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Bach Bibliography Search Result |
Author : S. D.Your search has generated the following results ...
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| Type | List | Author  | Title[further info  ] | Series | Vol | No | Year | Pages | Status |
|---|---|---|---|---|---|---|---|---|---|
 | 1. | Wagner, Ernst David (arr.) | [Ave Maria. Melodie a. d. 1ten Präludium des wohltemp. Klaviers] | ||||||
| | 2. | Wagner, Ernst David | 48 choralartige Orgel-Vorspiele zum gottesdienstlichen Gebrauch bestimmt, zunächst für Organisten in kleinen Städten und auf dem Lande nebst einer vollständigen Anleitung zum Gebrauch derselben, sowie auch einem Anhange: Zwei figurirte Choral-Vorspiele und ein Postludium bestehend aus einer fünfstimmigen Fuge von Seb. Bach mit einem Präludium von E. D. Wagner. Op. 16. | ||||||
| | 3. | Gounod, Charles; Duthoit, W. J. (arr.) | Meditation ... Sur le 1er Prelude de J. S. Bach (arr. for Military Band) | ||||||
| | 4. | Gounod, Charles; Dubois, Charles (arr.) | Prélude de Bach. | ||||||
| | 5. | Viadana, Lodovico Grossi da | Centi Concerti Ecclesiastici, opera duodecima. | ||||||
 | 6. | Ganassi dal Fontego, Silvestro di [Ganassi, Silvestro] | Regola rubertina: Teil 1 und Teil 2: Lehrbuch des Spiels auf der Viola da Gamba und der Laute; Venedig 1542 und 1543. | 123p | |||||
| | 7. | Smithers, Don | Trumpets, horns, and Bach Abschriften at the time of Christian Friedrich Penzel: probing the pedigree of BWV 143. | 144p | |||||
| | 8. | [Nichelmann, Christoph; Leopold, Georg August Julius; Dünkelfeind, Kaspar] | Die Vortreflichkeit der Gedancken des Herrn Caspar Dünckelfeindes über die Abhandlung von der Melodie ins LIcht gesetzet von einem Musick Freunde. | 16p | |||||
| | 9. | Gounod, Charles; Dacci, Giusto (arr.) | Ave Maria: meditazione sul Primo Preludio di S. Bach. | 2 St | |||||
| | 10. | Joannis, David Guy | Bach autrement; Bach Telemann et Handel. | 219p | |||||
| | 11. | Gwenallt Jones, D. | Tyrd ferch i'r goedwig / J. S. Bach. | 2p | |||||
| | 12. | Wetzler, Hermann Hans; Deis, Carl (eds.) | 'Be Not Afraid,' Motet... | 31p | |||||
| | 13. | Smithers, Don L. | The Music and History of the Baroque Trumpet before 1721. | 323p | |||||
| | 14. | Ganassi dal Fontego, Silvestro di [Ganassi, Silvestro] | Regola Rubertina: regola che insegna sonar de viola d'archo tastada. [part 1] | 50 Bl | |||||
 | 15. | Schwemer, Bettina; Woodfull-Harris, Douglas (eds.) | 6 Suites a Violoncello Solo senza Basso. BWV 1007-1012. / J. S. Bach. | 6 vols | |||||
| | 16. | Oliveira, José de Veiga | Johann Sebastian Bach: A plenitude do gênio. | 63p | |||||
| | 17. | Ganassi dal Fontego, Silvestro di [Ganassi, Silvestro] | Opera Intitulata Fontegara: La quale insegna a sonare di flauto chon tutta l'arte opportuna a esso instrumento massime, il diminuire il quale sara utile ad ogni instrumento di fiato et chorde, et anchora a chi si dileta di canto. | 79 Bl | |||||
| | 18. | Kühling, Karin; Mundus, Doris | Leipzigs regierende Bürgermeister vom 13. Jahrhundert bis zur Gegenwart: eine Übersichtsdarstellung mit biographischen Skizzen. | 87p | |||||
| | 19. | Kelk, A. Hastings; Diack, John Michael (arr.) | A Selection from the Passion of our Lord according to St. Luke / attributed to J. S. Bach. | iv, 56p | |||||
