Bach Bibliography Search Result

Series : ^[p]BICB_Canterbury$
Year : 2016
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Type	List	Title[further info]	Series	Vol	No	Year	Pages	Status
		[]
	1.	Bach's Suites for Solo Cello (BWV 1007-1012): Textuality and Beyond in the Search for 'Truth'. A paper read at the 17th Biennial International Conference on Baroque Music held at Canterbury Christ Church University, 13-17 July 2016. Abstract on pp. 106-107.	[p]BICB_Canterbury			Jul 2016
	2.	Magnificent Measurements: Significance in the Structure of C. P. E. Bach's Magnificat. A paper read at the 17th Biennial International Conference on Baroque Music held at Canterbury Christ Church University, 13-17 July 2016. Abstract on pp. 137-138.	[p]BICB_Canterbury			Jul 2016
	3.	Towards the accurate understanding of J. C. Altnickol's copies of Bach's works. A paper read at the 17th Biennial International Conference on Baroque Music held at Canterbury Christ Church University, 13-17 July 2016. Abstract on p. 141.	[p]BICB_Canterbury			Jul 2016
	4.	Variations in Practice: The Minuets from the Notenbuch dal Signor Kittell (1789). A paper read at the 17th Biennial International Conference on Baroque Music held at Canterbury Christ Church University, 13-17 July 2016. Abstract on pp. 107-108.	[p]BICB_Canterbury			Jul 2016
	5.	A New Source of Bach's Violin Solos from Vienna. A paper read at the 17th Biennial International Conference on Baroque Music held at Canterbury Christ Church University, 13-17 July 2016. Abstract on pp. 93-94.	[p]BICB_Canterbury			Jul 2016		Latin 2
	6.	From Affects to Individual Sensibility: Emotions and subjectivity from Frescobaldi to Carl Philipp Emanuel Bach. A paper read at the 17th Biennial International Conference on Baroque Music held at Canterbury Christ Church University, 13-17 July 2016. Abstract on pp. 75-76.	[p]BICB_Canterbury			Jul 2016
	7.	Rhythmic ambiguity in Bach's Presto of the Sonata I a Violino Solo senza Basso (BWV 1001). A paper read at the 17th Biennial International Conference on Baroque Music held at Canterbury Christ Church University, 13-17 July 2016. Abstract on p. 64.	[p]BICB_Canterbury			Jul 2016
	8.	Freelance Musician and Entrepreneur: How J.S. Bach Supplemented his Income in Leipzig from 1723 to 1750. A paper read at the 17th Biennial International Conference on Baroque Music held at Canterbury Christ Church University, 13-17 July 2016. Abstract on p. 79.	[p]BICB_Canterbury			Jul 2016
	9.	Formal deviation in the Kyrie of the Mass in B Minor. A paper read at the 17th Biennial International Conference on Baroque Music held at Canterbury Christ Church University, 13-17 July 2016. Abstract on pp. 61-62.	[p]BICB_Canterbury			Jul 2016
	10.	Re-ordering 'The Art of Fugue'? A new, analytical point of view. A paper read at the 17th Biennial International Conference on Baroque Music held at Canterbury Christ Church University, 13-17 July 2016. Abstract on p. 31.	[p]BICB_Canterbury			Jul 2016
	11.	Resonant Tempo, tonality and tempo relationships in J.S. Bach's Orchestral Suite No 2 in B minor. A paper read at the 17th Biennial International Conference on Baroque Music held at Canterbury Christ Church University, 13-17 July 2016. Abstract on pp. 89-90.	[p]BICB_Canterbury			Jul 2016
	12.	The Analysis and Performance of Implied Polyphony in Solo Bach. A paper read at the 17th Biennial International Conference on Baroque Music held at Canterbury Christ Church University, 13-17 July 2016. Abstract on p. 51.	[p]BICB_Canterbury			Jul 2016