Type | List | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Introduction. Bach on Screen. |
Bach |
50 | 1 | 2019 |
1-4 |
|
| 2. | Status, Standards, and Stereotypes: J. S. Bach's Presence in the Silent Era. Bach on Screen. |
Bach |
50 | 1 | 2019 |
5-31 |
|
| 3. | From the Concert Hall to the Console: Three 8-Bit Translations of the Toccata and Fugue in D Minor. Bach on Screen. [BWV 565] |
Bach |
50 | 1 | 2019 |
32-62 |
|
| 4. | First Mathematics, Then Music: J. S. Bach, Glenn Gould, and the Evolutionary Supergenius in The Outer Limits' 'The Sixth Finger' (1963). Bach on Screen. |
Bach |
50 | 1 | 2019 |
63-80 |
|
| 5. | Terminal Bach: Technology, Media, and the Goldberg Variations in Postwar American Culture. Bach on Screen. |
Bach |
50 | 1 | 2019 |
81-117 |
|
| 6. | Voice of the Dance: J. S. Bach and Other Classics in the Maksimova-Vasiliev Film Fouetté (1986). Bach on Screen. |
Bach |
50 | 2 | Fall 2019 |
136-174 |
|
| 7. | J. S. Bach, Jean-Luc Godard, and the Reimagining of the Immaculate Conception in Hail Mary (1985). Bach on Screen. |
Bach |
50 | 2 | Fall 2019 |
175-219 |
|
| 8. | The Consecration of the Marginalized: Pasolini's Use of J. S. Bach in Accattone (1961) and Il Vangelo Secondo Matteo (1964). Bach on Screen. |
Bach |
50 | 2 | Fall 2019 |
220-253 |
|
| 9. | Another Woody: J. S. Bach in Dixieland. Bach on Screen. |
Bach |
50 | 2 | Fall 2019 |
254-274 |
|
| 10. | 'Good Hands': The Music of J. S. Bach in Television Commercials. Bach on Screen. |
Bach |
50 | 2 | Fall 2019 |
275-302 |
|