Bach Bibliography
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TypeListAuthor Title[further info]SeriesVolNoYearPagesStatus
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1. Williams, Becket (arr.)Mortify us by thy grace, from cantata no.22. c 1930
2. Williams, Gerrard (arr.)Sixth Organ Sonata in G. 1923
3. Grimsted, Patricia KennedyBach Scores in Kyiv: The Long-Lost Music Archive of the Berlin Sing-Akademie Surfaces in Ukraine. 2000
4. Grimsted, Patricia KennedyBach Is Back in Berlin: The Return of the Sing-Akademie Archive from Ukraine in the Context of Displaced Cultural Treasures and Restitution Politics. 2003
5. Kühmstedt, FriedrichGradus ad Parnassum oder Vorschule zu Seb. Bach's Clavier- und Orgelcomposisionen in Praeludien und Fugen durch alle Dur- und Molltonarten für Orgel und Pianoforte: opus 4. 1839-1845
6. Brahms, Johannes[Oktaven und Quinten u. a., aus dem Nachlaß. hrsg. v. Heinrich Schenker, Universal Edition, Wien 1944] 1933
7. Hurford, Peter; Williams, Peter F.Approaches to Bach Performance and Scholarship, then, now, next Nov-Dec 2000
8. Williams, Patrick (arr.)Minuet in G / J. S. Bach. 1949
9. Williamson, John Finley (ed.)Planets, Stars, and Airs of Space ... 1931
10. Williamson, John Finley (ed.)I stand beside the Manger Stall. 1931
11. Williams, Becket (arr.)Suite for two pianos / Bach c 1937 11, 11p
12. Thomson, AndrewThe Life and Times of Charles-Marie Widor, 1844-1937. 1987 116p
13. Williams, Peter F.Figured Bass Accompaniment. 1970 117, 131p
14. Lehms, Georg ChristianHistorische Beschreibung der weltberühmten Universität Leipzig: nebst einigen remarquablen Sachen und erlittenen fatis, wie auch einer völligen Nachricht von ihrem am 4. December des 1709. Jahres solenn celebrirten Dritten Jubel-Feste. 1710 119p
15. Dahms, WalterJohann Sebastian Bach. Ein Bild seines Lebens. 1924 123p
16. Thomson, Beatrice LeslieFour Musicians. Sketches of Handel, Bach, Haydn, Mozart. 1929 124p
17. Ziemssen, LudwigJohann Sebastian Bach: ein Lebensbild für Deutschlands Jugend. 1889 128p
18. Williams, Peter F.Playing the organ works of Bach: Some case studies. 1987 128p
19. Vaughan Williams, Ralph (ed.)Jesus Took to Him the Twelve. 1921 12p
20. Williams, Gerrard (arr.)Fugal Kyrie (pianoforte fugue no.4 of the '48') / Bach 1927 12p
21. Williamson, John Finley (ed.)All breathing Life, sing and Praise ye the Lord. Finale from the Motet Sing ye to the Lord. 1931 12p
22. Ziemssen, LudwigJohann Sebastian Bach. 1905 133p
23. Williams, Patrick (arr.)Minuet in G / J. S. Bach. 1951 13p
24. Brahms, Johannes (arr.)CHACONNE von J. S. Bach. Für die linke Hand allein bearbeitet. 1879 15p
25. Williams, Walter (ed.)Out of the Depths I Cry to Thee = Aus tiefer Noth schrei' ich zu dir; chorus and choral from Cantata No. 38. c 1938 18p
26. Hohenemser, Richard (ed.)Zwölf zwei- und dreistimmigen kleine Stücke für die Flöte oder Violine und das Klavier (1770) / Carl Philipp Emanuel Bach. 1928 18p + 2 St
27. Williams, Patrick (arr.)J.S. Bach's organ toccata and fugue in D minor. 1947 19, 19p
28. Williamson, John Finley (ed.)What can Life be but a Shadow ... [by Johann Bach] 1937 19p
29. Brahms, Johannes; Martienssen, Carl Adolf (eds.)Sonata in F major for two pianos, four hands / W. F. Bach. 1947 20, 20p