| | 20. | Humphreys, David | The Esoteric Structure of Bach's Clavierübung III. | ix, 99p | |||||
| | 21. | Rivinus, David Lloyd | Baroque ties: an exploration of the relationships between Johann Sebastian Bach and members of the Rivinus family in Leipzig from 1723 to 1735. | vi, 60p | |||||
| | 22. | Wagner, Ernst David | Musikalische Ornamentik oder die wesentlichen Verzierungs-Manieren im Vortrage der Vokal- und Instrumental-Musik | viii, 272p | |||||
| | 23. | Powers, Doris Bosworth | Carl Philipp Emanuel Bach: A Guide to Research. | xiv, 270, [28]p | |||||
| | 24. | Mather, Betty Bang; Karns, Dean M. | Dance Rhythms of the French Baroque: a Handbook for Performance. | xiv, 334p | |||||
 | 25. | Breitenfeld, Tomislav; Vargek Solter, Vesna; Breitenfeld, Darko; Zavoreo, Iris; Demarin, Vida | Johann Sebastian Bach's Strokes. Case Report. | ActaClinCroat | 45 | 1 | 41-44 | ||
| | 26. | Urrows, David Francis | 'Life on a higher pedestal': Otto Dresel's Bach Club (1883-1890). | AmerChoralReview | 45 | 1 | 1-4 | ||
| | 27. | Vogels, David | Musings: Bach at Home. | AmerOrganist(2) | 38 | 8 | 40-41 | ||
| | 28. | Bales, Dorothy | Henryk Szeryng And Bach. | AmerStringTeacher | 23 | 3 | 10-11, 27 | ||
| | 29. | Sills, David L. | Articulation in J.S. Bach's unaccompanied cello suites. | AmerStringTeacher | 48 | 1 | 51-56 | ||
| | 30. | Backus, David | Die 'recht schöne und große Orgel' von Johann Sebastian Bach. | ArsOrgani | 54 | 1 | 22-24 | ||
| | 31. | Backus, David | Wie sollte man Bachs Orgelwerke aufführen und wie mag Bach selbst gespielt haben? | ArsOrgani | 56 | 3 | 161-164 | ||
| | 32. | Backus, David; Kopf, Gudrun | Bediente sich Bach einer 'Weichschuh-Tecknik'? | ArsOrgani | 57 | 3 | 179-181 | ||
| | 33. | Backus, David | Ein Zeitzeuge charakterisiert Bachs Orgelspiel. | ArsOrgani | 58 | 4 | 260-261 | ||
| | 34. | Backus, David; Holzapfel, Hubert; Arand, Andreas | Ein Zeitzeuge charakterisiert Bachs Orgelspiel. II. | ArsOrgani | 59 | 2 | 123 | ||
| | 35. | Collins, Denis; Murphy, Kerry; Owens, Samantha | First performances of Bach’s St. Matthew Passion and Mass in B minor in Australian states and territories. | AustralianMResearch | 17 | 218-221 | |||
| | 36. | Collins, Denis; Murphy, Kerry; Owens, Samantha (eds.) | J.S. Bach in Australia: Studies in Reception and Performance. | AustralianMResearch | 17 | xiii, 266p | |||
| | 37. | Collins, Denis | Historical Precedents for Bach's Evolutio Canon BWV 1087/10. | Bach | 24 | 1 | 5-14 | ||
| | 38. | Smithers, Don L. | The Original Circumstances in the Performance of Bach's Leipzig Church Cantatas, 'Wegen seiner Sonn- und Festtägigen Amts-Verrichtungen'. | Bach | 26 | 1-2 | 28-47 | ||
| | 39. | Collins, Denis | Musical Terminology in the Canonic Works of Bach: An Historical Context. | Bach | 26 | 1-2 | 91-101 | ||
| | 40. | Smithers, Don L. | Anomalies of Tonart and Stimmton in the first version of Bach's Magnificat (BWV 243a). | Bach | 27 | 2 | 1-59 | ||
| | 41. | Smithers, Don L. | The Emperors' New Clothes Reappraised; or Bach's Musical Resources Revealed. | Bach | 28 | 1-2 | 1-81 | ||
