Type | List | Author | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Owrid, Oswald Clayton | Bach Concordance and Cyclopaedia. |
|
| | c 1900 |
|
|
| 2. | Wroñski, Tadeusz | Sonaty i partity J. S. Bacha na skrzypce solo. Studium edytorskie i wykonawcze. |
|
| | 1970 |
123p |
|
| 3. | Gräbner, Augustus Lawrence | Johann Sebastian Bach. |
|
| | 1885 |
160p |
|
| 4. | Wright, Craig | Labyrint a bojovník: Symboly v architektuøe, náboženství a hudbì. |
|
| | 2008 |
340p |
|
| 5. | Munier-Wroblewski, Mia | Gottes Zeit ist die allerbeste Zeit. Zwei Geschichten um Johann Sebastian Bach. |
|
| | 1949 |
77p |
|
| 6. | Wright, Denis (arr.) | My heart ever faithful: three-part song (S.S.A.) / music by J. S. Bach |
|
| | 1965 |
8p |
|
| 7. | Golan, Lawrence (ed.) | Three Sonatas & Three Partitas for Solo Violin, BWV 1001-1006 / BACH. |
|
| | 2006 |
91p |
|
| 8. | Wright, Craig | The Maze and the Warrior: Symbols in Architecture, Theology, and Music. |
|
| | 2001 |
ix, 351p |
|
| 9. | Wroñski, Tadeusz (ed.) | Sei solo a violino / Johann Sebastian Bach. |
|
| | 2001 |
x, 103p |
|
| 10. | Gulick, Walter Lawrence | Hearing: Physiology and Psychophysics. |
|
| | 1971 |
xi, 258p |
|
| 11. | Field, Lawrence Nathaniel | Johann Sebastian Bach. |
|
| | 1943 |
xxiv, 166p |
|
| 12. | Anson-Cartwright, Mark | Subdominant Returns in the Vocal Music of J.S. Bach. |
18cM |
10 | 2 | Sep 2013 |
253-276 |
|
| 13. | Swr. | Sechs Sonaten fürs Clavier mit veränderten Reprisen - von Carl Philipp Emanuel Bach. Berlin, im Verlage der Rellstabschen Musikhandlung und Musikdruckerey. 14 Bog. Qfol. |
AllgDBib |
67 | 2 | 1786 |
450-454 |
|
| 14. | Lawrence, Arthur | Bach in 1985. |
AmerOrganist(2) |
19 | 3 | Mar 1985 |
65-67 |
|
| 15. | Lawrence, Arthur | Bach's Choral Music: An Overview. |
AmerOrganist(2) |
19 | 3 | Mar 1985 |
130-133 |
|
| 16. | Schenbeck, Lawrence | Tempo and Rhythm in Bach's Cantata Ouvertures. |
Bach |
17 | 1 | Jan 1986 |
3-17 |
|
| 17. | Anson-Cartwright, Mark | Teaching Bach's Aria Forms: Expanding Students' Analytical Horizons. |
Bach |
49 | 2 | 2018 |
266-280 |
|
| 18. | Schäfer, Hans Georg; Drange, Brigitte; Nawroth, Dietmar (eds.) | 20. Köthener Bach-Festtage: 1. bis 5. September 2004. Festbuch. |
BachFesttage_Köthen |
20 | | 2004 |
132p |
|
| 19. | Wright, Craig | Bachs 'Kleines harmonisches Labyrinth' (BWV 591). Echtheitsfragen und theologischer Hintergrund. |
BachJb |
86 | | 2000 |
51-65 |
|
| 20. | Johnson, Lawrence B. | Bach, Nippon, soshite Ningen no Seishin ni sasageta Ichiya. |
BCJ |
| 94 | Jul 2011 |
33 |
|
| 21. | Wright, Lesley A. | Camille Saint-Saëns. |
[ce]19cChoralM |
| | 2012 |
274-283 |
|
| 22. | Kramer, Lawrence | Felix culpa: Goethe and the image of Mendelssohn. |
[ce]MendelssohnStudies |
| | 1992 |
64-79 |
|
| 23. | Wraight, Denzil | Gravicembalo col piano, e forte: eine Annährung an Bartolomeo Cristoforis Erfindung des Hammerflügels. |
Concerto |
22 | 201 | Apr-May 2005 |
25-29 |
|
| 24. | Wainwright, Jonathan; Holman, Peter | From Renaissance to Baroque. Change in Instruments and Instrumental Music in the Seventeenth Century. |
[cr]York1999 |
| | 2005 |
xx, 321p |
|
| 25. | Wright, Craig | Rare music manuscripts at Harvard. |
CurMcol |
| 10 | 1970 |
25-33 |
|
| 26. | Wright, Barbara David | Johann Sebastian Bach's Matthäus-Passion: a Performance History 1829-1854. |
diss. |
| | 1983 |
viii, 458p |
|
| 27. | Wraight, Denzil | Recent approaches in understanding Cristofori's fortepiano. |
EarlyM |
34 | 4 | Nov 2006 |
635-644 |
|
| 28. | Bania, Maria; Skowroneck, Tilman | Affective practices in mid-18th-century German music-making: reflections on C. P. E. Bach's advice to performers. |
EarlyM |
48 | 2 | 2020 |
193-203 |
|
