Type | List | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Johann Sebastian Bach. I: Cantata: Geist und Seele wird Verwirret (BWV 35) for alto, organ obbligato, and orchestra. |
[ce]Tovey |
| | 2001 |
3-4 |
|
| 2. | Johann Sebastian Bach. II: Cantata: Jauchzet Gott in allen Landen (BWV 51) for soprano, trumpet obbligato, and strings. |
[ce]Tovey |
| | 2001 |
4-10 |
|
| 3. | Johann Sebastian Bach. III: Cantata: Ich bin vergnugt (BWV 84) for soprano, with oboe and violin obbligati. |
[ce]Tovey |
| | 2001 |
10-13 |
|
| 4. | Johann Sebastian Bach. IV: Brandenburg concerto no. 2 in F major (BWV 1047) for trumpet, flute [recorder], oboe, violin, and orchestra. |
[ce]Tovey |
| | 2001 |
13-17 |
|
| 5. | Johann Sebastian Bach. V: Six-part fugue (ricercar) and trio sonata from Das musikalische Opfer (BWV 1079). |
[ce]Tovey |
| | 2001 |
18-20 |
|
| 6. | Donald Francis Tovey. VI: Two fugues for strings (for Bach's Art of fugue). |
[ce]Tovey |
| | 2001 |
229-232 |
|
| 7. | J.A. Fuller Maitland, The age of Bach and Handel (1903). |
[ce]Tovey |
| | 2001 |
275-278 |
|
| 8. | Johann Sebastian Bach (1685-1750). |
[ce]Tovey |
| | 2001 |
318-326 |
|
| 9. | Music in being: The Cramb Lectures in music, University of Glasgow (1925). II: Musical history and permanent values. |
[ce]Tovey |
| | 2001 |
482-492 |
|
| 10. | Music in being: The Cramb Lectures in music, University of Glasgow (1925). VI: Art-forms. I: Determined as textures. |
[ce]Tovey |
| | 2001 |
515-524 |
|
| 11. | On the performance of the St Matthew Passion (1914). |
[ce]Tovey |
| | 2001 |
689-692 |
|
| 12. | The classics of music: talks, essays, and other writings previously uncollected Donald Francis Tovey. |
[ce]Tovey |
| | 2001 |
li, 821p |
|