| | 42. | Collins, Denis | Bach and Approaches to Canonic Composition in Early Eighteenth-Century Theoretical and Chamber Music Sources. | Bach | 30 | 2 | 27-48 | ||
| | 43. | Collins, Denis | Bach's Occasional Canon BWV 1073 and 'Stacked' Canonic Procedure in the Eighteenth Century. | Bach | 33 | 2 | 15-34 | ||
| | 44. | Collins, Denis | From Bull to Bach: In Search of Precedents for the 'Complete' Version of the Canon by Augmentation and Contrary Motion in J. S. Bach's Musical Offering. | Bach | 38 | 2 | 39-63 | ||
| | 45. | Collins, Denis | Taneyev's Theories of Movable Counterpoint and the Music of J. S. Bach. | Bach | 46 | 2 | 22-45 | ||
| | 46. | Smithers, Don L. | Gottfried Reiches Ansehen und sein Einfluß auf die Musik Johann Sebastian Bachs. | BachJb | 73 | 113-150 | |||
| | 47. | Smithers, Don L. | Die Verwendung der Blechblasinstrumente bei J. S. Bach unter besonderer Berücksichtigung der Tromba da tirarsi. Kritische Anmerkungen zum gleichnamigen Aufsatz von Thomas G. MacCracken. | BachJb | 76 | 37-51 | |||
| | 48. | Collins, Denis | Spiegel-Kontrapunkt in Theorie und Praxis: Vorläufer für Contrapunctus 12 und 13 aus Bachs Kunst der Fuge. | BachJb | 82 | 77-92 | |||
| | 49. | Smithers, Don L. | Abiding discrepancies between historical fact and present-day practice in performances of music by J. S. Bach. | BeitrBachF | 2 | 36-45 | |||
| | 50. | Wagner, Ernst David; Brissler, Friedrich Ferdinand (arr.) | Gavotte D-moll. | BeliebteKomp(Wagner/Brissler) | 1 | ||||
| | 51. | Wagner, Ernst David; Brissler, Friedrich Ferdinand (arr.) | [Bourrée (Hm.) / J.S. Bach] | BeliebteKomp(Wagner/Brissler) | 16 | ||||
| | 52. | Wagner, Ernst David; Brissler, Friedrich Ferdinand (arr.) | [Gavotte (Gm.) / J.S. Bach] | BeliebteKomp(Wagner/Brissler) | 40 | ||||
| | 53. | Wagner, Ernst David; Brissler, Friedrich Ferdinand (arr.) | Bourrée (A moll) von J.S. Bach. | BeliebteKomp(Wagner/Brissler) | 42 | 7p | |||
| | 54. | Humphreys, David | Towards a revised canon for the organ works of J.S. Bach. | BIOSJ | 27 | 6-18 | |||
| | 55. | S. de Lange jr. Mede-oprichter der Bachvereeniging | Een antwoord aan Fantasio in zake de Bachvereeniging. | Caecilia | 28 | 15 | 134 | ||
| | 56. | Snellings, Dirk; Vervliet, Stijn | The vocal ensemble in performances of Bach's music: a historical overview. | CahiersFAK | 25 | 13-19 | |||
| | 57. | Snellings, Dirk; Looy, Bart van; Vervliet, Stijn | Historically informed performance practice as 'bounded' creativity: the role of instruments. | CahiersFAK | 25 | 47-56 | |||
| | 58. | Snellings, Dirk; Looy, Bart van; Vervliet, Stijn (eds.) | Historically informed performing Bach: Analysing and mapping the debate on the scoring of Bach's cantatas. | CahiersFAK | 25 | 64p | |||
| | 59. | Backus, David | Karl Straue und das Dritte Reich. | [ce]800JThomana | 281-297 | ||||
| | 60. | Humphreys, David | Did J. S. Bach Compose the F minor Prelude and Fugue BWV 534? | [ce]BHSTercentenaryEssays | 173-184 | ||||
| | 61. | Ferris, David | Plates for sale: C. P. E. Bach and the story of Die Kunst der Fuge. | [ce]CPEBachStud | 202-220 | ||||
| | 62. | Chalmers, David H. | Thoughts on English Translations in Bach's Vocal Works. | [ce]SacredChoralMusicJSB | 55-56 | ||||
| | 63. | Chalmers, David H. | An Annotated Bibliography of Sources on J. S. Bach. | [ce]SacredChoralMusicJSB | 57-62 | ||||
