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Bach Bibliography Search Result |
Series : ^BachPerspectives$Your search has generated the following results ...
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| Type | List | Author  | Title[further info  ] | Series | Vol | No | Year | Pages | Status |
|---|---|---|---|---|---|---|---|---|---|
 | 1. | Schulenberg, David | Composition and Improvisation in the School of J. S. Bach. | BachPerspectives | 1 | 1-42 |
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| | 2. | Stinson, Russell | The Compositional History of Bach's Orgelbüchlein Reconsidered. | BachPerspectives | 1 | 43-78 |
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| | 3. | Marissen, Michael | Concerto Styles and Signification in Bach's First Brandenburg Concerto. | BachPerspectives | 1 | 79-101 |
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| | 4. | Chafe, Eric T. | 'Anfang und Ende': Cyclic Recurrence in Bach's Cantata 'Jesu, nun sei gepreiset', BWV 41. | BachPerspectives | 1 | 103-134 |
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| | 5. | Crist, Stephen A. | The Question of Parody in Bach's Cantata 'Preise dein Glücke, gesegnetes Sachsen', BWV 215. | BachPerspectives | 1 | 135-161 |
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| | 6. | Brokaw, James A., II | The Perfectability of J. S. Bach, or Did Bach Compose the Fugue on a Theme by Legrenzi, BWV 574a? | BachPerspectives | 1 | 163-180 |
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 | 7. | Stinson, Russell (ed.) | Bach Perspectives I. Lincoln NE, Univ. of Nebraska Press, 1995. xii, 226p. | BachPerspectives | 1 | xii, 226p |
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| | 8. | Stauffer, George B. | The Breitkopf Family and Its Role in Eighteenth-Century Music Publishing. | BachPerspectives | 2 | 1-9 |
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| | 9. | May, Ernest | Connections between Breitkopf and J. S. Bach. | BachPerspectives | 2 | 11-26 |
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| | 10. | Glöckner, Andreas | Church Cantatas in the Breitkopf Catalogs. | BachPerspectives | 2 | 27-33 |
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| | 11. | Schulze, Hans-Joachim | J. S. Bach's Vocal Works in the Breitkopf Nonthematic Catalogs of 1761 to 1836. | BachPerspectives | 2 | 35-49 |
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| | 12. | Kobayashi, Yoshitake | Breitkopf Attributions and Research on the Bach Family. | BachPerspectives | 2 | 53-63 |
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| | 13. | Daub, Peggy | The Publications Process and Audience for C. P. E. Bach's 'Sonaten für Kenner und Liebhaber'. | BachPerspectives | 2 | 65-83 |
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| | 14. | Zaslaw, Neal | The Breitkopf Firm's Relations with Leopold and Wolfgang Mozart. | BachPerspectives | 2 | 85-103 |
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| | 15. | Kobayashi, Yoshitake | On the Identification of Breitkopf's Manuscripts. | BachPerspectives | 2 | 107-121 |
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| | 16. | Hill, Goerge R. | Identifying Breitkopf House Copies Produced by the Firm's Own Scribes: A Preliminary Survey. | BachPerspectives | 2 | 123-141 |
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| | 17. | Cammarota, Robert M. | The Magnificat Listings in the Early Breitkopf Nonthematic Catalogs. | BachPerspectives | 2 | 143-156 |
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| | 18. | Butler, Gregory G. | Johann Gottlob Immanuel Breitkopf: The Formative Years. | BachPerspectives | 2 | 159-168 |
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| | 19. | Landmann, Ortrun | Breitkopf's Music Trade as Reflected in the Holdings of the Sächsische Landesbibliothek. | BachPerspectives | 2 | 169-179 |
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| | 20. | Stauffer, George B. | The Thomasschule and the Haus 'zum Goldenen Bären': A Bach-Breitkopf Architectural Connection. | BachPerspectives | 2 | 181-203 |
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| | 21. | Stauffer, George B. (ed.) | Bach Perspectives 2: J. S. Bach, the Breitkopfs, and Eighteenth-Century Music Trade. Lincoln, Neb.: Univ. of Nebraska Press, 1996. xv, 219p | BachPerspectives | 2 | xv, 219p |
