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TypeListAuthor Title[further info]SeriesVolNoYearPagesStatus
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1. Marshall, Robert L.Bachs Skizzenarbeit und Kompositionsprozeß. Fest-Vortrag, geh. zum 48. Bachfest der NBG Nürnberg 1973. 1973 31p
2. Marshall, Robert L.Luther, Bach, and the early reformation chorale. [Transcript of the author's Kessler Reformation lecture, October 17, 1995] Atlanta: Pitts Theology Library, 1995. iv, 15p. (= Occasional publications of the Pitts Theology Library) 1995 iv, 15p
3. Marshall, Robert L.Truth and Beauty: J. S. Bach at the Crossroads of Cultural History. Bach 21 2 Summer 1990 3-14
4. Marshall, Robert L.Bach and Mozart: Styles of Musical Genius. Bach 22 1 Spring-Summer 1991 16-32
5. Marshall, Robert L.Bach at Mid-Life: The Christmas Oratorio and the Search for New Paths. Bach 43 1 2012 1-28
6. Marshall, Robert L.Zur Vollständigkeit der Arie 'Mein Jesus soll mein alles sein' aus Kantate BWV 75. BachJb 51 1965 144-147
7. Marshall, Robert L.Anmerkungen zur späteren Geschichte der alten Bach-Ausgabe: ein kleines bibliographisches Rätsel. BachJb 64 1978 229-231
8. Marshall, Robert L.; Rifkin, JoshuaIn Memoriam: Alfred Dürr (March 3, 1918-April 7, 2011). [Marshall, pp.[1]-3; Rifkin, pp.3-4] BachNotesABS 15 Fall 2011 1-4
9. Marshall, Robert L.Bach and Mozart's Artistic Maturity. BachPerspectives 3 1998 47-79
10. Marshall, Robert L.On the origin of Bach's Magnificat: a Lutheran composer's challenge. BachStud 1 1989 3-17
11. Marshall, Robert L.Johann Sebastian Bach. [Headings: The Repertoire; Bach's Instruments; The First Decade, ca. 1703-1713: Apprenticeship and Early Mastery; The First Synthesis: 1713-1723; The Second Synthesis: Leipzig, 1726-1741; The Final Decade] [ce]18cKeyboardM 1994 68-123
12. Marshall, Robert L. (ed.)Eighteenth-Century Keyboard Music. New York: Schirmer, 1994. xvi, 443p. ISBN: 0-02-871355-9. - Prentice Hall, 1994, 384p. (= Studies in Musical Genres and Repertories) - 2nd edn in paperback from Routledge, 2003. ISBN: 0415966426. [ce]18cKeyboardM 1994 xvi, 443p
13. Marshall, Robert L.Bach and Luther. Chapter 7. [ce]AstonMagnaAcademy 2009 229-241
14. Marshall, Robert L.Bach the Progressive: Observations on His Later Works. Repr. from Musical Quarterly, lxii/3 (1976), pp. 313-357. [ce]BaroqueComposers 2011 399-443
15. Marshall, Robert L.Postscript [to 'Bach the Progressive'] Repr. from The Music of Johann Sebastian Bach. The Sources, The Style, The Significance, New York: Schirmer Books (1989), pp. 54-58. [ce]BaroqueComposers 2011 459-463
16. Marshall, Robert L.Tempo and Dynamic Indications in the Bach Sources: A Review of the Terminology. [ce]BHSTercentenaryEssays 1985 259-276
17. Marshall, Robert L.Organ or 'Klavier'? Instrumental Prescriptions in the Sources of Bach's Keyboard Works. [ce]JSBOrganist 1986 212-239
18. Marshall, Robert L.Bach, Johann Sebastian. [Repr from Encyclopaedia Britannica, 15th edition, II, pp.556-561] [ce]Marshall 1989 3-20
19. Marshall, Robert L.Bach the Progressive: Observations on His Later Works. [Repr. from MQ, lxii (1976), pp.313-357] (pp.54-58 is a postscript) [ce]Marshall 1989 23-58, 295-303
20. Marshall, Robert L.Bach's Orchestre. [Repr. from EarlyM xiii (1985), pp.176-179] [ce]Marshall 1989 59-63, 303
21. Marshall, Robert L.On Bach's Universality. [Repr. from Martin Heckscher et al (ed.), The Universal Bach: Lectures Celebrating the Tercentenary of Bach's Birthday. Fall 1985. Philadelphia: American Philosophical Society, 1986, pp. 50-81] [BWV 78] [ce]Marshall 1989 65-79, 303-304
