Bach Bibliography Search Result

Author : Melamed, Daniel R.
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Type	List	Author	Title[further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Melamed, Daniel R.	Hearing Bach's Passions. New York: Oxford University Press, 2005. vii, 178p. ISBN: 0-19-516933-6.				2005	vii, 178p
	2.	Melamed, Daniel R.; Marissen, Michael	An introduction to Bach Studies. New York and Oxford: Oxford University Press, 1998. xi, 189p.				1998	xi, 189p
	3.	Melamed, Daniel R.	J. S. Bach and the German Motet. Cambridge Univ Press, 1995. xv, 229p - R/2005 (paperback). xv, 229p. ISBN: 0-521-61976-9.				1995	xv, 229p
	4.	Melamed, Daniel R.	A Tool from the Late 17th Century for Chorale Research.	AmerBachSocNL			Fall 2001	6-7
	5.	Melamed, Daniel R.	The Text of 'Gott ist mein König' BWV 71.	Bach	32	1	2001	1-16
	6.	Melamed, Daniel R.	Eine Motette Sebastian Knüpfers aus J. S. Bachs Notenbibliothek. Kleine Beiträge.	BachJb	75		1989	191-196
	7.	Melamed, Daniel R.	Mehr zur Chronologie von Bachs Weimarer Kantaten. Kleine Beiträge.	BachJb	79		1993	213-216
	8.	Melamed, Daniel R.; Sanders, Reginald L.	Zum Text und Kontext der 'Keiser'-Markuspassion.	BachJb	85		1999	35-50
	9.	Melamed, Daniel R.	Die alte Chorbibliothek der Kirche Divi Blasii zu Mühlhausen. Kleine Beiträge.	BachJb	88		2002	209-216
	10.	Melamed, Daniel R.	Bach und Palestrina -- Einige praktische Probleme I. Kleine Beiträge.	BachJb	89		2003	221-224
	11.	Melamed, Daniel R.	Hat Johann Sebastian Bach die Lukas-Passion BWV 246 aufgeführt? (Übersetzung: Stephanie Wollny)	BachJb	92		2006	161-169
	12.	Melamed, Daniel R.	Bachs Schwester. Kleine Beiträge.	BachJb	94		2008	337-341
	13.	Erickson, Raymond; Tatlow, Ruth; Melamed, Daniel R.	Bach & Friends: Three Reviews of Muchael Lawrence's New Film. http://www.americanbachsociety.org/Newsletters/BachNotes13.pdf	BachNotesABS		13	Fall 2010	1-4
	14.	Melamed, Daniel R.	Johann Sebastian Bach and Barthold Heinrich Brockes.	BachPerspectives	8		2011	13-41
	15.	Melamed, Daniel R. (ed.)	J. S. Bach and the Oratorio Tradition. Urbana, Chicago and Springfield: University of Illinois Press, 2011. ix, 153p. ISBN-10 0-252-03584-4. ISBN13 978-0-252-03584-5.	BachPerspectives	8		2011	ix, 153p
	16.	Melamed, Daniel R.	A thirty-six voice canon in the hand of C. P. E. Bach.	BachStud	2		1995	107-118
	17.	Melamed, Daniel R. (ed.)	Bach Studies 2. Cambridge Univ. Press, 1995, xiv, 238p.	BachStud	2		1995	xiv, 238p
	18.	Melamed, Daniel R.	Bach no Kyokai Kantata ni okeru Motetto Yoshiki Gakusho. trans. by Ryuichi Higuchi. [Motett-style movements in Bach's Church Cantatas]	BachZenshu	4		Oct 1998	88-96
	19.	Melamed, Daniel R.	Probleme zu Chronologie, Stil und Zweck der Motetten Johann Sebastian Bachs.	BeitrBachF	9-10		1991	277-284
	20.	Melamed, Daniel R.	Counterpoint in Mozart's 'Die Entführung aus dem Serail'.	CambridgeOperaJ	20	1	2008	25-51
	21.	Melamed, Daniel R.	Choral Unison in J.S. Bach's Vocal Music.	[ce]AboutBach			2008	53-60
	22.	Melamed, Daniel R.	Gassho to Koraru Gakkyoku. [Chor- und Choralsätze.] Trans. by Tadashi Isoyama and Mariko Ikegami.	[ce]BachKantataNoSekai	1		2001	271-296
