Type | List | Title [further info![Display full bibliographical information](http://homepages.bw.edu/bachbib/images/expand.gif) ] | Series | Vol | No | Year![Reorder chronologically](http://homepages.bw.edu/bachbib/images/sort.gif) | Pages | Status |
| 1. | Rhythmic Freedom in the Performance of French Music from 1650 to 1735. Diss. Stanford University, 1959. |
diss. |
| | 1959 |
|
![English](http://homepages.bw.edu/bachbib/images/flags/United-Kingdom.gif) |
| 2. | Kirnberger on Dance Rhythms, Fugues, and Characterization. |
[fs]Hoelty-Nickel |
| | 1967 |
65-76 |
![English](http://homepages.bw.edu/bachbib/images/flags/United-Kingdom.gif) |
| 3. | Festschrift. Theodore Hoelty-Nickel. A Collection of Essays on Church Music. Valparaiso, Ind.: Valparaiso University, 1967. xii, 109p |
[fs]Hoelty-Nickel |
| | 1967 |
xii, 109p |
![English](http://homepages.bw.edu/bachbib/images/flags/United-Kingdom.gif) |
| 4. | Early Keyboard Fingering and its Effect on Articulation. [Abstract] Read in Stanford on June 5, 1953, at a meeting of the Northern California Chapter. |
JAMSoc |
6 | 3 | Autumn 1953 |
252-253 |
![English](http://homepages.bw.edu/bachbib/images/flags/United-Kingdom.gif) |