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TypeListAuthor Title[further info]SeriesVolNoYearPagesStatus
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1. Tomita, YoStages of revision of the Wesley/Horn '48' title-page plate. 2004
2. Tomita, YoSurviving copies of the Wesley/Horn '48'. 2005
3. Tomita, YoBachfest Leipzig 2008. Bach und seine Söhne - Bach and his sons. 13 June - 22 June 2008. Review. 14 Aug 2008
4. Tomita, YoEditing Bach's Well-Tempered Clavier, Part 2. Jun 2006
5. Tomita, YoBachfest Leipzig 2004. Bach und die Romantik - Bach and the Age of Romanticism. 14 - 23 May 2004. Review. 11 Jul 2004
6. Tomita, YoClavier-Übung III ('The German Organ Mass') 2000
7. Tomita, YoThe Clavier-Übung II (BWV 971 and 831) 2006
8. Tomita, YoThe Simrock Edition of the Well-Tempered Clavier II. 2005
9. Tomita, YoThe French Suites (BWV 812-817). 2003
10. Tomita, YoBachfest Leipzig 2005. Bach und die Zukunft - Bach and the Future. 29 April - 8 May 2005. Review. 20 Jun 2005
11. Tomita, YoBachfest Leipzig 2003. 23 May-1 June. Review. 29 Jun 2003
12. Tomita, YoThe Well-Tempered Clavier, Book 1 (BWV 846-869). 1996
13. Tomita, YoThe 'Goldberg' Variations (BWV 988). 1997
14. Tomita, YoThe Inventions and Sinfonias (BWV 772-801). 1999
15. Tomita, YoThe Six Partitas (BWV 825-830). 2002
16. Niitsuma, Masahiro; Tomita, YoClassifying Bach's Handwritten C-Clefs. 2011 417-422
17. Niitsuma, Masahiro; Fujinami, Tsutomu; Tomita, YoThe Intersection of Computational Analysis and Music Manuscripts: A New Model for Bach Source Studies of the 21st Century. 2009 519-523
18. Tomita, YoJ. S. Bach's 'Das Wohltemperierte Clavier II': A Critical Commentary. Vol. I: Autograph Manuscripts. 1993 iv, 146p
19. Tomita, Yo (ed.)Das Wohltemperierte Klavier ; Teil II / Johann Sebastian Bach. 2007 xiii, 164p
20. Tomita, Yo (ed.)Das Wohltemperierte Klavier ; Teil II / Johann Sebastian Bach. 2007 xvii, 164p
21. Tomita, YoJ. S. Bach's 'Das Wohltemperierte Clavier II': A Critical Commentary. Vol.II. All the Extant Manuscripts. 1995 xxx, 1001p
22. Tomita, YoSelect Bibliography. AmerBachSocNL Spring 2002 6-7
23. Tomita, YoSelect Bibliography. AmerBachSocNL Spring 2001 6-7
24. Tomita, YoSelect Bibliography. AmerBachSocNL Spring 2003 6-7
25. Tomita, YoThe Sources of J. S. Bach's Well-Tempered Clavier II in Vienna 1777-1801. Bach 29 2 Fall-Winter 1998 8-79
26. Tomita, YoBach and His Early Drafts: Some Observations on Little Known Early Versions of Well-Tempered Clavier II and the Goldberg Variations from the Manfred Gorke Collection. Bach 30 2 1999 49-72
27. Tomita, YoPsalm and the Well-Tempered Clavier II: Revisiting the Old Question of Bach's Source of Inspiration. Bach 32 1 2001 17-43
28. Tomita, YoDas Wohltemperierte Clavier in England. Abschriften aus dem Besitz von Charles Burney und Friedrich Wilhelm Marpurg. BachJb 85 1999 143-149
29. Kovacevic, Tanja; [Kovaèeviæ]; Tomita, YoNeue Quellen zu Johann Sebastian Bachs Violinsoli (BWV 1001-1006). Zur Rekonstruktion eines wichtigen Überlieferungszweigs. BachJb 95 2009 49-74
30. Tomita, Yo'Bach and His Sons' Bachfest Leipzig 2008. BachNotesABS 10 Fall 2008 8-9
31. Tomita, YoThe Bachfest Leipzig 2009 -- A Review. BachNotesABS 12 Winter 2010 1-2
32. Tomita, YoBachfest Leipzig 2004. BachNotesABS 2 Fall 2004 5
33. Tomita, YoBachfest Leipzig 2005: 'Bach und die Zukunft'. BachNotesABS 4 Fall 2005 7