22. Marshall, Robert L.'Composing Scores' and 'Fair Copies'. [Repr. of 'Introduction' in Cantata Autographs in American Collections, New York: Garland publishing 1986, pp. vii-xv] [BWV 131, 10, 33, 171, 112, 97, 9, 118] [ce]Marshall 1989 83-110, 304-305
23. Marshall, Robert L.The Sketches. [Repr. of 'Musical sketches in J. S. Bachs cantata autographs', in Studies in music history; essays for Oliver Strunk, ed. Harold S. Powers, Princeton, N.J.; Princeton U.P, 1968, pp.405-427] [BWV 117, Anh. 2, 232, 29, 183, 198, 133, 215, 39] [ce]Marshall 1989 111-129, 305-308
24. Marshall, Robert L.The Autograph Score of Herr, gehe nicht ins Gericht, BWV 105. [Repr. of 'Commentary', Johann Sebastian Bach, Herr, gehe nicht ins Gericht (BWV 105). Faksimile nach dem Partiturautograph der Deutschen Staatsbibliothek Berlin mit einem Nachwort hrsg. von Robert Marshall. Leipzig: Zentral-Antiquariat der DDR; Neuhausen-Stuttgart: Hänssler, 1983, pp. 5-7] [ce]Marshall 1989 131-142
25. Marshall, Robert L.The Genesis of an Aria Ritornello: Observations on the Autograph Score of 'Wie zittern und wanken,' BWV 105/3. [Repr. from Studies in Renaissance and Baroque music in Honor of Arthur Mendel. - Kassel [u.a.]: Bärenreiter; Hackensack, NJ: Joseph Boonin, 1974, pp.165-182] [ce]Marshall 1989 143-159, 308-312
26. Marshall, Robert L.The Origin of the Magnificat: A Lutheran Composer's Challenge. [Repr. from Bach Studies, ed. Don Franklin. Cambridge: Cambridge Univ. Press, 1988, pp.3-17] [ce]Marshall 1989 161-173, 312-313
27. Marshall, Robert L.The Mass in B Minor: The Autograph Scores and the Compositional Process. [Repr. of 'Beobachtungen am Autograph der h-moll-Messe: Zum Kompositionsprozeß J. S. Bachs', MKirche, l/5 (1980), pp. 230-239] [ce]Marshall 1989 175-189, 313-314
28. Marshall, Robert L.The Autograph Fair Copies of the Fantasia per il Cembalo, BWV 906. [Repr. of 'Introduction', Johann Sebastian Bach, Fantasia per il Cembalo. BWV 906. Facsimile Edition. Kassel [u.a.]: Bärenreiter, 1976, pp. [2-7]] [ce]Marshall 1989 193-200, 314-316
29. Marshall, Robert L.The Compositions for Solo Flute: A Reconsideration of Their Authenticity and Chronology. [Repr. from JAMSoc, xxxii (1979), pp.463-498] Postscript, p.225. [ce]Marshall 1989 201-225, 316-328
30. Marshall, Robert L.'Authentic' Performance: Musical Text, Performing Forces, Performance Style (A Review Essay). [Repr. of 'Reviews of Records. Johann Sebastian Bach: The Complete Cantatas.' [Vols. 1 and 2 of the Telefunken Series, Nikolaus Harnoncourt and Gustav Leonhardt, conductors], MQ, lix (1973), pp.145-159] [ce]Marshall 1989 229-239, 328-331
31. Marshall, Robert L.'Editore traditore': Suspicious Performance Indications in the Bach Sources. [Repr. of 'Editore traditore: Ein weiterer 'Fall Rust'?', in Wolfgang Rehm (ed.), Bachiana et alia Musicologica. Festschrift Alfred Dürr zum 65. Geburtstag am 3. März 1983. Kassel [u.a.]: Bärenreiter, 1983, pp. 183-191] Postscript, p. 254. [ce]Marshall 1989 241-254, 331-333
32. Marshall, Robert L.Tempo and Dynamics: The Original Terminology. [Repr. of 'Tempo and Dynamic Indications in the Bach Sources: A Review of the Terminology', Peter F.Williams (ed), Bach, Handel, Scarlatti Tercentenary Essays. Cambridge: Cambridge Univ. Press 1985, pp. 259-276] [ce]Marshall 1989 255-269, 333-337
33. Marshall, Robert L.Organ or 'Klavier'? Instrumental Prescriptions in the Sources of the Keyboard Works. [Repr. of 'Organ or 'Klavier'? Instrumental Prescriptions in the Sources of Bach's Keyboard Works', in George B. Stauffer and Ernest May (eds.), J. S. Bach as Organist. His instruments, music and performance practices. - London: B. T. Batsford Ltd., 1986, pp. 212-239] [ce]Marshall 1989 271-293, 337-339
