Type | List | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Tadashii Soshokuon Soho. |
|
| | 1992 |
414p |
|
| 2. | Ornamentation in Baroque and Post-Baroque Music with Special Emphasis on J. S. Bach. |
|
| | 1978 |
630p |
|
| 3. | Couperin and the Downbeat Doctrine for Appoggiaturas. |
ActaMcol |
41 | 1-2 | Jan-Jun 1969 |
71-85 |
|
| 4. | The Rhythm in 'Behold the Lamb of God'. |
AmerChoralReview |
28 | 4 | Oct 1986 |
18-22 |
|
| 5. | Problems of Interpretation in the Music of Bach: I. The Pitfalls of Historical Sources. |
AmerMTeacher |
12 | 5 | May-Jun 1963 |
20-21 |
|
| 6. | Problems of Interpretation in the Music of Bach, Part II. |
AmerMTeacher |
13 | 2 | Nov-Dec 1963 |
|
|
| 7. | Notes on Bach and Handel Sonatas. |
AmerStringTeacher |
32 | 3 | Summer 1982 |
26-27 |
|
| 8. | Bach: Progressive or Conservative and the Authorship of the Goldberg Aria. |
[ce]BaroqueComposers |
| | 2011 |
445-458 |
|
| 9. | Some Performance Problems of Bach's Unaccompanied Violin and Cello Works. |
[ce]BaroqueComposers |
| | 2011 |
529-558 |
|
| 10. | The dotted note and the so-called French style. |
EarlyM |
5 | 3 | Jul 1977 |
310-324 |
|
| 11. | Once more: the 'French overture style'. |
EarlyM |
7 | 1 | Jan 1979 |
39-43, 45 |
|
| 12. | Some Performance Problems of Bach's Unaccompanied Violin and Cello Works. |
FestschriftSer |
13 | | 1994 |
19-46 |
|
| 13. | The Question of Rhythm in the Two Versions of Bach's French Ouverture, BWV 831. |
[fs]Mendel |
| | 1974 |
183-194 |
|
| 14. | Notes Inégales for Bach, Overdotting for Everybody? A Commentary on an Attempt to Revive Dolmetsch's 'Rhythmic Alterations'. |
HistPerformance |
7 | 1 | 1994 |
13-26 |
|
| 15. | The French 'Inégeles', Quantz, and Bach. |
JAMSoc |
18 | 3 | Autumn 1965 |
313-358 |
|
| 16. | A New Look at Bach's Ornamentation. |
MLetters |
46 | 1, 2 | Jan; Apr 1965 |
4-15; 126-133 |
|
| 17. | The Use of Baroque Treatises on Musical Performance. |
MLetters |
48 | 4 | Oct 1967 |
315-324 |
|
| 18. | Misconceptions about the French Trill in the 17th and 18th Centuries. |
MQ |
50 | 2 | Apr 1964 |
188-206 |
|
| 19. | External Evidence and Uneven Notes. |
MQ |
52 | 4 | Oct 1966 |
448-464 |
|
| 20. | Ornament and Structure. |
MQ |
56 | 2 | Apr 1970 |
153-161 |
|
| 21. | Facts and Fiction about Overdotting. |
MQ |
63 | 2 | Apr 1977 |
155-185 |
|
| 22. | The Overdotting Syndrome: Anatomy of a Delusion. |
MQ |
67 | 3 | Jul 1981 |
305-347 |
|
| 23. | Bach: Progressive or Conservative and the Authorship of the Goldberg Aria. |
MQ |
71 | 3 | 1985 |
281-294 |
|
| 24. | Notes on 'Melodic' and 'Harmonic' Ornaments. |
MReview |
29 | 4 | 1968 |
249-256 |
|
| 25. | Interpretation Problems of Ornament Symbols and Two Recent Case Histories: Hans Klotz on Bach, Faye Ferguson on Mozart. |
PerformPractReview |
1 | 1 | Spring-Fall 1988 |
71-106 |
|
