Bach Bibliography Search Result

Author : Schubert, Emery
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Type	List	Title[further info]	Series	Vol	No	Year	Pages	Status
		[]
	1.	An experimental investigation of musical character portrayed by piano versus harpsichord performances of a J.S. Bach excerpt				2005	70-84
	2.	A Taxonomy of Listeners' Judgements of Expressiveness in Music Performance.	[ce]ExpressivenessMPerform			2014	283-303
	3.	Expressiveness in music performance: Empirical approaches across styles and cultures.	[ce]ExpressivenessMPerform			2014	416p
	4.	Performed and perceived dotting are different: Implications for performance practice and pedagogy.	[cr]CIM04_Graz			2004	74-75
	5.	The perception of dotted rhythms and the kerning illusion.	[cr]ESCOM_Keele			2000
	6.	The multidimensional perception space of Baroque music.	[cr]ESCOM_Keele			2000
	7.	Doing without thinking? Aspects of musical decision-making revisited.	[cr]Vienna2013			2013	201
	8.	A new perspective on the performance of dotted rhythms.	EarlyM	38	4	Nov 2010	585-588
	9.	Baroque expressiveness and stylishness in three recordings of the D minor sarabanda for solo violin (BWV 1004) by J.S. Bach.	MPerformResearch	3		2009	36-55
	10.	Expressive devices and perceived musical character in 34 performances of Variation 7 from Bach's Goldberg Variations.	MScientiae		Special Issue	2003	49-71
	11.	Musical character and the performance and perception of dotting, articulation and tempo in 34 recordings of Variation 7 from J.S. Bach's Goldberg variations (BWV 988).	MScientiae	12	2	Fall-Winter 2008	177-206
	12.	Performing solo Bach: a case study of musical decision-making.	MScientiae	18	1	Mar 2014	35-52
	13.	The dimensions of baroque music performance: a semantic differential study.	PsycholM	34	4	2006	537-587