Type | List | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | On the Performance of 'Quia respexit ... omnes generationes' from J.S. Bach's Magnificat. |
[p]AMS_Boston |
| | Oct 1998 |
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| 2. | Mattheson's Der vollkommene Capellmeister and J. S. Bach's Late Fugal Writing. |
[p]AMS_Boston |
| | Nov 1981 |
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| 3. | Newly Rediscovered Anonymous Magnificats and their Relationship to J. S. Bach. |
[p]AMS_Boston |
| | Nov 1981 |
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| 4. | Bach's Chorus. |
[p]AMS_Boston |
| | Nov 1981 |
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| 5. | The Identities of the Triumvirate in BWV 38/5 Revealed: The Influence of Luther's Exegesis on Bach's Compositional Choices in a Sacred Terzet. |
[p]AMS_Boston |
| | Oct 1998 |
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| 6. | Genre and Invention in Early Eighteenth-Century Instrumental Music: Sonatas and Concertos from the Bach Circle. |
[p]AMS_Boston |
| | Oct 1998 |
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| 7. | Upstairs at the Thomasschule: Bach's Method of Keyboard Instruction as Revealed in the Manuscripts of H. N. Gerber and Anonymous 5. |
[p]AMS_Boston |
| | Nov 1981 |
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