	23.	Melamed, Daniel R.	Gasshokyoku, Nijushokyoku, Kigakukyoku. [Chöre, Deutte und Instrumentalstücke] Trans. by Kazuhiro Fujiwara.	[ce]BachKantataNoSekai	2		2002	331-348
	24.	Melamed, Daniel R.	Gasshokyoku. [Chorsätze] Trans. by Tadashi Isoyama and Erina Hayasaki.	[ce]BachKantataNoSekai	3		2002	299-320
	25.	Melamed, Daniel R.	Chor- und Choralsätze.	[ce]WeltBachKantaten	1		1996	169-184
	26.	Melamed, Daniel R.	Chöre, Duette und Instrumentalstücke.	[ce]WeltBachKantaten	2		1997	201-212
	27.	Melamed, Daniel R.	Chorsätze.	[ce]WeltBachKantaten	3		1999	177-192
	28.	Melamed, Daniel R.	Cantatekoren en koralen. [Cantata choirs and chorales] trans. Christo Lelie.	[ce]WereldBachCantates	1		1995	168-183
	29.	Melamed, Daniel R.	Koren, duetten en instrumentale delen. [Choruses, duets, and instrumental sections]	[ce]WereldBachCantates	2		1997	202-213
	30.	Melamed, Daniel R.	Koren. [Choruses]	[ce]WereldBachCantates	3		1998	176-191
	31.	Melamed, Daniel R.	Choruses and Chorales.	[ce]WorldOfBachCantatas	1		1997	155-170
	32.	Melamed, Daniel R.	Bach's St. John Passion: Can We Really Still Hear the Work--and Which One? Chapter Eleven.	[ce]WorldOfBaroqueMusic			2006	235-252
	33.	Melamed, Daniel R.	Staffing J. S. Bach's St. Matthew Passion Then and Now. Bach in the Blood. http://www.yale.edu/ism/colloq_journal/vol4/melamed1.html	Colloquium	4		Autumn 2007	145-150
	34.	Melamed, Daniel R. (ed.)	Passion according to St. Luke (1771): based on a setting by Georg Philipp Telemann ; incorporating music by Georg Anton Benda, Gottfried Heinrich Stölzel, and Gottfried August Homilius / Carl Philipp Emanuel Bach. Edited by Daniel R. Melamed. - Los Altos, CA: Packard Humanities Institute, 2009. xxiii, 8, 132p. ISBN: 978-1-933280-22-6 (= Carl Philipp Emanuel Bach: The Complete Works. Series IV: Oratorios and passions, Volume 6.1) [H 784]	CPEBachCW	4	6.1	2009	xxiii, 8, 132p
	35.	Goldberg, Randall E.; Melamed, Daniel R. (eds.)	Passion according to St. Luke (1775) / Carl Philipp Emanuel Bach. Edited by Randall E. Goldberg and Daniel R. Melamed. - Los Altos, CA: Packard Humanities Institute, 2011. xxx, 153p. ISBN: 978-1-933280-41-7. (= Carl Philipp Emanuel Bach: The Complete Works. Series IV: Oratorios and passions, Volume 6.2)	CPEBachCW	4	6.2	2011	xxx, 153p
	36.	Melamed, Daniel Richard	J. S. Bach and the German motet. PhD diss. Cambridge, Mass.: Harvard University 1989. x, 333 Bl.	diss.			1989	x, 333 Bl
	37.	Melamed, Daniel R.	Two Unusual Cues in J. S. Bach's Performing Parts.	[fs]Leaver65			2007	141-146
	38.	Melamed, Daniel R.	Der Text der Kantate 'Gott ist mein König' (BWV 71).	[fs]Schulze65			1999	160-172
	39.	Melamed, Daniel R.	The Passions: Versions and Problems / Las pasiones: versiones y problemas. http://goldbergweb.com/en/magazine/essays/2005/06/31964.php Traducido por José Luis Gil Aristu: http://goldbergweb.com/es/magazine/essays/2005/06/31963.php	Goldberg		34	Jun-Aug 2005	30-37
	40.	Melamed, Daniel R.	The Evolution of 'Und wenn die Welt voll Teufel wär' BWV 80/5.	HarvardPubM	22		2008	189-205	[fs]CWolff
	41.	Melamed, Daniel R.	The Authorship of the Motet 'Ich lasse dich nicht' (BWV Anh. 159).	JAMSoc	41	3	Autumn 1988	491-526
