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| Type | List | Author  | Title[further info  ] | Series | Vol | No | Year | Pages | Status |
|---|---|---|---|---|---|---|---|---|---|
 | 1. | Kawabata, Junshiro | Matai Junankyoku ni tsuite. | ||||||
 | 2. | [Radowitz, Joseph Maria von] | Verzeichniss der von dem verstorbenen Preußischen General-Lieutenant J. von Radowitz hinterlassenen Autographen-Sammlung, nunmehr Eigentum der Königl. Bibliothek in Berlin. Dritter Theil. Berlin 1864. | ||||||
 | 3. | Dahl, Ingolf; Szigeti, Joseph (eds.) | Violin Concerto in D minor / J. S. Bach. Reconstructed after the original sources | ||||||
| | 4. | Bolte, Johannes | Zu Goethes Legende vom Hufeisen. | ||||||
| | 5. | [Rietz, Julius] | Katalog einer hervorragenden Sammlung von Musiker-Autographen ... Zum grössten Theil aus dem Nachlass des ... Julius Rietz, Dresden ; Versteigerung 17. Oktober 1806. | ||||||
| | 6. | Motta, José Vianna da (arr.) | Zwei Menuette für Pianoforte (aus dem Klavierbüchlein Friedemann Bach's) / Joh. Seb. Bach. | ||||||
| | 7. | Nemeti, J. (arr.) | Arie: 'Erbarme dich, mein Gott' aus Matthäuspassion | ||||||
| | 8. | [Rietz, Julius] | Auction zu Dresden der von Generalmusikdirector Dr. Julius Rietz, Hofrath Dr. A von Zahn in Dresden hinterlassenen Bibliotheken und Musikalien-Sammlung, sowie einiger werthvollen Kupferstiche in Glas und Rahmen am 29. April und den folgenden Tagen | 104p | |||||
| | 9. | Ernesti, Johann August | Elementary Principles of Interpretation. | 142p | |||||
 | 10. | Radowitz, Joseph Maria von | Catalog v. Radowitz. | 16p | |||||
| | 11. | Buttstett, Johann Heinrich (ed.) | Ut, Mi, Sol, Re, Fa, La, Tota Musica et Harmonia Æeterna, Oder Neu-eröffnetes, altes, wahres, eintziges und ewiges Fundamentum Musices, entgegen gesetzt Dem neu-eröffneten Orchestre | 176p | |||||
| | 12. | Ernesti, Johann August | Initia rhetorica. | 204p | |||||
| | 13. | Kawabata, Junshiro | Bach Mangekyo: Jidai no Gekiryu ni ikita Kyokai Ongakuka. | 208p | |||||
| | 14. | Barnett, John Francis; Potter, Cipriani (eds.) | The Student's Edition of Forty-eight Preludes and Fugues, by J. Sebastian Bach. | 231p | |||||
| | 15. | Quantz, Johann Joachim | Grondig onderwys van den aardt en de regte behandeling der dwarsfluit: verzeld met eenen treffelyken regelenschat van de compositie en van de uitvoering der voornaamste muzyk-stukken, op de gebruikelykste instrumenten; door lange ondervinding en schrandere opmerking, in de groote muzykaale ... | 240p | |||||
| | 16. | Elliott, J. H. | Berlioz. | 243p | |||||
| | 17. | Kawabata, Junshiro; Sekiya, Naoto (eds.) | Bach no Koraru o utau. Meikyoku 50 sen. | 267p | |||||
| | 18. | Date, Jun; Kobayashi, Hitoshi | Bach Heikinritsu no Kenkyu. 2. | 286p | |||||
| | 19. | Kawabata, Junshiro | J.S. Bach. Jidai o koeta Kantoru. | 302p | |||||
| | 20. | Quantz, Johann Joachim | Furuto Sohoshiron [1752]. | 310p | |||||
| | 21. | Quantz, Johann Joachim | Easy and Fundamental Instructions whereby either vocal or instrumental Performers ... may ... learn how to introduce Extempore Embellishments or Variations as also Ornamental Cadences [1752]. | 32p | |||||
| | 22. | Quantz, Johann Joachim | Johann Joachim Quantzens, königl. preussischen Kammermusikus, Versuch einer Anweisung, die Flöte traversiere zu spielen: mit verschiedenen, zur Beförderung des guten Geschmackes in der praktischen Musik dienlichen Anmerkungen begleitet, und mit Exempeln erläutert: nebst XXIV. Kupfertafeln. | 334, 24p | |||||
| | 23. | Quantz, Johann Joachim | Essai d'une methode pour apprendre à jouer de la flute traversiere: avec plusieurs remarques pour servir au bon gout dans la musique le tout eclairci par des exemples et par XXIV. tailles douces. | 336p | |||||
| | 24. | Butt, John | Bach's Dialogue with Modernity: Perspectives on the Passions. | 336p | |||||
| | 25. | [Rietz, Julius] | Verzeichnis einer kostbaren Sammlung von Autographen der berühmtesten Tonkünstler, Sänger, Schauspieler etc. aller Nationen älterer und neuerer Zeit, zum Teil aus dem Nachlasse des Kgl. General-Musikdirektors Hofkapellmeisters Julius Rietz ... Zu beziehen von Otto Aug. Schulz in Leipzig. | 35p | |||||
| | 26. | Quantz, Johann Joachim | On Playing the Flute [1752]. | 365p | |||||
| | 27. | Rochlitz, Johann Friedrich (ed.) | Sammlung vorzüglicher Gesangstücke der anerkannt-größten, zugleich für die Geschichte der Tonkunst wichtigsten, die eigene höhere Ausbildung für diese Kunst und den würdigsten Genuß an derselben förderndsten Meister der für Musik entscheidendsten Nationen. Bd.3: Vom Jahr 1700 bis um das Jahr 1760. | 37, 247p | |||||
| | 28. | Butt, John | Vida de Bach. | 384p | |||||
| | 29. | Ernesti, Johann August | Clavis Ciceroniana sive indices rerum et verborum philologico-critici in opera Ciceronis accedunt Graeca Ciceronis necessariis observationibus illustrata. | 400 Bl | |||||
| | 30. | Rietz, Julius (ed.) | Verzeichniß der sämmtlichen musikalischen Compositionen von Felix Mendelssohn Bartholdy. | 499-520 | |||||
| | 31. | Gillette, James R. (arr.) | O love of God: anthem for mixed voices, melody: 'Komm, süsser Tod' / Johann Sebastian Bach. | 4p | |||||