| 26. | Una nueva aproximación a la ornamentación de Bach. |
Quodlibet |
| 2; 3 | 1995 |
19-33; 19-28 |
|
| 27. | La note pointée et la soi-disant 'manière française'. |
RevueMcol |
51 | 1 | 1965 |
66-92 |
|
| 28. | Some Controversial Aspects of the Authenticity School. |
StudMcol |
108 | | 1989 |
17-31 |
|
| 29. | The Rise of the Early Music Movement. |
StudMcol |
108 | | 1989 |
3-16 |
|
| 30. | Conflicting Binary and Ternary Rhythms: From the Theory of Mensural notation to the Music of J. S. Bach. |
StudMcol |
108 | | 1989 |
35-64 |
|
| 31. | The 'Notes Inégales' Revisited. |
StudMcol |
108 | | 1989 |
65-76 |
|
| 32. | Graham Pont's 'Paradigm of Inconsistency' and the Interpretation of Handel's Overtures. |
StudMcol |
108 | | 1989 |
77-84 |
|
| 33. | Interpretation Problems of Ornament Symbols and Two Recent Case Histories: Hans Klotz on Bach, Faye Ferguson on Mozart. |
StudMcol |
108 | | 1989 |
121-153 |
|
| 34. | Bach: Progressive or Conservative and the Authorship of the Goldberg Aria. |
StudMcol |
108 | | 1989 |
195-208 |
|
| 35. | Notes on the Violin Sonatas of Bach and Handel. |
StudMcol |
108 | | 1989 |
221-225 |
|
| 36. | New Essays on Performance Practice. |
StudMcol |
108 | | 1989 |
x, 257p |
|
| 37. | The Use of Baroque Treatises on Musical Performance. |
StudMcol |
58 | | 1982 |
1-9, 173-174 |
|
| 38. | Donington's 'A Performer's Guide to Baroque Music' -- A Review. |
StudMcol |
58 | | 1982 |
11-15, 274 |
|
| 39. | The French 'Inégales', Quantz, and Bach. |
StudMcol |
58 | | 1982 |
17-54, 274-285 |
|
| 40. | An Answer to Donington's Critique. |
StudMcol |
58 | | 1982 |
55-58 |
|
| 41. | External Evidence and Uneven Notes. |
StudMcol |
58 | | 1982 |
59-72, 285-288 |
|
| 42. | The Dotted Note and the So-Called French Style (FN1) |
StudMcol |
58 | | 1982 |
73-98, 288-289 |
|
| 43. | Rhythm in the Two Versions of Bach's French Overture, BWV 831 (FN2). |
StudMcol |
58 | | 1982 |
99-110, 289-291 |
|
| 44. | Facts and Fiction about Overdotting (FN3). |
StudMcol |
58 | | 1982 |
111-135, 291-294 |
|
| 45. | Once More: The 'French Overture Style' (FN4). |
StudMcol |
58 | | 1982 |
137-150, 295 |
|
| 46. | The Overdotting Syndrome: Anatomy of a Delusion (FN5). |
StudMcol |
58 | | 1982 |
151-182, 296-300 |
|
| 47. | Misconceptions About the French Trill in the 17th and 18th Centuries. |
StudMcol |
58 | | 1982 |
183-196, 300-304 |
|
| 48. | A New Look at Bach's Ornamentation. |
StudMcol |
58 | | 1982 |
197-215, 304-305 |
|
| 49. | Notes on 'Melodic' and 'Harmonic' Ornaments. |
StudMcol |
58 | | 1982 |
217-225, 305-306 |
|
| 50. | Couperin and the Downbeat Doctrine for Appoggiaturas. |
StudMcol |
58 | | 1982 |
227-241, 306-309 |
|
| 51. | Ornament and Structure. |
StudMcol |
58 | | 1982 |
243-250, 309-310 |
|
| 52. | Essays in Performance Practice. |
StudMcol |
58 | | 1982 |
xii, 321p |
|