Bach Bibliography
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TypeListAuthor Title[further info]SeriesVolNoYearPagesStatus
[]
1. Melamed, Daniel R.Hearing Bach's Passions. 2005 vii, 178p
2. Melamed, Daniel R.; Marissen, MichaelAn introduction to Bach Studies. 1998 xi, 189p
3. Melamed, Daniel R.J. S. Bach and the German Motet. 1995 xv, 229p
4. Melamed, Daniel R.A Tool from the Late 17th Century for Chorale Research. AmerBachSocNL Fall 2001 6-7
5. Melamed, Daniel R.The Text of 'Gott ist mein König' BWV 71. Bach 32 1 2001 1-16
6. Melamed, Daniel R.Eine Motette Sebastian Knüpfers aus J. S. Bachs Notenbibliothek. BachJb 75 1989 191-196
7. Melamed, Daniel R.Mehr zur Chronologie von Bachs Weimarer Kantaten. BachJb 79 1993 213-216
8. Melamed, Daniel R.; Sanders, Reginald L.Zum Text und Kontext der 'Keiser'-Markuspassion. BachJb 85 1999 35-50
9. Melamed, Daniel R.Die alte Chorbibliothek der Kirche Divi Blasii zu Mühlhausen. BachJb 88 2002 209-216
10. Melamed, Daniel R.Bach und Palestrina -- Einige praktische Probleme I. BachJb 89 2003 221-224
11. Melamed, Daniel R.Hat Johann Sebastian Bach die Lukas-Passion BWV 246 aufgeführt? BachJb 92 2006 161-169
12. Melamed, Daniel R.Bachs Schwester. BachJb 94 2008 337-341
13. Erickson, Raymond; Tatlow, Ruth; Melamed, Daniel R.Bach & Friends: Three Reviews of Muchael Lawrence's New Film. BachNotesABS 13 Fall 2010 1-4
14. Melamed, Daniel R.Johann Sebastian Bach and Barthold Heinrich Brockes. BachPerspectives 8 2011 13-41
15. Melamed, Daniel R. (ed.)J. S. Bach and the Oratorio Tradition. BachPerspectives 8 2011 ix, 153p
16. Melamed, Daniel R.A thirty-six voice canon in the hand of C. P. E. Bach. BachStud 2 1995 107-118
17. Melamed, Daniel R. (ed.)Bach Studies 2. BachStud 2 1995 xiv, 238p
18. Melamed, Daniel R.Bach no Kyokai Kantata ni okeru Motetto Yoshiki Gakusho. BachZenshu 4 Oct 1998 88-96
19. Melamed, Daniel R.Probleme zu Chronologie, Stil und Zweck der Motetten Johann Sebastian Bachs. BeitrBachF 9-10 1991 277-284
20. Melamed, Daniel R.Counterpoint in Mozart's 'Die Entführung aus dem Serail'. CambridgeOperaJ 20 1 2008 25-51
21. Melamed, Daniel R.Choral Unison in J.S. Bach's Vocal Music. [ce]AboutBach 2008 53-60
22. Melamed, Daniel R.Gassho to Koraru Gakkyoku. [ce]BachKantataNoSekai 1 2001 271-296
23. Melamed, Daniel R.Gasshokyoku, Nijushokyoku, Kigakukyoku. [ce]BachKantataNoSekai 2 2002 331-348
24. Melamed, Daniel R.Gasshokyoku. [ce]BachKantataNoSekai 3 2002 299-320
25. Melamed, Daniel R.Chor- und Choralsätze. [ce]WeltBachKantaten 1 1996 169-184
26. Melamed, Daniel R.Chöre, Duette und Instrumentalstücke. [ce]WeltBachKantaten 2 1997 201-212
27. Melamed, Daniel R.Chorsätze. [ce]WeltBachKantaten 3 1999 177-192
28. Melamed, Daniel R.Cantatekoren en koralen. [ce]WereldBachCantates 1 1995 168-183
29. Melamed, Daniel R.Koren, duetten en instrumentale delen. [ce]WereldBachCantates 2 1997 202-213
30. Melamed, Daniel R.Koren. [ce]WereldBachCantates 3 1998 176-191
31. Melamed, Daniel R.Choruses and Chorales. [ce]WorldOfBachCantatas 1 1997 155-170
