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TypeListAuthor Title[further info]SeriesVolNoYearPagesStatus
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1. Tomita, YoStages of revision of the Wesley/Horn '48' title-page plate. http://www.mu.qub.ac.uk/tomita/wh/ 2004
2. Tomita, YoSurviving copies of the Wesley/Horn '48'. http://www.mu.qub.ac.uk/tomita/wh/list-wh.htm 2005
3. Tomita, YoBachfest Leipzig 2008. Bach und seine Söhne - Bach and his sons. 13 June - 22 June 2008. Review. http://www.mu.qub.ac.uk/tomita/essay/BfestLeipzig2008/ 14 Aug 2008
4. Tomita, YoEditing Bach's Well-Tempered Clavier, Part 2. Paper read at 'Editing the Eighteenth Century' Workshop organised by CECS at Queen's University Belfast on 11 June 2006. Jun 2006
5. Tomita, YoBachfest Leipzig 2004. Bach und die Romantik - Bach and the Age of Romanticism. 14 - 23 May 2004. Review. http://www.mu.qub.ac.uk/tomita/essay/BfestLeipzig2004/ 11 Jul 2004
6. Tomita, YoClavier-Übung III ('The German Organ Mass') English: http://www.mu.qub.ac.uk/tomita/essay/cu3.html, Japanese: http://www.mu.qub.ac.uk/tomita/essay/cu3j.html 2000
7. Tomita, YoThe Clavier-Übung II (BWV 971 and 831) http://www.mu.qub.ac.uk/tomita/essay/CU2-e.html 2006
8. Tomita, YoThe Simrock Edition of the Well-Tempered Clavier II. http://www.mu.qub.ac.uk/tomita/essay/simrock/ 2005
9. Tomita, YoThe French Suites (BWV 812-817). English: http://www.mu.qub.ac.uk/tomita/essay/FrSuites-e.html, Japanese: http://www.mu.qub.ac.uk/tomita/essay/FrSuites-j.html 2003
10. Tomita, YoBachfest Leipzig 2005. Bach und die Zukunft - Bach and the Future. 29 April - 8 May 2005. Review. http://www.mu.qub.ac.uk/tomita/essay/BfestLeipzig2005/ 20 Jun 2005
11. Tomita, YoBachfest Leipzig 2003. 23 May-1 June. Review. http://www.mu.qub.ac.uk/tomita/essay/BfestLeipzig2003/ 29 Jun 2003
12. Tomita, YoThe Well-Tempered Clavier, Book 1 (BWV 846-869). English: http://www.mu.qub.ac.uk/tomita/essay/wtc1.html, Japanese: http://www.mu.qub.ac.uk/tomita/essay/wtc1j.html 1996
13. Tomita, YoThe 'Goldberg' Variations (BWV 988). English: http://www.mu.qub.ac.uk/tomita/essay/cu4.html, Japanese: http://www.mu.qub.ac.uk/tomita/essay/cu4j.html 1997
14. Tomita, YoThe Inventions and Sinfonias (BWV 772-801). English: http://www.mu.qub.ac.uk/tomita/essay/inventions.html, Japanese: http://www.mu.qub.ac.uk/tomita/essay/inventionsj.html 1999
15. Tomita, YoThe Six Partitas (BWV 825-830). English: http://www.mu.qub.ac.uk/tomita/essay/CU1-e.html, Japanese: http://www.mu.qub.ac.uk/tomita/essay/Partitas.htm 2002
16. Niitsuma, Masahiro; Tomita, YoClassifying Bach's Handwritten C-Clefs. In: Anssi Klapuri, Colby Leider (eds.): Proceedings of the 12th International Society for Music Information Retrieval Conference, ISMIR 2011, Miami, Florida, USA, October 24-28, 2011. University of Miami 2011, ISBN 978-0-615-54865-4, pp. 417-422. 2011 417-422
17. Niitsuma, Masahiro; Fujinami, Tsutomu; Tomita, YoThe Intersection of Computational Analysis and Music Manuscripts: A New Model for Bach Source Studies of the 21st Century. In: Keiji Hirata, George Tzanetakis, Kazuyoshi Yoshii (eds.): Proceedings of the 10th International Society for Music Information Retrieval Conference, ISMIR 2009, Kobe International Conference Center, Kobe, Japan, October 26-30, 2009. International Society for Music Information Retrieval 2009, ISBN 978-0-9813537-0-8, pp. 519-524. 2009 519-523
