Bach Bibliography
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Series : ^ChoralJ$
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TypeListAuthor Title[further info]SeriesVolNoYearPagesStatus
[]
1. Ehmann, WilhelmPerformance practices in the Baroque period. ChoralJ 11 9 May 1971 12-13
2. Radice, Mark; Radice JeanInterview with Helmuth Rilling. ChoralJ 16 3 Nov 1975 5-6
3. Spitta, PhilippThe Passion Music of Sebastian Bach and Heinrich Schuetz. ChoralJ 16 3 Nov 1975 10-13
4. Brewer, Richard H.C. P. E. Bach and his Oratorios. ChoralJ 21 5 Jan 1981 34, 36-40
5. Jamison, WardBach's 'St. John Passion' - a look at the Text and a New Numbering System. ChoralJ 21 6 Feb 1981 41-44
6. Janower, David M.Aria form in the Bach B-minor Mass. ChoralJ 22 4 Dec 1981 17-19,22
7. Scott, Earl K.Bach and the twenty-third Psalm. ChoralJ 22 8 Apr 1982 39-42
8. Castle, ConanThe motets of Johann Michael Bach. ChoralJ 24 10 Jun 1984 11-21
9. Steinitz, PaulBach in the Thomaskirche. ChoralJ 25 10 Jun 1985 6
10. Rilling, HelmuthBach's significance. ChoralJ 25 10 Jun 1985 7-14
11. Ehmann, WilliamPerformance of the cantus firmus 'O Lamm Gottes unschuldig' in the opening chorus of Johann Sebastian Bach's 'St. Matthew Passion'. ChoralJ 25 10 Jun 1985 15-19
12. Moses, Don V; Demarec, Robert W. Jr.Articulation in Late Baroque Choral Music. ChoralJ 27 10 May 1987 17-30
13. Hickman, JoeA Performers Guide To J. S. Bach's Cantata BWV 106. ChoralJ 27 2 Sep 1986 15-18
14. Alwes, Chester L.J. S. Bach's 'Lutheran' Masses: Aspects of Chronology and Structure. ChoralJ 29 7 Feb 1989 5-11
15. Dox, Thurston J.Samuel Felsted's Jonah - The Earliest American Oratorio. ChoralJ 32 7 Feb 1992 27-32
16. Town, StephenMendelssohn's Lobgesang: A fusion of forms and textures. ChoralJ 33 4 Nov 1992 19-26
17. Griggs-Janower, DavidMendelssohn's Chorale Cantatas: A Well-Kept Secret. ChoralJ 33 4 Nov 1992 31-33
18. Jones, PerryThe Bethlehem Bach Choir approaches its centennial. ChoralJ 34 9 Apr 1994 13-18
19. Hansen, Sharon A.Helmut Rilling celebrates two anniversaries. ChoralJ 35 5 Dec 1994 9-15
20. Thomas, Elmer; Jones, Erik ReidJ. S. Bach's B-Minor Mass: Symbolism and Twentieth-Century Performance Practices. ChoralJ 35 8 Mar 1995 21-29
21. Oglesby, DonaldIndex to Bach Cantata Scores: Locations in the Bach Gesellschaft Edition, Neue Bach Ausgabe, Hänssler/Carus Verlag Catalog, and Kalmus Catalog. ChoralJ 35 8 Mar 1995 37-39, 42-44
22. Meredith, SarahWie schön leuchtet der Morgenstern in the Chorale Cantatas of J. S. Bach. ChoralJ 38 5 Dec 1997 9-14
23. Music, David W.Camille Saint-Saëns' Christmas oratorio: Description, accessibility, comparison. ChoralJ 39 5 Dec 1998 49-53
24. Curtis, JohnBach and Graupner: The Audition Cantatas. ChoralJ 39 7 Feb 1999 9-15
25. Hoekema van Wyck, HelenMourning into dancing: Dance rhythms in J.S. Bach's St. Matthew Passion. ChoralJ 40 3 Oct 1999 9-22
26. Crist, Stephen A.Recitatives and Arias in Bach's Leipzig Church Cantatas. ChoralJ 41 4 Nov 2000 9-20
27. Alwes, Chester L.J.S. Bach and the Concerto: Ritornello as a Guide to Rehearsal. ChoralJ 41 4 Nov 2000 21-28
28. Hamer, BrianBach's Use of the Chiasm in the St John Passion. ChoralJ 41 4 Nov 2000 29-36
29. Sargent, MarthaBach Cantatas for Choirs. ChoralJ 41 4 Nov 2000 39-45
30. Flannagan, PatSelected Examples of Choreinbau in the Cantatas of J.S. Bach. ChoralJ 41 5 Dec 2000 25-35
31. Cook, Grant W., IIIBach in Boston: The Emergence of the St. Matthew Passion, from 1868 to 1879. ChoralJ 41 9 Apr 2001 21-33
32. Rathey, MarkusChristmas 1723. Johann Sebastian Bach's Artistic Evolution. ChoralJ 48 1 Jul 2007 14-23
33. Gingrich, LindaHidden Allegory in J.S. Bach's 1724 Trinity Season Chorale Cantatas. ChoralJ 51 1 Aug 2010 6-17
34. Fuller, RobertA brief study of the Six motets of Johann Sebastian Bach. ChoralJ 8 2 Nov-Dec 1967 14-15
35. Pisano, Richard C.The Problem of Accompaniment. ChoralJ 9 1 Jul-Aug 1968 21-22
36. Pisano, Richard C.On Bach's Motets. (The Relationship of Text and Music). ChoralJ 9 2 Sep-Oct 1968 19-21
37. Pisano, Richard C.On Bach's Motets. Analysis of Compositional Technique used for Double Choir. ChoralJ 9 3 Nov-Dec 1968 21-23

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