| | 64. | Humphreys, David | Malcolm Boyd 1932-2001. | ChoirOrgan | 9 | 4 | 8 | ||
| | 65. | Moses, Don V; Demarec, Robert W. Jr. | Articulation in Late Baroque Choral Music. | ChoralJ | 27 | 10 | 17-30 | ||
| | 66. | Collins, Denis | 'So you want to write a canon?' An historically-informed new approach for the modern theory class. | ColMSymposium | 48 | 108-123 | |||
| | 67. | Smithers, Don L. | The Original Circumstances in the Performance of Bach's Leipzig Church Cantatas, 'wegen seiner Sonn- und Festtägigen Amts-Verrichtungen'. | ContributStudMDance | 19 | 111-126 | |||
| | 68. | Powers, Doris Bosworth; Wollny, Peter (eds.) | Keyboard Trios I / Carl Philipp Emanuel Bach. | CPEBachCW | 2 | 3.1 | xxviii, 182p | ||
| | 69. | Ferris, David (ed.) | Keyboard Sonatinas from Manuscript Sources I / Carl Philipp Emanuel Bach. | CPEBachCW | 3 | 12.1 | xxvi, 181p | ||
| | 70. | Ferris, David (ed.) | Keyboard Sonatinas from Manuscript Sources II / Carl Philipp Emanuel Bach. | CPEBachCW | 3 | 12.2 | xxiv, 102p | ||
| | 71. | Popinigis, Danuta; Koch, Klaus-Peter (eds.) | Musikalische Beziehungen zwischen Mitteldeutschland und Danzig im 18. Jahrhundert. Konferenzbericht Gdañsk, 20. - 22. November 2000. | [cr]Gdansk2000 | 312p | ||||
| | 72. | Collins, Denis; Schloss, Andrew (arr.) | Cognitive-perceptual effects in music: Shepard tones and the Canon per tonos from J. S. Bach's Musical Offering. | [cr]IMS1997 | 619 | ||||
| | 73. | Stevens, Denis | Problems of Editing and Publishing Old Music. | [cr]NewYork1961 | 1 | 150-158 | |||
| | 74. | Hirsch, Erhard; Hohle, Thomas; Dolgner, Dieter; Ziegler, Gunter (eds.) | Kolloquium zur Friedrich-Wilhelm-Rust-Ehrung der Stadt Dessau anläßlich des 200. Todestages. | DessauWörlitzBeitr | 7 | 171p | |||
| | 75. | Jefferies, Denise Elmore | Bach Week '95. | Diapason | 86 | 10:1031 | 6 | ||
| | 76. | Goldenstein, Johannes; Dohna, Amélie zu | Nun komm, der Heiden Heiland (BWV 61): Erster Advent. 'Komm, Jesu, komm zu deiner Kirche' - Zeichenhandlungen zum Beginn des Kirchenjahres und Abendmahl. | DienstAmWort | 125 | 55-72 | |||
 | 77. | May, Ernest Dewey | Breitkopf's Role in the Transmission of J. S. Bach's Organ Chorales. | diss. | 192p | ||||
| | 78. | Thaves, Darrin Fredrick | Frederick the Great: His influence on the output of flute sonatas by Carl Philipp Emanuel Bach. | diss. | 45p | ||||
| | 79. | Douglas, David James | Inquiry into J.S. Bach's method of reworking in his composition of the concerto for keyboard, flute and violin, BWV 1044, and its chronology. | diss. | vi, 52p | ||||
| | 80. | Powers, Doris Bosworth | Johann Nikolaus Forkel's Philosophy of Music in the Einleitung to Volume One of the Allgemeine Geschichte der Musik (1788): A Translation and Commentary with a Glossary of Eighteenth-Century Terms. | diss. | xiii, 472 p | ||||
| | 81. | Adams, David William | 'Modern' Organ Style in Karl Straube's Reger Editions. | diss. | xiv, 222p | ||||
| | 82. | Humphreys, David | The D minor Toccata BWV 565. | EarlyM | 10 | 2 | 216-217 | ||
| | 83. | Smithers, Don L. | The baroque trumpet after 1721: Some preliminary observations. Part one: Science and Practice. | EarlyM | 5 | 2 | 177-183 | ||
