Type | List | Author | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Fabian, Dorottya; Schubert, Emery | An experimental investigation of musical character portrayed by piano versus harpsichord performances of a J.S. Bach excerpt In: Aesthetics and experience in music performance, ed. Elizabeth Mackinlay, Denis Collins and Samantha Owens. Newcastle upon Tyne: Cambridge Scholars Press, 2005. xxiv, 348p. ISBN: 1-904303-50-1; 978-1-904303-50-3; pp.70-84. |
|
| | 2005 |
70-84 |
|
| 2. | Schubert, Emery; Fabian, Dorottya | A Taxonomy of Listeners' Judgements of Expressiveness in Music Performance. Part 3: Models and Quantifications of Expressive Performance of Western Classical Music, Chapter 16. [BWV 1004] |
[ce]ExpressivenessMPerform |
| | 2014 |
283-303 |
|
| 3. | Fabian, Dorottya; Timmers, Renee; Schubert, Emery (eds.) | Expressiveness in music performance: Empirical approaches across styles and cultures. New York: Oxford University Press, 2014. 416p. ISBN: 9780199659647. |
[ce]ExpressivenessMPerform |
| | 2014 |
416p |
|
| 4. | Fabian, Dorottya; Schubert, Emery | Performed and perceived dotting are different: Implications for performance practice and pedagogy. Poster presented at the Conference on Interdisciplinary Musicology, Graz, 15-18 April 2004. [Abstract] |
[cr]CIM04_Graz |
| | 2004 |
74-75 |
|
| 5. | Schubert, Emery; Fabian Somorjay, Dorottya | The perception of dotted rhythms and the kerning illusion. |
[cr]ESCOM_Keele |
| | 2000 |
|
|
| 6. | Fabian Somorjay, Dorottya; Schubert, Emery | The multidimensional perception space of Baroque music. |
[cr]ESCOM_Keele |
| | 2000 |
|
|
| 7. | Bangert, Daniel; Fabian, Dorottya; Schubert, Emery | Doing without thinking? Aspects of musical decision-making revisited. |
[cr]Vienna2013 |
| | 2013 |
201 |
|
| 8. | Fábián, Dorottya; Schubert, Emery | A new perspective on the performance of dotted rhythms. Observations. [BWV 988 var.7] |
EarlyM |
38 | 4 | Nov 2010 |
585-588 |
|
| 9. | Fábián, Dorottya; Schubert, Emery | Baroque expressiveness and stylishness in three recordings of the D minor sarabanda for solo violin (BWV 1004) by J.S. Bach. |
MPerformResearch |
3 | | 2009 |
36-55 |
|
| 10. | Fabian, Dorottya; Schubert, Emery | Expressive devices and perceived musical character in 34 performances of Variation 7 from Bach's Goldberg Variations. |
MScientiae |
| Special Issue | 2003 |
49-71 |
|
| 11. | Fabian, Dorottya; Schubert, Emery | Musical character and the performance and perception of dotting, articulation and tempo in 34 recordings of Variation 7 from J.S. Bach's Goldberg variations (BWV 988). |
MScientiae |
12 | 2 | Fall-Winter 2008 |
177-206 |
|
| 12. | Bangert, Daniel; Fabian, Dorottya; Schubert, Emery; Yeadon, Daniel | Performing solo Bach: a case study of musical decision-making. |
MScientiae |
18 | 1 | Mar 2014 |
35-52 |
|
| 13. | Schubert, Emery; Fabian, Dorottya | The dimensions of baroque music performance: a semantic differential study. |
PsycholM |
34 | 4 | 2006 |
537-587 |
|