Bach Bibliography
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Author : Marissen, Michael
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TypeListAuthor Title[further info]SeriesVolNoYearPagesStatus
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1. Marissen, MichaelLutheranism, Anti-Judaism, and Bach's St. John Passion. 1998 127p
2. Marissen, MichaelThe Social and Religious Designs of J. S. Bach's Brandenburg Concertos. 1995 160p
3. Marissen, MichaelBach's Oratorios: The Parallel German-English Texts with Annotations. 2008 208p
4. Melamed, Daniel R.; Marissen, MichaelAn introduction to Bach Studies. 1998 xi, 189p
5. Marissen, MichaelOn Linking Bach's F-Major Sinfonia and his Hunt Cantata. Bach 23 2 Fall-Winter 1992 31-46
6. Marissen, MichaelMore Source-Critical Research on J. S. Bach's Musical Offering. Bach 25 1 Spring-Summer 1994 11-27
7. Marissen, MichaelConcerto Styles and Signification in Bach's First Brandenburg Concerto. BachPerspectives 1 1995 79-101
8. Marissen, Michael (ed.)Bach Perspectives 3: Creative Responses to Bach from Mozart to Hindemith. BachPerspectives 3 1998 ix, 160p
9. Marissen, MichaelThe theological character of J. S. Bach's Musical Offering. BachStud 2 1995 85-106
10. Marissen, MichaelBach. Brandenburg Kyosokyoku. BCJ 42 May 2000 8-19
11. Marissen, MichaelBrandenburg Concertos (Brandenburgische Konzerte). Six Concertos, BWV 1046-1051, which Bach dedicated to Christian Ludwig, Margrave of Brandenburg, in March 1721. BCJ 42 May 2000 28-33
12. Marissen, MichaelYohane Junankyoku BWV 245 Dai-4-Ko. Johannespassion BWV 245 Fassung IV. Kashi Chushaku. BCJ 76 Apr 2007 9-40
13. Marissen, MichaelBeziehungen zwischen der Besetzung und dem Satzaufbau im ersten Satz des sechsten Brandenburgischen Konzerts von Johann Sebastian Bach. BeitrBachF 9-10 1991 104-128
14. Marissen, MichaelBach's St. John Passion and the Jews. Colloquium 4 Autumn 2007 141-143
15. Marissen, Michael AnthonyScoring, Structure, and Signification in J. S. Bach's Brandenburg Concertos. diss. 1991 vii, 251p
16. Marissen, MichaelPenzel Manuscripts of Bach Concertos. DortmundBachF 1 1997 77-87
17. Marissen, MichaelAufführungspraxis und Bedeutung in zwei Instrumentalwerken Johann Sebastian Bachs. DortmundBachF 2 1999 291-301
18. Marissen, MichaelA Trio in C major for recorder, violin and continuo by J. S. Bach? EarlyM 13 3 Aug 1985 384-390
19. Marissen, MichaelPerformance Practice Issues That Affect Meaning in Two Bach Instrumental Works. EastmanStudM 28 2004 85-94
20. Marissen, MichaelHistorically Informed Rendering of the Librettos from Bach's Church Cantatas. [fs]Leaver65 2007 103-120
21. Marissen, MichaelBach and Recorders in G. GalpinSocJ 48 Mar 1995 199-204
22. Marissen, MichaelThe Character and Sources of the Anti-Judaism in Bach's Cantata 46. HarvardTheolReview 96 1 2003 63-99
23. Marissen, MichaelOrganological Questions and their Significance in J. S. Bach's Fourth Brandenburg Concerto. JAmerMInstrSoc 17 1991 5-52
24. Marissen, MichaelA Critical Reappraisal of J. S. Bach's A-major Flute Sonata. JMcol 6 3 Summer 1988 367-386
25. Marissen, MichaelOn the Musically Theological in J. S. Bach's Cantatas. LutherQ 16 1 2002 48-64
26. Marissen, MichaelBlood, People, and Crowds in Matthew, Luther, and Bach. LutherQ 19 1 2005 1-22
27. Marissen, MichaelRelationships between Scoring and Structure in the First Movement of Bach's Sixth Brandenburg Concerto. MLetters 71 4 Nov 1990 494-504
28. Marissen, MichaelJ. S. Bach's Brandenburg Concertos as a Meaningful Set. MQ 77 2 Summer 1993 193-235
29. Marissen, MichaelReligious Aims in Mendelssohn's 1829 Berlin-Singakademie Performances of Bach's St. Matthew Passion. MQ 77 4 Winter 1993 718-726
30. Marissen, MichaelPerspectives on the 'St. John Passion' and the Jews. NYTimes 2 Apr 2000
31. Marissen, MichaelBach and Josephus on the destruction of Jerusalem. [p]ABS_Houston Apr 2002
32. Marissen, MichaelRelationships Between Form and Scoring in J. S. Bach's Brandenburg Concerto No.6. [p]AMS_Austin Oct 1989
33. Marissen, MichaelLutheranism, Anti-Judaism, and Bach's St. John Passion. [p]AMS_MidAtlantic Oct 1995
34. Marissen, MichaelPerformance Practice Issues that Affect Meaning in Selected Bach Instrumental Works. [p]AMS_MidAtlantic Apr 1995
35. Marissen, MichaelRelationships Between Form and Scoring in J. S. Bach's Brandenburg Concerto No.6. [p]AMS_MidAtlantic Oct 1989
36. Marissen, MichaelPerformance Practice Issues that Affect Meaning in Two Bach Instrumental Works. [p]BS_Dortmund Jan 1998
37. Marissen, MichaelThe Redemptive Interpretation of Matthew 27: 25 in Bach's St. Matthew Passion. [p]IATB_Chicago Sep 1997
38. Marissen, MichaelBach, Luther, and Josephus on the Destruction of Jerusalem. [p]IATB_Eisenach Mar 2002
39. Marissen, MichaelVom Musikalisch-Theologischen in den Kirchenkantaten J. S. Bachs. [p]IATB_Logumkloster Oct 1999
40. Marissen, MichaelBiblical solutions to Certain Problems in Bach Biography. [p]IBS_Utrecht Sep 2000
41. Marissen, MichaelNew Theological Research on Bach's Church Cantatas and Oratorios. [p]IMS_Middelburg Mar 2005
42. Scheide, William H.; Marshall, Robert L.; Marissen, Michael; Wolff, ChristophArthur Mendel and the World of J. S. Bach. [p]Mendel60BR Nov 2005
43. Marissen, MichaelBlood, people and crowds in Matthew's Gospel, Luther's New Testament and Bach's St. Matthew Passion. [p]WAfB_Wolfenbüttel Apr 2003
44. Marissen, MichaelBach-Repertoire für Flötisten. Tibia 12 3 1987 537-540

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