| | 84. | Smithers, Don L. | The baroque trumpet after 1721: Some preliminary observations. Part Two: Function and Use. | EarlyM | 6 | 3 | 356-361 | ||
| | 85. | Lück, Hartmut; Senghaas, Dieter (eds.) | Vom hörbaren Frieden. | EdSuhrkamp | 2401 | 605p | |||
| | 86. | Della Chiesa d'Isasca, Marco | Per una rilettura di Bach: Osservazioni sulla struttura, sulle componenti stilistiche e sulla interpretazione del preludio e fuga in do diesis maggiore (n.3) dal secondo volume del Clavicembalo ben temperato di J.S. Bach. II. | Eunomio | 20 | 3-17 | |||
| | 87. | Della Chiesa d'Isasca, Marco | Per una rilettura di Bach: Osservazioni sulla struttura e sulla interpretazione del preludio e fuga in fa maggiore (N. 11) dal primo volume del Clavicembalo ben temperato di J.S. Bach. | Eunomio | 7 | 3-10 | |||
| | 88. | Geldenhuys, Daniël Gerhardus | Johann Friedrich and Catharina--a Russian-French and German relationship. | FaschSt | 6 | 33-45 | |||
| | 89. | Popinigis, Danuta | Bachowskie interludia w wariacjach na carillon Johanna Ephraima Eggerta z roku 1784. | [fs]Pozniakowi70 | 533-544 | ||||
| | 90. | Mundus, Doris | Erinnerung an Karl Straube. | GewandhausMag | 25 | 46-48 | |||
| | 91. | Mundus, Doris | Erinnerung an: I. Moscheles. | GewandhausMag | 49 | 40-41 | |||
| | 92. | Innes, Dale | Glenn Gould and the Goldberg variations. | GlennGould | 2 | 2 | 66-71 | ||
| | 93. | Smithers, Don L. | Bach, Reiche and the Leipzig Collegia Musica. | HistBrassSocJ | 2 | 1-51 | |||
| | 94. | Burrows, Donald James | Gottfried van Swieten and London publications of Handel's music. | HändelJb | 47 | 189-202 | |||
| | 95. | Neumann, Bernd; Schuster, Peter-Klaus; Lehmann, Klaus- Dieter | Festakt zum Wechsel im Amt des Präsidenten der Stiftung Preußischer Kulturbesitz. | JbPreussKulturbesitz | 44 | 55-93 | |||
| | 96. | Burrows, David | A dynamical systems perspective on music. | JMcol | 15 | 4 | 529-545 | ||
| | 97. | Labs, Dietrich | 17. Greifswalder Bachwoche. | Kmusiker | 14 | 139-140 | |||
| | 98. | Labs, Dietrich | 25. Greifswalder Bachwoche. | Kmusiker | 22 | 137, 139 | |||
| | 99. | Labs, Dietrich | 27. Greifswalder Bachwoche. | Kmusiker | 24 | 145-146 | |||
| | 100. | Labs, Dietrich | 29. Greifswalder Bachwoche. | Kmusiker | 26 | 136-137 | |||
| | 101. | Labs, Dietrich | Bachwoche 76 [Greifswald.] | Kmusiker | 27 | 172-174 | |||
| | 102. | Labs, Dietrich | 31. Greifswalder Bachwoche. | Kmusiker | 28 | 127-128 | |||
| | 103. | Labs, Dietrich | 32. Greifswalder Bachwoche. | Kmusiker | 29 | 132-133 | |||
| | 104. | Labs, Dietrich | 33. Greifswalder Bachwoche. | Kmusiker | 30 | 240-242 | |||
| | 105. | Nichols, D. | Carmel Festival. | MCourier | 164 | 34 | |||
| | 106. | Themelis, Dimitris | Klavieretüde oder Violinetüde? Zur Frage der chronologischen Priorität. | Mf | 26 | 3 | 333 | ||
| | 107. | Marahrens, D. | Festpredigt beim zweiten Heinrich-Schütz-Fest in Celle 1929 | MKirche | 1 | 4 | 149 | ||
| | 108. | Labs, Dietrich | 6. Greifswalder Bachwoche. | MKirche | 21 | 5 | 248-249 | ||
 | 109. | Labs, Dietrich | Elfte Greifswalder Bachwoche. | MKirche | 27 | 4 | 200-201 | ||
| | 110. | Weiss, Dieter | Zur Tonartengliederung in J. S. Bachs Johannes-Passion. | MKirche | 40 | 1 | 33 | ||
