Type | List | Author | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Wollny, Peter | Prekrasnye ital'ânskie muzykal'nye vesicy na nemeckoj zemle': O tom, kak socinâli muzyku posle Tridcatiletnej vojny. ['The lovely Italian music on German soil': Music composition after the Thirty Years' War] trans. Ol’ga Vladimirovna Gero. |
[cr]Moskva2012 |
| | 2016 |
16-50 |
|
| 2. | Gero, Ol’ga Vladimirovna | Ostinatnye i riturnel'nye formy v Laudate puerri Dominum na primere proizvedenij oz Dûbenovskoj kollekcii. [Ostinato and ritornello forms in the settings of Laudate puerri Dominum: Examples of the works at the Düben collection] |
[cr]Moskva2012 |
| | 2016 |
62-80 |
|
| 3. | Mal'ceva, Anastasiâ Aleksandrovna | Muzykal'no-èkzegeticeskij podhod v kontekste muzykal'noj ritoriki nemeckogo barokko. [Musical-exegetical approach in the context of the musical rhetoric of the German Baroque] |
[cr]Moskva2012 |
| | 2016 |
92-102 |
|
| 4. | Glöckner, Andreas | '...Velikij muzykant, a ne škol'nyj ucitel'...': Zametki na temu—Iogann Sebast'ân Bah—kantor, kapel'mejster, muzykal'nyj direktor. ['...The great musician, not a school teacher...': Notes on the Johann Sebastian Bach as cantor, kapellmeister, and music director] trans. Ol’ga Vladimirovna Gero. |
[cr]Moskva2012 |
| | 2016 |
111-123 |
|
| 5. | Wolff, Christoph | Kak zvucala 'muzyka prežnego roda'? [How did the music of the older generation sound?] |
[cr]Moskva2012 |
| | 2016 |
136-156 |
|
| 6. | Glöckner, Andreas | Utracennaâ so vremën okoncaniâ vojny: O sud'be staroj notnoj biblioteki školy Sv. Fomy v Lejpcige. [Lost since World War II: The music library of the Thomasschule zu Leipzig] trans. Ol’ga Vladimirovna Gero. |
[cr]Moskva2012 |
| | 2016 |
165-182 |
|
| 7. | Dirksen, Pieter | I.S. Bah i tradiciâ horal'noj partity. [J.S. Bach and the choral partita tradition] trans. Ol’ga Vladimirovna Gero. [BWV 766-770] |
[cr]Moskva2012 |
| | 2016 |
192-200 |
|
| 8. | Dirksen, Pieter | Kantata Erfreute Zeit im neuer Bunde i rol' skripki v kantatah pervogo lejpcigskogo godovogo cikla I.S. Baha. [The cantata Erfreute Zeit im neuer Bunde and the role of the violin in Bach's first Leipzig Jahrgang] trans. Ol’ga Vladimirovna Gero. [BWV 83] |
[cr]Moskva2012 |
| | 2016 |
209-228 |
|
| 9. | Âncenko, Olesâ Aleksandrovna | Selig ist der Mann BWV 57 I.S. Baha kak duhovnyj dialog vysšego porâdka. [Selig ist der Mann BWV 57 by J.S. Bach as a sacred dialogue of a higher order] [BWV 57] |
[cr]Moskva2012 |
| | 2016 |
245-254 |
|
| 10. | Nasonov, Roman Aleksandrovic | Vos'moe slovo Hrista: O duhovnom smysle arii Flösst, mein Heiland s ègo iz Roždestvenskoj oratorii Baha. [The eighth word of Christ: On the sacred meaning of the echo aria Flösst, mein Heiland from J.S. Bach's Weihnachts-Oratorium] [BWV 248] |
[cr]Moskva2012 |
| | 2016 |
264-271 |
|
| 11. | Vâzkova, Elena Vasil'evna | K voprosu o tipologii rukopisej i o tvorceskom processe I.S. Baha. [The typology of manuscripts and the creative process of J.S. Bach] [BWV 606, 1080] |
[cr]Moskva2012 |
| | 2016 |
280-292 |
|
| 12. | Merkulov, Aleksandr Mihajlovic | Kadenciâ solista v XVIII–nacale XIX veka: Mify i real'nost'. [Soloist cadenza in the 18th and early 19th centuries: Myths and reality] |
[cr]Moskva2012 |
| | 2016 |
302-318 |
|
| 13. | Wolff, Christoph | Mocart i Bah. [Mozart and Bach] trans. Ol’ga Vladimirovna Gero. |
[cr]Moskva2012 |
| | 2016 |
335-350 |
|
| 14. | Gero, Ol’ga Vladimirovna; Nasonov, Roman Aleksandrovic (eds.) | I.S. Bah i muzykal'naâ praktika nemeckogo barokko / J.S. Bach und die musikalische Praxis des deutschen Barock. Moskva, Russia: Gosudarstvennaâ Konservatoriâ imeni P.I. Cajkovskogo, 2016. 360p. ISBN: 978-5-89598-323-2; 5-89598-323-5. |
[cr]Moskva2012 |
| | 2016 |
360p |
|