Type | List | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Hearing Bach's Passions. |
|
| | 2005 |
vii, 178p |
|
| 2. | An introduction to Bach Studies. |
|
| | 1998 |
xi, 189p |
|
| 3. | J. S. Bach and the German Motet. |
|
| | 1995 |
xv, 229p |
|
| 4. | Listening to Bach: the Mass in B minor and Christmas oratorio. |
|
| | 2018 |
xx, 149p |
|
| 5. | Multi-day Passions and J.S. Bach's Christmas oratorio, BWV248. |
18cM |
11 | 2 | Sep 2014 |
215-234 |
|
| 6. | How Did J. S. Bach's 'Aus Liebe will mein Heiland sterben,' BWV 244/49, Get to Be So Slow? |
19cM |
43 | 1 | Summer 2019 |
3-16 |
|
| 7. | A Tool from the Late 17th Century for Chorale Research. |
AmerBachSocNL |
| | Fall 2001 |
6-7 |
|
| 8. | The Text of 'Gott ist mein König' BWV 71. |
Bach |
32 | 1 | 2001 |
1-16 |
|
| 9. | Eine Motette Sebastian Knüpfers aus J. S. Bachs Notenbibliothek. |
BachJb |
75 | | 1989 |
191-196 |
|
| 10. | Mehr zur Chronologie von Bachs Weimarer Kantaten. |
BachJb |
79 | | 1993 |
213-216 |
|
| 11. | Zum Text und Kontext der 'Keiser'-Markuspassion. |
BachJb |
85 | | 1999 |
35-50 |
|
| 12. | Die alte Chorbibliothek der Kirche Divi Blasii zu Mühlhausen. |
BachJb |
88 | | 2002 |
209-216 |
|
| 13. | Bach und Palestrina -- Einige praktische Probleme I. |
BachJb |
89 | | 2003 |
221-224 |
|
| 14. | Hat Johann Sebastian Bach die Lukas-Passion BWV 246 aufgeführt? |
BachJb |
92 | | 2006 |
161-169 |
|
| 15. | Bachs Schwester. |
BachJb |
94 | | 2008 |
337-341 |
|
| 16. | Johann Sebastian Bach, Johann Gottfried Walther und die Musik von Giovanni Pierluigi da Palestrina. |
BachJb |
98 | | 2012 |
73-93 |
|
| 17. | Bach & Friends: Three Reviews of Michael Lawrence's New Film. |
BachNotesABS |
| 13 | Fall 2010 |
1-4 |
|
| 18. | Johann Sebastian Bach and Barthold Heinrich Brockes. |
BachPerspectives |
8 | | 2011 |
13-41 |
|
| 19. | J. S. Bach and the Oratorio Tradition. |
BachPerspectives |
8 | | 2011 |
ix, 153p |
|
| 20. | A thirty-six voice canon in the hand of C. P. E. Bach. |
BachStud |
2 | | 1995 |
107-118 |
|
| 21. | Bach Studies 2. |
BachStud |
2 | | 1995 |
xiv, 238p |
|
| 22. | Bach no Kyokai Kantata ni okeru Motetto Yoshiki Gakusho. |
BachZenshu |
4 | | Oct 1998 |
88-96 |
|
| 23. | Probleme zu Chronologie, Stil und Zweck der Motetten Johann Sebastian Bachs. |
BeitrBachF |
9-10 | | 1991 |
277-284 |
|
| 24. | Counterpoint in Mozart's 'Die Entführung aus dem Serail'. |
CambridgeOperaJ |
20 | 1 | 2008 |
25-51 |
|
| 25. | Choral Unison in J.S. Bach's Vocal Music. |
[ce]AboutBach |
| | 2008 |
53-60 |
|
| 26. | Misa Kyoku, Magnificat. |
[ce]BachJiten |
| | 1996 |
220-224 |
|
| 27. | Gassho to Koraru Gakkyoku. |
[ce]BachKantataNoSekai |
1 | | 2001 |
271-296 |
|
| 28. | Gasshokyoku, Nijushokyoku, Kigakukyoku. |
[ce]BachKantataNoSekai |
2 | | 2002 |
331-348 |
|
| 29. | Gasshokyoku. |
[ce]BachKantataNoSekai |
3 | | 2002 |
299-320 |
|
| 30. | Chor- und Choralsätze. |
[ce]WeltBachKantaten |
1 | | 1996 |
169-184 |
|
| 31. | Chöre, Duette und Instrumentalstücke. |
[ce]WeltBachKantaten |
2 | | 1997 |
201-212 |
|
| 32. | Chorsätze. |
[ce]WeltBachKantaten |
3 | | 1999 |
177-192 |
|
| 33. | Cantatekoren en koralen. |
[ce]WereldBachCantates |
1 | | 1995 |
168-183 |
|
| 34. | Koren, duetten en instrumentale delen. |
[ce]WereldBachCantates |
2 | | 1997 |
202-213 |
|
| 35. | Koren. |
[ce]WereldBachCantates |
3 | | 1998 |
176-191 |
|
| 36. | Choruses and Chorales. |
[ce]WorldOfBachCantatas |
1 | | 1997 |
155-170 |
|
