Type | List | Author | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Schulze, Hans-Joachim | Johann Christoph Bach (1671-1721), 'Organist und Schul Collega in Ohrdruf', Johann Sebastian Bachs erster Lehrer Repr. from Bach-Jahrbuch, lxxi (1985), pp. 55-81. |
[ce]BaroqueComposers |
| | 2011 |
3-29 |
|
| 2. | Junghans, Wilhelm Ch. | Johann Sebastian Bach als Schüler der Partikularschule zu St. Michaelis in Lüneburg, oder Lüneburg eine Pflegstätte kirchlicher Musik. Repr. from Programm des Johanneums zu Lüneburg, Ostern 1870, Lüneburg, pp. 1-42. |
[ce]BaroqueComposers |
| | 2011 |
31-74 |
|
| 3. | Minear, Paul S. | The Musician Versus the Grammarian: An Early Storm Warning. Repr. from The Bible and the Historian: Breaking the Silence about God in Biblical Studies, Nashville: Abingdon Press (2002), pp. 25-36; 264-265. |
[ce]BaroqueComposers |
| | 2011 |
75-86 |
|
| 4. | Buelow, George J. | In Defence of J. A. Scheibe against J. S. Bach. Repr. from Proceedings of Royal Music Association, ci (1974-75), pp. 85-100 |
[ce]BaroqueComposers |
| | 2011 |
87-102 |
|
| 5. | Trautmann, Christoph | J. S. Bach: new Light on His Faith. Repr. from Concordia Theological Monthly, xlii/2 (1971), pp. 88-99 |
[ce]BaroqueComposers |
| | 2011 |
103-114 |
|
| 6. | Leaver, Robin A. | Motive and Motif in the Church Music of Johann Sebastian Bach. Repr. from Theology Today, lxiii/1 (2006), pp. 38-47. |
[ce]BaroqueComposers |
| | 2011 |
115-124 |
|
| 7. | Dürr, Alfred | Zum Wandel des Bach-Bildes. Zu Friedrich Blumes Mainzer Vortrag. Repr. from Musik und Kirche, xxxii/4 (1962), pp. 145-152. |
[ce]BaroqueComposers |
| | 2011 |
127-134 |
|
| 8. | Blume, Friedrich | Antwort von Friedrich Blume. Repr. from Musik und Kirche, xxxii/4 (1962), pp. 153-156. |
[ce]BaroqueComposers |
| | 2011 |
135-138 |
|
| 9. | Mendel, Arthur | Persönliches zur Geschichte der Jüngeren Bach-Forschung. ('A Personal Message Concerning the History of Recent Bach Scholarship'). Repr. from Bach, xx/3 (1989), pp.6-14. |
[ce]BaroqueComposers |
| | 2011 |
139-147 |
|
| 10. | Herz, Gerhard | Yoshitake Kobayashi's Article 'On the Chronology of the last phase of Bach's Work - Compositions and Performances: 1736 to 1750' - An Analysis with Translated Portions of the Original Text'. Repr. from Bach, xxi/1 (1990), pp. 3-25. |
[ce]BaroqueComposers |
| | 2011 |
149-171 |
|
| 11. | Dürr, Alfred | Bach's Chorale Cantatas. Repr. from Johannes Riedel (ed.), Cantors at the Crossroads. Essay on Church Music in Honor of Walter E. Buszin, St.Louis, Missouri: Concordia Publishing House, (1967), pp. 111-120. |
[ce]BaroqueComposers |
| | 2011 |
175-184 |
|
| 12. | Hobohm, Wolf | Neue 'Texte zur Leipziger Kirchen-Music'. Repr. from Bach-Jahrbuch, lix (1973), pp. 5-32. |
[ce]BaroqueComposers |
| | 2011 |
185-212 |
|
| 13. | Häfner, Klaus | Der Picander-Jahrgang. Repr. from Bach-Jahrbuch, lxi (1975), pp. 70-113. |
[ce]BaroqueComposers |
| | 2011 |
213-256 |
|
| 14. | Scheide, William H. | Bach und der Picander-Jahrgang - Eine Erwiderung. Repr. from Bach-Jahrbuch, lxvi (1980), pp. 47-51. |
[ce]BaroqueComposers |
| | 2011 |
257-261 |
|
| 15. | Häfner, Klaus | Picander, der Textdichter von Bachs viertem Kantatenjahrgang. Ein neuer Hinweis. Repr. from Die Musikforschung, xxxv/2 (1982), pp. 156-162. |
[ce]BaroqueComposers |
| | 2011 |
263-269 |
|
| 16. | Scheide, William H. | Eindeutigkeit und Mehrdeutigkeit in Picanders Kantatenjahrgangs-Vorbemerkung und im Werkverzeichnis des Nekrologs auf Johann Sebastian Bach. Repr. from Bach-Jahrbuch, lxix (1983), pp. 109-113. |
[ce]BaroqueComposers |
| | 2011 |
271-275 |
|
| 17. | Mendel, Arthur | Traces of the pre-history of Bach's St. John and St. Matthew Passions. Repr. from Walter Gerstenberg, Jan La Rue and Wolfgang Rehm (eds), Festschrift Otto Erich Deutsch zum 80. Geburtstag am 5. September 1963, Kassel: Bärenreiter (1963), pp. 31-48. |
