Type | List | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Bach's lament about Leipzig's professional instrumentalists. |
[ce]Jerold |
| | 2016 |
25-42 |
|
| 2. | Why most a cappella music could not have been sung unaccompanied. |
[ce]Jerold |
| | 2016 |
53-62 |
|
| 3. | Fasch and the beginning of modern artistic choral singing. |
[ce]Jerold |
| | 2016 |
63-80 |
|
| 4. | Intonation standards and equal temperament. |
[ce]Jerold |
| | 2016 |
105-119 |
|
| 5. | Eighteenth-century stringed keyboard instruments from a performance perspective. |
[ce]Jerold |
| | 2016 |
121-139 |
|
| 6. | The tromba and corno in Bach's time. |
[ce]Jerold |
| | 2016 |
141-164 |
|
| 7. | The French time devices revisited. |
[ce]Jerold |
| | 2016 |
193-214 |
|
| 8. | The notable significance of C and ˘ in Bach's era. |
[ce]Jerold |
| | 2016 |
215-228 |
|
| 9. | Numbers and tempo, 1630–1800. |
[ce]Jerold |
| | 2016 |
229-242 |
|
| 10. | Notes inégales: A definitive new parameter. |
[ce]Jerold |
| | 2016 |
265-286 |
|
| 11. | Distinguishing between artificial and natural vibrato in premodern music. |
[ce]Jerold |
| | 2016 |
287-298 |
|
| 12. | The varied reprise in eighteenth-century instrumental music: A reappraisal. |
[ce]Jerold |
| | 2016 |
333-348 |
|
| 13. | Music performance issues, 1600–1900. |
[ce]Jerold |
| | 2016 |
xii, 348p |
|