Bach Bibliography
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Author : Marshall, Robert L.
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TypeListTitle[further info]SeriesVolNoYearPagesStatus
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1. Bachs Skizzenarbeit und Kompositionsprozeß. Fest-Vortrag, geh. zum 48. Bachfest der NBG Nürnberg 1973. 1973 31p
2. Luther, Bach, and the early reformation chorale. 1995 iv, 15p
3. Truth and Beauty: J. S. Bach at the Crossroads of Cultural History. Bach 21 2 Summer 1990 3-14
4. Bach and Mozart: Styles of Musical Genius. Bach 22 1 Spring-Summer 1991 16-32
5. Bach at Mid-Life: The Christmas Oratorio and the Search for New Paths. Bach 43 1 2012 1-28
6. Zur Vollständigkeit der Arie 'Mein Jesus soll mein alles sein' aus Kantate BWV 75. BachJb 51 1965 144-147
7. Anmerkungen zur späteren Geschichte der alten Bach-Ausgabe: ein kleines bibliographisches Rätsel. BachJb 64 1978 229-231
8. In Memoriam: Alfred Dürr (March 3, 1918-April 7, 2011). BachNotesABS 15 Fall 2011 1-4
9. Bach and Mozart's Artistic Maturity. BachPerspectives 3 1998 47-79
10. On the origin of Bach's Magnificat: a Lutheran composer's challenge. BachStud 1 1989 3-17
11. Johann Sebastian Bach. [ce]18cKeyboardM 1994 68-123
12. Eighteenth-Century Keyboard Music. [ce]18cKeyboardM 1994 xvi, 443p
13. Bach and Luther. [ce]AstonMagnaAcademy 2009 229-241
14. Bach the Progressive: Observations on His Later Works. [ce]BaroqueComposers 2011 399-443
15. Postscript [to 'Bach the Progressive'] [ce]BaroqueComposers 2011 459-463
16. Tempo and Dynamic Indications in the Bach Sources: A Review of the Terminology. [ce]BHSTercentenaryEssays 1985 259-276
17. Organ or 'Klavier'? Instrumental Prescriptions in the Sources of Bach's Keyboard Works. [ce]JSBOrganist 1986 212-239
18. Bach, Johann Sebastian. [ce]Marshall 1989 3-20
19. Bach the Progressive: Observations on His Later Works. [ce]Marshall 1989 23-58, 295-303
20. Bach's Orchestre. [ce]Marshall 1989 59-63, 303
21. On Bach's Universality. [ce]Marshall 1989 65-79, 303-304
22. 'Composing Scores' and 'Fair Copies'. [ce]Marshall 1989 83-110, 304-305
23. The Sketches. [ce]Marshall 1989 111-129, 305-308
24. The Autograph Score of Herr, gehe nicht ins Gericht, BWV 105. [ce]Marshall 1989 131-142
25. The Genesis of an Aria Ritornello: Observations on the Autograph Score of 'Wie zittern und wanken,' BWV 105/3. [ce]Marshall 1989 143-159, 308-312
26. The Origin of the Magnificat: A Lutheran Composer's Challenge. [ce]Marshall 1989 161-173, 312-313
27. The Mass in B Minor: The Autograph Scores and the Compositional Process. [ce]Marshall 1989 175-189, 313-314
28. The Autograph Fair Copies of the Fantasia per il Cembalo, BWV 906. [ce]Marshall 1989 193-200, 314-316
29. The Compositions for Solo Flute: A Reconsideration of Their Authenticity and Chronology. [ce]Marshall 1989 201-225, 316-328
30. 'Authentic' Performance: Musical Text, Performing Forces, Performance Style (A Review Essay). [ce]Marshall 1989 229-239, 328-331
31. 'Editore traditore': Suspicious Performance Indications in the Bach Sources. [ce]Marshall 1989 241-254, 331-333
32. Tempo and Dynamics: The Original Terminology. [ce]Marshall 1989 255-269, 333-337
33. Organ or 'Klavier'? Instrumental Prescriptions in the Sources of the Keyboard Works. [ce]Marshall 1989 271-293, 337-339
34. The Music of Johann Sebastian Bach. The Sources, The Style, The Significance. [ce]Marshall 1989 xxiii, 375p
35. Bach and Mozart: Styles of musical genius. [ce]PsychoanalyticExplorations 2 1993 153-169
36. Orgel oder 'Klavier'? Instrumentenangaben in den frühen Quellen der Bachschen Tastenmusik. [cr]Leipzig1985 1988 303-314
37. Zur Echtheit und Chronologie der Bachschen Flötensonaten: Biographische und stilistische Erwägungen. [cr]Marburg1978 1981 48-71