34. Marshall, Robert L.The Music of Johann Sebastian Bach. The Sources, The Style, The Significance. New York: Schirmer Books, 1989. xxiii, 375p. [ce]Marshall 1989 xxiii, 375p
35. Marshall, Robert L.Bach and Mozart: Styles of musical genius. [ce]PsychoanalyticExplorations 2 1993 153-169
36. Marshall, Robert L.Orgel oder 'Klavier'? Instrumentenangaben in den frühen Quellen der Bachschen Tastenmusik. [cr]Leipzig1985 1988 303-314
37. Marshall, Robert L.Zur Echtheit und Chronologie der Bachschen Flötensonaten: Biographische und stilistische Erwägungen. [cr]Marburg1978 1981 48-71
38. Marshall, Robert L.On Bach's Universality. [cr]Philadelphia1985 1986 50-81
39. Marshall, Robert LewisThe Compositional Process of J. S. Bach. A study of the Autograph Scores of the Vocal Works. Princeton Univ. in 2 vols. 1968, 660p. (Ann Arbor: Univ. Microfilms. 1969.) diss. 1968 660p
40. Marshall, Robert L.Bach's 'Orchestre'. EarlyM 13 2 May 1985 176-179
41. Curry, Robert; Gable, David; Marshall, Robert L. (eds.)Variations on the canon: Essays on music from Bach to Boulez in honor of Charles Rosen on his eightieth birthday. Rochester,NY: University of Rochester, 2008. x, 375p. ISBN: 1-58046-285-8; 978-1-58046-285-3. (= Eastman studies in music, 58) EastmanStudM 58 2008 x, 375p [fs]Rosen80
42. Marshall, Robert L.The Notebooks for Wilhelm Friedemann and Anna Magdalena Bach: Some Biographical Lessons. [fs]AlvinJohnson 1990 192-200
43. Marshall, Robert L.Bach's 'tempo ordinario:' A Plaine and Easie Introduction to the System. [fs]Brainard 1996 249-278
44. Marshall, Robert L.Editore traditore: Ein weiterer 'Fall Rust'? [fs]Dürr65 1983 183-191
45. Marshall, Robert L.The Genesis of an Aria Ritornello: Observations on the Autograph Score of 'Wie zittern und wanken' BWV 105/3. [fs]Mendel 1974 165-182
46. Marshall, Robert L. (ed.)Studies in Renaissance and Baroque music in Honor of Arthur Mendel. Kassel [u.a.]: Bärenreiter; Hackensack, NJ: Joseph Boonin, 1974. 392p. ISBN: 3-7618-0412-1 (Bärenreiter); 0-913574-26-0 (Boonin). [fs]Mendel 1974 392p
47. Marshall, Robert L.Truth and Beauty: J. S. Bach at the Crossroads of Cultural History. [fs]Scheide 1993 179-188
48. Marshall, Robert L.Wenn Mozart länger gelebt hätte. Eine wissenschaftliche Fantasie. [fs]Schulze65 1999 270-281
49. Marshall, Robert L.Musical sketches in J. S. Bachs cantata autographs. [fs]Strunk 1968 405-427
50. Marshall, Robert L.Bach the progressive: Observations on his later works. GarlandLibHistWestM 6 1985
51. Marshall, Robert L.The Nathan bequest: Payment receipts in the hand of Johann Sebastian Bach, 1746 to 1748 (with a fragment for the year 1749 in the hand of his son). [gs]Moldenhauer 2000 81-85
52. Marshall, Robert L.Bach's 'choruses' reconstituted. HiFi 32 10 1982 64-66, 94
53. Marshall, Robert L.J. S. Bach's Compositions for Solo Flute: A Reconsideration of their Authenticity and Chronology. JAMSoc 32 3 Autumn 1979 463-498
54. Marshall, Robert L.Beobachtungen am Autograph der h-moll-Messe: Zum Kompositionsprozeß J. S. Bachs. Übersetzung: Traute Maass Marshall. MKirche 50 5 1980 230-239
55. Marshall, Robert L.How J. S. Bach composed four-part Chorales. MQ 56 2 Apr 1970 198-221
56. Marshall, Robert L.Bach the Progressive: Observations on His Later Works. MQ 62 3 Jul 1976 313-357
57. Marshall, Robert L.Toward a Twenty-First-Century Bach Biography. Texts and Contexts. MQ 84 3 Fall 2000 497-525
58. Marshall, Robert L.Bach's Chorus: A preliminary reply to Joshua Rifkin. MTimes 124 1679 Jan 1983 19-22
59. Marshall, Robert L.Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie I · Band 19. Kantaten zum 9. und 10. Sonntag Nach Trinitatis. Kritischer Bericht. Leipzig: VEB Deutscher Verlag für Musik; Kassel [u.a.]: Bärenreiter, 1989. 255p. [Ed.-Nr.: BA 5060-41] NBA 1 19 1989 255p