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| | 22. | Finscher, Ludwig | Bach's Posthumous Role in Music History. | BachPerspectives | 3 | 1-21 |
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| | 23. | Christensen, Thomas | Bach among the Theorists. | BachPerspectives | 3 | 23-46 |
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| | 24. | Marshall, Robert L. | Bach and Mozart's Artistic Maturity. | BachPerspectives | 3 | 47-79 |
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| | 25. | Kinderman, William | Bachian Affinities in Beethoven. | BachPerspectives | 3 | 81-108 |
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| | 26. | Frisch, Walter | Bach, Brahms, and the Emergence of Musical Modernism. | BachPerspectives | 3 | 109-131 |
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| | 27. | Hinton, Stephen | Hindemith, Bach, and the Melancholy of Obligation. Also in: Hindemith-Jahrbuch, 27 (1998), pp. 197-217. | BachPerspectives | 3 | 133-150 |
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| | 28. | Marissen, Michael (ed.) | Bach Perspectives 3: Creative Responses to Bach from Mozart to Hindemith. Lincoln, Neb.: University of Nebraska Press, 1998. ix, 160p. ISBN: 0-8032-1048-5. | BachPerspectives | 3 | ix, 160p |
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| | 29. | Butler, Gregory G. | The Question of Genre in J. S. Bach's Fourth Brandenburg Concerto. | BachPerspectives | 4 | 9-32 |
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| | 30. | Mann, Alfred | Introduction: Bach's Orchestral Music. | BachPerspectives | 4 | 3-8 |
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| | 31. | Swack, Jeanne | Modular Structure and the Recognition of Ritornello in Bach's Brandenburg Concertos. | BachPerspectives | 4 | 33-53 |
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| | 32. | Koster, John | The Harpsichord Culture in Bach's Environs. | BachPerspectives | 4 | 57-77 |
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| | 33. | Oleskiewicz, Mary | The Trio in Bach's Musical Offering: A Salute to Frederick's Tastes and Quantz's Flutes? | BachPerspectives | 4 | 79-110 |
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| | 34. | Schulenberg, David | Versions of Bach: Performing Practice in the Keyboard Works. | BachPerspectives | 4 | 111-135 |
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| | 35. | Renwick, William | 39. Praeludia et Fugen del Signor Johann Sebastian Bach? The Langloz Manuscript, SBB Mus. ms. Bach P 296. | BachPerspectives | 4 | 137-158 |
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| | 36. | Walker, Paul | Fugue in the Music-Rhetorical Analogy and Rhetoric in the Development of Fugue. | BachPerspectives | 4 | 159-179 |
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| | 37. | Butt, John | Bach Recordings since 1980: A Mirror of Historical Performance. | BachPerspectives | 4 | 181-198 |
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| | 38. | Schulenberg, David (ed) | Bach Perspectives, vol. 4. The Music of J. S. Bach. Analysis and Interpretation. Lincoln: Nebraska: University of Nebraska Press, 1999. x, 208p | BachPerspectives | 4 | x, 208p |
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| | 39. | Owen, Barbara | Bach Comes to America. | BachPerspectives | 5 | 1-14 |
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| | 40. | Dirst, Matthew | Doing Missionary Work: Dwight's Journal of Music and the American Bach Awakening. | BachPerspectives | 5 | 15-35 |
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| | 41. | Brovles, Michael | Haupt's Boys: Lobbying for Bach in Nineteenth-Century Boston. | BachPerspectives | 5 | 37-55 |
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| | 42. | Greer, Mary J. | 'The Public...Would Probably Prefer Something that Appeals Less to the Brain and More to the Senses': The Reception of Bach's Music in New York City, 1855-1900. | BachPerspectives | 5 | 57-114 |
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| | 43. | Schulze, Hans-Joachim | 'A Lineal Descendant of the Great Musician, John Sebastian Bach'? Bach Descendants in the United States and the Problem of Family Oral Tradition. Trans. by Alfred Mann. | BachPerspectives | 5 | 115-122 |
