Bach Bibliography Search Result

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Type	List	Title[further info]	Series	Vol	No	Year	Pages	Status
		[]
	1.	Bach's hoogmis. door Anthon van der Horst en G. van der Leeuw - Amsterdam: Holland, [um 1938]. 107p; 2e dr. Amsterdam: Holland Uitgevers Mij., [1941]. - 107p				c 1938	107p
	2.	The Crown of Glory, Sacred Song, Founded on a Prelude of J. S. Bach's in C minor, by Charles Gounod, Violin Obligato by T. Nachèz, Words by G. Barlow. [title-cover has fewer words, with no mention of Bach] - London: J. & J. Hopkinson, [1890] 11p + 2 St. Pl.-Nr.: (J. & J.H. 328b) [BWV 999: 3 versions - no.1 in A minor, no.2 in C minor, no.3 in D minor]				1890	11p + 2 St
	3.	Bachs Matthaeus- en Johannespassion. Met de complete teksten en hun vertaling. Nijmegen: SUN, 2000. 173p. ISBN: 90-6168-589-3.				2000	173p
	4.	De necrologie van Johann Sebastian Bach: uit Mizler's Musikalische Bibliothek, Leipzig 1754. facsimile, inleiding en vertaling, door Gerard van der Leeuw. - Zwolle, Amsterdam: De Rode Leeuw Pers, 1992. 43p. [BWV 1076]				1992	43p
	5.	Johann Sebastian Bach: Suites a Violoncello solo senza Basso--Gedanken zur Interpretation der fünften Suite c-moll BWV 1011. In: Glücksmomente: Zur Einweihung des neuen Hauses der Hochschule für Musik und Theater Rostock. Rostock: Reich, 2001. p. 44-56				2001	44-56
	6.	BIST DU BEI MIR. From the Anna Magdalena Book of J. S. Bach. arranged for the Piano by Geoffrey Shaw. - London: J. Curwen & Sons, c1941. 5p. Pl.-Nr.: 99089. [BWV 508]				1941	5p
	7.	Bach's Johannes Passion. 1.-2. dr. Amsterdam: Uitg. Holland. 1946. 70p.; 1948, 76p.				1946	70p
	8.	Bach's Mattheuspassion. Amsterdam: Uitg. Holland, 1e dr.: 1937. 90p; 2e dr. 1938. 90p; 3e dr, 1941. 118p; 4e dr. 1943; 5. dr. 1947/48, 118p; 6. dr. c.1950. 119p; 7. dr. 1953. 110p.				1937	90p
	9.	Thorough-Bass Accompaniment According to Johann David Heinichen. Berkeley: University of California Press, 1966. xiv, 316p.				1966	xiv, 316p
	10.	A Brief History of the American Bach Society.	AmerBachSocNL			Fall 2001	1, 10-11
	11.	The Thorough-Bass in Baroque Music. Committee on Historic Instruments: The Fretted String.	AmerMTeacher	11	4	Mar-Apr 1962	20-21, 36-37
	12.	A Bach Borrowing by Gluck: Another Frontier.	Bach	22	1	Spring-Summer 1991	43-61
	13.	Johann Sebastian Bachs Briefe an Georg Erdmann. Nebst Beiträgen zur Lebensgeschichte von Bachs Jugendfreund. Summary in English (p.188), French (p.190), Russian (p.192) and Czech (p.193).	BachJb	71		1985	83-97
	14.	Expressivity in the accompanied recitatives of Bach's cantatas.	BachStud	1		1989	18-35
	15.	Die neueste Bach-Forschung in der UdSSR. Miszellen und Berichte.	BeitrMw	29	4	1987	318-323
	16.	In Defence of J. A. Scheibe against J. S. Bach. Repr. from Proceedings of Royal Music Association, ci (1974-75), pp. 85-100	[ce]BaroqueComposers			2011	87-102
	17.	Bach i wspolczesnosc.	[ce]JanSebastianBach			1951	41-61
	18.	Musicology and performance. New Haven: Yale U. 1997. xii, 254p. ISBN: 0-300-06805-0.	[ce]MusicologyPerformance			1997	xii, 254p
	19.	Johann Mattheson and the invention of the Affektenlehre.	[ce]NewMatthesonStudies			1983	393-407
	20.	New Mattheson Studies. London, N.Y., New Rochelle: Cambridge Univ. Press. 1983. xiv, 495p.	[ce]NewMatthesonStudies			1983	xiv, 495p
	21.	The Organs at the Marienkirche at Luebeck.	Diapason	61	1:721	Dec 1969	25
	22.	Organ and church music activity in Munich during the European Year of Music.	Diapason	77	8:921	Aug 1986	13-16
