Bach Bibliography
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TypeListTitle[further info]SeriesVolNoYearPagesStatus
[]
1. Bach's Numbers: Sources, Exegesis, Illustrations. 2013
2. Bach: Easter Cantatas BWV 6 and 66. 2000
3. Bach: Funeral Cantatas BWV 106, 118, 198. 2000
4. Bach: Cantatas 3rd Sunday after Epiphany BWV 72, 73, 111, 156. 2000
5. Bach: Ascension Cantatas BWV 11, 128, 37, 43. 2000
6. Bach: Whitsun Cantatas BWV 34, 59, 74, 172. 2000
7. Bach: Feast of the Purification of the Blessed Virgin Mary BWV 82, 83, 125, 200. 2000
8. Bach: Cantatas for the New Year and for 21st and 23rd Sundays after Trinity BWV 16, 98, 139. 2000
9. Bach: Cantatas for the Visitation of Mary and 27the Sunday after Trinity BWV 140, 147. 2000
10. Bach: Advent Cantatas BWV 61, 36, 62. 2000
11. Bach: Christmas Cantatas BWV 63, 64, 121, 133. 2000
12. Bach: Cantatas for 9th Sunday after Trinity BWV 105, 94, 168. 2000
13. Bach: Cantatas for 11th Sunday after Trinity BWV 113, 179, 199. 2000
14. N is for 'Numerology'. 2005
15. Begegnungen mit Bach. Ausgewählte Erzählungen über Johann Sebastian Bach und seine Musik. 1964 183p
16. Bach and the Riddle of the Number Alphabet. 1991 186p
17. When the Theorists are Silent: Mattheson, Bach and the Development of Historically Informed Analytical Techniques. 2007 203-216
18. Ein Gang durch J. Seb. Bachs Werke. 1898 22-45
19. Bach no Ango: Kazu to Sozo no Himitsu. 2011 311, 63p
20. Bach's numbers: compositional proportion and significance. 2015 xviii, 411p
21. Musikwissenschaft: Der erste Bach-Biograph. Anbruch 17 10 1935 288
22. J. S. Bach and the Baroque Paragram: A Reappraisal of Friedrich Smend's Number-Alphabet Theory. Bach 20 3 Fall 1989 15-33
23. Bach and Numbers. BachCantataPilgrimage 2 2000 97-102
24. Bach & Friends: Three Reviews of Michael Lawrence's New Film. BachNotesABS 13 Fall 2010 1-4
25. Challenging Virtuality: A Personal Reflection. BachNotesABS 16 Spring 2012 5-6
26. Bach Network UK -- latest report: New Directions in Bach Studies: Second J S Bach Dialogue Meeting [9-10 December 2006 in Oxford] BachNotesLBS Mar 2007 [5]
27. Der literarische Gebrauch der Alphabetzahlen zur Zeit Bachs. BulTheolBachF 1 1988 157-180
28. Parallel proportions, numerical structures and Harmonie in Bach's autograph score. [ce]ExploringBMM 2013 142-162
29. Violoncello Concertos / Carl Philipp Emanuel Bach. CPEBachCW 3 6 2008 xxxii, 171p
30. Parallel Proportions, Final Revisions and the Status of Manuscript P 180. [cr]Belfast2007 1 2007 118-136
31. Numerical Ordering in Bach's B-minor Mass. [cr]Belfast2007 2 2007 435-445
32. Symmetry and a Template: Bach's Well-Tempered Clavier, and Chopin's Preludes, Op. 28. [cr]Warsaw2017 2019 51-81
33. LUSUS POETICUS VEL MUSICUS. Johann Sebastian Bach. The Baroque Paragram and Frederich Smend's theory of a musical Number Alphabet. diss. 1987
34. The harmonic circle-of-fifths technique in late-Baroque and Classic orchestral music: a comparison. diss. 1970 284p
35. Towards a Theory of Bach's Pre-compositional Style. DortmundBachF 2 1999 19-36
36. Text, the Number Alphabet and Numerical Ordering in Bach's Church Cantatas. DortmundBachF 3 2002 121-133
37. Bach's Parallel Proportions and the Qualities of the Authentic Bachian Collection. DortmundBachF 8 2009 135-155
38. D moll-Konzert für Pianoforte von Joh. Seb. Bach. EdPeters 2194 1885 26p
39. A Hitherto unpublished Cantata of J. S. Bach. [fs]Rosenthal 1984 11-16
40. Fugue in G minor (16 of the 48) / Bach. GemsOrg 1 1900
41. Fugue in C major / Bach. GemsOrg 1 1900
42. Short prelude and fugue in A minor / Bach. GemsOrg 1 1900