| 29. | Anson-Cartwright, Mark | The opening tonal complex of Bach's St. Matthew passion: A linear view. |
EastmanStudM |
136 | | 2016 |
12-25 |
|
| 30. | Bernstein, Lawrence F. | Ockeghem as 'The Bach of his day'. |
[fs]Blackburn |
| | 2009 |
577-592 |
|
| 31. | Skowron, Zbigniew (ed.) | Karol Szymanowski w perspektywie kultury muzycznej przesz³oœci i wspó?czesnoœci. |
[fs]Helman70 |
| | 2007 |
686p |
|
| 32. | Nawroth, Ute | Die Gesangbuchsammlung Wernigerode in der Staatsbibliothek. |
JbPreussKulturbesitz |
28 | | 1991 |
329-338 |
|
| 33. | Wraight, Denzil | Wie war Cristoforis klangliche Vorstellung vom 'neuen' Instrument? |
JbStaatInstMf |
2004 | | 2005 |
123-135 |
|
| 34. | Bernstein, Lawrence F. | 'Singende Seele' or 'unsingbar'? Forkel, Ambros, and the Forces behind the Ockeghem Reception during the Late 18th and 19th Centuries. |
JMcol |
23 | 1 | Winter 2006 |
3-61 |
|
| 35. | Anson-Cartwright, Mark | The Mutable Subject: Tonal and Rhythmic Transformations in Selected Fugues of J. S. Bach. |
JMTheory |
58 | 1 | Spring 2014 |
1-24 |
|
| 36. | wr. | Bach-Ausstellung im Gohliser Schlößchen. Bach-Dokumente aus Leipziger Besitz. |
LeipzigerNNachrichten |
| | 15 Jun 1935 |
1p |
|
| 37. | Locklair, Wriston | Philadelphia Orchestra Presents Bach Oratorio. |
MAmer |
80 | 1 | 1 Jan 1960 |
40-41 |
|
| 38. | Locklair, Wriston | Harpsichord Society in All-Bach Program. |
MAmer |
80 | 5 | Apr 1960 |
23 |
|
| 39. | Anson-Cartwright, Mark | Elision and the Embellished Final Cadence in J. S. Bach's Preludes. |
MAnalysis |
26 | 3 | Oct 2007 |
267-288 |
|
| 40. | Lowrie, Donald A. | Bach's American Organ. |
MJournal |
20 | 8 | Nov-Dec 1962 |
14, 92 |
|
| 41. | Lowrie, Donald A | Bach's Miracle at Cöthen. |
MJournal |
31 | 10 | Dec 1973 |
17 |
|
| 42. | Wright, Peter | English Bach Festival. Bach. |
MMusicians |
24 | 11: 287 | Jul 1976 |
45-47 |
|
| 43. | Wright, Josephine R. B. | George Polgreen Bridgetower: An African Prodigy in England 1789-99. |
MQ |
66 | 1 | Jan 1980 |
65-82 |
|
| 44. | Kuwratil, Karl | Das Klavier (I) [Entwicklung seit der Erfindung des Spinetts]. Section: II. [Entwicklung des Klavierrepertoires]. |
MsTheaterM |
11 | 49 | 9 Dec 1865 |
769-772 |
|
| 45. | Lawrence, H. R. G. | Bach's Organ Works: Plea for New Recording. |
MTimes |
101 | 1408 | Jun 1960 |
383 |
|
| 46. | Haward, Lawrence | Bach's Last Fugues. |
MTimes |
55 | 853 | Mar 1914 |
161-164 |
|
| 47. | Sears, Lawrence | Bethlehem / USA. Amerikanisches Bachfest. |
Musica |
27 | 4 | Jul-Aug 1973 |
373-374 |
|
| 48. | Lowry, Palmer D. | A Comprehensive Index of J. S. Bach Books in English. |
Organ |
63 | 247 | Jan 1984 |
36-45 |
|
| 49. | Wright, Barbara D. | Felix Mendelssohn's Search for Historical Authenticity: His Two Performances of Bach's St. Matthew Passion. |
[p]AMS_Allegheny |
| | Apr 1985 |
|
|
| 50. | Wright, Craig | The Authenticity of and Theology behind Bach's Kleines harmonisches Labyrinth. |
[p]AMS_Kansas |
| | Nov 1999 |
|
|
| 51. | Bernstein, Lawrence F. | Singende Seele or Unsingbar?: Johann Forkel on the Music of Ockeghem. |
[p]AMS_Washington |
| | Oct 2005 |
|
|
| 52. | Molinaro, Lawrence | Variations in Practice: The Minuets from the Notenbuch dal Signor Kittell (1789). |
[p]BICB_Canterbury |
| | Jul 2016 |
|
|
| 53. | Molinaro, Lawrence | Scaffolding instruction on improvisation – training organists within the Bach circle and beyond. |
[p]BICB_Southampton |
| | Jul 2012 |
|
|
| 54. | Archbold, Lawrence | Towards a Critical Understanding of Buxtehude's Expressive Chorale Preludes. |
StudM(AnnArbor) |
107 | | 1990 |
87-106 |
|
| 55. | Archbold, Lawrence | Style and Structure in the Praeludia of Dietrich Buxtehude. |
StudMcol |
82 | | 1985 |
vi, 349p |
|