18. Tomita, YoJ. S. Bach's 'Das Wohltemperierte Clavier II': A Critical Commentary. Vol. I: Autograph Manuscripts. Leeds: Household World, 1993. iv, 146p. ISBN: 0-9521516-0-X. 1993 iv, 146p
19. Tomita, Yo (ed.)Das Wohltemperierte Klavier ; Teil II / Johann Sebastian Bach. Revidierte Ausgabe, hrsg. von Yo Tamita. Ohne Fingersatz. - München: G. Henle, 2007. xiii, 164p. Pl.-Nr.: HN 258. ISMN: M-2018-0258-9. - replaced in c.2012 with Bestell-Nr. HN 1016 · ISMN M-2018-1016-4. [BWV 870-893] 2007 xiii, 164p
20. Tomita, Yo (ed.)Das Wohltemperierte Klavier ; Teil II / Johann Sebastian Bach. Hrsg. von Yo Tamita. Fingersatz und Hinweise zur Ausführung von András Schiff. Revidierte Ausgabe. Urtext. - München: G. Henle Verlag, c2007. xvii, 164p. Pl.-Nr. (brosch.): HN 16; (Leinen): HN 17. ISMN: M-2018-0016-5. [BWV 870-893] 2007 xvii, 164p
21. Tomita, YoJ. S. Bach's 'Das Wohltemperierte Clavier II': A Critical Commentary. Vol.II. All the Extant Manuscripts. Leeds: Household World, 1995. xxx, 1001p. ISBN: 0-9521516-7-7. 1995 xxx, 1001p
22. Tomita, YoSelect Bibliography. AmerBachSocNL Spring 2002 6-7
23. Tomita, YoSelect Bibliography. AmerBachSocNL Spring 2001 6-7
24. Tomita, YoSelect Bibliography. AmerBachSocNL Spring 2003 6-7
25. Tomita, YoThe Sources of J. S. Bach's Well-Tempered Clavier II in Vienna 1777-1801. Errata published in Bach XXX/2 (1999) 75 Bach 29 2 Fall-Winter 1998 8-79
26. Tomita, YoBach and His Early Drafts: Some Observations on Little Known Early Versions of Well-Tempered Clavier II and the Goldberg Variations from the Manfred Gorke Collection. Bach 30 2 1999 49-72
27. Tomita, YoPsalm and the Well-Tempered Clavier II: Revisiting the Old Question of Bach's Source of Inspiration. Bach 32 1 2001 17-43
28. Tomita, YoDas Wohltemperierte Clavier in England. Abschriften aus dem Besitz von Charles Burney und Friedrich Wilhelm Marpurg. Kleine Beiträge. BachJb 85 1999 143-149
29. Kovacevic, Tanja; [Kovaèeviæ]; Tomita, YoNeue Quellen zu Johann Sebastian Bachs Violinsoli (BWV 1001-1006). Zur Rekonstruktion eines wichtigen Überlieferungszweigs. BachJb 95 2009 49-74 Latin 2
30. Tomita, Yo'Bach and His Sons' Bachfest Leipzig 2008. http://www.americanbachsociety.org/Newsletters/BachNotes10.pdf BachNotesABS 10 Fall 2008 8-9
31. Tomita, YoThe Bachfest Leipzig 2009 -- A Review. http://www.americanbachsociety.org/Newsletters/BachNotes12.pdf BachNotesABS 12 Winter 2010 1-2
32. Tomita, YoBachfest Leipzig 2004. http://www.americanbachsociety.org/Newsletters/BachNotes02.pdf BachNotesABS 2 Fall 2004 5
33. Tomita, YoBachfest Leipzig 2005: 'Bach und die Zukunft'. http://www.americanbachsociety.org/Newsletters/BachNotes04.pdf BachNotesABS 4 Fall 2005 7
34. Tomita, YoBachfest Leipzig 2006: 'Von Bach zu Mozart'. May 27 to June 5. http://www.americanbachsociety.org/Newsletters/BachNotes06.pdf BachNotesABS 6 Fall 2006 15
35. Tomita, Yo'Most ingenious, most learned, and yet practicable work': The English reception of Bach's The Well-Tempered Clavier in the first half of the nineteenth century as seen through the editions published in London. http://www.americanbachsociety.org/Newsletters/BachNotes07.pdf BachNotesABS 7 Spring 2007 1-12