60. Marshall, Robert L. (ed.)Kantaten zum 9. und 10. Sonntag Nach Trinitatis / Johann Sebastian Bach. Kantaten zum 9. Sonntag nach Trinitatis: Herr, gehe nicht ins Gericht, BWV 105; Was frag ich nach der Welt, BWV 94; Tue Rechnung! Donnerwort, BWV 168. Kantaten zum 10. Sonntag nach Trinitatis: Schauet doch und sehet, ob irgendein Schmerz sei, BWV 46; Nimm von uns, Herr, du treuer Gott, BWV 101; Herr, deine Augen sehen nach dem Glauben, BWV 102. Hrsg. von Robert Marshall. - Leipzig: VEB Deutscher Verlag für Musik; Kassel [u.a.]: Bärenreiter, 1985. xii, 276p. Ed.-Nr.: BA 5060. (= Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Hrsg vom Johann-Sebastian-Bach-Institut Göttingen und vom Bach-Archiv Leipzig. Serie I: Kantaten. Band 19) NBA 1 19 1985 xii (6p facs), 276p
61. Emery, Walter; Marshall, Robert L.Bach, Johann Sebastian. NEncyclBritannica 2 1979 556-561
62. Marshall, Robert L.Bach 2000: Tue Rechung! Keynote address to American Bach Society Biennial Meeting, Washington, D. C., April 7-9, 2000. [p]ABS_Washington Apr 2000
63. Marshall, Robert L.The Genesis of an Aria Ritornello: Observations on the Autograph Score of J. S. Bach's 'Wie zittern and Wanken', BWV 105/3. A paper given at the Greater New York Chapter meeting of the AMS in October, 1971. [p]AMS_GreaterNewYork Oct 1971
64. Marshall, Robert L.Towards a Chronology of J. S. Bach's Sonatas and Partitas for Solo Flute. A paper given at the Midwest Chapter meeting of the AMS on November 18-20, 1977 at Northwestern University. [p]AMS_Midwest Nov 1977
65. Marshall, Robert L.A Lutheran Composer's Challenge: The Genesis of Bach's Magnificat. A paper read at the New England Chapter meeting of the American Musicological Society on 26 September 1987 at the Mount Holyoke College. [p]AMS_NewEngland Sep 1987
66. Marshall, Robert L.Bach's Tempo ordinario: A Plaine and Easie Introduction to the System. A paper read at the New England Chapter of the American Musicological Society on 3 April 1993 at Tufts University. [p]AMS_NewEngland Apr 1993
67. Marshall, Robert L.Organ or 'Klavier'? Instrumental Prescriptions in the Early Sources of Bach's Keyboard Music. A paper read at the AMS / CMS / SEM / SMT Vancouver Annual Meetings, 7-10 November 1985. [p]AMS_Vancouver Nov 1985
68. Marshall, Robert L.Bach's Tempo ordinario: A Plaine and Easie Introduction to the System. PerformPractReview 13 1 2008 1-33
69. Scheide, William H.; Marshall, Robert L.; Marissen, Michael; Wolff, ChristophArthur Mendel and the World of J. S. Bach. Lecture given at 'Bach and Mendel': A Special Symposium in Celebration of the Centenary of Professor Arthur Mendel and the Sixtieth Anniversary of The Bach Reader, Saturday, November 19, 2005 at the Princeton University. [p]Mendel60BR Nov 2005
70. Marshall, Robert LewisThe Compositional Process of J. S. Bach. A study of the Autograph Scores of the Vocal works. 2 vols. Princeton, NJ: Princeton Univ. Press, 1972. xv, 271p.; 189p. ISBN: 0-691-09113-7. (= Princeton Studies in Music, 4) PrincetonStudM 4 1972 xv, 271p; 189p
71. Marshall, Robert L.Bachs h-Moll-Messe. Zur Quellensituation und Überlieferung. SchrRIBachAkadStuttgart 3 1990 48-67
72. Marshall, Robert L.Beobachtungen am Autograph der h-Moll-Messe. Zum Kompositionsprozeß J. S. Bachs. SchrRIBachAkadStuttgart 3 1990 68-82
73. Marshall, Robert L.Bachs h-moll-Messe. Zur Quellensituation und Überlieferung. SommerAkadJSBach 1981 2-12
74. Marshall, Robert L.Beobachtungen am Autograph der h-moll-Messe zum Kompositionsprozeß J. S. Bachs. SommerAkadJSBach 1981 13-21

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