| | 32. | Kortz, Janes P. von | Johann Sebastian Bach (1685-1750): 300th Birthday Engagement Calendar 1985. | 56 Bl | |||||
| | 33. | Ernesti, Johann August | Initia doctrinae solidioris. | 690p | |||||
| | 34. | Lairitz, Johann Georg | Schuldiges Lob Gottes, Oder: Geistreiches Gesang-Buch, Ausgebreitet, durch Hrn. D. M. Luthern, und andere vornehme Evangelische Lehrer, So in Kirchen und Schulen des Fürstenthums Weimar, wie auch in der Hennebergischen Landes-Portion zu gebrauchen, | 705p | |||||
| | 35. | Motta, José Vianna da | Ferruccio Busoni's Cyclus von vier Clavier-Orchester-Abenden. | 87p | |||||
| | 36. | Kawabata, Junshiro | 3.11 Go o ikiru Kirisutokyo: Bultmann, Marx, Bach kara mananda Koto. | 94p | |||||
| | 37. | Mendelssohn Bartholdy, Paul; Mendelssohn Bartholdy, Carl; Rietz, Julius (eds.) | Letters of Felix Mendelssohn Bartholdy from 1833 to 1847. | vi, 468p | |||||
| | 38. | Mendelssohn Bartholdy, Paul; Mendelssohn Bartholdy, Carl; Rietz, Julius (eds.) | Briefe aus den Jahren 1833 bis 1847 [von Felix Mendelssohn Bartholdy]. | vi, 520p | |||||
| | 39. | Sposato, Jeffrey S. | The price of assimilation: Felix Mendelssohn and the nineteenth- century anti-Semitic tradition. | xi, 228p | |||||
| | 40. | Nelle, Wilhelm; Plath, Johannes (eds.) | Chorbuch 1917: 27 Lieder D. Martin Luthers in Chorsätzen alter Meister, Johann Sebastian Bachs und in neuen dreistimmigen Tonsätzen | xii, 144p | |||||
| | 41. | Rochlitz, Johann Friedrich | Charaktere interessanter Menschen: in moralischen Erzählungen dargestellt zur Unterhaltung in einsamen ruhigen Stunden. Zweyter Theil. | xii, 393p | |||||
| | 42. | Muret, Marc-Antoine; Ernesti, Johann August; Ruhnken, David; Matthiae, August H. | Eloquentiae Latinae exempla, e M. A. Mureti, I. A. Ernesti, D. Ruhnkenii scriptis. Sumpta et inventuti litterarum studiosae. | xii, 420p | |||||
| | 43. | Butt, John | Bach Interpretation. Articulation Marks in Primary Sources of J. S. Bach. | xiii, 278p | |||||
| | 44. | Sterndale Bennett, J. R. | The Life of Sterndale Bennett. | xiii, 471p | |||||
| | 45. | Quantz, Johann Joachim | Versuch einer Anweisung die Flöte traversiere zu spielen [1752] | xiv, 277p | |||||
| | 46. | Garratt, James | Palestrina and the German Romantic Imagination: Interpreting Historicism in Nineteenth-Century Music. | xiv, 318p | |||||
| | 47. | Sposato, Jeffrey S. | Leipzig After Bach: Church & Concert Life in a German City. | xix, 313p | |||||
| | 48. | Butt, John | Playing with History: The Historical Approach to Musical Performance. | xv, 265p | |||||
| | 49. | Ernesti, Johann August | Elogium Caspari Borneri, Grammatici Philosophi Mathematici Et Theologi Lipsiensis Clarissimi. | xvi p | |||||
| | 50. | Barnett, John Francis | Musical reminiscences and impressions. | xvi, 341p | |||||
| | 51. | Alberti, J. (ed.) | Geist des Musikalischen Kunstmagazins von Johann Friederich Reichardt. | xxi, 195p | |||||
| | 52. | Callcott, John Wall | A musical grammar in four parts. | xxii, 308p | |||||
 | 53. | Butt, John | Recordings: Altbachisches Archiv: Works by Johann Bach (1604-1673), Johann Christoph Bach (1642-1703), Georg Christoph Bach (1642-1697), Johann Michael Bach (1648-1694), Johann Sebastian Bach (1685-1750). | 18cM | 1 | 1 | 109-111 | ||
| | 54. | Sposato, Jeffrey S. | Saint Elsewhere: German and English reactions to Mendelssohn's Paulus. | 19cM | 32 | 1 | 26-51 | ||
| | 55. | Rochlitz, Johann Friedrich | Anekdoten aus Mozarts Leben. | AllgMlZ | 1 | 6 | 81-86 | ||
| | 56. | Rochlitz, Johann Friedrich | Anekdoten aus Mozarts Leben. | AllgMlZ | 1 | 8 | 113-117 | ||
| | 57. | Rochlitz, Johann Friedrich | Vorschläge zu Betrachtungen über die neueste Geschichte der Musik. | AllgMlZ | 1 | 40 | 625-629 | ||
| | 58. | Rochlitz, Johann Friedrich | Monumente deutscher Tonkünstler. | AllgMlZ | 2 | 24 | 417-423 | ||
| | 59. | Rochlitz, Johann Friedrich | Raphael und Mozart. | AllgMlZ | 2 | 37 | 641-651 | ||
| | 60. | Rochlitz, Johann Friedrich | [C. P. E. Bachs Urteil über W. F. Bach - Doles als Gast im Bachschen Hause.] | AllgMlZ | 2 | 48 | 829-830 | ||
| | 61. | Rochlitz, Johann Friedrich | Bitte [um Spenden für Regina Susanna Bach] | AllgMlZ | 2 | Intel 13 | 56 | ||
| | 62. | Rochlitz, Johann Friedrich | Motetto: Nach einer Prüfung kurzer Tage, von Gellert; in Musik ges. von J. G. Schicht, Cantor an der Thomasschule etc. zu Leipzig. Partitur. Leipzig, bey Breitkopf u. Härtel. (Pr. 1 hlr. 8. Gr.). | AllgMlZ | 20 | 34 | 601-612 | ||
| | 63. | Rochlitz, Johann Friedrich | Missa à 4 Voci, 2 Flauti, 2 Violini, Viola ed Organo. di Giov. Sebast. Bach. No 1, dopo Partitura autografa dell' autore. Bonna e Colonia, presso N.Simrock (Pr. 6 Fr.). | AllgMlZ | 21 | 9 | 133-140 | ||
| | 64. | Rochlitz, Johann Friedrich | Eine feste Burg ist unser Gott. Cantate für vier Singstimmen mit Begleitung des Orchesters, in Musik gesetzt von Joh. Seb. Bach. Partitur. Nach Joh. Seb. Bachs Original-Hand-Schrift. Leipzig, bey Breitkopf und Härtel. (Pr. 1 Thlr. 8 Gr.) | AllgMlZ | 24 | 30 | 485-493 | ||
| | 65. | [Rochlitz, Johann Friedrich] | Ueber die musikalische Beylage, No.1 [Fuge von J. S. Bach.] | AllgMlZ | 28 | 6 | 104 u. Beilage 4p | ||