36. Tomita, YoBachfest Leipzig 2010. BachNotesLBS Autumn 2010 [2-3]
37. Tomita, YoLeipzig, a City of Festivals. Bachfest'05- a view from the pew. BachNotesLBS Sep 2005 [3-4]
38. Tomita, YoBachfest Leipzig 2008. BachNotesLBS Sep 2008 [3]
39. Tomita, YoBachfest Leipzig 2004. BachNotesLBS Sep 2004 [3]
40. Tomita, YoBachfest Leipzig 2009. An appreciation. BachNotesLBS Sep 2009 [4]
41. Tomita, YoBachfest Leipzig '06 -- Another View from the Stalls. BachNotesLBS Sep 2006 [4]
42. Tomita, Yo'London Jihitsufu' to 'Heikinritsu Clavier Kyokushu'. ['London autograph' and 'the 'Well-tempered Clavier'] BachZenshu 12 Jul 1998 64-83
43. Tomita, YoKangengaku Kumikyoku o megutte. [On Orchestral Suites] BCJ 61 Oct 2003 16-18
44. Tomita, YoPsalm and the Well-Tempered Clavier II: Revisiting the Old Question of Bach's Source of Inspiration. Repr. from Bach, xxxii/1 (2001), pp. 17-43. [ce]BaroqueComposers 2011 465-491
45. Tomita, YoIntroduction. [ce]BaroqueComposers 2011 xv-xxxvii
46. Tomita, Yo (ed.)Bach. Farnham: Ashgate Publishing, 2011. xxxvii, 574p. ISBN: 978-0-7546-2891-0. (= The Baroque Composers, Series Editor: David Ledbetter) [ce]BaroqueComposers 2011 xxxvii, 574p
47. Tomita, YoBach, Johann Sebastian (b. Eisenach, 21 Mar. 1685; d. Leipzig, 28 July 1750) 1. The dissemination of Bach's works in Vienna; 2. Mozart's editorial work in K405; 3. Bach's influence on Mozart. [ce]CambridgeMozartEncyclopedia 2006 38-41
48. Tomita, YoThe Dawn of the English Bach Awakening Manifested in Sources of the '48'. [ce]EnglishBachAwakening 2004 35-167
49. Tomita, YoPursuit of Perfection: Stages of Revision of the Wesley/Horn '48'. [ce]EnglishBachAwakening 2004 341-377
50. Tomita, YoSamuel Wesley as Analyst of Bach's Fugues. [ce]EnglishBachAwakening 2004 379-402
51. Tomita, Yo'Most ingenious, most learned, and yet practicable work': The English Reception of Bach's Well-Tempered Clavier in the First Half of the Nineteenth Century seen through the Editions Published in London. [ce]Piano19CBritishCulture 2007 33-67
52. Tomita, YoBach, The Font: inline Music Graphics for Databases and Spreadsheets. ComputingMcol 9 1993-94 61-64
53. Tomita, Yo; Crean, Elise; Mills, Ian (eds.)International Symposium: Understanding Bach's B-minor Mass. Discussion Book 1. Full Papers by the Speakers at the Symposium on 2, 3 and 4 November 2007. School of Music and Sonic Arts, Queen's University Belfast. 2007. x, 356p. [cr]Belfast2007 1 2007 x, 356p
54. Tomita, Yo; Kovacevic, Tanja; [Kovaèeviæ] (eds.)International Symposium: Understanding Bach's B-minor Mass. Discussion Book 2. Resource Book. School of Music and Sonic Arts, Queen's University Belfast. 2007. 357-511pp. [cr]Belfast2007 2 2007 357-511p Latin 2
55. [Kovacevic, Tanja; Tomita, Yo; Leaver, Robin A.]B-minor Mass: Select Bibliography. Compiled by Tanja Kovacevic, Yo Tomita and Robin A. Leaver. [cr]Belfast2007 2 2007 492-504
56. Tomita, YoBreaking the Limits: Some Preliminary Considerations on Introducing an e-Science Model to Source Studies. [cr]Shizuoka2002 2004 233-237
57. Tomita, YoThe Well-Tempered Clavier II and Pianoforte Performance. Appreciation of Bach's profound compositional level - Theological and philosophical Speculation. MMus diss., Leeds Univ., with performance note. 1986, 86p. diss. 1986 86p