[ce]BaroqueComposers |
| | 2011 |
277-294 |
|
| 18. | Wolff, Christoph | 'Et Incarnatus' and 'Crucifixus': The Earliest and Latest Settings of Bach's B-minor Mass. Repr. from Yo Tomita and Tanja Kovacevic (eds), International Symposium: Understanding Bach's B-minor Mass. Discussion Book 2: Resource Book, Belfast: School of Music and Sonic Arts (2007), pp. 357-367. |
[ce]BaroqueComposers |
| | 2011 |
295-305 |
|
| 19. | Dadelsen, Georg von | Friedrich Smend's Edition of the B-minor Mass by J. S. Bach. Repr. from Yo Tomita and Tanja Kovacevic (eds), International Symposium: Understanding Bach's B-minor Mass. Discussion Book 2: Resource Book, Belfast: School of Music and Sonic Arts (2007), 404-424. |
[ce]BaroqueComposers |
| | 2011 |
307-327 |
|
| 20. | Kobayashi, Yoshitake | Universality in Bach's B Minor Mass: A Portrait of Bach in His Final Years. Repr. from Yo Tomita and Tanja Kovacevic (eds), International Symposium: Understanding Bach's B-minor Mass. Discussion Book 2: Resource Book, Belfast: School of Music and Sonic Arts (2007), 387-403. |
[ce]BaroqueComposers |
| | 2011 |
329-345 |
|
| 21. | Dürr, Alfred | Zur Parodiefrage in Bachs h-Moll-Messe: Eine Bestandsaufnahme. Repr. from Die Musikforschung, xlv/2 (1992), pp. 117-138. |
[ce]BaroqueComposers |
| | 2011 |
347-368 |
|
| 22. | Schulze, Hans-Joachim | The Parody Process in Bach's Music: An Old Problem Reconsidered. Repr. from Bach, xx/1 (1989), pp. 7-21. |
[ce]BaroqueComposers |
| | 2011 |
369-383 |
|
| 23. | Leaver, Robin A. | Parody and Theological Consistency: Notes on Bach's A-Major Mass. Repr. from Bach, xxi/3 (1990), pp. 30-43. |
[ce]BaroqueComposers |
| | 2011 |
385-398 |
|
| 24. | Marshall, Robert L. | Bach the Progressive: Observations on His Later Works. Repr. from Musical Quarterly, lxii/3 (1976), pp. 313-357. |
[ce]BaroqueComposers |
| | 2011 |
399-443 |
|
| 25. | Neumann, Frederick | Bach: Progressive or Conservative and the Authorship of the Goldberg Aria. Repr. from Musical Quarterly, lxxi/3 (1985), pp. 281-294. |
[ce]BaroqueComposers |
| | 2011 |
445-458 |
|
| 26. | Marshall, Robert L. | Postscript [to 'Bach the Progressive'] Repr. from The Music of Johann Sebastian Bach. The Sources, The Style, The Significance, New York: Schirmer Books (1989), pp. 54-58. |
[ce]BaroqueComposers |
| | 2011 |
459-463 |
|
| 27. | Tomita, Yo | Psalm and the Well-Tempered Clavier II: Revisiting the Old Question of Bach's Source of Inspiration. Repr. from Bach, xxxii/1 (2001), pp. 17-43. |
[ce]BaroqueComposers |
| | 2011 |
465-491 |
|
| 28. | Dürr, Alfred | Performance practice of Bach's cantatas: Original performance material; original rehearsals; original performance forces; original performance style, conclusions for modern performance. Repr. from American Choral Review, xxix/3-4 (1987), pp. 27-34. |
[ce]BaroqueComposers |
| | 2011 |
495-502 |
|
| 29. | Rifkin, Joshua | Bach's Chorus: A preliminary report. Repr. from Musical Times, cxxiii/1677 (1982), pp. 747-754. |
[ce]BaroqueComposers |
| | 2011 |
503-509 |
|
| 30. | Rasch, Rudolf | Does 'Well-Tempered' mean 'Equal-Tempered'? Repr. from Peter Williams (ed.), Bach, Handel, Scarlatti Tercentenary Essays. Cambridge: Cambridge University Press (1985), pp. 293-310. |
[ce]BaroqueComposers |
| | 2011 |
511-528 |
|
| 31. | Neumann, Frederick | Some Performance Problems of Bach's Unaccompanied Violin and Cello Works. Repr. from Mary Ann Parker (ed.), Eighteenth-Century Music in Theory and Practice: Essays in Honor of Alfred Mann, Stuyvesant: Pendragon Press (1994), pp. 19-46. |
[ce]BaroqueComposers |
| | 2011 |
529-558 |
|
| 32. | Tomita, Yo | Introduction. |
[ce]BaroqueComposers |
| | 2011 |
xv-xxxvii |
|
| 33. | Tomita, Yo (ed.) | Bach. Farnham: Ashgate Publishing, 2011. xxxvii, 574p. ISBN: 978-0-7546-2891-0. (= The Baroque Composers, Series Editor: David Ledbetter) |
[ce]BaroqueComposers |
| | 2011 |
xxxvii, 574p |
|