30. Dahms, WalterMendelssohn. 1919 202p
31. Rimsky-Korsakow, NicolasSix Variations sur le thème B-A-C-H ; op. 10. 1878 21p
32. Helms, Siegmund; Schneider, ReinhardGroße Chorwerke. Werkanalyse in Beispielen. 1994 230p
33. Williams, Peter F.A New History of the Organ from the Greeks to the Present Day. 1980 233p
34. Williams, Peter F.The Chromatic Fourth. During Four Centuries of Music. 1998 272p
35. Williams, Canon Walter (ed.)Wie schön leuchtet der Morgenstern = How Brightly Shines yon Morning Star, two choruses for mixed voices from Cantata No. 1 ... c 1933 29p
36. Williams, Becket (arr.)Gigue: (from an Organ Trio) / J. S. Bach 1935 3, 3p
37. Williams, Becket (arr.)Trio in C minor [from short organ trio] / J.S. Bach 1933 3, 3p
38. Williams, Becket (arr.)Concerto no. 1 for organ (1st movement) / J. S. Bach 1933 3, 3p
39. Williams, Peter F.The European Organ 1450-1850. 1966 336p
40. Williams, Peter F.The Organ Music of J. S. Bach. II: Works based on Chorales (BWV 599-771 etc.) 1980 357p
41. Williams, Peter F.Johann Sebastian Bachs Orgelwerke. Band 3: Liturgie, Kompositionstechnik, Instrumente und Aufführungspraxis. 2000 365p
42. Williams, Patrick (arr.)Bist du bei mir. (If Thou art near) / J. S. Bach [recte: G. H. Stölzel] 1958 3p
43. Williams, Becket (arr.)HUMBLE US BY THY GOODNESS = Ertödt' uns durch dein' Güte: from Cantata No. 22 / J. S. Bach 1931 3p
44. Williams, Gerrard (arr.)Aria from Suite in D / J.S. Bach 1922 3p + 2 St
45. Williams, Peter F.J.S. Bach: A Life in Music. 2007 405p
46. Röder, Matthias; Adams, Sarah (eds.)The century of Bach and Mozart. Perspectives on historiography, composition, theory & performance. Harvard College library exhibitions on the occasion of an conference dedicated to Professor Christoph Wolff; September23 - December 23, 2005. 2005 40p
47. Brahms, Johannes (ed.)Studien für Klavier. c 1922 41p
48. Williams, Peter F.; Owen, BarbaraThe Organ. 1988 438p
49. Williams, Peter F.Johann Sebastian Bachs Orgelwerke 1. Präludien, Toccaten, Fantasien, Fugen, Sonaten, Concerti und Einzelwerke. 1996 441p
50. Williams, Peter F.Johann Sebastian Bachs Orgelwerke. Band 2: Choralbearbeitungen. 1998 476p
51. Williams, W. S. Gwynn (ed.)Suscepit Israel = He succoured Israel = Cynhaliodd Israel: trio for S.S.A. from 'Magnificat' / Johann Sebastian Bach. 1959 4p
52. Williams, Becket (arr.)JESU, MEINE FREUDE: Choral Prelude from the Motet, 'Jesu, Joy and Treasure' / J.S. Bach 1932 4p
53. Williams, Becket (arr.)Trio in G (from Sonata for Gamba) / J. S. Bach 1935 5, 5p
54. Jost, Christa; Darmstadt, GerhartZu Robert Schumanns Bearbeitung der 3. Violoncello-Suite Joh. Seb. Bachs für Violoncello und Klavier. 1996 52-75
55. Williams, Peter F.J. S. Bach: Ein Leben in der Musik. 2008 575p
56. Brahms, Johannes (arr.)PRESTO nach J.S. Bach. Zweite Bearbeitung. 1879 5p
57. Brahms, Johannes (arr.)PRESTO nach J.S. Bach. Erste Bearbeitung. 1879 5p
58. Williams, Gerrard (arr.)Brandenburg concerto no. 3, 1st movement (condensed) / J.S. Bach 1922 6p + 2 St
59. Williams, Gerrard (arr.)Prelude and fugue in G ma. For Organ: PRELUDE / J.S. Bach 1927 7p
60. Wurmser, Lucien (ed.)Fantasia II pour piano par Ph. E. Bach. 1900 7p
61. Williams, Patrick (arr.)Minuet in G / J. S. Bach. 1955 7p