| | 66. | Rochlitz, Johann Friedrich; Breitkopf & Härtel; Bach, Regina Susanna | [Über Spenden für die jüngste Tochter J. S. Bachs. Beethoven plant, eine seiner Kompositionen zum Besten von Regina Susanna Bach herauszugeben] | AllgMlZ | 3 | Intel 9 | [33-34] | ||
| | 67. | Rochlitz, Johann Friedrich | Auf Veranlassung des Werkes: Große Passionsmusik nach dem Evangelisten Johannes, von S. Bach. Einleitung und I: Aus welchen Ursachen sucht unsere Zeit die ernstesten, ja gelehrtesten Werke der Vorzeit? II: Geschichte der Bachschen Passions-Oratorien und der ursprünglich deutschen Passions-Oratorien überhaupt. III: Über dieses Bachsche Passionswerk selbst. | AllgMlZ | 33 | 17, 18, 19 | 265-271; 285-298; 301-311 | ||
| | 68. | [Rochlitz, Johann Friedrich] | Uebersicht dessen, was in Leipzig von Neujahr bis Ostern für Musik gethan worden. | AllgMlZ | 4 | 31 | 497-507 | ||
| | 69. | [Rochlitz, Johann Friedrich] | Musik in Leipzig. Michael bis Neujahr. | AllgMlZ | 5 | 15 | 241-258 | ||
| | 70. | [Rochlitz, Johann Friedrich] | Johann Sebastian Bachs Motetten, in Partitur. Erstes Heft enthaltend: Drey achtstimmige Motetten. 1. Singet dem herrn ein neues Lied. 2. Fürchte dich nicht, ich bin bey dir. 3. Ich lasse dich nicht, du segnest mich. Leipzig bey Breitkopf und Härtel. (Preis I Thlr. 8 Gr) | AllgMlZ | 5 | 20 | 333-335 | ||
| | 71. | Rochlitz, Johann Friedrich | Ueber den Geschmack an Sebastian Bachs Compositionen, besonders für das Klavier. | AllgMlZ | 5 | 31 | 509-522 | ||
| | 72. | [Rochlitz, Johann Friedrich] | J. S. Bachs Choralvorspiele für die Orgel, mit einem und zwey Klavieren und Pedal. Leipzig, bey Breitkopf und Härtel. Erstes und zweytes Heft. (Jedes 16 Gr.) | AllgMlZ | 8 | 2 | 29-32 | ||
| | 73. | Rochlitz, Johann Friedrich | Ueber den zweckmässigen Gebrauch der Mittel der Tonkunst. | AllgMlZ | 8 | 1, 4, 13, 16 | 3-10, 49-59, 193-201, 241-249 | ||
| | 74. | [Rochlitz, Johann Friedrich] | Konzert und Oper in Leipzig. Michael bis Weihnacht. | AllgMlZ | 9 | 13 | 204-208 | ||
| | 75. | [Rochlitz, Johann Friedrich] | Konzert und Oper in Leipzig (Fortsetzung). | AllgMlZ | 9 | 14 | 213-220 | ||
| | 76. | Butt, John | Performer's View: Bach and the Performance of Meaning. | AmerBachSocNL | 5, 10 | ||||
| | 77. | Holtz, John | An Approach to Playing Bach's Organ Music. | AmerOrganist(2) | 15 | 4 | 38-41 | ||
| | 78. | Szigeti, Joseph | The Unaccompanied Sonates and Partitas Of Bach. | AmerStringTeacher | 13 | 4 | 1-3, 5 | ||
| | 79. | Motta, José Vianna da | Um novo livro sobre J. Sebastian Bach. | ArteMusical(3) | 7 | 158 | 184 | ||
| | 80. | Butt, John | Leonhardt's Role in the Invention of Historically Informed Performance. | Bach | 48 | 2 and 49/1 | 9-12 | ||
| | 81. | Wentz, Jed | On the Protestant Roots of Gustav Leonhardt's Performance Style. | Bach | 48 | 2 and 49/1 | 48-92 | ||
| | 82. | Butt, John | Choralpartiten. | BachHandb | 4 | 1 | 494-510 | ||
| | 83. | Butt, John | Clavier Übung III. | BachHandb | 4 | 2 | 906-929 | ||
| | 84. | Butt, John | Canonische Veränderungen über Vom Himmel hoch. | BachHandb | 4 | 2 | 949-961 | ||
| | 85. | Butt, John | Die 'Schübler-Choräle'. | BachHandb | 4 | 2 | 996-1006 | ||
| | 86. | Butt, John | Bach in the twenty-first century: re-evaluating him from the perspective of performance. | BachNachwelt | 4 | 169-181 | |||
| | 87. | Strohm, Reinhard; Butt, John; Dreyfus, Laurence; Tatlow, Ruth | Bach Network UK -- latest report: New Directions in Bach Studies: Second J S Bach Dialogue Meeting [9-10 December 2006 in Oxford] | BachNotesLBS | [5] | ||||
| | 88. | Butt, John | Bach Recordings since 1980: A Mirror of Historical Performance. | BachPerspectives | 4 | 181-198 | |||
| | 89. | Butt, John | J. S. Bach and G. F. Kauffmann: reflections on Bach's later style. | BachStud | 2 | 47-61 | |||
| | 90. | Kalckreuth, Johannes von | Bach regiert in Ansbach. | Bayerland | 56 | 382-383 | |||
| | 91. | Butt, John | Perfectly infinite. | BBCMMag | 38-40 | ||||
| | 92. | Smith, Jane | In Search of Bach: Clare Brigstocke and her partner set out on a modern-day pilgrimage. Their aim - to hear Bach's church choir sing the Christmas Oratorio in the Thomaskirche in Leipzig in his birthplace and churches on the way. | BBCMMag | 8 | 5 | 40-42 | ||
| | 93. | Kawabata, Junshiro | Matai Junankyoku o megutte. | BCJ | 6-7 | ||||
| | 94. | Luth, Jan R. | Rutsu Hakushi no Koraru Dangi. Dai-1-Wa: Koraru towa Nani ka. | BCJ | 3 | ||||
| | 95. | Luth, Jan R. | Rutsu Hakushi no Koraru Dangi. Dai-2-Wa: Magnificat ni tsuite. | BCJ | 4 | ||||
| | 96. | Luth, Jan R. | Rutsu Hakushi no Koraru Dangi. Dai-3-Wa: Yohane Junankyoku to Koraru. | BCJ | 6 | ||||
| | 97. | Luth, Jan R. | Rutsu Hakushi no Koraru Dangi. Dai-4-Wa [BWV 94, 138, 97 no Koraru ni tsuite]. | BCJ | 7 | ||||
| | 98. | Luth, Jan R. | Rutsu Hakushi no Koraru Dangi. Dai-5-Wa: Kaishuka to Orugan Banso. | BCJ | 9 | ||||
| | 99. | Luth, Jan R. | Rutsu Hakushi no Koraru Dangi. Dai-6-Wa: 'Banka (Vespers)' | BCJ | 10 | ||||
| | 100. | Luth, Jan R. | Rutsu Hakushi no Koraru Dangi. Dai-7-Wa: 'Kyokaireki'. | BCJ | 11 | ||||
| | 101. | Luth, Jan R. | Rutsu Hakushi no Koraru Dangi. Dai-9-Wa. | BCJ | 12 | ||||