34. Tomita, YoBachfest Leipzig 2006: 'Von Bach zu Mozart'. May 27 to June 5. BachNotesABS 6 Fall 2006 15
35. Tomita, Yo'Most ingenious, most learned, and yet practicable work': The English reception of Bach's The Well-Tempered Clavier in the first half of the nineteenth century as seen through the editions published in London. BachNotesABS 7 Spring 2007 1-12
36. Tomita, YoBachfest Leipzig 2010. BachNotesLBS Autumn 2010 [2-3]
37. Tomita, YoLeipzig, a City of Festivals. Bachfest'05- a view from the pew. BachNotesLBS Sep 2005 [3-4]
38. Tomita, YoBachfest Leipzig 2008. BachNotesLBS Sep 2008 [3]
39. Tomita, YoBachfest Leipzig 2004. BachNotesLBS Sep 2004 [3]
40. Tomita, YoBachfest Leipzig 2009. An appreciation. BachNotesLBS Sep 2009 [4]
41. Tomita, YoBachfest Leipzig '06 -- Another View from the Stalls. BachNotesLBS Sep 2006 [4]
42. Tomita, Yo'London Jihitsufu' to 'Heikinritsu Clavier Kyokushu'. BachZenshu 12 Jul 1998 64-83
43. Tomita, YoKangengaku Kumikyoku o megutte. BCJ 61 Oct 2003 16-18
44. Tomita, YoPsalm and the Well-Tempered Clavier II: Revisiting the Old Question of Bach's Source of Inspiration. [ce]BaroqueComposers 2011 465-491
45. Tomita, YoIntroduction. [ce]BaroqueComposers 2011 xv-xxxvii
46. Tomita, Yo (ed.)Bach. [ce]BaroqueComposers 2011 xxxvii, 574p
47. Tomita, YoBach, Johann Sebastian (b. Eisenach, 21 Mar. 1685; d. Leipzig, 28 July 1750) [ce]CambridgeMozartEncyclopedia 2006 38-41
48. Tomita, YoThe Dawn of the English Bach Awakening Manifested in Sources of the '48'. [ce]EnglishBachAwakening 2004 35-167
49. Tomita, YoPursuit of Perfection: Stages of Revision of the Wesley/Horn '48'. [ce]EnglishBachAwakening 2004 341-377
50. Tomita, YoSamuel Wesley as Analyst of Bach's Fugues. [ce]EnglishBachAwakening 2004 379-402
51. Tomita, Yo'Most ingenious, most learned, and yet practicable work': The English Reception of Bach's Well-Tempered Clavier in the First Half of the Nineteenth Century seen through the Editions Published in London. [ce]Piano19CBritishCulture 2007 33-67
52. Tomita, YoBach, The Font: inline Music Graphics for Databases and Spreadsheets. ComputingMcol 9 1993-94 61-64
53. Tomita, Yo; Crean, Elise; Mills, Ian (eds.)International Symposium: Understanding Bach's B-minor Mass. Discussion Book 1. Full Papers by the Speakers at the Symposium on 2, 3 and 4 November 2007. [cr]Belfast2007 1 2007 x, 356p
54. Tomita, Yo; Kovacevic, Tanja; [Kovaèeviæ] (eds.)International Symposium: Understanding Bach's B-minor Mass. Discussion Book 2. Resource Book. [cr]Belfast2007 2 2007 357-511p
55. [Kovacevic, Tanja; Tomita, Yo; Leaver, Robin A.]B-minor Mass: Select Bibliography. [cr]Belfast2007 2 2007 492-504
56. Tomita, YoBreaking the Limits: Some Preliminary Considerations on Introducing an e-Science Model to Source Studies. [cr]Shizuoka2002 2004 233-237
57. Tomita, YoThe Well-Tempered Clavier II and Pianoforte Performance. Appreciation of Bach's profound compositional level - Theological and philosophical Speculation. diss. 1986 86p
58. Tomita, YoJ. S. Bach's Well-Tempered Clavier, Book II: A Study of its Aim, Historical Significance and Compiling Process. diss. 1990 xv, 317, 88, 608, 45p
59. Tomita, YoStreben nach Korrektheit: Samuel Wesley als Herausgeber von Bachs Klavierwerken. DortmundBachF 6 2003 87-103
60. Tomita, YoReading Soul from Manuscripts: Some Observations on Performance Issues in J. S. Bach's Habits of Writing His Music. [fs]Hogwood70 2011 13-40