62. Williams, W. S. Gwynn (ed.)Dona nobis pacem = Grant Thou to us Thy peace = Dyro inni heddwch: chorus for SATB from Mass in B minor / Johann Sebastian Bach. 1949 7p
63. Williams, Becket (arr.)Adagio ma non troppo ... 1953 7p
64. Williams, Becket (arr.)ERTÖDT' UNS DURCH DEIN' GÜTE! (Humble us by Thy Goodness) from Cantata No. 22. / J. S. BACH. 1930 8, 8p
65. Williams, Gerrard (arr.)Prelude and fugue in G major. Fugue / J.S. Bach 1927 9p
66. Krams, PeterWechselwirkungen zwischen Orgelkomposition und Pedalspieltechnik auf den Pedalklaviaturen verschiedener Bauart, untersucht an exemplarischen Orgelkompositionen vom 16. Jahrhundert bis zur Gegenwart. 1974 viii, 199p
67. Williams, Peter F.The Life of Bach. 2004 viii,219p
68. Williams, Peter F.The Organ Music of J. S. Bach. Second Edition. 2003 x, 624p
69. Lehms, Georg ChristianGottgefälliges Kirchen-Opffer. 1711 x, 85p
70. Abdy Williams, Charles FrancisBach. 1900 xi, 223p
71. Williams, Peter F.The Organ Music of J. S. Bach. I: Preludes, Toccatas, Fantasias, Fugues, Sonatas, Concertos and Miscellaneous Pieces (BWV 525-598, 802-805 etc). 1 1980 365p
72. Williams, Peter F.The Organ Music of J. S. Bach. III: A Background. 3 1984 309p
73. Williams, Peter F.Suggestions for Playing the Works of J. S. Bach. I. AmerOrganist(2) 17 1 Jan 1983 45-47
74. Williams, Peter F.Suggestions for Playing the Works of J. S. Bach. II. Harpsichord Versus Organ in Six Trio Sonatas. AmerOrganist(2) 17 3 Mar 1983 50-52
75. Williams, Peter F.Suggestions for Playing the Works of J. S. Bach. III. BWV 565: A Toccata in d Minor for Organ by J. S. Bach? AmerOrganist(2) 17 9 Sep 1983 42-47
76. Williams, Peter F.Suggestions for Playing the Works of J. S. Bach. IV. Motivs in the Passacaglia. AmerOrganist(2) 18 2 Feb 1984 56-57
77. Williams, Peter F.Suggestions for Playing the Works of J. S. Bach. V. Motivs in the Orgelbüchlein. AmerOrganist(2) 18 9 Sep 1984 44-45
78. Williams, Peter F.Suggestions for Playing the Works of J. S. Bach. VI. The Larger Chorals of 'Clavier-übung III.' AmerOrganist(2) 19 2 Feb 1985 56-57
79. Williams, Peter F.Suggestions for Playing the Works of J. S. Bach. VII. The Smaller Pieces of 'Clavier-übung III.' AmerOrganist(2) 19 3 Mar 1985 118-119
80. Williams, Peter F.Suggestions for Playing the Works of J. S. Bach. VIII. Certain early preludes and fugues BWV 531 and 549. AmerOrganist(2) 19 4 Apr 1985 82-84
81. Williams, Peter F.Suggestions for Playing the Works of J. S. Bach. IX. The Italian music. AmerOrganist(2) 19 5 May 1985 74-75
82. Williams, Peter F.Suggestions for Playing the Works of J. S. Bach. X. The transcription. AmerOrganist(2) 19 6 Jun 1985 44-46
83. Williams, Peter F.Suggestions for Playing the Works of J. S. Bach. XI. Chorale fughettas. AmerOrganist(2) 19 7 Jul 1985 56-58
84. Williams, Peter F.Suggestions for Playing the Works of J. S. Bach. XII. Stylistic allusions in certain mature preludes. AmerOrganist(2) 19 8 Aug 1985 38-40
85. Williams, Peter F.Suggestions for Playing the Works of J. S. Bach. XIII. AmerOrganist(2) 19 9 Sep 1985
86. Williams, Peter F.Suggestions for Playing the Works of J. S. Bach. XIV. Dividing solo lines between the hands; clues to articulation? AmerOrganist(2) 19 10 Oct 1985 117-119
87. Williams, Peter F.Suggestions for Playing the Works of J. S. Bach. XV. Some issues raised in certain early chorales. AmerOrganist(2) 19 11 Nov 1985 91-93