58. Tomita, YoJ. S. Bach's Well-Tempered Clavier, Book II: A Study of its Aim, Historical Significance and Compiling Process. PhD diss., Leeds University, 1990. xv, 317p. Supplements: A - 88p; B - 608p; C - 45p. diss. 1990 xv, 317, 88, 608, 45p
59. Tomita, YoStreben nach Korrektheit: Samuel Wesley als Herausgeber von Bachs Klavierwerken. trans. Stephanie Wollny. DortmundBachF 6 2003 87-103
60. Tomita, YoReading Soul from Manuscripts: Some Observations on Performance Issues in J. S. Bach's Habits of Writing His Music. [fs]Hogwood70 2011 13-40
61. Tomita, YoBach and Dresden: A New Hypothesis on the Origin of the Goldberg Variations (BWV 988). [fs]Leaver65 2007 169-191
62. Fujinami, Tsutomu; Tomita, YoHeikinritsu Clavier Kyokushu Dai-2-Kan no Shukofu ni kansuru Database Kochiku to sono Riyo. [Managing a text-critical database of J.S. Bach's 'Well-Tempered Clavier II' with XML and a relational database.] IPSJSIGNotes 100 Oct 2002 21-26
63. Tomita, YoBach's Credo in England: an early history. IrishMStud 8 2004 205-227
64. Leahy, Anne; Tomita, Yo (eds.)Bach Studies from Dublin: Selected papers presented at the ninth biennial conference on Baroque music, held at Trinity College Dublin from 12th to 16th July 2000. Dublin: Four Courts Press, 2004. 270p. ISBN: 1-85182-857-5. (= Irish Musical Studies, 8) IrishMStud 8 2004 270p
65. Tomita, YoBach no Jihitsufu kara Wareware wa Nani o manaberu ka. Ensosha to Kenkyusha no Eien no Kadai. [What can we learn from Bach's autograph manuscripts? An eternal question of performers and musicologists] KunitachiColMResearchInstBul 21 Mar 2009 159-174
66. Tomita, YoOrijinaru Shiryo kara manabu Bach no 'Partita' Dai-2-ban to Dai-6-ban. [Learning Bach's Partitas Nos. 2 and 6 from the original sources] KunitachiColMResearchInstBul 22 Mar 2010 107-131
67. Tomita, YoGibt es bisher unbekannte Kanons von Bach? Ergebnisse jüngster Forschungen zur Frühzeit der Bach-Bewegung in England. Übersetzung von Barbara Steinwachs. LeipzigerBeitrBachF 5 2002 497-519
68. Tomita, YoBach Reception in Pre-Classical Vienna: Baron van Swieten's Circle Edits the 'Well-Tempered Clavier' II. MLetters 81 3 Aug 2000 364-391
69. Tomita, YoAnalysing Bach's ink through a glass darkly. MTimes 139 1865 Winter 1998 37-38, 40-42
70. Tomita, YoDeciphering J. S. Bach's Performance Hints in his autograph manuscripts. Paper read at The 1st International Conference on Historical Keyboard Music, 1-3 July 2011 at University of Edinburgh. [p]1ICHKM_Edinburgh Jul 2011
71. Tomita, YoOn-line Bach Bibliography: a brief introduction and demonstration. A special presentation given at Biennial Meeting of the American Bach Society, April 26-28, 2002 at University of Houston, Rice University Houston, TX. 'J. S. Bach: Liturgy--Music--Theology.' [p]ABS_Houston Apr 2002
72. Tomita, Yo'Most ingenious, most learned, and yet practicable work': The English reception of Bach's Well-Tempered Clavier in the first half of the nineteenth century seen through the editions published in London. A paper read at the Biennial Meeting of the American Bach Society, Leipzig, May 11-13, 2006: 'Bach Crossing Borders'. Abstract published in BachNotesABS, 5 (Spring, 2006), p. 11. [p]ABS_Leipzig May 2006
73. Tomita, YoBach's Credo in England: an early history. A Paper read at Ninth Biennial Conference on Baroque Music, Trinity College Dublin, 12-16 July 2000. [p]BCB_Dublin Jul 2000
