Type | List | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Ima, Bach no Kantata o. [Bach's Cantata Now] |
BachZenshu |
1 | | Apr 1996 |
12-23 |
|
| 2. | Kantata no Saihakken to Juyo. [Rediscovery of Cantata and Reception] |
BachZenshu |
1 | | Apr 1996 |
24-35 |
|
| 3. | Bach no Seikatsu Isshukan. [One Week of Bach's Life] |
BachZenshu |
1 | | Apr 1996 |
36-44 |
|
| 4. | Iesu no Shogai. Pictorial J. S. Bach. [The Life of Jesus] |
BachZenshu |
1 | | Apr 1996 |
45-52 |
|
| 5. | Bach, Barokku, Bauhaus. |
BachZenshu |
1 | | Apr 1996 |
54-64 |
|
| 6. | 'Tamashii' no Ongaku [The Music of the Spirit'] |
BachZenshu |
1 | | Apr 1996 |
65-71 |
|
| 7. | Gusha to Kantata. [Inferior people and Cantata] |
BachZenshu |
1 | | Apr 1996 |
72-78 |
|
| 8. | 'Rekishi no Naka' no Bach, 'Rekishi no Soto' no Bach. [Bach inside the History; Bach outside the History] |
BachZenshu |
1 | | Apr 1996 |
80-105 |
|
| 9. | Seishogaku e no Maneki. Bach ni made tsuzuku Michi. [Invitation to Bible Study: The Way leading to Bach] |
BachZenshu |
1 | | Apr 1996 |
106-115 |
|
| 10. | Kazu, Shukyo, Ongaku. Pythagoras. [Number, Religion, Music: Pythagoras] |
BachZenshu |
1 | | Apr 1996 |
116-125 |
|
| 11. | Barokku towa nani ka. Hizunda Shinju ni utsuru mono. [What is Baroque?: the matter reflected in the distorted pearl] |
BachZenshu |
1 | | Apr 1996 |
126-135 |
|
| 12. | Bach to Kyokai. Bach no Shogai. [Bach's life: Bach and the Church] |
BachZenshu |
1 | | Apr 1996 |
136-145 |
|
| 13. | J. S. Bach Nenpu. [J. S. Bach chronicle] |
BachZenshu |
1 | | Apr 1996 |
146-157 [144-155] |
|
| 14. | Kantata Dai-1-Ban - Dai-36-Ban. Sakuhin Kaisetsu. [Commentary. Cantata nos.1-36] |
BachZenshu |
1 | | Apr 1996 |
234-275 [26-67] |
|
| 15. | Kyokai Kantata I / Kirchenkantaten 1 / Church cantatas 1. Tokyo: Shogakukan, 1996. 297p. ISBN: 4-09-612001-4. (= Bach Zenshu, 1; Complete Johann Sebastian Bach edition, 1) |
BachZenshu |
1 | | Apr 1996 |
297p |
|
| 16. | Ongaku no Shujiho. [Musical Rhetoric] |
BachZenshu |
7 | | Oct 1996 |
12-23 |
|
| 17. | Bach no Motetto o meguru Kosatsu: Seiritsushi, Kashi to Keishiki, Enso no Dento. [On Bach's Motet: Its origin, verse form and performance tradition] trans. by Ryuichi Higuchi |
BachZenshu |
7 | | Oct 1996 |
24-33 |
|
| 18. | Bach ni yoru Junankyoku Joen ni tsuite. [On the performance of Passions by Bach] |
BachZenshu |
7 | | Oct 1996 |
34-47 |
|
| 19. | Doitsu-teki towa nani ka: Spitta no 'Bach-den' o megutte. [What is German-like? On Spitta's biography of Bach] |
BachZenshu |
7 | | Oct 1996 |
48-65 |
|
| 20. | 'Ro-Tancho Misa' saiko. [Revisiting the 'B-minor Mass'] |
BachZenshu |
7 | | Oct 1996 |
66-76 |
|
| 21. | Iesu no Junan. Pictorial J. S. Bach. [The passion of Jesus] |
BachZenshu |
7 | | Oct 1996 |
77-84 |
|
| 22. | Bach ni Seishin no ayumi o. Uchu no Chitsujo o mita Hesse. [Identifying the course of spirit in Bach: Hesse viewed from the order of the universe.] |
BachZenshu |
7 | | Oct 1996 |
86-93 |
|
| 23. | Bach wa Ongaku no Sansukuritto. [Bach is the Sanskrit of music] |
BachZenshu |
7 | | Oct 1996 |
