Type | List | Title [further info![Display full bibliographical information](http://homepages.bw.edu/bachbib/images/expand.gif) ] | Series | Vol | No | Year![Reorder chronologically](http://homepages.bw.edu/bachbib/images/sort.gif) | Pages | Status |
| 1. | J.S. Bach and the Divine Proportion. |
diss. |
| | 2001 |
xi, 255p |
|
| 2. | On the Pitch Dispositions of J.S. Bach's 'Fiauti d'Echo' and other Treble Recorders. |
GalpinSocJ |
47 | | Mar 1994 |
155-160 |
|
| 3. | The Proportional Design of J.S. Bach's Two Italian Cantatas. |
MPraxis |
1 | 2 | 1994 |
35-44 |
|
| 4. | Towards a codification of Bach's golden sections. |
[p]BCB_Dublin |
| | Jul 2000 |
|
|
| 5. | J.S. Bach and Andreas Werckmeister's 'Natural Order'. |
[p]BCB_Edinburgh |
| | Jul 1994 |
|
|
| 6. | J.S. Bach's Architectonics: The Golden Section. |
[p]Nexus_Edinburgh |
| | Mar 1995 |
|
|
| 7. | 'Subordination to a Higher Order': Johannes Kepler, Andreas Werckmeister, and the Divine Proportion. |
[p]SSCM_Winston-Salem |
| | Apr 2003 |
|
|