38. On Bach's Universality. [cr]Philadelphia1985 1986 50-81
39. The Compositional Process of J. S. Bach. A study of the Autograph Scores of the Vocal Works. diss. 1968 660p
40. Bach's 'Orchestre'. EarlyM 13 2 May 1985 176-179
41. Variations on the canon: Essays on music from Bach to Boulez in honor of Charles Rosen on his eightieth birthday. EastmanStudM 58 2008 x, 375p
42. The Notebooks for Wilhelm Friedemann and Anna Magdalena Bach: Some Biographical Lessons. [fs]AlvinJohnson 1990 192-200
43. Bach's 'tempo ordinario:' A Plaine and Easie Introduction to the System. [fs]Brainard 1996 249-278
44. Editore traditore: Ein weiterer 'Fall Rust'? [fs]Dürr65 1983 183-191
45. The Genesis of an Aria Ritornello: Observations on the Autograph Score of 'Wie zittern und wanken' BWV 105/3. [fs]Mendel 1974 165-182
46. Studies in Renaissance and Baroque music in Honor of Arthur Mendel. [fs]Mendel 1974 392p
47. Truth and Beauty: J. S. Bach at the Crossroads of Cultural History. [fs]Scheide 1993 179-188
48. Wenn Mozart länger gelebt hätte. Eine wissenschaftliche Fantasie. [fs]Schulze65 1999 270-281
49. Musical sketches in J. S. Bachs cantata autographs. [fs]Strunk 1968 405-427
50. Bach the progressive: Observations on his later works. GarlandLibHistWestM 6 1985
51. The Nathan bequest: Payment receipts in the hand of Johann Sebastian Bach, 1746 to 1748 (with a fragment for the year 1749 in the hand of his son). [gs]Moldenhauer 2000 81-85
52. Bach's 'choruses' reconstituted. HiFi 32 10 1982 64-66, 94
53. J. S. Bach's Compositions for Solo Flute: A Reconsideration of their Authenticity and Chronology. JAMSoc 32 3 Autumn 1979 463-498
54. Beobachtungen am Autograph der h-moll-Messe: Zum Kompositionsprozeß J. S. Bachs. MKirche 50 5 1980 230-239
55. How J. S. Bach composed four-part Chorales. MQ 56 2 Apr 1970 198-221
56. Bach the Progressive: Observations on His Later Works. MQ 62 3 Jul 1976 313-357
57. Toward a Twenty-First-Century Bach Biography. MQ 84 3 Fall 2000 497-525
58. Bach's Chorus: A preliminary reply to Joshua Rifkin. MTimes 124 1679 Jan 1983 19-22
59. Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie I · Band 19. Kantaten zum 9. und 10. Sonntag Nach Trinitatis. Kritischer Bericht. NBA 1 19 1989 255p
60. Kantaten zum 9. und 10. Sonntag Nach Trinitatis / Johann Sebastian Bach. NBA 1 19 1985 xii (6p facs), 276p
61. Bach, Johann Sebastian. NEncyclBritannica 2 1979 556-561
62. Bach 2000: Tue Rechung! [p]ABS_Washington Apr 2000
63. The Genesis of an Aria Ritornello: Observations on the Autograph Score of J. S. Bach's 'Wie zittern and Wanken', BWV 105/3. [p]AMS_GreaterNewYork Oct 1971
64. Towards a Chronology of J. S. Bach's Sonatas and Partitas for Solo Flute. [p]AMS_Midwest Nov 1977
65. A Lutheran Composer's Challenge: The Genesis of Bach's Magnificat. [p]AMS_NewEngland Sep 1987
66. Bach's Tempo ordinario: A Plaine and Easie Introduction to the System. [p]AMS_NewEngland Apr 1993
67. Organ or 'Klavier'? Instrumental Prescriptions in the Early Sources of Bach's Keyboard Music. [p]AMS_Vancouver Nov 1985
68. Bach's Tempo ordinario: A Plaine and Easie Introduction to the System. PerformPractReview 13 1 2008 1-33
69. Arthur Mendel and the World of J. S. Bach. [p]Mendel60BR Nov 2005
70. The Compositional Process of J. S. Bach. A study of the Autograph Scores of the Vocal works. PrincetonStudM 4 1972 xv, 271p; 189p
71. Bachs h-Moll-Messe. Zur Quellensituation und Überlieferung. SchrRIBachAkadStuttgart 3 1990 48-67
72. Beobachtungen am Autograph der h-Moll-Messe. Zum Kompositionsprozeß J. S. Bachs. SchrRIBachAkadStuttgart 3 1990 68-82
73. Bachs h-moll-Messe. Zur Quellensituation und Überlieferung. SommerAkadJSBach 1981 2-12
74. Beobachtungen am Autograph der h-moll-Messe zum Kompositionsprozeß J. S. Bachs. SommerAkadJSBach 1981 13-21

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