	23.	The organ and its music from medieval times to Johann Sebastian Bach. MusD diss., University of Edinburgh, 1930.	diss.			1930
	24.	Johann David Heinichen, 'Der General-Bass in der Composition': a Critical Study with Annotated Translation of Selected Chapters. PhD. New York University, 1961.	diss.			1961
	25.	A Bach Borrowing by Gluck: Another Frontier. [BWV 825]	FestschriftSer	13		1994	187-203	[fs]Mann
	26.	Symbol and structure in the 'Kyrie' of Bach's B-minor Mass.	FestschriftSer	4		1981	21-41	[fs]Herz
	27.	Symposium on 17th Century Music Theory: Germany.	JMTheory	16	1-2	Spring-Winter 1972	36-49
	28.	Music and society in the late Baroque era.	ManM	4		1993	1-38
	29.	Dresden in the age of absolutism.	ManM	4		1993	216-229
	30.	The late Baroque era: from the 1680s to 1740. Basingstoke: Macmillan, 1993; Englewood Cliffs, N.J.: Prentice Hall, 1994. xii, 521p. ISBN: 0-333-51603-6; 0-13-104340-4; 0-13-529983-7. (= Man & Music, 4)	ManM	4		1993	xii, 521p
	31.	Matthaeuspassion-Uitvoeringen.	MensMelodie	3		1948	138-140
	32.	Hullah's concerts -- Bach -- Handel -- Gluck -- Beethoven -- The opera. [St. Martin's Hall: Bach, Credo from the Mass in B minor. Gluck, 'Orfeo ed Euridice' (Act II). Her Majesty's Theatre: Caroline Duprez]	MessageBird	2	43 NS	1 May 1851	65-66
	33.	Bright Bach. [Bach-Choir London]. London Concerts [David Willcocks conducted the Bach Choir, the St Matthew Passion at the Festival Hall on Apr.15]	MMusicians	10	9	May 1962	43
	34.	Tilford Bach. The Concert Critics.	MMusicians	11	11	Jul 1963	6-7
	35.	Bach's secular cantatas.	MonMRec	81	923	Jan 1951	9-13
	36.	Angela Hewitt at the Wigmore. [At the Wigmore Hall on 11 February Angela Hewitt captivated a sold-out house with an enthralling account of the second half of the Second Book of Bach's Well-Tempered Clavier.]	MOpinion	123	1421	Spring 2000
	37.	Andras Schiff in the Wigmore. [At the Wigmore Hall on 3 March Andras Schiff played Bach's six English Suites BWV 806 to 811]	MOpinion	123	1421	Spring 2000
	38.	Johann Sebastian Bach's quarter millennium.	MOpinion	123	1421	Spring 2000	142-143
	39.	Ursula Dutschler plays Bach. [Ursula Dutschler gave a harpsichord recital at the Wigmore Hall on 11 May, performing the entire collection of Bach keyboard Toccatas, BWV 910 to 916 splendidly]	MOpinion	123	1422	Summer 2000
	40.	Emma Kirkby & the Florilegium Ensemble. [presented a programme of Bach Suites and Cantatas 204 and 209 on 23 March at the Wigmore Hall]	MOpinion	123	1422	Summer 2000
	41.	Angela Hewitt at the Wigmore Hall. [on 11 February, WTC2]	MOpinion	124	1425	Jun 2001
	42.	J. S. Bach and the Luthewran Liturgy of His Time.	MOpinion	79	947	Aug 1956	673, 675
	43.	The preludes and fugues of J.L. Krebs.	MOpinion	90	1074	Mar 1967	337
	44.	The 'Loci Topici' and Affect in late baroque Music: Heinichen's practical Demonstration.	MReview	27	3	Aug 1966	161-176
	45.	A Study in Baroque Performing Practice.	MTimes	120	1638	Aug 1979	625, 638-639
	46.	Bach i wspólczesnosc. [Bach und das Zeitgeschehen.]	Muzyka	1	6	1950	42-52
	47.	Music, Rhetoric, and the concept of the Affections: A selective bibliography.	Notes	30	2	Dec 1973	250-259
	48.	In Defence of J. A. Scheibe against J. S. Bach.	ProceedRMA	101		1974-75	85-100
	49.	20th-century Bach.	RecRecording	12		1969	24-25
	50.	Thorough-Bass Accompaniment According to Johann David Heinichen. Revised edn. - Ann Arbor, Mich.: UMI Research Press, 1986. xvi, 462p. ISBN: 0-8357-1648-1. (= Studies in musicology, 84)	StudMcol	84		1986	xvi, 462p