| | 102. | Luth, Jan R. | Johane Junankyoku to Koraru. | BCJ | 18 | ||||
| | 103. | Kawabata, Junshiro | 'Yohane Junankyoku' Seiritsu no Haikei. 'Gakucho-gata Kantoru' ga Jitsugen saseta Hatsu no Junankyoku. | BCJ | 76 | 48-51 | |||
| | 104. | Kawabata, Junshiro | Program Notes. 'Matai Junankyoku' to Koraru. | BCJ | 97 | 10-14 | |||
| | 105. | Rietz, Julius (ed.) | Joh. Seb. Bach's Passionsmusik nach dem Evangelisten Matthäus. | BG | 4 | 13 | xxxvi, 289p | ||
| | 106. | Rietz, Julius (ed.) | Joh. Seb. Bach's Messe H moll. | BG | 6 | xxvii, 306p | |||
| | 107. | Rietz, Julius (ed.) | Joh. Seb. Bach's Messe H moll. Zweite Hälfte. | BG | 6 | 2 | v, 155-306p | ||
| | 108. | Rietz, Julius (ed.) | Joh. Seb. Bach's Messe H moll. [Neue Redaktion] | BG | 6 | [rev] | xxvi, 306p | ||
| | 109. | Kawabata, Junshiro | J. S. Bach to sono Jidai--Seitan 300-nen ni yosete. | BunkaHyoron | 294 | 169-181 | |||
| | 110. | Kawabata, Junshiro | Bach to Gendai--Shukyoshin naki Jidai no Shukyo Ongaku. | BunkaHyoron | 308 | 167-182 | |||
| | 111. | Goetz, Julius | Bach im deutschen Schrifttum. Zum 200. Todestag des Meisters. | BörsenBlDBuchhandel | 117 | 30 | 326-328 | ||
| | 112. | Butt, John | Bach: 'Mass in B Minor'. | CambridgeMHandb | 126p | ||||
| | 113. | Butt, John | Music education and the art of performance in the German Baroque. | CambridgeMlTextsMonographs | xix, 237p | ||||
| | 114. | Beckwith, J. | The Toronto Bach Society. | CanadianMJ | 4 | 34-37 | |||
| | 115. | Benedicto, José Feito | Entrevista con Mischa Maisky: Bach, amor y fantasía. | CDCompact | 17 | 171 | |||
| | 116. | Luth, Jan R. | Johann Sebastian Bachs trio over 'Allein Gott in der Höh sei Ehr' BWV 676. | [ce]17essays | 105-112 | ||||
| | 117. | Garratt, James | Britain and Ireland. | [ce]19cChoralM | 335-367 | ||||
| | 118. | Horlitz, Julia | Zur Bach-Interpretation auf dem Klavier, dargestellt an Teilen der c-moll-Partita, BWV 826. | [ce]20JahreEPTA | 217-220 | ||||
| | 119. | Szigeti, Joseph | [Differing Interpretations of the Opening and Closing Bars] | [ce]BachChaconne | 126-129 | ||||
| | 120. | Schmoll-Eisenwerth, Josef A. | 'Hommage à J. S. Bach': ein Thema der Bildenden Kunst des 20. Jahrhunderts (1988). | [ce]BachInBayern | 148-162 | ||||
| 121. | Luth, Jan R. | Bach en de rhetorica. | [ce]BachOrgelDordrecht | ||||||
| | 122. | Huray, Peter Le; Butt, John | In Search of Bach the Organist. | [ce]BHSTercentenaryEssays | 185-206 | ||||
| | 123. | Butt, John | Bach's metaphysics of music. | [ce]CambridgeCompanion_Bach | 46-59 | ||||
| | 124. | Butt, John | 'A mind unconscious that it is calculating'? Bach and the rationalist philosophy of Wolff, Leibniz and Spinoza. | [ce]CambridgeCompanion_Bach | 60-71 | ||||
| | 125. | Butt, John (ed.) | The Cambridge Companion to Bach. | [ce]CambridgeCompanion_Bach | xv, 326p | ||||
| | 126. | Butt, John | Choral music. | [ce]CambridgeHist19cM | 213-236 | ||||
| | 127. | Butt, John | Choral culture and the regeneration of the organ. | [ce]CambridgeHist19cM | 522-543 | ||||
| | 128. | Butt, John | The historical performance movement; Bach and the organ in 2000. | [ce]IAOMillenniumBook | 15-19 | ||||
| | 129. | Keilberth, Joseph | Bachinterpretation. | [ce]JSB1750-1950Dresden | 12 | ||||
| | 130. | Butt, John | Towards a genealogy of the keyboard concerto. | [ce]KeyboardInBaroqueEurope | 93-110 | ||||
| | 131. | Butt, John | Bach and the dance of humankind. | [ce]MusicologyDance | 19-48 | ||||
| | 132. | Rochlitz, Johann Friedrich | Geschmack an Sebastian Bachs Compositionen besonders für das Klavier: Brief an einen Freund. | [ce]Rochlitz | 9-18 | ||||
| | 133. | Rochlitz, Johann Friedrich | Ein feste Burg ist unser Gott für vier Singstimmen mit Begleitung des Orchesters. | [ce]Rochlitz | 19-26 | ||||
| | 134. | Rochlitz, Johann Friedrich | Sebastian Bachs große Passionsmusik nach dem Evangelisten Johannes. | [ce]Rochlitz | 27-47 | ||||
| | 135. | Butt, John | Historical Perspective & Introduction. | [ce]SacredChoralMusicJSB | 1-4 | ||||
| | 136. | Butt, John | Ornamentation. | [ce]SacredChoralMusicJSB | 48-54 | ||||
| | 137. | Butt, John (ed.) | The Sacred Choral Music of J. S. Bach: A Handbook. | [ce]SacredChoralMusicJSB | 66p | ||||
| | 138. | Smith, Johannes (ed.) | Sonate für Violoncell und Piano / Joh. Chr. Fr. Bach. | CollLitolff | 2375 | 16p + 1 St | |||
| | 139. | Kawabata, Junshiro | Gendaiteki Kadai to shite no Bach no Ongaku. | Compax | 4 | ||||
| | 140. | Kroesbergen, Willem; Wentz, Jed | Utilia, non subtilia: Ausdruck und Leidenschaft in der Musik des 18. Jahrhunderts (Teil II und Schluss). | Concerto | 13 | 114 | 19-23 | ||
| | 141. | Trinkewitz, Jürgen | Clavier- und Kompositionsunterricht im 18. Jahrhundert oder: Was man aus alten Instrumentalschulen lernen kann. Teil I. | Concerto | 22 | 201 | 30-32 | ||
| | 142. | Trinkewitz, Jürgen | Clavier- und Kompositionsunterricht im 18. Jahrhundert oder: Was man aus alten Instrumentalschulen lernen kann. Teil II und Schluß. | Concerto | 22 | 202 | 35-37 | ||
| | 143. | Landsbergyte, Júrate | Carl Philipp Emanuel Bachs Beziehungen nach Litauen. | CPEBachKonzepteSR | 3 | 2 | 436-443 | ||