	42.	Melamed, Daniel R.	The Double Chorus in J. S. Bach's St. Matthew Passion BWV 244.	JAMSoc	57	1	Spring 2004	3-50
	43.	Melamed, Daniel R.	J.F. Doles's Setting of a Picander Libretto and J.S. Bach's Teaching of Vocal Composition.	JMcol	14	4	Autumn 1996	453-474
	44.	Melamed, Daniel R.	Bachs Aufführung der Hamburger Markus-Passion in den 1740er Jahren. Übersetzung von Ulrich Leisinger.	LeipzigerBeitrBachF	5		2002	289-308
	45.	Melamed, Daniel R.	Constructing Johann Christoph Bach (1642-1703).	MLetters	80	3	Aug 1999	345-365
	46.	Melamed, Daniel R.	Bach Revived: If Wishes Were Passions.	NYTimes			2 Apr 2000
	47.	Melamed, Daniel R.	Johann Sebastian Bach and Barthold Heinrich Brockes. A Paper read at the Biennial Meeting of the American Bach Society 'BACH AND THE ORATORIO TRADITION', May 8-11, 2008, Lehigh University, Bethlehem, Pennsylvania	[p]ABS_Bethlehem			May 2008
	48.	Melamed, Daniel R.	Joh. Christoph Bach, org. Paper read at American Bach Society, Biennial Meeting. University of California, Berkeley, April 12-14, 1996.	[p]ABS_California			Apr 1996
	49.	Melamed, Daniel R.	The Text of Gott ist mein König BWV 71. Paper read at American Bach Society Biennial Meeting, Washington, D. C., April 7-9, 2000.	[p]ABS_Washington			Apr 2000
	50.	Melamed, Daniel R.	Problems of Chronology, Style, and Function in J. S. Bach's Motets. A paper read at the 54th Annual Meeting of the AMS and the 11th Annual Meeting of the Society for Music Theory, 3-6 November 1988 in Baltimore, Maryland.	[p]AMS_Baltimore			Nov 1988
	51.	Melamed, Daniel R.	J. S. Bach and the Altbachisches Archiv. A paper read at the AMS/SEM/SMT Oakland Annual Meetings on 7-11 November 1990.	[p]AMS_Oakland			Nov 1990
	52.	Melamed, Daniel R.	How Did J.S. Bach Teach Vocal Composition? A paper read at the American Musicological Society Annual Meeting in Pittsburgh on 5-8 November 1992.	[p]AMS_Pittsburgh			Nov 1992
	53.	Melamed, Daniel R.	Seventeenth-Century Hamburg Passions and Their Shadows in the Eighteenth Century. A Paper read at the 'The Century of Bach and Mozart Perspectives on Historiography, Composition, Theory & Performance', a conference dedicated to Christoph Wolff, held on September 23-25, 2005 at John Knowles Paine Concert Hall, Harvard University.	[p]CWolff_Harvard			Sep 2005
	54.	Melamed, Daniel R.	Scoring, text and genre in 'Nun ist der Herr zu Ruh gebracht' BWV 244/67. A keynote paper read at SMA Spring Study Day 'Bach's Passions' held on 24-25 April 2009 at University of Glasgow.	[p]SMA_Glasgow			Apr 2009
	55.	Melamed, Daniel R.	Bach's Leipzig performances of the Hamburg St. Mark Passion. A paper read at the Wissenschaftliche Konferenz 'Bach in Leipzig / Bach und Leipzig' from 27 to 29 January 2000.	[p]WK_Leipzig			Jan 2000
	56.	Melamed, Daniel R. (ed.)	Motets / Johann Ludwig Bach. Edited by Daniel Melamed. - Middleton, WI: A-R Editions, 2001. xix, 203p. ISBN: 0-89579-470-5; 978-0-89579-470-3. (= Recent researches in the music of the Baroque era, B 108)	RecentResearchMBaroq	108		2001	xix, 203p
	57.	Melamed, Daniel R.	Eine Motette Sebastian Knüpfers aus J. S. Bachs Notenbibliothek. [Konzert 25.8.1990]	SommerAkadJSBach		Almanach	1990	ii: 14 - 17