| | 111. | Labs, Dietrich | Vierundzwanzigste Greifswalder Bachwoche. | MKirche | 40 | 5 | 355 | ||
| | 112. | Labs, Dietrich | Fünfundzwanzigste Greifswalder Bachwoche [10.-16. Juni 1971]. | MKirche | 41 | 4 | 201-202 | ||
| | 113. | Labs, Dietrich | 26. Greifswalder Bachwoche. | MKirche | 42 | 5 | 239-240 | ||
| | 114. | Labs, Dietrich | 27. Greifswalder Bachwoche. | MKirche | 43 | 5 | 246-247 | ||
| | 115. | Labs, Dietrich | Die Greifswalder Bachwoche 1974. | MKirche | 44 | 5 | 244-245 | ||
| | 116. | Labs, Dietrich | 29. Greifswalder Bachwoche. | MKirche | 45 | 5 | 256-257 | ||
| | 117. | Labs, Dietrich | Dreißigste Greifswalder Bachwoche. | MKirche | 46 | 5 | 247-248 | ||
| | 118. | Labs, Dietrich | 31. Greifswalder Bachwoche. | MKirche | 47 | 5 | 253 | ||
| | 119. | Labs, Dietrich | 32. Greifswalder Bachwoche. | MKirche | 48 | 5 | 245-246 | ||
| | 120. | Labs, Dietrich | 33. Greifswalder Bachwoche. | MKirche | 49 | 5 | 256-257 | ||
| | 121. | Labs, Dietrich | Passionsaufführungen in Greifswald. | MKirche | 53 | 4 | 220-221 | ||
| | 122. | Labs, Dietrich | 40 Jahre Greifswalder Bachwoche. | MKirche | 56 | 6 | 317-320 | ||
| | 123. | Smithers, Don | The enduring significance of J S Bach. | MMusicians | 21 | 5: 245 | 26-29 | ||
| | 124. | Smithers, Don | How Bach composed. | MMusicians | 21 | 8: 248 | 38-40, 42 | ||
| | 125. | Solomon, John; Jones, D. Marblacy | Bach's Trumpets. | MonMRec | 61 | 722 | 43-45 | ||
| | 126. | Collins, Denis; Schloss, Andrew | An Unusual Effect in the Canon per Tonos from J.S. Bach's Musical Offering. | MPerception | 19 | 2 | 141-153 | ||
| | 127. | Ferris, David | C. P. E. Bach and the Art of Strange Modulation. | MTheorySpec | 22 | 1 | 60-88 | ||
| | 128. | Jones, David | The Music of Xenakis. [English Bach Festival] | MTimes | 107 | 1480 | 495-496 | ||
| | 129. | Fallows, David | Authentic Bach. | MTimes | 117 | 1602 | 653 | ||
| | 130. | Burrows, Donald | The St John Passion and the Performer. | MTimes | 118 | 1609 | 198-199, 201-202 | ||
| | 131. | Humphreys, David | Style and Symbol: The Credo of the B minor Mass. | MTimes | 140 | 1867 | 54-59 | ||
| | 132. | Stevens, Denis | Another View of the Bach Bow. | MTimes | 96 | 1344 | 98 | ||
| | 133. | Gerling, Cristina Capparelli; Santos, Regina Antunes Teixeira dos; Domenici, Catarina | Reflexões sobre interpretações musicais de estudantes de piano e a comunicação de emoções. | MusicaHodie | 8 | 1 | 11-25 | ||
| | 134. | Schwemer, Bettina; Woodfull-Harris, Douglas | I. S. Bah: Sûity dlâ violonèeli solo. | Musicus(Russia) | 5 | 40-43 | |||
| | 135. | Parsons, D. | Are composers copycats? | NewScientist | 73 | 688-689 | |||
| | 136. | Stearns, David Patrick | Writing the book on Bach. | OperaNews | 79 | 1 | 24-27 | ||
| | 137. | Rogers, David | Radio 3 Bach Christmas. | Organ | 85 | 335 | 8-9 | ||
| | 138. | Rogers, David | The Bach chaconne. | Organ | 88 | 349 | 38 | ||
| | 139. | Rogers, David | Three unsolved Bach issues. | Organ | 89 | 351 | 20-22 | ||
| | 140. | Rogers, David | Bach on the web. | Organ | 90 | 357 | 50-51 | ||
| | 141. | Rogers, David | The Cranleigh Bach series (2011-2012). | Organ | 90 | 358 | 49-51 | ||
| | 142. | Humphreys, David | A Bach Polyglot - The A Major Prelude & Fugue BWV 536. | OrganYb | 20 | 72-87 | |||