32. Melamed, Daniel R.Bach's St. John Passion: Can We Really Still Hear the Work--and Which One? [ce]WorldOfBaroqueMusic 2006 235-252
33. Melamed, Daniel R.Staffing J. S. Bach's St. Matthew Passion Then and Now. Colloquium 4 Autumn 2007 145-150
34. Melamed, Daniel R. (ed.)Passion according to St. Luke (1771): based on a setting by Georg Philipp Telemann ; incorporating music by Georg Anton Benda, Gottfried Heinrich Stölzel, and Gottfried August Homilius / Carl Philipp Emanuel Bach. CPEBachCW 4 6.1 2009 xxiii, 8, 132p
35. Goldberg, Randall E.; Melamed, Daniel R. (eds.)Passion according to St. Luke (1775) / Carl Philipp Emanuel Bach. CPEBachCW 4 6.2 2011 xxx, 153p
36. Melamed, Daniel RichardJ. S. Bach and the German motet. diss. 1989 x, 333 Bl
37. Melamed, Daniel R.Two Unusual Cues in J. S. Bach's Performing Parts. [fs]Leaver65 2007 141-146
38. Melamed, Daniel R.Der Text der Kantate 'Gott ist mein König' (BWV 71). [fs]Schulze65 1999 160-172
39. Melamed, Daniel R.The Passions: Versions and Problems / Las pasiones: versiones y problemas. Goldberg 34 Jun-Aug 2005 30-37
40. Melamed, Daniel R.The Evolution of 'Und wenn die Welt voll Teufel wär' BWV 80/5. HarvardPubM 22 2008 189-205
41. Melamed, Daniel R.The Authorship of the Motet 'Ich lasse dich nicht' (BWV Anh. 159). JAMSoc 41 3 Autumn 1988 491-526
42. Melamed, Daniel R.The Double Chorus in J. S. Bach's St. Matthew Passion BWV 244. JAMSoc 57 1 Spring 2004 3-50
43. Melamed, Daniel R.J.F. Doles's Setting of a Picander Libretto and J.S. Bach's Teaching of Vocal Composition. JMcol 14 4 Autumn 1996 453-474
44. Melamed, Daniel R.Bachs Aufführung der Hamburger Markus-Passion in den 1740er Jahren. LeipzigerBeitrBachF 5 2002 289-308
45. Melamed, Daniel R.Constructing Johann Christoph Bach (1642-1703). MLetters 80 3 Aug 1999 345-365
46. Melamed, Daniel R.Bach Revived: If Wishes Were Passions. NYTimes 2 Apr 2000
47. Melamed, Daniel R.Johann Sebastian Bach and Barthold Heinrich Brockes. [p]ABS_Bethlehem May 2008
48. Melamed, Daniel R.Joh. Christoph Bach, org. [p]ABS_California Apr 1996
49. Melamed, Daniel R.The Text of Gott ist mein König BWV 71. [p]ABS_Washington Apr 2000
50. Melamed, Daniel R.Problems of Chronology, Style, and Function in J. S. Bach's Motets. [p]AMS_Baltimore Nov 1988
51. Melamed, Daniel R.J. S. Bach and the Altbachisches Archiv. [p]AMS_Oakland Nov 1990
52. Melamed, Daniel R.How Did J.S. Bach Teach Vocal Composition? [p]AMS_Pittsburgh Nov 1992
53. Melamed, Daniel R.Seventeenth-Century Hamburg Passions and Their Shadows in the Eighteenth Century. [p]CWolff_Harvard Sep 2005
54. Melamed, Daniel R.Scoring, text and genre in 'Nun ist der Herr zu Ruh gebracht' BWV 244/67. [p]SMA_Glasgow Apr 2009
55. Melamed, Daniel R.Bach's Leipzig performances of the Hamburg St. Mark Passion. [p]WK_Leipzig Jan 2000
56. Melamed, Daniel R. (ed.)Motets / Johann Ludwig Bach. RecentResearchMBaroq 108 2001 xix, 203p
57. Melamed, Daniel R.Eine Motette Sebastian Knüpfers aus J. S. Bachs Notenbibliothek. SommerAkadJSBach Almanach 1990 ii: 14 - 17

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