74. Tomita, YoHitherto unknown musical transcription of Psalms in Bach's Well-Tempered Clavier, Book II? The old question revisited A Paper read at Eighth Biennial Conference on Baroque Music, Univ. of Exeter, 9-12 July 1998. http://www.mu.qub.ac.uk/tomita/WTC2Psalm/index.html [p]BCB_Exeter Jul 1998
75. Tomita, YoThe Bach competition of 1801: the battle against time and correctness as seen in the first complete editions of the Well-Tempered Clavier. A paper read at Tenth Biennial Conference on Baroque Music held at Universidad de La Rioja (Logroño) from 17 to 21 July 2002. [p]BCB_Logrono Jul 2002
76. Tomita, YoThe Well-Tempered Clavier in Pre-Classical Vienna: A New Source and Its Implication. A Paper read at the 14th Biennial International Conference on Baroque Music held at Queen's University Belfast, 30 June-4 July 2010. [p]BICB_Belfast Jul 2010
77. Tomita, YoReading Soul from Manuscripts: Observations on Performance Issues in J.S. Bach's Habits of Writing his Music. A paper read at the 13th biennial international conference on Baroque music, held at University of Leeds from 2 to 6 July 2008. [p]BICB_Leeds Jul 2008
78. Tomita, YoRe-examining the role of Kirnberger in the compilation and dissemination of Bach's Well-Tempered Clavier II. A Paper read at the 11th Biennial International Conference on Baroque Music held at Royal Northern College of Music, 14-18 July 2004 [p]BICB_Manchester Jul 2004
79. Tomita, YoVeiled aspects of Bach Reception in the 19th century exposed through a macro-level examination of prints. A Paper read at the 15th Biennial International Conference on Baroque Music held at Southampton University, 11-15 July 2012. [p]BICB_Southampton Jul 2012
80. Tomita, YoReconstructing Bach's conjugal conversation. Re-assessing the contribution and the musicological value of the work of Anna Magdalena Bach. A paper read at the 12th biennial international conference on Baroque music, held at Warsaw University from 26 to 30 July 2006. [p]BICB_Warsaw Jul 2006
81. Tomita, YoThe Bach reception in the first half of the nineteenth-century England seen through the manuscript and printed sources of the Well-Tempered Clavier. A paper read at Fifth Biennial International Conference on Music in Nineteenth-Century Britain, Nottingham, 7-10 July 2005 [p]BICM19C_Nottingham Jul 2005
82. Tomita, YoA new light shed on the origin of Mozart's KV 404a and 405 through the recent source study of J. S. Bach's Well-Tempered Clavier II. A paper read at the British Musicology Conference in April 1996 (King's College, London). http://www.mu.qub.ac.uk/tomita/bmc1996/KV405.html [p]BMC_London Apr 1996
83. Tomita, YoThe Implications of Bach's Introduction of New Fugal Techniques and Procedures in the Well-Tempered Clavier Book Two. A paper read at the Fifth Johann Sebastian Bach Dialogue Meeting at Loretto and Edinburgh, 12-14 August 2011. [p]BNUK_Edinburgh Aug 2011
84. Tomita, YoAnna Magdalena as Bach's Copyist. A paper read at the Third J. S. Bach Dialogue Meeting 'New Directions in Bach Studies' at Faculty of Music, University of Oxford, 5-6 January 2008. [p]BNUK_Oxford Jan 2008