| | 144. | Luth, Jan R. | Blut und Versöhnung im Orgel-Büchlein. | [cr]Amsterdam1993 | 253-258 | ||||
| | 145. | Butt, John | Organs and universities—A universal association? | [cr]Harvard2012 | 1-10 | ||||
| | 146. | Wentz, Jed | Les indications de tempo de J.S. Bach à la lumière de Die Kunst des reinen Satzes de J.Ph. Kirnberger. | [cr]Metz1994 | 109-121 | ||||
| | 147. | Butt, John | Who is speaking in the Bach passions? | [cr]Weimar2004 | 2 | 428-433 | |||
| | 148. | Goetz, Julius | 750 Jahre Leipziger Thomanerchor. | DBachfest | 38 | [Leipzig] | 113-114 | ||
| | 149. | Horowitz, Jerome | Bach's Canonic Variations on Vom Himmel hoch as an extension of the Goldberg Variations. | Diapason | 85 | 10:1019 | 11 | ||
 | 150. | Abramowitz, Jonathan | A Performance Edition of the 'Drei Sonaten für Clavier und Viola da Gamba' of J. S. Bach. | diss. | |||||
| | 151. | Pranata, Julianto | New transcriptions for viola: Works by J. S. Bach, Frank Bridge, Clara Schumann, and Rebecca Clarke. | diss. | 105p | ||||
| | 152. | Barnett, Joan | Wilhelm Friedemann Bach: An analytical study of selected solo keyboard works. | diss. | 136p | ||||
| | 153. | Schultz, John Ahern | The soli-tutti concept in the choral works of Johann Sebastian Bach. | diss. | 161p | ||||
| | 154. | Butt, John Anthony | The Significance and Incidence of Articulation Marks in the Primary Sources of J. S. Bach. | diss. | 336, 79, 31p | ||||
| | 155. | White, Joseph Addison Jr. | The Concerted Symphonies of John Christian Bach. | diss. | 576p | ||||
| | 156. | Pruett, James W. | J. S. Bach's chaconne in D minor: An examination of three arrangements for piano solo. | diss. | 89p | ||||
| | 157. | Pruett, Jeffrey Mark | J. S. Bach's Chaconne in D Minor: an Examination of Three Arrangements for Piano Solo. | diss. | 89p | ||||
| | 158. | Hammitt, Jackson Lewis, III | Sacred music in Berlin, 1740 to 1786. | diss. | xvii, 280p | ||||
 | 159. | Quantz, Johann Joachim | Versuch einer Anweisung die Flöte traversiere zu spielen [1752]. | DocumentaMcol | 1 | 2 | 334, [20], 24, [2] p | ||
| | 160. | Rochlitz, Johann Friedrich | Bach's piano compositions. A letter to a friend (From the German of Rochlitz. Translated for this journal). | DwightJM | 12 | 1, 2 | 209-210, 217-218 | ||
| | 161. | Kroesbergen, Willem; Wentz, Jed | Sonority in the 18th century, un poco più forte? | EarlyM | 22 | 3 | 482-495 | ||
| | 162. | Butt, John | Bach's vocal scoring: what can it mean? | EarlyM | 26 | 1 | 99-107 | ||
| | 163. | Butt, John | Bach: cantatas and a passion. | EarlyM | 34 | 1 | 168-171 | ||
| | 164. | Wentz, Jed | Gustav Leonhardt, the Naarden circle and early music's reformation. | EarlyM | 42 | 1 | 3-12 | ||
| | 165. | Motta, José Vianna da; Raabe, Felix (eds.) | Weinen, Klagen, Sorgen, Zagen: Präludium nach Johann Sebastian Bach für Klavier zu zwei Handen ; Variationen über ein Motiv von Bach ; für Klavier zu zwei Händen / Franz Liszt. | EdBreitkopf | 7473 | 24p | |||
| | 166. | Porte, Jacques (ed.) | Traditions chrétiennes des premiers siècles aux cultes révolutionnaires. | EncyclopMSacree | 2 | 573p | |||
| | 167. | Butt, John | Figuring out Bach. | [fs]Elliott | 211-219 | ||||
| | 168. | Fidom, Hans; Luth, Jan R.; Wolff, Christoph (eds.) | Pro Organo Pleno: Essays in Honor of Ewald Kooiman for his 70th birthday. | [fs]Kooiman70 | 135p | ||||
| | 169. | Kuckertz, Josef (ed.) | Neue Musik und Tradition. Festschrift Rudolf Stephan zum 65. Geburtstag. | [fs]Stephan65 | 611p | ||||
| | 170. | Luth, Jan R. | Komm, du süsse Todesstunde: Eschatologie in de door Johann Sebastian Bach gebruikte teksten. | [fs]Vernooij | 127-142 | ||||
| | 171. | Kawabata, Junshiro | Bultmann, Marx, Bach kara mananda Koto (Shin Rensai 1): '3.11 Igo no Sekai' o ikiru. | FukuinToSekai | 66 | 10 | 66-69 | ||
| | 172. | Kawabata, Junshiro | Bultmann, Marx, Bach kara mananda Koto (2): Marx to no Deai. | FukuinToSekai | 66 | 11 | 58-61 | ||
| | 173. | Kawabata, Junshiro | Bultmann, Marx, Bach kara mananda Koto (3): Bultmann kara mananda Mono. | FukuinToSekai | 66 | 12 | 50-53 | ||
| | 174. | Kawabata, Junshiro | Bultmann, Marx, Bach kara mananda Koto (4): Barth to Bultmann | FukuinToSekai | 67 | 1 | 52-55 | ||
| | 175. | Kawabata, Junshiro | Bultmann, Marx, Bach kara mananda Koto (5): Bach no Ongaku kara kikoete kuru Mono. | FukuinToSekai | 67 | 2 | 60-63 | ||
| | 176. | Kawabata, Junshiro | Bultmann, Marx, Bach kara mananda Koto (6): Seisho wa Kami no Kotoba ka. | FukuinToSekai | 67 | 3 | 60-63 | ||
| | 177. | Kawabata, Junshiro | Bultmann, Marx, Bach kara mananda Koto (7): Seisho wa Kami no Kotoba ka (2). | FukuinToSekai | 67 | 4 | 54-57 | ||
| | 178. | Kawabata, Junshiro | Bultmann, Marx, Bach kara mananda Koto (8): Iesu to Kirisuto. | FukuinToSekai | 67 | 5 | 52-55 | ||
| | 179. | Kawabata, Junshiro | Bultmann, Marx, Bach kara mananda Koto (9): Iesu to Kirisuto (2). | FukuinToSekai | 67 | 6 | 56-59 | ||
| | 180. | Kawabata, Junshiro | Bultmann, Marx, Bach kara mananda Koto (10): Seisho Kisha no Zen-Rikai. | FukuinToSekai | 67 | 7 | 54-57 | ||
| | 181. | Kawabata, Junshiro | Bultmann, Marx, Bach kara mananda Koto (11): Sozo no Chitsujo: Rikai Kano no Konkyo. | FukuinToSekai | 67 | 12 | 64-67 | ||