61. Tomita, YoBach and Dresden: A New Hypothesis on the Origin of the Goldberg Variations (BWV 988). [fs]Leaver65 2007 169-191
62. Fujinami, Tsutomu; Tomita, YoHeikinritsu Clavier Kyokushu Dai-2-Kan no Shukofu ni kansuru Database Kochiku to sono Riyo. IPSJSIGNotes 100 Oct 2002 21-26
63. Tomita, YoBach's Credo in England: an early history. IrishMStud 8 2004 205-227
64. Leahy, Anne; Tomita, Yo (eds.)Bach Studies from Dublin: Selected papers presented at the ninth biennial conference on Baroque music, held at Trinity College Dublin from 12th to 16th July 2000. IrishMStud 8 2004 270p
65. Tomita, YoBach no Jihitsufu kara Wareware wa Nani o manaberu ka. Ensosha to Kenkyusha no Eien no Kadai. KunitachiColMResearchInstBul 21 Mar 2009 159-174
66. Tomita, YoOrijinaru Shiryo kara manabu Bach no 'Partita' Dai-2-ban to Dai-6-ban. KunitachiColMResearchInstBul 22 Mar 2010 107-131
67. Tomita, YoGibt es bisher unbekannte Kanons von Bach? Ergebnisse jüngster Forschungen zur Frühzeit der Bach-Bewegung in England. LeipzigerBeitrBachF 5 2002 497-519
68. Tomita, YoBach Reception in Pre-Classical Vienna: Baron van Swieten's Circle Edits the 'Well-Tempered Clavier' II. MLetters 81 3 Aug 2000 364-391
69. Tomita, YoAnalysing Bach's ink through a glass darkly. MTimes 139 1865 Winter 1998 37-38, 40-42
70. Tomita, YoDeciphering J. S. Bach's Performance Hints in his autograph manuscripts. [p]1ICHKM_Edinburgh Jul 2011
71. Tomita, YoOn-line Bach Bibliography: a brief introduction and demonstration. [p]ABS_Houston Apr 2002
72. Tomita, Yo'Most ingenious, most learned, and yet practicable work': The English reception of Bach's Well-Tempered Clavier in the first half of the nineteenth century seen through the editions published in London. [p]ABS_Leipzig May 2006
73. Tomita, YoBach's Credo in England: an early history. [p]BCB_Dublin Jul 2000
74. Tomita, YoHitherto unknown musical transcription of Psalms in Bach's Well-Tempered Clavier, Book II? The old question revisited [p]BCB_Exeter Jul 1998
75. Tomita, YoThe Bach competition of 1801: the battle against time and correctness as seen in the first complete editions of the Well-Tempered Clavier. [p]BCB_Logrono Jul 2002
76. Tomita, YoThe Well-Tempered Clavier in Pre-Classical Vienna: A New Source and Its Implication. [p]BICB_Belfast Jul 2010
77. Tomita, YoReading Soul from Manuscripts: Observations on Performance Issues in J.S. Bach's Habits of Writing his Music. [p]BICB_Leeds Jul 2008
78. Tomita, YoRe-examining the role of Kirnberger in the compilation and dissemination of Bach's Well-Tempered Clavier II. [p]BICB_Manchester Jul 2004
79. Tomita, YoVeiled aspects of Bach Reception in the 19th century exposed through a macro-level examination of prints. [p]BICB_Southampton Jul 2012
80. Tomita, YoReconstructing Bach's conjugal conversation. Re-assessing the contribution and the musicological value of the work of Anna Magdalena Bach. [p]BICB_Warsaw Jul 2006
81. Tomita, YoThe Bach reception in the first half of the nineteenth-century England seen through the manuscript and printed sources of the Well-Tempered Clavier. [p]BICM19C_Nottingham Jul 2005
82. Tomita, YoA new light shed on the origin of Mozart's KV 404a and 405 through the recent source study of J. S. Bach's Well-Tempered Clavier II. [p]BMC_London Apr 1996