94-100 |
|
| 24. | Kaiga ni arawareta 'Ieru Junan' no sugata: Catholic to Protestant. [The figure of 'Jesus's Crucifixion' in paintings: Catholic and Protestant] |
BachZenshu |
7 | | Oct 1996 |
102-115 |
|
| 25. | Maniera-Richeruka-ta: Bach no 'Barokku' ni tsuite. [Maniella-Ricercata: on Bach's 'Baroque'] |
BachZenshu |
7 | | Oct 1996 |
116-127 |
|
| 26. | Fuhenteki Harmony o koete. Dekaruto no Ongakuron to sono Shuhen. [Going beyond universal harmony: Descartes' Music theory and around his circle] |
BachZenshu |
7 | | Oct 1996 |
128-141 |
|
| 27. | Chooetsusei to Shinpisei. [Trancendency and Mystique] |
BachZenshu |
7 | | Oct 1996 |
142-151 |
|
| 28. | Tsuneni Mikansei. Leipzig Jidai no Bach no Shigoto. Bach no Shogai. [Bach's life: Always incomplete: Bach's works in Leipzig] |
BachZenshu |
7 | | Oct 1996 |
152-167 |
|
| 29. | Yohane Junankyoku BWV 245. Sakuhin Kaisetsu. Misakyoku, Junankyoku [1]. - [Johannes-Passion, BWV 245; commentary] |
BachZenshu |
7 | | Oct 1996 |
198-211 [58-71] |
|
| 30. | Manifikato Ni-Chocho BWV 243. Sakuhin Kaisetsu. Misakyoku, Junankyoku [1]. - [Magnificat, BWV 243; commentary] |
BachZenshu |
7 | | Oct 1996 |
211-215 [54-58] |
|
| 31. | Shomisakyoku ni tsuite; Sho-Misakyoku ni ten'yo sareta Genkyoku; [Kaisetsu] BWV 233-236. Sakuhin Kaisetsu. Misakyoku, Junankyoku [1]. - [On Missa brevis; On original works which parodiert into Missa brevis, BWV 233-236; commentary] |
BachZenshu |
7 | | Oct 1996 |
215-219 [50-54] |
|
| 32. | Misakyoku Ro-Tancho BWV 232. Sakuhin Kaisetsu. Misakyoku, Junankyoku [1]. - [Messe in h-Moll, BWV 232; commentary] |
BachZenshu |
7 | | Oct 1996 |
219-239 [30-50] |
|
| 33. | Motetto ni tsuite; Bach no Motetton ni tsuite; [Kaisetsu] BWV 225-230, 231, Anh.159, 118b [sic]. Sakuhin Kaisetsu. Misakyoku, Junankyoku [1]. - [On motett; On Bach's motett; commentary BWV 225-230, 231, Anh. 159, 118 (later version)]. |
BachZenshu |
7 | | Oct 1996 |
239-247 [22-30] |
|
| 34. | Misakyoku, Junankyoku I / Messen und Passionen 1 / Masses and passions 1. Tokyo: Shogakukan, 1996. 265p. ISBN: 4-09-612007-3. (= Bach Zenshu, 7; Complete Johann Sebastian Bach edition, 7) |
BachZenshu |
7 | | Oct 1996 |
265p |
|
| 35. | Orpheus o koete. Bach to Klavier o meguru kosatsu. [Beyond Orpheus: a thought on Bach and Clavier] |
BachZenshu |
11 | | Jul 1996 |
12-27 |
|
| 36. | Bach e no Michi. Watashi no Baai. Trans. by Hiroko Kato. [A way to Bach: in my case] |
BachZenshu |
11 | | Jul 1996 |
28-39 |
|
| 37. | Bach no Klavier Renshukyokushuu Shiriizu. Trans. by Teruhiko Nasu. [Bach's Clavierübung Series] |
BachZenshu |
11 | | Jul 1996 |
40-53 |
|
| 38. | Klavier kumikyoku no Rekishi to Bach. [The History of Clavier suites and Bach] |
BachZenshu |
11 | | Jul 1996 |
54-67 |
|
| 39. | France Gendai Ongaku to Bach. [Modern French music and Bach] |
BachZenshu |
11 | | Jul 1996 |
68-77 |
|
| 40. | Lüneburg no Bach to Clavichord. [Bach in Lüneburg and Clavichord] |
BachZenshu |
11 | | Jul 1996 |
78-87 |
|
| 41. | 19-Seiki no Cembalo Fukko. [Harpsichord revival in the 19th century] |
BachZenshu |
