Type | List | Title [further info![Display full bibliographical information](http://homepages.bw.edu/bachbib/images/expand.gif) ] | Series | Vol | No | Year![Reorder chronologically](http://homepages.bw.edu/bachbib/images/sort.gif) | Pages | Status |
| 1. | J. S. Bach no Shoki Fuga Sosaku Saiko: Organist ni yoru Sokkyo Jissen no Kanten kara. Reconsidering the Early Fugues of Johann Sebastian Bach: In the Light of Improvised Fugues by Organists. [English abstract p.154] |
Ongakugaku |
60 | 2 | 2014 |
154-168 |
![Japanese](http://homepages.bw.edu/bachbib/images/flags/Japan.gif) |
| 2. | Redefining the 'permutation fugues' of J. S. Bach: focusing on the differences with the invertible counterpoint developed in North Germany. A paper presented at the 'Young Scholars' Forum' at the Eighth J. S. Bach Dialogue Meeting at Madingley Hall, Cambridge, 10-15 July 2017. |
[p]BNUK_Cambridge |
| | Jul 2017 |
|
![English](http://homepages.bw.edu/bachbib/images/flags/United-Kingdom.gif) |
| 3. | J. S. Bach no Weimar Jidai ni okeru Tasha Sakuhin no Juyo: J. G. Walther to no Taiihou Chishiki Kyoyu no Kanosei ni Chakumoku shite. [The reception of the works by J. S. Bach's contemporaries in his Weimar period in view of the possibility to share the knowledge of counterpoint with J. G. Walther] A paper read at the 66th National Conference of the Musicological Society of Japan at Aoyama Gakuin University, 14-15 November 2015. |
[p]MSJ_Tokyo |
| | Nov 2015 |
|
![Japanese](http://homepages.bw.edu/bachbib/images/flags/Japan.gif) |