88. Williams, Peter F.Suggestions for Playing the Works of J. S. Bach. XVI. More organ works by J. S. Bach? AmerOrganist(2) 19 12 Dec 1985 60-62
89. Williams, Peter F.Bach's Organ Chorales from the Neumeister Collection. First Edition and Recordings. A Feature Review. AmerOrganist(2) 20 6 Jun 1986 63-64
90. Adams, Courtney S.Organization in the Two-Part Inventions of Johann Sebastian Bach, Part I. Bach 13 2 Apr 1982 6-16
91. Adams, Courtney S.Organization in the Two-Part Inventions of Johann Sebastian Bach, Part II. Bach 13 3 Jul 1982 12-19
92. Armstrong, Joe (trans.)The Formation of Bach's Motifs: Chapter Two of André Pirro's L'Esthétique de Jean-Sébastien Bach. Bach 41 1 2010 32-96
93. Helms, MarianneKantaten und Oratorien des Bach-Festes. Bachfest 48 [Nürnberg] 1973 70-75
94. Helms, MarianneKantaten und Lieder aus Schemellis Gesangbuch. Bachfest 61 [Duisburg] 1986 112-127
95. Helms, SiegmundJohannes Brahms und Johann Sebastian Bach. BachJb 57 1971 13-81
96. Williams, Peter F.J. S. Bach -- Orgelsachverständiger unter dem Einfluß Andreas Werckmeisters? BachJb 68 1982 131-142
97. Williams, Peter F.Noch einmal: J. S. Bach -- Orgelsachverständiger unter dem Einfluß Andreas Werckmeisters? BachJb 72 1986 123-125
98. Williams, Peter F.Public Executions and the Bach Passions. BachNotesABS 2 Fall 2004 1-4
99. Williams, SimonA New (Bach?) Organ for St George's, Hanover Square in London. BachNotesLBS Spring 2010 [5]
100. Williams, Peter F.French overture conventions in the hands of the young Bach and Handel. BachStud 1 1989 183-193
101. Williams, Peter F.Két esettanulmány az elõadói gyakorlat és a notáció részleteinek témakörébõl; 1. J. S. Bach és a 2/4 metrum; 2. J. S. Bach és a balkéz-jobbkéz megosztás. BachTanulmanyok 4 1995 5-41; 25-41
102. Williams, Peter F.The Snares and Delusions of Musical Rhetoric: Some Examples from recent writings on J. S. Bach. BaslerJbHistMpraxis [Sonderband] 1983 230-240
103. Williams, Peter F.Johann Sebastian Bach and the Basso Continuo. BaslerJbHistMpraxis 18 1994 67-86
104. Darmstadt, GerhartZur Begleitung des Rezitativs nach deutschen Quellen des 18. Jahrhunderts: Eine Dokumentation. BaslerJbHistMpraxis 19 1995 75-158
105. Williams, Peter F.Bach Organ Music. BBCMGuides 20 1972 71p
106. Williams, Peter F.Playing and studying Bach: Where next? BIOSJ 24 2000 80-92
107. Williams, PeterSome remarks on organs, organ-playing and the studying of music. BIOSJ 28 2004 6-25
108. Helms, Siegmund; Hopf, Helmuth (eds.)Werkanalyse in Beispielen. BosseMPaperback 27 1986 423p
109. Helms, Siegmund; Schneider, Reinhard (eds.)Werkanalyse in Beispielen: Grosse Chorwerke. BosseMPaperback 52 1994 230p
110. Riemsdijk, J. C. M. vanBach en de Bachvereeniging. Fantasio en Riehl. Caecilia 28 16 15 Aug 1871 142-143
111. Williams, Peter F.Bach: The Goldberg Variations. CambridgeMHandb 2001 101p
112. Williams, SimonLeipzig: The Cradle of German Acting. [ce]AstonMagnaAcademy 2009 191-206
113. Vaughan Williams, Ralph (arr.)Choral and choral prelude: 'Ach, bleib bei uns, Herr Jesu Christ' = 'Now cheer our hearts this eventide' / J. S. Bach. [ce]BachBookForCohen 10 1932 25-29
114. Williams, Peter F.'Figurae' in the Keyboard Works of Scarlatti, Handel and Bach: An Introduction. [ce]BHSTercentenaryEssays 1985 327-346