| | 182. | Kawabata, Junshiro | Bultmann, Marx, Bach kara mananda Koto (12 Saishukai): 3.11 Igo ni Ikiru. | FukuinToSekai | 68 | 1 | 52-55 | ||
| | 183. | Rochlitz, Johann Friedrich | Vom zweckmäßigen Gebrauch der Mittel der Tonkunst. | FürFreundeTonkunst | 2 | 139-204 | |||
| | 184. | Rochlitz, Johann Friedrich | Geschmack an Sebastian Bachs Kompositionen, besonders für das Clavier. Brief an einen Freund. | FürFreundeTonkunst | 2 | 205-229 | |||
| | 185. | Rochlitz, Johann Friedrich | Johann Sebastian Bachs Cantate: Ein' feste Burg ist unser Gott - für vier Singstimmen, mit Begleitung des Orchesters. Partitur. Leipzig, bei Breitkopf und Härtel. | FürFreundeTonkunst | 3 | 361-381 | |||
| | 186. | Rochlitz, Johann Friedrich | Karl Philipp Emanuel Bach. | FürFreundeTonkunst | 4 | 271-316 | |||
| | 187. | Rochlitz, Johann Friedrich | Sebastian Bachs große Passionsmusik, nach dem Evangelisten Johannes. | FürFreundeTonkunst | 4 | 399-448 | |||
| | 188. | Kawabata, Junshiro | J. S. Bach no Ongaku ga Gendai ni tsutaeru mono. | GekkanHodanren | 993 | 13-22 | |||
| | 189. | Kawabata, Junshiro | Bach no Ongaku to Shoshukyokan no Taiwa no Mondai. | GekkanHodanren | 999 | 61-64 | |||
| | 190. | Pruett, James W. (ed.) | Studies in musicology. Essays in the history, style, and bibliography of music in memory of Glen Haydon. | [gs]Haydon | xiii, 286p | ||||
| | 191. | Butt, John | The universal musician. | Guardian | 16-19 | ||||
| | 192. | T., J. | Notes of a Musical Tourist. | Harmonicon | 8 | 1 | 5-7 | ||
| | 193. | Butt, John | Bach's Passions and the Textures of Time. | HarvardPubM | 22 | 111-120 | |||
| | 194. | Luth, Jan R. | Transposer toujours: Bach in middentoon. | HetOrgel | 111 | 3 | 18-23 | ||
| | 195. | Luth, Jan R. | Liedtekst en compositie bij Joh. Seb. Bach. | HetOrgel | 85 | 11, 12 | 432-434; 463-466 | ||
| | 196. | Luth, Jan R. | 'Jesus Christus, unser Heiland, der von uns den Gotteszorn wandt'. | IAHBul | 16 | 221-223 | |||
| | 197. | Butt, John | Bach in the twenty-first century: re-evaluating him from the perspective of performance. | IrishMStud | 8 | 191-204 | |||
| | 198. | Šebesta, Josef | Die lutherische Musik in Prag von Rudolfs Majestätsbrief bis zur Schlacht am Weißen Berg. | JbKonfMittDBarockM | 2004 | 207-217 | |||
| | 199. | Butt, John | Bach's Mass in B Minor: Considerations of its Early Performance and Use. | JMcol | 9 | 1 | 109-123 | ||
| | 200. | Butt, John | Improvised Vocal Ornamentation and German Baroque Compositional Theory - An Approach to 'Historical' Performance Practice. | JRMA | 116 | 1 | 41-62 | ||
| | 201. | Garratt, James | Prophets Looking Backwards: German Romantic Historicism and the Representation of Renaissance Music. | JRMA | 125 | 2 | 164-204 | ||
| | 202. | Schlichte, Joachim | Thematischer Katalog der Kirchlichen Musikhandschriften des 17. und 18.Jahrhunderts in der Stadt und Universitätsbibliothek Frankfurt am Main. | KatFrankfurt | 8 | 500p | |||
| | 203. | Didion, Robert; Schlichte, Joachim (eds.) | Thematischer Katalog der Opernsammlung in der Stadt- und Universitätsbibliothek Frankfurt am Main (Signaturengruppe Mus Hs Opern) | KatFrankfurt | 9 | 84, 40, 441p | |||
| | 204. | Motta, José Vianna da | Neue Ausgaben älterer Klavierwerke. | KlavLehrer | 25 | 25, 26, 27 | 228-230, 243-245, 261-264 | ||
| | 205. | Motta, José Vianna da | Ein Werk des Altmeister J. S. Bach in neuer Bearbeitung. | KlavLehrer | 26 | 
| |||
| | 206. | Motta, José Vianna da | Fer. Busoni's Ausgabe der chromatischen Fantasie J. S. Bach's (N. Simrock, Berlin) | KlavLehrer | 26 | 7 | 97-99 | ||
| | 207. | Motta, José Vianna da | Zum Studium J. S. Bachs. | KlavLehrer | 30 | 4, 5 | 56-57, 72 | ||
| | 208. | Kárpáti, János | Egy jellegzetes bartóki tématípus: A skála. | MagyarZene | 43 | 3 | 247-257 | ||
| | 209. | Butt, John | Emotion in the German Lutheran Baroque and the development of subjective time consciousness. | MAnalysis | 29 | 1-3 | 19-36 | ||
| | 210. | Szigeti, Joseph | The Rediscovered 'Violin' Concerto in G minor (BWV 1056a), based on the researches of Gustav Schreck. | MBook | 7 | 333-335 | |||
| | 211. | Luth, Jan R. | Johann Sebastian Bachs trio over 'Allein Gott in der höh sei Ehr' BWV 676. | MdInstLiturgWRUnivGroningen | 18 | 35-39 | |||
| | 212. | Hashimoto, Jun; Yoshino, Hideyuki | J.S. Bach no Sakuhin ni mirareru Gengosei to sono Hyogen: Gendai ni okeru Bach no Enso ni tsunageru tame ni. | MemoirsOsakaKyoikuU | 53 | 2 | 15-39 | ||
| | 213. | Moser, Hans Joachim; Schuberth, Johannes; Tell, Werner | Zur Notierung der rhythmischen Choräle. | MKirche | 11 | 2 | 79-82 | ||
| | 214. | Poth, Johannes | XI. Aachener Bachtage 1984. | MKirche | 55 | 4 | 201-202 | ||
| | 215. | Howitz, Jürgen | Bach-Tage in Kassel. | MKirche | 55 | 6 | 312-313 | ||
| | 216. | Garratt, James | Mendelssohn's Babel: Romanticism and the Poetics of Translation. | MLetters | 80 | 1 | 23-49 | ||
| | 217. | White, John | Bach and rock, Ulysses and Telemachus. A response to Don Ihde's article 'Bach to rock, a musical odyssey'. | MMan | 1 | 1 | 11-15 | ||
| | 218. | Szigeti, Joseph | Solo Bach. | MMusicians | 12 | 8 | 22-23 | ||
