Bach Bibliography
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Series : ^[ce]KeyboardInBaroqueEurope$
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TypeListAuthor Title[further info]SeriesVolNoYearPagesStatus
1. Moroney, DavittCouperin, Marpurg and Roeser: a Germanic 'Art de Toucher le Clavecin', or a French 'Wahre Art'? [ce]KeyboardInBaroqueEurope 2003 111-130
2. Wolff, ChristophInvention, composition and the improvement of nature: apropos Bach the teacher and practical philosopher. [ce]KeyboardInBaroqueEurope 2003 133-139
3. Williams, Peter F.Is there an anxiety of influence discernible in J. S. Bach's 'Clavierübung I'? [ce]KeyboardInBaroqueEurope 2003 140-156
4. Schulenberg, David'Towards the most elegant taste': developments in keyboard accompaniment from J. S. to C. P. E. Bach. [ce]KeyboardInBaroqueEurope 2003 157-168
5. Wollny, Peter'... welche dem größten Concerte gleichen': the polonaises of Wilhelm Friedemann Bach. [ce]KeyboardInBaroqueEurope 2003 169-183
6. Delft, Menno van'Schnellen': a quintessential articulation technique in eighteenth-century keyboard playing. [ce]KeyboardInBaroqueEurope 2003 187-197
7. Levin, Robert D.Mozart's non-metrical keyboard preludes. [ce]KeyboardInBaroqueEurope 2003 198-216
8. Mortensen, Lars UlrikJ. S. Bach: Keyboard Partita in A minor after BWV 1004. [ce]KeyboardInBaroqueEurope 2003 218-236
9. Butt, JohnTowards a genealogy of the keyboard concerto. [ce]KeyboardInBaroqueEurope 2003 93-110
10. Hogwood, Christopher (ed.)The Keyboard in Baroque Europe. [ce]KeyboardInBaroqueEurope 2003 xviii, 245p

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