11 | | Jul 1996 |
88-100 |
|
| 42. | Bach o torimaku Kenbangakki. Pictorial J. S. Bach. [Keyboard instruments surrounding Bach] |
BachZenshu |
11 | | Jul 1996 |
101-108 |
|
| 43. | 'Seimei' no Ongaku. [The music of 'Life'] |
BachZenshu |
11 | | Jul 1996 |
110-117 |
|
| 44. | Bach Esukisu. [Bach Esquisse.] |
BachZenshu |
11 | | Jul 1996 |
118-126 |
|
| 45. | Fudo to Bunka to Shinko to. [With climate, culture and belief] |
BachZenshu |
11 | | Jul 1996 |
128-139 |
|
| 46. | Oto no Minshuka. [Democratisation of sound] |
BachZenshu |
11 | | Jul 1996 |
140-151 |
|
| 47. | Gensen to shite no Ongaku. Nietzsche. [Music as the origin: Nietzsche] |
BachZenshu |
11 | | Jul 1996 |
152-163 |
|
| 48. | Toshi to Kenchiku. [City and Architecture] |
BachZenshu |
11 | | Jul 1996 |
164-173 |
|
| 49. | Kyoikusha to shite no Bach. Bach no Shogai. [Bach's life: Bach as an educator] |
BachZenshu |
11 | | Jul 1996 |
174-186 |
|
| 50. | 'Clavier Renshukyokushu Dai-1-Bu' '6-tsu no Partita' ni tsuite. Sakuhin Kaisetsu. Chenbaro Kyoku [1]. - [On Clavierübung part 1 '6 Partitas'; commentary; BWV 825-830] |
BachZenshu |
11 | | Jul 1996 |
188-196 [53-61] |
|
| 51. | 'Furansu Kumikyoku' to 2tsu no 'Kumikyoku' ni tsuite. Sakuhin Kaisetsu. Chenbaro Kyoku [1]. - [On French suites and other two suites; commentary; BWV 812-817, 818/818a, 819/819a] |
BachZenshu |
11 | | Jul 1996 |
196-205 [44-53] |
|
| 52. | Igirisu Kumikyoku ni tsuite. Sakuhin Kaisetsu. Chenbaro Kyoku [1]. - [On English Suites; commentary; BWV 806-811] |
BachZenshu |
11 | | Jul 1996 |
205-214 [35-44] |
|
| 53. | Kumikyoku ni tsuite. Sakuhin Kaisetsu. Chenbaro Kyoku [1]. - [On Clavier Suites] |
BachZenshu |
11 | | Jul 1996 |
214-215 [34-35] |
|
| 54. | [Kaisetsu BWV 894]; Reinken no Trio Sonata no Bach ni yoru Henkyoku ni tsuite; [Kaisetsu BWV 965] Sakuhin Kaisetsu. Chenbaro Kyoku [1]. - [commentary BWV 894; On Bach's arrangements of Reincken's Trio Sonatas; commentary BWV 965] |
BachZenshu |
11 | | Jul 1996 |
215-219 [30-34] |
|
| 55. | 'Wilhelm Friedemann Bach no tame no Clavier Shokyokushu' ni tsuite; Hisseki no Kenkyu ni tsuite. Sakuhin Kaisetsu. Chenbaro Kyoku [1]. [On Clavierbüchlein for W. F. Bach; On handwriting research] |
BachZenshu |
11 | | Jul 1996 |
219-222 [27-30] |
|
| 56. | Furansu-fu Jokyoku Ro-Tancho BWV 831. Sakuhin Kaisetsu. Chenbaro Kyoku [1]. - [French Overture in B minor, BWV 831 (commentary)] |
BachZenshu |
11 | | Jul 1996 |
222-224 [25-27] |
|
| 57. | 4tsu no Duetto BWV 802-805 [in Clavierübung III]. Sakuhin Kaisetsu. Chenbaro Kyoku [1]. - [4 Duets; commentary; BWV 802-805] |
BachZenshu |
11 | | Jul 1996 |
224-225 [24-25] |
|
| 58. | Invention (2-sei) to Sinfonia (3-sei) BWV 772-801. Sakuhin Kaisetsu. Chenbaro Kyoku [1]. [Inventions and Sinfonias BWV 772-801 (commentary)] |
BachZenshu |
11 | | Jul 1996 |
224-231 [18-25] |
|
| 59. | Chenbaro Kyoku I / Werke für Cembalo 1 / Music for harpsichord 1. Tokyo: Shogakukan, 1996. 245p. ISBN: 4-09-612011-1. (= Bach Zenshu, 11; Complete Johann Sebastian Bach edition, 11) |
BachZenshu |
11 | | Jul 1996 |
245p |
|