
10. Harrow, PeterNew Solutions to Canon 10 of J. S. Bach's Fourteen Canons BWV 1087. ColMSymposium 30 2 1990 90-99
11. Crist, Stephen A.Beyond 'Bach-Centrism': Historiographic Perspectives on Johann Sebastian Bach and Seventeenth-Century Music. ColMSymposium 33-34 1993-94 56-69
12. Lester, JoelJ. S. Bach teaches us how to compose: four pattern Preludes of the Well-Tempered Clavier. ColMSymposium 38 1998 33-46
13. Mendel, ArthurDocumentary evidence concerning the aria 'Ich folge dir gleichfalls' from Bach's St.John Passion'. ColMSymposium 5 1965 63-67
14. Grout, Donald JayHistorical approach. No.13 'Ich folge dir gleichfalls' from Bach's 'Passion according to St.John'. ColMSymposium 5 1965 68-76
15. Cohe, E. T.On the structure of Bach's 'Ich folge Dir'. [BWV 245/13] ColMSymposium 5 1965 77-87
16. Lippman, Edward A.An interpretation of Bach's 'Ich folge dir gleichfalls'. ColMSymposium 5 1965 88-96
17. Scharf, Warren A.Baldwin-Wallace College. ColMSymposium 9 1969 21-22

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