85. Tomita, YoStruggle for correctness: Samuel Wesley as an editor of Bach's keyboard works. A paper read at 4. Internationalen Dortmunder Bach-Symposion. 'Bachs Musik für Tasteninstrumente im Kontext der europäischen Musik' 30. Januar bis 2. Februar 2002. [p]BS_Dortmund Jan-Feb 2002
86. Tomita, YoThe translation of twenty-four most recent musical thoughts?: a new hypothesis on the origin of the Well-Tempered Clavier II. Paper read at the Tagung der Internationalen Arbeitsgemeinschaft für theologische Bachforschung e.V. 14.-17. März 2002 in Verbindung mit der Evang.-Luth. Kirchgemeinde Eisenach, der Gesellschaft [p]IATB_Eisenach Mar 2002
87. Tomita, YoSetting up Research Resources for the Future: The On-line Bach Bibliography Project and International Collaboration. Paper read at International Bach Symposium Utrecht 2000, University of Utrecht 12-14 September 2000. [p]IBS_Utrecht Sep 2000
88. Tomita, Yo; Fujinami, TsutomuManaging a text-critical database of J.S. Bach's 'Well-Tempered Clavier II' with XML and a relational database. A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002. [p]IMS_Leuven Aug 2002
89. Tomita, YoReading Inspiration from Autograph Manuscripts: Musicologist's Advice to Performers on the second Book of the '48'. A Paper read at the Weekend Conference on J. S. Bach and Rhythmic Inequality at Birmingham Conservatoire on 31 May 1997 [p]JSBRI_Birmingham May 1997
90. Tomita, YoBach Botsugo 50-nenkan ni okeru Mubanso Violin no tame no Sonata to Partita no Densho to Juyo ni kanshite. [On the transmission and reception of the Sonatas and Partitas for Unaccompanied Violin in the 50 years following Bach's death.] A paper read as part of roundtable 'J.S. Bach and C.P.E. Bach - on transmission and creative reception' chaired by Tadashi Isoyama at the 59th Annual Meeting of Musicological Society of Japan from 24 to 25 October 2008 at Kunitachi College of Music, Tokyo. [p]MSJ_Tokyo Oct 2008
91. Higuchi, Ryuichi; Kobayashi, Yoshitake; Beißwenger, Kirsten; Tomita, Yo; Sato, Nozomi; Isoyama, TadashiRoundtable 'Bach Kenkyu to 21Seiki'. [Roundtable: Bach Research and the 21st Century] Papers and discussion at 56th annual meeting of the Musicological Society of Japan at Meijigakuin Daigaku, Tokyo Japan on 22-23 October 2005. Tomita's paper is uploaded at http://www.mu.qub.ac.uk/tomita/essay/NTBResearch.html [p]MSJ_Tokyo Oct 2005
92. Tomita, Yo19-seiki no Shuppanfu kara miru Bach Juyo no Shoyoso. [Various aspects of Bach Reception seen through the 19-century editions of Bach's works] Paper read at the 62nd Annual Conference of the Musicological Society of Japan held on 5-6 November 2011 at the University of Tokyo. [p]MSJ_Tokyo Nov 2011
93. Tomita, Yo1780nendai Wien to 'Heikinritsu Klavier Kyokushu' Dai-2-Kan. Shiryo Densho kara kaimamiru fukuzatsu de unique na Juyoshi. [Vienna in 1780s and Well-Tempered Clavier II: a complex and unique reception history seen through the transmission of sources]. A paper read at Kanto Chapter meeting of the Musicological Society of Japan on 8 February 1997 held at Kunitachi College of Music, Tokyo. http://www.mu.qub.ac.uk/tomita/wc2wien/wc2wien.html [p]MSJ_Tokyo Feb 1997
94. Niitsuma, Masahiro; Tomita, YoThe Intersection of Computational Analysis and Music Manuscripts: A New Model for Bach Source Studies of the 21st Century. A poster presented at Interdisciplinary Symposium 'Music without Walls?' Source Studies in the 21st Century, held at School of Music and Sonic Arts, Queen's University Belfast from 16 to 17 December 2009. [p]MwW_Belfast Dec 2009