115. Williams, Peter F.Bach, Handel, Scarlatti Tercentenary Essays. [ce]BHSTercentenaryEssays 1985 xiv, 363p
116. Samson, Jim (ed.)The Cambridge companion to Chopin. [ce]CambridgeCompanion_Chopin 1992 xi, 341p
117. Samson, Jim (ed.)The Cambridge history of nineteenth-century music. [ce]CambridgeHist19cM 2002 xv, 772p
118. Williams, Peter F.Are we any closer to understanding Bach, the organist and organ-composer? [ce]IAOMillenniumBook 2000 1-14
119. Williams, Peter F.The Snares and Delusions of Notation: Bach's Early Organ Works. [ce]JSBOrganist 1986 274-294
120. Williams, Peter F.Is there an anxiety of influence discernible in J. S. Bach's 'Clavierübung I'? [ce]KeyboardInBaroqueEurope 2003 140-156
121. Darmstadt, GerhartDie dritte Violoncello-Suite Johann Sebastian Bachs mit einer hinzugefügten Klavierbegleitung von Robert Schumann. Eine Sendung für den Süddeutschen Rundfunk. [ce]ProvokationTradition 2000 347-364
122. [Page, Anne; Ramsey, Basil]Bach is best. ChoirOrgan 4 3 May 1996 15-16
123. Thomson, KemerAn interview with Joel Speerstra. ClavichordInternat 9 1 May 2005 2-4
124. Williams, Peter F.Johann Sebastian Bachs Sonate in g-moll (BWV 1029)... ein siebtes Brandenburgisches Konzert? Concerto 2 4 Jun 1985 41-48
125. Adams, Howard C.The Contemporizing of Scripture in the Cantatas of Johann Sebastian Bach. ContributStudMDance 19 1992 5-9
126. Adams, Sarah (ed.)Six Symphonies for Baron van Swieten / Carl Philipp Emanuel Bach. CPEBachCW 3 2 2006 xxiv, 100p
127. Williams, Patrick (arr.)Air: (better known as the Air on the G string) / J. S. Bach CramersLibOrgM 35 1950 3p
128. Williams, Patrick (arr.)Chorale prelude from Cantata No. 140: Sleepers, wake! / J. S. Bach. CramersLibOrgM 37 1951 9p
129. Williams, Patrick (ed.)Choral fugue on 'Alles was Odem hat' / Carl Philipp Emauel Bach. CramersLibOrgM 49 1953 11p
130. Williams, Patrick (arr.)Final Chorus from St. Matthew Passion. 'In Tears of Grief, dear Lord, we leave Thee.' / J. S. Bach. CramersLibOrgM 65 1955 7p
131. Williams, Patrick (arr.)'Air': My heart ever faithful (from Cantata No. 68 'God so loved the world') by J. S. Bach CramersLibOrgM 109 1973 8p
132. Williams, Peter F.Considérations sur la nouvelle mesure à 2/4 au début du XVIIIe siècle. [cr]Metz1994 1996 85-98
133. Williams, Peter F.Need Organists Pay Attention to Theorists of Rhetoric? Diapason 73 4:869 Apr 1982 3-4
134. Adams, Gwen E.Bach's Canonic Variations on Vom Himmel hoch: Text and Context--Part 1. Diapason 76 7:908 Jul 1985 9-11
135. Adams, Robert MichaelDmitri Shostakovich and the fugues of op. 87: a Bach bicentennial tribute. diss. 1981
136. Williamson, Barry ScottA Study of Parody Technique and Performance Considerations for Johann Sebastian Bach's 'Mass in G Minor' (BWV 235). diss. 1993 107p
137. Adamson, J. Philip I.Problems for the Pianist in the Performance of J. S. Bach's Keyboard Works. Selected British Piano Works Composed between 1952 and 1971. diss. 1973 150p
138. Williams, Janet LeslieAn Analytical Study of Three Flute Sonatas by Johann Sebastian Bach. diss. 1969 169p
139. Umstaedt, Monica JohannaThe Early Organ Preludes, Fugues, Toccatas and Fantasias of Johann Sebastian Bach as a Culmination of Italian and German Organ Literature of the 15th to 17th Centuries. diss. 1980 177p
