Type | List | Title [further info![Display full bibliographical information](http://homepages.bw.edu/bachbib/images/expand.gif) ] | Series | Vol | No | Year![Reorder chronologically](http://homepages.bw.edu/bachbib/images/sort.gif) | Pages | Status |
| 1. | The organic nature of fugue as demonstrated in the C minor fugue from Bach's Well-tempered clavier, book I. |
CambridgeStudMTheoryAnalysis |
8 | | 1996 |
31-54 |
![English](http://homepages.bw.edu/bachbib/images/flags/United-Kingdom.gif) |
| 2. | The sarabande of Bach's suite no 3. for solo violoncello [BWV 1009]. |
CambridgeStudMTheoryAnalysis |
8 | | 1996 |
55-58 |
![English](http://homepages.bw.edu/bachbib/images/flags/United-Kingdom.gif) |
| 3. | A counter-example: Max Reger's variatons and fugue on a theme by Bach, op. 81, for piano. |
CambridgeStudMTheoryAnalysis |
8 | | 1996 |
106-117 |
![English](http://homepages.bw.edu/bachbib/images/flags/United-Kingdom.gif) |
| 4. | The masterwork in music: A yearbook. II (1926). Edited by William Drabkin; translated by Ian Bent ... [et al.]. Cambridge: Cambridge University Press, 1996. xvii, 133p. ISBN: 0-521-45542-1. (= Cambridge studies in music theory and analysis, 8) |
CambridgeStudMTheoryAnalysis |
8 | | 1996 |
xvii, 133p |
![English](http://homepages.bw.edu/bachbib/images/flags/United-Kingdom.gif) |