95. Tomita, YoThe Well-Tempered Clavier in Pre-Classical Vienna: A New Source and Its Implication. A paper read at Interdisciplinary Symposium 'Music without Walls?' Source Studies in the 21st Century, held at School of Music and Sonic Arts, Queen's University Belfast from 16 to 17 December 2009. [p]MwW_Belfast Dec 2009
96. Tomita, YoJ. S. Bach's Well-Tempered Clavier II in Vienna, 1777-1801: A Unique Reception History. Royal Musical Association Conference, Irish Chapter (Queen's University of Belfast), May 1996. [p]RMA_Belfast May 1996
97. Tomita, YoSome considerations on current methods of studying Bach's autograph manuscripts with particular reference to isolating his revisions through the analysis of ink: an interim report. Papers read at RMA Irish Chapter meeting, 8 May 1998 at University of Ulster, Belfast. [p]RMA_Belfast May 1998
98. Tomita, YoSamuel Wesley as analyst of Bach's fugues. Paper read at Royal Musical Association 14th Irish Chapter Meeting held at Department of Music, University College Dublin, 3-4 May 2002. [p]RMA_Dublin May 2002
99. Tomita, YoAssessing a text-critical database using AI techniques. A paper read at RMA Study Day, 30 November 1996, at King's College, London. http://www.mu.qub.ac.uk/tomita/RMA-SD/txtcrit.html [p]RMA_London Nov 1996
100. Tomita, YoTransmission of Bach's WTC in England during the Second Half of the Eighteenth Century. Papers read at RMA 12th Irish Chapter meeting, 7-8 May 1999 at Institute of Technology, Waterford. [p]RMA_Waterford May 1999
101. Tomita, YoBachowskie przebudzenie Mozarta - studium kontekstu. Prezek³ady: Piotr Szymaczak. [Mozart’s Bach Awakening and its Background] PrzegladMuzykologiczny 7 2009 191-223 Latin 2
102. Tomita, YoRecently discovered sources of Bach's Well-Tempered Clavier and their implication. A paper read at SMI Conference held at Queen's University Belfast, 7 and 8 May 2004. [p]SMI_Belfast May 2004
103. Tomita, YoPursuit of perfection: stages of revision in Wesley and Horn's 'New and Correct' edition of Bach's '48'. Paper read at the first annual conference of the Society for Musicology in Ireland held at National University of Ireland Maynooth from 2 to 3 May 2003. [p]SMI_Maynooth May 2003
104. Tomita, YoHitherto unknown Bach canons? Some findings from recent research into the dawn of the Bach movement in England. A paper read at the Wissenschaftliche Konferenz 'Bach in Leipzig / Bach und Leipzig' from 27 to 29 January 2000. [p]WK_Leipzig Jan 2000
105. Tomita, YoAnna Magdalena as Bach's Copyist. A paper read at conference 'Poets, Mothers, and Performers: Considering Women's Impact on the Music of Johann Sebastian Bach' held at Yale Institute of Sacred Music, USA, on October 16-18, 2009. [p]Women_Yale Oct 2009
106. Tomita, YoAnna Magdalena as Bach's Copyist. http://www.bachnetwork.co.uk/ub2/tomita.pdf UnderstandingBach 2 2007 59-76
107. Tomita, YoThe Implications of Bach's Introduction of New Fugal Techniques and Procedures in the Well-Tempered Clavier, Book Two. http://www.bachnetwork.co.uk/ub6/Tomita%20UB6.pdf UnderstandingBach 6 2011 35-50

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