| 37. | Bach's St. John Passion: Can We Really Still Hear the Work--and Which One? |
[ce]WorldOfBaroqueMusic |
| | 2006 |
235-252 |
|
| 38. | Staffing J. S. Bach's St. Matthew Passion Then and Now. |
Colloquium |
4 | | Autumn 2007 |
145-150 |
|
| 39. | Passion according to St. Luke (1771): based on a setting by Georg Philipp Telemann ; incorporating music by Georg Anton Benda, Gottfried Heinrich Stölzel, and Gottfried August Homilius / Carl Philipp Emanuel Bach. |
CPEBachCW |
4 | 6.1 | 2009 |
xxiii, 8, 132p |
|
| 40. | Passion according to St. Luke (1775) / Carl Philipp Emanuel Bach. |
CPEBachCW |
4 | 6.2 | 2011 |
xxx, 153p |
|
| 41. | J. S. Bach and the German motet. |
diss. |
| | 1989 |
x, 333 Bl |
|
| 42. | Text, voice, and genre in 'Nun ist der Herr zur Ruh gebracht' BWV 244/67. |
EastmanStudM |
102 | | 2013 |
111-135 |
|
| 43. | Two Unusual Cues in J. S. Bach's Performing Parts. |
[fs]Leaver65 |
| | 2007 |
141-146 |
|
| 44. | Der Text der Kantate 'Gott ist mein König' (BWV 71). |
[fs]Schulze65 |
| | 1999 |
160-172 |
|
| 45. | The Passions: Versions and Problems / Las pasiones: versiones y problemas. |
Goldberg |
| 34 | Jun 2005 |
30-37 |
|
| 46. | The Evolution of 'Und wenn die Welt voll Teufel wär' BWV 80/5. |
HarvardPubM |
22 | | 2008 |
189-205 |
|
| 47. | The Authorship of the Motet 'Ich lasse dich nicht' (BWV Anh. 159). |
JAMSoc |
41 | 3 | Autumn 1988 |
491-526 |
|
| 48. | The Double Chorus in J. S. Bach's St. Matthew Passion BWV 244. |
JAMSoc |
57 | 1 | Spring 2004 |
3-50 |
|
| 49. | J.F. Doles's Setting of a Picander Libretto and J.S. Bach's Teaching of Vocal Composition. |
JMcol |
14 | 4 | Autumn 1996 |
453-474 |
|
| 50. | Bachs Aufführung der Hamburger Markus-Passion in den 1740er Jahren. |
LeipzigerBeitrBachF |
5 | | 2002 |
289-308 |
|
| 51. | Constructing Johann Christoph Bach (1642-1703). |
MLetters |
80 | 3 | Aug 1999 |
345-365 |
|
| 52. | Bach Revived: If Wishes Were Passions. |
NYTimes |
| | 2 Apr 2000 |
|
|
| 53. | Johann Sebastian Bach and Barthold Heinrich Brockes. |
[p]ABS_Bethlehem |
| | May 2008 |
|
|
| 54. | Joh. Christoph Bach, org. |
[p]ABS_California |
| | Apr 1996 |
|
|
| 55. | Did Bach's Listeners Analyze? |
[p]ABS_Ohio |
| | May 2014 |
|
|
| 56. | Two Sanctus Settings by Johann Christoph Altnickol. |
[p]ABS_SouthBend |
| | Apr 2016 |
|
|
| 57. | The Text of Gott ist mein König BWV 71. |
[p]ABS_Washington |
| | Apr 2000 |
|
|
| 58. | Problems of Chronology, Style, and Function in J. S. Bach's Motets. |
[p]AMS_Baltimore |
| | Nov 1988 |
|
|
| 59. | J. S. Bach and the Altbachisches Archiv. |
[p]AMS_Oakland |
| | Nov 1990 |
|
|
| 60. | How Did J.S. Bach Teach Vocal Composition? |
[p]AMS_Pittsburgh |
| | Nov 1992 |
|
|
| 61. | Principles and potential for the development of the performance-academic discourse. |
[p]BNUK_Cambridge |
| | Jul 2017 |
|
|
| 62. | Did J. S. Bach’s Listeners Analyze? |
[p]BNUK_Warsaw |
| | Jul 2013 |
|
|
| 63. | Seventeenth-Century Hamburg Passions and Their Shadows in the Eighteenth Century. |
[p]CWolff_Harvard |
| | Sep 2005 |
|
|
| 64. | Scoring, text and genre in 'Nun ist der Herr zu Ruh gebracht' BWV 244/67. |
[p]SMA_Glasgow |
| | Apr 2009 |
|
|
| 65. | Bach's Leipzig performances of the Hamburg St. Mark Passion. |
[p]WK_Leipzig |
| | Jan 2000 |
|
|
| 66. | Motets / Johann Ludwig Bach. |
RecentResearchMBaroq |
108 | | 2001 |
xix, 203p |
|
| 67. | Eine Motette Sebastian Knüpfers aus J. S. Bachs Notenbibliothek. |
SommerAkadJSBach |
| Almanach | 1990 |
ii: 14 - 17 |
|