83. Tomita, YoThe Implications of Bach's Introduction of New Fugal Techniques and Procedures in the Well-Tempered Clavier Book Two. [p]BNUK_Edinburgh Aug 2011
84. Tomita, YoAnna Magdalena as Bach's Copyist. [p]BNUK_Oxford Jan 2008
85. Tomita, YoStruggle for correctness: Samuel Wesley as an editor of Bach's keyboard works. [p]BS_Dortmund Jan-Feb 2002
86. Tomita, YoThe translation of twenty-four most recent musical thoughts?: a new hypothesis on the origin of the Well-Tempered Clavier II. [p]IATB_Eisenach Mar 2002
87. Tomita, YoSetting up Research Resources for the Future: The On-line Bach Bibliography Project and International Collaboration. [p]IBS_Utrecht Sep 2000
88. Tomita, Yo; Fujinami, TsutomuManaging a text-critical database of J.S. Bach's 'Well-Tempered Clavier II' with XML and a relational database. [p]IMS_Leuven Aug 2002
89. Tomita, YoReading Inspiration from Autograph Manuscripts: Musicologist's Advice to Performers on the second Book of the '48'. [p]JSBRI_Birmingham May 1997
90. Tomita, YoBach Botsugo 50-nenkan ni okeru Mubanso Violin no tame no Sonata to Partita no Densho to Juyo ni kanshite. [p]MSJ_Tokyo Oct 2008
91. Higuchi, Ryuichi; Kobayashi, Yoshitake; Beißwenger, Kirsten; Tomita, Yo; Sato, Nozomi; Isoyama, TadashiRoundtable 'Bach Kenkyu to 21Seiki'. [p]MSJ_Tokyo Oct 2005
92. Tomita, Yo19-seiki no Shuppanfu kara miru Bach Juyo no Shoyoso. [p]MSJ_Tokyo Nov 2011
93. Tomita, Yo1780nendai Wien to 'Heikinritsu Klavier Kyokushu' Dai-2-Kan. Shiryo Densho kara kaimamiru fukuzatsu de unique na Juyoshi. [p]MSJ_Tokyo Feb 1997
94. Niitsuma, Masahiro; Tomita, YoThe Intersection of Computational Analysis and Music Manuscripts: A New Model for Bach Source Studies of the 21st Century. [p]MwW_Belfast Dec 2009
95. Tomita, YoThe Well-Tempered Clavier in Pre-Classical Vienna: A New Source and Its Implication. [p]MwW_Belfast Dec 2009
96. Tomita, YoJ. S. Bach's Well-Tempered Clavier II in Vienna, 1777-1801: A Unique Reception History. [p]RMA_Belfast May 1996
97. Tomita, YoSome considerations on current methods of studying Bach's autograph manuscripts with particular reference to isolating his revisions through the analysis of ink: an interim report. [p]RMA_Belfast May 1998
98. Tomita, YoSamuel Wesley as analyst of Bach's fugues. [p]RMA_Dublin May 2002
99. Tomita, YoAssessing a text-critical database using AI techniques. [p]RMA_London Nov 1996
100. Tomita, YoTransmission of Bach's WTC in England during the Second Half of the Eighteenth Century. [p]RMA_Waterford May 1999
101. Tomita, YoBachowskie przebudzenie Mozarta - studium kontekstu. PrzegladMuzykologiczny 7 2009 191-223
102. Tomita, YoRecently discovered sources of Bach's Well-Tempered Clavier and their implication. [p]SMI_Belfast May 2004
103. Tomita, YoPursuit of perfection: stages of revision in Wesley and Horn's 'New and Correct' edition of Bach's '48'. [p]SMI_Maynooth May 2003
104. Tomita, YoHitherto unknown Bach canons? Some findings from recent research into the dawn of the Bach movement in England. [p]WK_Leipzig Jan 2000
105. Tomita, YoAnna Magdalena as Bach's Copyist. [p]Women_Yale Oct 2009
106. Tomita, YoAnna Magdalena as Bach's Copyist. UnderstandingBach 2 2007 59-76
107. Tomita, YoThe Implications of Bach's Introduction of New Fugal Techniques and Procedures in the Well-Tempered Clavier, Book Two. UnderstandingBach 6 2011 35-50

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