| | 219. | Bennett, Joseph | The great composers, sketched by themselves. No. VI. Mendelssohn. [I] | MTimes | 20 | 435 | 254-257 | ||
| | 220. | Bennett, Joseph | The great composers, sketched by themselves. No. VI. Mendelssohn (Continued from page 257). [II] | MTimes | 20 | 436 | 302-305 | ||
| | 221. | Bennett, Joseph | The great composers, sketched by themselves. No. VI. Mendelssohn (Continued from page 305). [III] | MTimes | 20 | 437 | 359-362 | ||
| | 222. | Bennett, Joseph | The great composers, sketched by themselves. No. VI. Mendelssohn (Continued from page 362). [IV] | MTimes | 20 | 438 | 415-418 | ||
| | 223. | Bennett, Joseph | The great composers, sketched by themselves. No. VI. Mendelssohn (Continued from page 418). [V] | MTimes | 20 | 439 | 474-477 | ||
| | 224. | Bennett, Joseph | The great composers, sketched by themselves. No. VI. Mendelssohn (Continued from page 477). [VI] | MTimes | 20 | 440 | 517-520 | ||
| | 225. | Bennett, Joseph | The great composers, sketched by themselves. No. VI. Mendelssohn (Continued from page 520). [VII] | MTimes | 20 | 441 | 574-577 | ||
| | 226. | Bennett, Joseph | The great composers, sketched by themselves. No. VI. Mendelssohn (Continued from page 577). [VIII] | MTimes | 20 | 442 | 635-638 | ||
| | 227. | Bennett, Joseph | The great composers, sketched by themselves. No. VI. Mendelssohn (Continued from page 638). [IX] | MTimes | 21 | 443 | 11-15 | ||
| | 228. | Bennett, Joseph | The great composers, sketched by themselves. No. VI. Mendelssohn (Continued from page 15). [X] | MTimes | 21 | 444 | 62-64 | ||
| | 229. | Bennett, Joseph | The great composers, sketched by themselves. No. VI. Mendelssohn (Continued from page 64). [XI] | MTimes | 21 | 445 | 118-121 | ||
| | 230. | Bennett, Joseph | The great composers, sketched by themselves. No. VI. Mendelssohn (Continued from page 121). [XII] | MTimes | 21 | 446 | 164-167 | ||
| | 231. | Bennett, Joseph | The great composers, sketched by themselves. No. VI. Mendelssohn (Concluded from page 167). [XIII] | MTimes | 21 | 447 | 222-225 | ||
| | 232. | Bennett, Joseph | The great composers. No. XVI. Sebastian Bach. [I] | MTimes | 26 | 508 | 322-325 | ||
| | 233. | Bennett, Joseph | The great composers. No. XVII. Sebastian Bach (Continued from page 325) [II] | MTimes | 26 | 509 | 390-393 | ||
| | 234. | Bennett, Joseph | The great composers. No. XVII. Sebastian Bach (Continued from page 393). [III] | MTimes | 26 | 510 | 461-465 | ||
| | 235. | Bennett, Joseph | The great composers. No. XVII. Sebastian Bach (Continued from page 465). [IV] | MTimes | 26 | 511 | 519-522 | ||
| | 236. | Bennett, Joseph | The great composers. No. XVII. Sebastian Bach (Continued from page 522). [V] | MTimes | 26 | 512 | 581-584 | ||
| | 237. | Bennett, Joseph | The great composers. No. XVII. Sebastian Bach. [VI] | MTimes | 26 | 513 | 642-646 | ||
| | 238. | Bennett, Joseph | The great composers. No. XVII. Sebastian Bach (Concluded from page 646) [VII] | MTimes | 26 | 514 | 706-709 | ||
| | 239. | Bennett, Joseph | Sonnets to the Masters: Bach. | MTimes | 32 | 576 | 85 | ||
| | 240. | Goetz, Julius | Wandlungen der Bach-Auffassung. Zu Karl Straubes neuer Gesamtausgabe von Bachs Orgelwerken. | MusikBl | 3 | 1-6 | |||
| | 241. | [Rochlitz, Johann Friedrich] | Bach's piano compositions. Letter to a friend (From the German of Rochlitz). | MWorld | 35 | 44 | 697-700 | ||
| | 242. | Bennett, Joseph | To Dr. Ggibbillett. | MWorld | 45 | 21 | 344-345 | ||
| | 243. | Thaddeus Egg [Bennett, Joseph] | Gluck, Haydn, P. E. Bach, Weber, Mendelssohn. Translated from the German by Lady Wallace (London, Longmans, Green & Co.). | MWorld | 45 | 44, 45 | 744-745; 766 | ||
| | 244. | Thaddeus Egg [Bennett, Joseph] | Things old and new. | MWorld | 47 | 3 | 37 | ||
| | 245. | T. E. [Bennett, Joseph] | ['The Student's Edition of Forty-eight Preludes and Fugues' by John Sebastian Bach, edited by John F. Barnett and Cipriani Potter ('Hutchings and Romer')] | MWorld | 47 | 34 | 588 | ||
| | 246. | T. E. [Bennett, Joseph] | Mr. Henry Leslie's concerts. | MWorld | 48 | 14 | 236 | ||
| | 247. | T. E. [Bennett, Joseph] | Our contemporaries. Bach's 'Passion Music'. | MWorld | 48 | 17 | 281 | ||
| | 248. | Motta, José Vianna da | Zur Pflege der Bachschen Klavierwerke. | NZsfM | 71 | 40 | 678-680 | ||
| | 249. | Impett, Jonathan | Situating the invention in interactive music. | OrganisedSound | 5 | 1 | 27-34 | ||
| | 250. | Butt, John | Bach's organ sonatas BWV 525-530: Compilation and Recomposition. | OrganYb | 19 | 80-90 | |||
 | 251. | Sposato, Jeffrey S. | Mendelssohn's Oratorios and the Bach Tradition. | [p]ABS_Bethlehem | |||||
| | 252. | Crotty, John E. | Bach's Two-Part Inventions: A Pedagogy of a Musical Dialectic. | [p]AMS_Allegheny | |||||
| | 253. | Butt, John | Historical Performance of Bach in the Late-Twentieth Century: Meaningless, Desirable, or Unavoidable? | [p]AMS_NorthernCalifornia | |||||
| | 254. | [Rietz, Julius] (ed.) | Messe in h moll (Sopr.-, Alt-, Te.-, Bass-Solo und gemischten Chor) / Joh. Seb. Bach. | PartBib | 3065 | 304p | |||
