Type | List | Author | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Kiralina, Juzhak | Von der frühesten Version des Wohltemperierten Klaviers Bachs zum Bewusstwerden der Fuge als Allzweckform. A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002. |
[p]IMS_Leuven |
| | Aug 2002 |
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| 2. | Spitzer, Michael | Mediating conceptual metaphor and poetics: how to hear imagery in Bach. A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002. |
[p]IMS_Leuven |
| | Aug 2002 |
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| 3. | Synofzik, Thomas | Inventio and aemulatio: The Two-Part Inventions of Bach's Pupil Heinrich Nicolaus Gerber. A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002. |
[p]IMS_Leuven |
| | Aug 2002 |
|
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| 4. | Tomita, Yo; Fujinami, Tsutomu | Managing a text-critical database of J.S. Bach's 'Well-Tempered Clavier II' with XML and a relational database. A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002. |
[p]IMS_Leuven |
| | Aug 2002 |
|
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| 5. | Kerman, Joseph | Deconstructing a Bach fugue. A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002. |
[p]IMS_Leuven |
| | Aug 2002 |
|
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| 6. | Ferris, David | 'Welcher Fantast ich war': C.P.E. Bach's composed improvisations. A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002. |
[p]IMS_Leuven |
| | Aug 2002 |
|
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| 7. | Szabó-Knotik, Cornelia | Globalizing Bach: classical music, commerce, the media, and blind ownership. A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002. |
[p]IMS_Leuven |
| | Aug 2002 |
|
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| 8. | Hennion, Antoine | Ecouter, c'est refaire ce qu'on écoute: comment musiciens, critiques, amateurs et public ont créé leur Bach, en France au XIXe siècle? [Listening as performance: how musicians, critics, amateurs and the public produced their Bach in 19th-century France] A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002. |
[p]IMS_Leuven |
| | Aug 2002 |
|
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| 9. | Yu, Zhi-Gang | Bach Studies in China. A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002. |
[p]IMS_Leuven |
| | Aug 2002 |
|
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| 10. | Berg, Darrell M. | C.P.E. Bach's Solo keyboard works in the Berlin Sing-Akademie. A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002. |
[p]IMS_Leuven |
| | Aug 2002 |
|
|
| 11. | Wollny, Peter | C.P.E. Bach's instrumental ensemble music. A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002. |
[p]IMS_Leuven |
| | Aug 2002 |
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|
| 12. | Wolff, Christoph | C.P.E. Bach's Polyhymnia -- An unpublished song collection of the 1770s. A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002. |
[p]IMS_Leuven |
| | Aug 2002 |
|
|
| 13. | Corneilson, Paul | C.P.E. Bach's 'Heilig' in various contexts. A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002. |
[p]IMS_Leuven |
| | Aug 2002 |
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| 14. | Leisinger, Ulrich | Compositional procedures in C.P.E. Bach's Hamburg passions. A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002. |
[p]IMS_Leuven |
| | Aug 2002 |
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| 15. | Johnson, Peter; Hong, Ju-Lee | Expressive intonation in cello performance: Bach's C major Sarabande BWV 1009. A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002. |
[p]IMS_Leuven |
| | Aug 2002 |
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| 16. | Allen-Russell, Ann van | A conspiracy of composers: J.C. Bach and C.F. Abel vs. Longman & Lukey. A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002. |
[p]IMS_Leuven |
| | Aug 2002 |
|
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| 17. | Wuidar, Laurence | Genres musical et littéraire en miroir: canons-devises et emblèmes. A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002. |
[p]IMS_Leuven |
| | Aug 2002 |
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