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| | 44. | Wolff, Christoph | Descendants of Wilhelm Friedemann Bach in the United States. | BachPerspectives | 5 | 123-130 |
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| | 45. | Wollny, Peter | On Miscellaneous American Bach Sources. [BWV 766, 772, 784] | BachPerspectives | 5 | 131-150 |
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| | 46. | Baron, Carol Kitzes | 'Father Knew (and Filled Me Up with) Bach': Bach and Ives--Affinities in Lines and Spaces. | BachPerspectives | 5 | 151-177 |
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| | 47. | Crist, Stephen A. | The Role and Meaning of the Bach Chorale in the Music of Dave Brubeck. | BachPerspectives | 5 | 179-215 |
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| | 48. | Crist, Stephen A. (ed.) | Bach perspectives. Volume Five. Bach in America. Urbana and Chicago: University of Illinois Press, 2003. xiv, 227p | BachPerspectives | 5 | xiv, 227p |
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| | 49. | Rifkin, Joshua | The 'B-Minor Flute Suite' Deconstructed. New Light on Bach's Ouverture BWV 1067. | BachPerspectives | 6 | 1-98 |
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| | 50. | Swack, Jeanne | A Comparison of Bach's and Telemann's Use of the Ouverture as Theological Signifier. [BWV 20, 61, 97, 110, 119, 194] | BachPerspectives | 6 | 99-135 |
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| | 51. | Zohn, Steven | Bach and the Concert en ouverture. | BachPerspectives | 6 | 137-156 |
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| | 52. | Butler, Gregory G. | Bach Perspectives. Volume Six. J. S. Bach's Concerted Ensemble Music, The Ouverture. Urbana and Chicago: University of Illinois Press, 2007. xi, 163p. ISBN: 0-252-03042-7. | BachPerspectives | 6 | xi, 163p |
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| | 53. | Butler, Gregory G. | Bach the Cobbler: The Origins of J. S. Bach's E-Major Concerto (BWV 1053). | BachPerspectives | 7 | 1-20 |
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| | 54. | Dirksen, Pieter | J. S. Bach's Violin Concerto in G Minor. | BachPerspectives | 7 | 21-54 |
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| | 55. | Schulenberg, David | The Sonate auf Concertenart: A Postmodern Invention? | BachPerspectives | 7 | 55-96 |
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| | 56. | Wolff, Christoph | Sicilianos and Organ Recitals: Observations on J. S. Bach's Concertos. [BWV 1043, 1053] | BachPerspectives | 7 | 97-114 |
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| | 57. | Butler, Gregory G. (ed.) | Bach Perspectives. Volume Seven. J. S. Bach's Concerted Ensemble Music, The Concerto. Urbana and Chicago: University of Illinois Press, 2008. xi, 121p. ISBN-10 0-252-03165-2. ISBN13 978-0-252-03165-6. | BachPerspectives | 7 | xi, 121p |
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| | 58. | Wolff, Christoph | Under the Spell of Opera? Bach's Oratorio Trilogy. | BachPerspectives | 8 | 1-12 |
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| | 59. | Melamed, Daniel R. | Johann Sebastian Bach and Barthold Heinrich Brockes. | BachPerspectives | 8 | 13-41 |
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| | 60. | Rathey, Markus | Drama and Discourse: The Form and Function of Chorale Tropes in Bach's Oratorios. | BachPerspectives | 8 | 42-68 |
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| | 61. | Snyder, Kerala J. | Oratorio on Five Afternoons: From the Lübeck Abendmusiken to Bach's Christmas Oratorio. | BachPerspectives | 8 | 69-95 |
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| | 62. | Dreyfus, Laurence | The Triumph of 'Instrumental Melody': Aspects of Musical Poetics in Bach's St. John Passion. | BachPerspectives | 8 | 96-121 |
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| | 63. | Chafe, Eric | Bach's Ascension Oratorio: God's Kingdoms and Their Representation. | BachPerspectives | 8 | 122-145 |
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| | 64. | Melamed, Daniel R. (ed.) | J. S. Bach and the Oratorio Tradition. Urbana, Chicago and Springfield: University of Illinois Press, 2011. ix, 153p. ISBN-10 0-252-03584-4. ISBN13 978-0-252-03584-5. | BachPerspectives | 8 | ix, 153p |
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