| | 255. | Butt, John | Bach in the 21st Century: Re-evaluating him from the perspective of performance. | [p]BCB_Dublin | |||||
| | 256. | Butt, John | Bach the heretic? | [p]BCB_Edinburgh | |||||
| | 257. | Butt, John; Tomita, Yo; Marissen, Michael; Varwig, Bettina | Principles of Performance Lost and Gained: John Butt on Bach-related subjects in conversation with Yo Tomita, Michael Marissen and Bettina Varwig. | [p]BNUK_Cambridge | |||||
| | 258. | Butt, John | Bach Passions and the Concepts of Time. | [p]CWolff_Harvard | |||||
| | 259. | Szigeti, Joseph | Bachs Sonaten und Partiten für Violine 'senza Basso accompagnato'. (BWV 1001-1006) | Phono | 10 | 4 | 70-72 | ||
| | 260. | Butt, John | Bach, the Postmodern Mindset and Scholarship Today. | [p]IS_Oxford | |||||
| | 261. | Roberts, John | Souvenirs De Florence: Additions to the Handel Canon. | [p]IWK_Halle | |||||
| | 262. | Butt, John | Bringing Christ to the Concert Hall -- Mendelssohn and the Reshaping of the St Matthew Passion. | [p]MendelssohnL19C_Dublin | |||||
| | 263. | Butt, John | Between rhetoric and dialectic - Bach's inventive stance in the Passions. | [p]SMA_Glasgow | |||||
| | 264. | Butt, John | Historical instruments and the embodiment of music. | PubSchweizerischMfG | 46 | 9-16 | |||
| | 265. | Butt, John | Los signos de articulacion de la música para cuerda en la epoca de J.S. Bach. | Quodlibet | 11 | 3-15 | |||
| | 266. | Rochlitz, Johann Friedrich | [Motettenaufführung des Thomanerchores in Gegenwart Mozarts 1789] | ReclamUBib | 8832 | 48-49 | |||
| | 267. | Rochlitz, Johann Friedrich | Geschmack an Sebastian Bachs Kompositionen besonders für das Klavier. Brief an einen Freund. | ReclamUBib | 8832 | 62-78 | |||
| | 268. | Kawabata, Junshiro | Yohane Fukuinsho no Ko. | ReihaiToOngaku | 135 | ||||
| | 269. | Kawabata, Junshiro | Bach no tsukatta Sanbikashu. | ReihaiToOngaku | 136 | 64-68 | |||
| | 270. | Kawabata, Junshiro | Bach no Shunyu to Izokikin. | ReihaiToOngaku | 137 | 60-64 | |||
| | 271. | Kawabata, Junshiro | Thomas Kyokai ga Calvin-ha datta toki. | ReihaiToOngaku | 138 | 60-64 | |||
| | 272. | Kawabata, Junshiro | Parodii ga tsukurenai Jidai. | ReihaiToOngaku | 139 | 60-64 | |||
| | 273. | Kawabata, Junshiro | Tabigeinin kara Machigakushi e. | ReihaiToOngaku | 140 | 60-64 | |||
| | 274. | Kawabata, Junshiro | Luther to Kantoru. | ReihaiToOngaku | 141 | 60-64 | |||
| | 275. | Kawabata, Junshiro | Bach to Kantoru. | ReihaiToOngaku | 142 | 62-66 | |||
| | 276. | Kawabata, Junshiro | Bach to Orugan. | ReihaiToOngaku | 143 | 58-62 | |||
| | 277. | Kawabata, Junshiro | Koethen no Nazo (1). | ReihaiToOngaku | 144 | 58-62 | |||
| | 278. | Kawabata, Junshiro | Koethen no Nazo (2). | ReihaiToOngaku | 145 | 58-62 | |||
| | 279. | Kawabata, Junshiro | Bach to Keikenshugi -- Eisenach kara Mühlhausen (1). | ReihaiToOngaku | 146 | 56-60 | |||
| | 280. | Kawabata, Junshiro | Bach to Keikenshugi (1) | ReihaiToOngaku | 146 | 56-60 | |||
| | 281. | Kawabata, Junshiro | Bach to Keikenshugi -- Eisenach kara Mühlhausen e (2). | ReihaiToOngaku | 147 | 60-64 | |||
| | 282. | Kawabata, Junshiro | Bach to Keiken Shugi - Buxtehude Taiken. | ReihaiToOngaku | 148 | 60-64 | |||
| | 283. | Kawabata, Junshiro | Bach no Orugan Kyoku no Shiyo Mokuteki (1). | ReihaiToOngaku | 149 | 60-64 | |||
| | 284. | Kawabata, Junshiro | Bach no Orugan Kyoku no Shiyo Mokuteki (2). | ReihaiToOngaku | 150 | 58-62 | |||
| | 285. | Kawabata, Junshiro | Bach no Gakko Kyoiku. | ReihaiToOngaku | 151 | 54-58 | |||
| | 286. | Kawabata, Junshiro | Bach to Kenetsu. | ReihaiToOngaku | 152 | 54-58 | |||
| | 287. | Kawabata, Junshiro | Anna Magdalena no Rogo: Leipzig no Kyuhin Seisaku (1). | ReihaiToOngaku | 153 | 54-58 | |||
| | 288. | Kawabata, Junshiro | Anna Magdalena no Rogo: Leipzig no Kyuhin Seisaku (2). | ReihaiToOngaku | 156 | 54-58 | |||
| | 289. | Kawabata, Junshiro | Anna Magdalena no Rogo: Leipzig no Kyuhin Seisaku (3). | ReihaiToOngaku | 157 | 42-46 | |||
| | 290. | Parada y Barreto, José | El arte desde el siglo XVIII hasta nuestros días. | RevistaGacM | 1 | 24 | 121-122 | ||
| | 291. | Rochlitz, Johann Friedrich | Karl Philipp Emanuel Bach. | SchrSchleswigHosteinLBib | 4 | 10-17 | |||
| | 292. | Szigeti, Joseph | The unaccompanied Sonates and Partitas of Bach. | Showcase | 43 | 6-8 | |||
| | 293. | Schlichte, Joachim | Der automatische Vergleich von 83 243 Musikincipits aus der RISM-Datenbank. Ergebnisse, Nutzen, Perspektiven. | StAI | 42 | 65-75 | |||
| | 294. | Wentz, Jed | Bach: Quick Tempi and Passionate Expression. | Traverso | 5 | 3 | 1-3 | ||
| | 295. | Butt, John | The Postmodern Mindset, Musicology and the Future of Bach Scholarship. | UnderstandingBach | 1 | 9-18 | |||
| | 296. | Klotz, J. C. G. | Orgelbau, Orgelspiel und kirchliche Musik an der neumärkisch-pommerschen Grenze. | Urania(Erfurt) | 16 | 2, 3, 4 | 17-19; 34-41; 52-56 | ||
| | 297. | Goetz, Julius | Die Leipziger Thomaner. | UraniaUniversum | 5 | 23-32 | |||
| | 298. | Wohlmuth, Josef | Hans Blumenbergs Interpretation der Matthäuspassion Bachs. | VerkündigungF | 58 | 1 | 67-79 | ||
| | 299. | Goetz, Julius | Nordlandreise der Leipziger Thomaner. Musikberichte. | ZsfM | 107 | 1 | 46-48 |