140. Hawthorne, Walter WilliamsJ. S. Bach's Inventions and Sinfonias: an Analysis. diss. 1980 197p
141. Lambert, Arthur AdamsThe keyboard partitas of J. S. Bach: A study of background, text, and interpretation. diss. 1961 292p
142. Clarke, J. WilliamsInterpreting Rhythm in Bach. On the Expressive Aspects of Rhythm in the 'Free Style' and Tempo Rubato. diss. 1971 85p
143. Adams, David William'Modern' Organ Style in Karl Straube's Reger Editions. diss. 2007 xiv, 222p
144. Darmstadt, HansJohann Sebastian Bach - Johannes-Passion, BWV 245. Analysen und Anmerkungen zur Kompositionstechnik: Mit aufführungspraktischen und theologischen Notizen. DortmundBachF 10 2009 229p
145. Williams, Peter F.Some further Thoughts. DortmundBachF 6 2003 371-388
146. Williams, Peter F.Hints for performance in J. S. Bach's 'Clavierübung' prints. EarlyKeyboardJ 5 1986-87 29-44
147. Williams, Peter F.J. S. Bach's Well-tempered Clavier: A new approach. EarlyM 11 1, 3 Jan, Jul 1983 46-52; 332-339
148. Williams, Peter F.J. S. Bach: Mass in B minor. EarlyM 12 1 Feb 1984 137,139,141
149. Williams, Peter F.Bach's G minor Sonata for viola da gamba and harpsichord BWV 1029: A seventh Brandenburg Concerto? EarlyM 12 3 Aug 1984 345-354
150. Williams, Peter F.A chaconne by Georg Böhm: a note on German composers and French styles. EarlyM 17 1 Feb 1989 43-54
151. Williams, Peter F.Two case studies in performance practice and the details of notation: 1. J. S. Bach and 2/4 Time. EarlyM 21 4 Nov 1993 613-622
152. Williams, Peter F.Two case studies in performance practice and the details of notation: 2: J. S. Bach and left-hand-right-hand distribution. EarlyM 22 1 Feb 1994 101-113
153. Williams, Peter F.BWV 565: A toccata in D minor for Organ by J.S. Bach? EarlyM 9 3 Jul 1981 330-337
154. Brahms, Johannes (arr.)Chaconne aus der Partita II in d-moll für Viioline von Johann Sebasztian Bach EdBreitkopf 6018 1927 15p
155. Brahms, Johannes (arr.)Presto nach J. S. Bach, 1. und 2. Bearbeitung: Studien für Pianoforte Nr. 3 & 4. EdBreitkopf 6019 1928 9p
156. Brahms, Johannes; Martienssen, Carl Adolf (eds.)Sonate für 2 Klaviere zu 4 Händen (Concerto a duoi cembali concertati) / Wilh. Fr. Bach. EdPeters 4284 1933 20, 20p
157. Williams, Peter F.Towards a close reading of Carl Philipp Emanuel Bach. FestschriftSer 13 1994 143-156
158. Williams, Peter F.The Acquisitive Minds of Handel & Bach: Some Reflections on the Nature of 'Influences' [fs]Fisk 1986 267-282
159. Bromse, PeterHarmonische Analyse als Erkenntnismittel form-inhaltlicher Interpretation. [fs]Graml70 1991 130-142
160. Williams, Peter F.Some observations on three keyboard-composers: Frescobaldi, J.S. Bach and Domenico Scarlatti. [fs]Owen 2005 53-71
161. Williams, Peter F.Recent questionable approaches to J. S. Bach. [fs]Tagliavini70 2001 553-572
162. Williams, Peter F.The music of J.S. Bach: excerpts from the writings of Peter Williams. [fs]Williams70 2007 371-381
163. Tergau-Harms, ChristineGottesdienst zum Selber machen mit Chorälen des Weihnachtsoratoriums. GemeinsamGottesdGestalten 11 2009 322-330
164. Arnold, Jochen; Tergau-Harms, Christine (eds.)Kleiner Gottesdienst - weiter Raum. GemeinsamGottesdGestalten 11 2009 403p
