Type | List | Author | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Schenker, Heinrich; Siegel, Hedi | The organic nature of fugue as demonstrated in the C minor fugue from Bach's Well-tempered clavier, book I. |
CambridgeStudMTheoryAnalysis |
8 | | 1996 |
31-54 |
|
| 2. | Schenker, Heinrich | The sarabande of Bach's suite no 3. for solo violoncello [BWV 1009]. |
CambridgeStudMTheoryAnalysis |
8 | | 1996 |
55-58 |
|
| 3. | Rothgeb, John; Schenker, Heinrich | A counter-example: Max Reger's variatons and fugue on a theme by Bach, op. 81, for piano. |
CambridgeStudMTheoryAnalysis |
8 | | 1996 |
106-117 |
|
| 4. | Schenker, Heinrich | The masterwork in music: A yearbook. II (1926). |
CambridgeStudMTheoryAnalysis |
8 | | 1996 |
xvii, 133p |
|