| | 143. | Humphreys, David | 'Und besonders für Kenner von dergleichen Arbeit' -- A Study of the Symbolic Aspects of Bach's Dritter Theil der Clavierübung. | OrganYb | 24 | 41-64 | |||
| | 144. | Humphreys, David | J. S. Bach, J. P. Kellner and the Prelude and Fugue in A Major, BWV 536. | OrganYb | 29 | 27-44 | |||
| | 145. | Humphreys, David | Further on the authenticity of Bach's fugues in A major and F minor. | OrganYb | 38 | 95-105 | |||
 | 146. | Ferris, David | C. P. E. Bach in His Father's Image. | [p]ABS_California | |||||
| | 147. | Powers, Doris B. | Forkel's Theory of Sonata: His Commentary on C.P.E. Bach's Clavier Sonata in F Minor (1763), H. 173. | [p]AMS_Minneapolis | |||||
| | 148. | Smithers, Don L. | Number and Symbolism in Bach's B-minor Mass. | [p]AMS_NewYorkState | |||||
| | 149. | Ferris, David | C. P. E. Bach's Paragraph on Modulation: A Defense of Improvisational Style. | [p]AMS_Southeast | |||||
| | 150. | Sanders, Donald | The Eclectic Bach: Stylistic Variety in the Introductory Movements to the Keyboard Suites. | [p]AMS_Southern | |||||
| | 151. | Constantinides, Dinos | Chaconne by J. S. Bach. | [p]AMS_Southern | |||||
| | 152. | Ferris, David | C.P.E. Bach's Rondos and the Subversion of Genre. | [p]AMS_Toronto | |||||
| | 153. | Pals, Daniel | Prelude to the Passions: Bach and the Theological Heritage of the Reformation. | [p]BachsPassions_Miami | |||||
| | 154. | Tomita, Yo; Schulenberg, David; Lewis, Daniel Martyn | Bach's quaver notation and performance implications. | [p]BNUK_Cambridge | |||||
| | 155. | Burrows, Donald | The Balfour Handel Collection. | [p]BNUK_Edinburgh | |||||
| | 156. | Ferris, David | 'Welcher Fantast ich war': C.P.E. Bach's composed improvisations. | [p]IMS_Leuven | |||||
| | 157. | Collins, Denis; Schloss, Andrew | Cognitive-perceptual effects in music: Shepard tones and the Canon per tonos from J. S. Bach's Musical Offering. | [p]IMS_London | |||||
| | 158. | Collins, Denis | Compositional Strategies for Invertible and Stacked Canons from Zarlino to Bach. | [p]MSA_Newcastle | |||||
| | 159. | Fernandez de la Cuesta Gonzalez, Ismael; Vicente Delgado, Alfonso de (eds.) | Culturas musicales del Mediterráneo y sus ramificaciones. | RevistaMcol | 16 | 722, 577, 517, 750p | |||
| | 160. | S. D. | Concert donné par Jean Becker et Éd. de Hartog. | RevueGazMParis | 30 | 14 | 107 | ||
| | 161. | Lange, S. de | Satzfehler (?) bei Bach. | SambdIMg | 4 | 1 | 173-174 | ||
| | 162. | Smithers, Don L. | Playing the Baroque Trumpet: Research into the history and physics of this largely forgotten instrument is revealing its secrets, enabling modern trumpeters to play it as the musicians of the 17th and 18th centuries did. | ScientificAmer | 254 | 4 | 108-115 | ||
| | 163. | Humphreys, David | More on the cosmological allegory in Bach's Goldberg Variations. | Soundings | 12 | 25-45 | |||
| | 164. | Popinigis, Danuta | Die Rezeption des Schaffens C.P.E. Bachs in Gdansk in der zweiten Hälfte des 18. Jahrhunderts. | StAI | 39 | 57-58 | |||
| | 165. | Wells, Dominic | In the footsteps of Bach's St. Matthew Passion: The Passion setting of David Lang and James MacMillan. | Tempo | 67 | 264 | 40-51 | ||
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