165. Mommsen, KatharinaEin Gedicht Goethes zu Ehren von Johann Sebastian Bach? Pladoyer für seine Echtheit GoetheJb 113 1996 161-178
166. Williams, Peter F.The Musical Aims of J. S. Bach's 'Clavierübung III'. [gs]Dart 1981 259-278
167. Williams, Becket (arr.)Kleine Orgel Fuge, G moll: zwei Klaviere vierhändig = Little organ fugue, G minor two pianos, four hands / Bach HinrichsenEd 65 c 1939 8p
168. Williams, Peter F.Was Johann Sebastian Bach an Organ Expert or an Acquisitive Reader of Andreas Werckmeister? JAmerMInstrSoc 11 1985 38-54
169. Lehmstedt, Mark'Es steckt dem weiblichen Geschlecht kein Spinngeweb in dem Gehirne' Christiana Mariana von Ziegler. LeipzigerBl 38 2001 68-69
170. Vaughan Williams, RalphBach, the Great Bourgeois. Listener 3 Aug 1950 170
171. Rumsey, DavidBach and Numerology: 'Dry Mathematical Stuff'? LitAesth 7 1997 143-165
172. Williamson, John (ed.)Words and Music. LiverpoolMSymposium 3 2005 viii, 258p
173. Helms, SiegmundZahlensymbolic in der Musik Johann Sebastian Bachs. MBildung 2 [61] 3 Mar 1970 113-116
174. Lehmann-Wermser, Andreas'Allerhand Figuren und Zergliederungen': Carl Philipp Emanuel Bachs Fantasie C-Durim Unterricht erleben. MBildung 34 4 Oct-Dec 2002 18-25
175. Darmstadt, GerhartWege zu Bachs Air: 'Gewaltfrei!' MBildung 38 4 Oct-Dec 2006 34-43
176. Vaughan Williams, RalphBach, the Great Bourgeois. MBook 7 1952 277-282
177. Vaughan Williams, RalphBach, the great bourgeois. MDigest 17 1950 1-6
178. Hohenemser, RichardJ. K. F. Fischer als Klavier- und Orgelkomponist. MhMges 34 9, 10, 11 1902 154-163; 167-176; 183-189
179. Helms, SiegmundZahlen in J. S. Bachs Matthäus-Passion. MKirche 40 1, 2 1970 18-27; 100-110
180. Darmstadt, GerhartKurz oder lang? Zur Rezitativbegleitung im 18. Jahrhundert MKirche 50 3 1980 130-134
181. Darmstadt, GerhartZur Aufführungspraxis der Johannes-Passion Johann Sebastian Bachs. MKirche 53 4 1983 202-208
182. Darmstadt, Hans'... soll Erd und Luft entzogen werden'. Untersuchungen zum harmonischen Gerüst dreier Rezitative aus der Matthäus-Passion von Johann Sebastian Bach. MKirche 62 2 Mar-Apr 1992 79-87
183. Darmstadt, HansMeine Bach-Kantate I: Hans Darmstadt über 'Herr, deine Augen sehen nach dem Glauben' BWV 102. MKirche 70 1 Jan-Feb 2000 46-47
184. Darmstadt, HansOrpheus-Klage und 'Zerfließe'-Arie: Ikonographische und analytische Anmerkungen zu Strawinskys 'Orpheus'-Ballett. MKirche 75 2 Mar-Apr 2005 106-113
185. Williams, Peter F.J. S. Bach and English Organ Music. MLetters 44 2 Apr 1963 140-151
186. Williams, Peter F.Basso continuo on the Organ. MLetters 50 1, 2 Jan; Apr 1969 136-152; 230-245
187. Adams, H. M.Passion Music Before 1724. MLetters 7 3 Jul 1926 258-264
188. Samson, J.Influence de Bach sur l'art choral liturgique contemporain en France. MLiturg(Paris) 16-17 1950 10-15
189. Hohenemser, R.Die Pflege der Bachschen Musik in der Gegenwart. MlRundschau(München) 3 8f 1907
190. Williams, Peter F.The Harpsichord Acciaccatura: Theory and Practice in Harmony, 1650-1750. MQ 54 4 Oct 1968 503-523
191. Williams, Peter F.Witting and Unwitting Allusion in Certain Keyboard Music of J. S. Bach. MQ 84 4 Winter 2000 756-775
192. Williams, Peter F.Why do we need a new book on Bach's Organ Music? MReview 38 4 1977 249-257
