Bach Bibliography Search Result |
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Type | List | Title[further info] | Series | Vol | No | Year | Pages | Status |
---|---|---|---|---|---|---|---|---|
1. | Busoni on how to transcribe from the organ to the piano: an easy course in ten Preludes. | [p]BNUK_Cambridge | ||||||
2. | Consolation by Luther and Bach. | [p]BNUK_Cambridge | ||||||
3. | Bach Digital. | [p]BNUK_Cambridge | ||||||
4. | Bach and God. | [p]BNUK_Cambridge | ||||||
5. | Principles and potential for the development of the performance-academic discourse. | [p]BNUK_Cambridge | ||||||
6. | To what extent is J. S. Bach a compositional theorist? | [p]BNUK_Cambridge | ||||||
7. | The Fleckeisen Document and its Implications. | [p]BNUK_Cambridge | ||||||
8. | New research on Lorenz Mizler. | [p]BNUK_Cambridge | ||||||
9. | Edwin Fischer and Bach-Pianism of the Weimar Republic. | [p]BNUK_Cambridge | ||||||
10. | New Online Resources for Bach Scholarship. | [p]BNUK_Cambridge | ||||||
11. | Analytical studies of selected cantatas by J. S. Bach. | [p]BNUK_Cambridge | ||||||
12. | World launch of the Calov Bible facsimile. | [p]BNUK_Cambridge | ||||||
13. | Treasures in heaven and on earth: poverty and abundance in the life and sacred cantatas of Johann Sebastian Bach. | [p]BNUK_Cambridge | ||||||
14. | Bach and the recorder. | [p]BNUK_Cambridge | ||||||
15. | Redefining the 'permutation fugues' of J. S. Bach: focusing on the differences with the invertible counterpoint developed in North Germany. | [p]BNUK_Cambridge | ||||||
16. | New research on J. C. Bach sources. | [p]BNUK_Cambridge | ||||||
17. | Bach's quaver notation and performance implications. | [p]BNUK_Cambridge | ||||||
18. | Italian Instructive Editions of Bach's Two-Part Inventions, c.1870-1985. | [p]BNUK_Cambridge | ||||||
19. | Activities around the composer's desk: the roles of Bach and his copyists in parody production. | [p]BNUK_Cambridge | ||||||
20. | Prince Albert and the Reception of the Chorale in England. | [p]BNUK_Cambridge | ||||||
21. | The conflict of symmetrical form and text setting by J. S. Bach. | [p]BNUK_Cambridge | ||||||
22. | Critical edition or As You Like It. | [p]BNUK_Cambridge | ||||||
23. | Music via Correspondence: A List of the Collection of Kreuzkirche Organist Emanuel Benisch. | [p]BNUK_Cambridge | ||||||
24. | In the shadow of the Hofkapelle: music and musicians in the circle of the Dresden nobility during the reign of August II and August III. | [p]BNUK_Cambridge | ||||||
25. | Creativity versus censorship in the Lutheran church cantata. | [p]BNUK_Cambridge | ||||||
26. | Bach and the samurai aesthetic framework: the implications of the writings of Utagawa Yoan and Kume Kunitake. | [p]BNUK_Cambridge | ||||||
27. | Enhancing the Spectacular: Busoni on Bach's Goldberg Variations. | [p]BNUK_Cambridge | ||||||
28. | A Copyist of Bach and Zelenka: Identifying the Scribe of GB-Ob MS Tenbury 749. | [p]BNUK_Cambridge | ||||||
29. | Recognition of Counterpoint by the contemporaries of J. S. Bach. | [p]BNUK_Cambridge | ||||||
30. | Bach's Thomaner--Disciples of their Teacher? | [p]BNUK_Cambridge | ||||||
31. | Bach to Africa and Forward towards a global aesthetics of music. | [p]BNUK_Cambridge | ||||||
32. | Organists of Leipzig's royal Catholic chapel 1719-1740 (and beyond). | [p]BNUK_Cambridge | ||||||
33. | A University Student as Librettist - Important Impetus for Bach's Church Music in Leipzig. | [p]BNUK_Cambridge | ||||||
34. | Bahha: Bach and Japan. | [p]BNUK_Cambridge | ||||||
35. | Principles of Performance Lost and Gained: John Butt on Bach-related subjects in conversation with Yo Tomita, Michael Marissen and Bettina Varwig. | [p]BNUK_Cambridge | ||||||
36. | Balzan project and Bach. | [p]BNUK_Cambridge |