Type | List | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | C.P.E. Bach and the fine art of transposition. |
[ce]SchenkerStud |
2 | | 1999 |
67-81 |
|
| 2. | C. P. E. Bachs Einfluss auf die Theorien von Heinrich Schenker. |
CPEBachKonzepteSR |
4 | | 2005 |
205-224 |
|
| 3. | Compositional Techniques in the Keyboard Sonatas of Carl Philipp Emanuel Bach: Reimagining the Foundations of a Musical Style. PhD diss., Music Theory, Yale University, 1995. 2 vols., xiv, 572 p. |
diss |
| | 1995 |
xiv, 572p |
|
| 4. | Thoughts on Schenker's treatment of diminution and repetition in part III of Free composition, and its implications for analysis. [BWV 775] |
[fs]Schachter |
| | 2006 |
73-78 |
|
| 5. | Koch, Schenker, and the Development Section of Sonata Forms by C. P. E. Bach. |
MTheorySpec |
21 | 2 | Autumn 1999 |
151-173 |
|