Bach Bibliography
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Series : ^[ce]Jerold$
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TypeListTitle[further info]SeriesVolNoYearPagesStatus
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1. Bach's lament about Leipzig's professional instrumentalists. [ce]Jerold 2016 25-42
2. Why most a cappella music could not have been sung unaccompanied. [ce]Jerold 2016 53-62
3. Fasch and the beginning of modern artistic choral singing. [ce]Jerold 2016 63-80
4. Intonation standards and equal temperament. [ce]Jerold 2016 105-119
5. Eighteenth-century stringed keyboard instruments from a performance perspective. [ce]Jerold 2016 121-139
6. The tromba and corno in Bach's time. [ce]Jerold 2016 141-164
7. The French time devices revisited. [ce]Jerold 2016 193-214
8. The notable significance of C and ˘ in Bach's era. [ce]Jerold 2016 215-228
9. Numbers and tempo, 1630–1800. [ce]Jerold 2016 229-242
10. Notes inégales: A definitive new parameter. [ce]Jerold 2016 265-286
11. Distinguishing between artificial and natural vibrato in premodern music. [ce]Jerold 2016 287-298
12. The varied reprise in eighteenth-century instrumental music: A reappraisal. [ce]Jerold 2016 333-348
13. Music performance issues, 1600–1900. [ce]Jerold 2016 xii, 348p

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