43. Pastorale in F / Bach. GemsOrg 1 1900
44. J. S. Bach and the Baroque Paragram: A Reappraisal of Friedrich Smend's Number Alphabet Theory. MLetters 70 2 Apr 1989 191-205
45. Aufführung der h-Moll Messe von Johann Sebastian Bach am Freitag, den 16. November 2007 in der Kathedrale Saint-Clodoald/St.Cloud. MtblNBG 61 Winter 2007-08 32-33
46. Bach's 'St. John' Passion. MTimes 75 1095 May 1934 458-459
47. Bach's parallel proportions and their implications, illustrated by the Six solos for violin, the Leipzig organ chorales and the Musical Offering. [p]ABS_Bethlehem May 2008
48. A Lutheran Theology of Proportions and Bach's Response. [p]ABS_SouthBend Apr 2016
49. Bach's Numbers? Proportional parallelism and its implications for musicology. [p]AMS_Nashville Nov 2008
50. Numerical ordering in Bach's church cantatas. [p]AMS_Toronto Nov 2000
51. The Goblet of Anise: A Case Study. [p]BICB_Belfast Jul 2010
52. Magnificent Measurements: Significance in the Structure of C. P. E. Bach's Magnificat. [p]BICB_Canterbury Jul 2016
53. Demystifying Myths: Bach and his Use of Numbers. [p]BICB_Leeds Jul 2008
54. Metaphor or Reality: Harmonic Proportions, Canons and Compositions in Heaven. [p]BICB_Salzburg Jul 2014
55. Narratives of Number in the Neumeister Chorales. [p]BICB_Southampton Jul 2012
56. The Use and Abuse of Fibonacci Numbers and the Golden Section in Baroque Music. [p]BICB_Warsaw Jul 2006
57. Discovering New and Recovering Old Methods for Bach Studies. [p]BNUK_Edinburgh Aug 2011
58. Collections, bars and numbers: Analytical coincidence or Bach's design? [p]BNUK_Oxford Dec 2006
59. Buttstett-Mattheson dispute and its implication for Bach Studies. [p]BNUK_Oxford Jan 2009
60. Bach's Numbers: Sources, Exegesis, Illustrations. [p]BNUK_Warsaw Jul 2013
61. Towards a theory of Bach's Pre-compositional Style. [p]BS_Dortmund Jan 1998
62. The Use and Abuse of the Fibonacci Sequence, The Golden Section and The Divine Proportion in Musicology Today: With particular application to Bach Studies. [p]IS_Oxford Dec 2001
63. Pre-compositional ordering in Bach's B Minor Mass. [p]IS_Oxford Dec 2000
64. Zu den beiden großen Messen von Bach und Beethoven. Eine das Confessionelle betreffende Parallele. SchweizerischeMzSängerBl 28 14f 1888
65. J. S. Bach und die Orgel. SchweizerischeMzSängerBl 43 18 1903
66. N för Numerologi. TidigMusik 3 2007 18-19
67. The Use and Abuse of Fibonacci Numbers and the Golden Section in Musicology Today. UnderstandingBach 1 2006 69-85
68. A Missed Opportunity: Reflections on Written by Mrs Bach. UnderstandingBach 10 2015 141-157
69. Ten Years of Bach Network UK. UnderstandingBach 10 2015 175-177
70. A Glorious Summer Meeting: the 2015 Dialogue Report. UnderstandingBach 11 2016 149-152
71. Collections, bars and numbers: Analytical coincidence or Bach's design? UnderstandingBach 2 2007 37-58
72. Report on the Third J. S. Bach Dialogue Meeting: New Directions in Bach Studies. UnderstandingBach 3 2008 109-111
73. Report of the 14th Biennial Conference on Baroque Music. UnderstandingBach 5 2010 99-103
74. Report on the Fifth Johann Sebastian Bach Dialogue Meeting. UnderstandingBach 6 2011 61-65
75. Challenging Virtuality: A Personal Reflection. UnderstandingBach 7 2012 57-60
76. Theoretical Hope: A Vision for the Application of Historically Informed Theory. UnderstandingBach 8 2013 33-60
77. [Bach als Orgelspieler] Urania(Erfurt) 5 7 1848 111-112
78. Jesu meine Freude. Eine Betrachtung zu J. S. Bach's gleichnamiger Motette. WürttembergBlKm 23 1956 4-7

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