193. [Krapp, Edgar]; Adamski-Störmer, UrsulaEdgar Krapp und sein Bach-Marathon in Nürnberg. Der Organist um Gespräch mit Ursula Adamski-Störmer. MSacra 113 1 1993 31-34
194. Thomsen, KnutErinnerung an Hermann Melchert. MtblNBG 65 Winter 2009-10 28
195. Williams, Peter F.Bach at Edinburgh. MTimes 104 1449 Nov 1963 815
196. Williams, Peter F.Bach Thoughts from Edinburgh. MTimes 106 1472 Oct 1965 771-772
197. Williams, Peter F.The Organs of Saxony. MTimes 111 1533 Nov 1970 1141-1143
198. Williams, Peter F.The French Silbermann. MTimes 112 1535 Jan 1971 77-78
199. Williams, Peter F.Bach Recitatives. MTimes 115 1579 Sep 1974 747
200. Williams, Peter F.Bach's Seven Fughette. MTimes 116 1589 Jul 1975 653, 655, 657
201. Williams, Peter F.Figurenlehre from Monteverdi to Wagner. 1: What is 'Figurenlehre'? MTimes 120 1636 Jun 1979 476-479
202. Williams, Peter F.Figurenlehre from Monteverdi to Wagner. 2: The chromatic 4th continued. MTimes 120 1637 Jul 1979 571-573
203. Williams, Peter F.Figurenlehre from Monteverdi to Wagner. 3: The suspirans. MTimes 120 1638 Aug 1979 648-650
204. Williams, Peter F.Figurenlehre from Monteverdi to Wagner. 4: 'Orfeo' and 'Meistersinger'. MTimes 120 1640 Oct 1979 816-818
205. Williams, Peter F.Encounters with the Chromatic Fourth ... or, More on Figurenlehre. MTimes 126 1707-1708 May-Jun 1985 276-278; 339-343
206. Williams, Peter F.New Bach? [on recently discovered chorales] MTimes 126 1710 Aug 1985 452
207. Williams, Peter F.Stop Press: Some questions about JS Bach and his organ music. MTimes 141 1870 Spring 2000 34-40
208. Williams, Peter F.Sui generis: some fashionable uses to which Bach is put. MTimes 141 1871 Summer 2000 8, 10, 12-15
209. Williams, Peter F.Decoding Bach 2: Clouds of witness. MTimes 141 1872 Autumn 2000 13-15
210. Williams, P. F.A Bach Course. MTimes 65 977 Jul 1924 641
211. Armstrong, ThomasBach and the English Choralist. MTimes 91 1289 Jul 1950 261-263
212. Ramsey, BasilBach Motets at St. James's Piccadilly. MTimes 98 1375 Sep 1957 499
213. Ramsey, BasilLondon Bach Society. MTimes 99 1386 Aug 1958 442
214. Malmström, Bo G.Blockflöjten hos Bach och Händel. Musikrevy 40 1985 223-228
215. Helms, MarianneJohann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie I · Band 5. Kantaten zum Epiphaniasfest bis zum 2. Sonntag nach Epiphanias. Kritischer Bericht. NBA 1 5 1976 235p
216. Helms, Marianne (ed.)Kantaten zum Epiphaniasfest bis zum 2. Sonntag nach Epiphanias / Johann Sebastian Bach. NBA 1 5 1975 xii (6p facs), 253p
217. Helms, MarianneJohann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie I · Band 30. Kantaten zum Michaelisfest. Kritischer Bericht. NBA 1 30 1974 156p
218. Helms, Marianne (ed.)Kantaten zum Michaelisfest / Johann Sebastian Bach. NBA 1 30 1973 xi (5p facs), 169p
219. Platen, Emil; Helms, MarianneJohann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie II · Band 2. Lutherische Messen und einzelne Messensätze. Kritischer Bericht. NBA 2 2 1982 224p
220. Platen, Emil; Helms, Marianne (eds.)Lutherische Messen und einzelne Messensätze / Johann Sebastian Bach. NBA 2 2 1978 xi (5 facs), 333p
221. Darmstadt, GerhartAuf den Spuren des wahren J. S. Bach. Brauchen wir fünf neue quellenkritische Ausgaben der Violoncellosuiten? NMz(Regensburg) 50 Dec-Jan 2001-02 50-51
222. Thomson, VirgilMusic in Germany. NYHeraldTribune 4 5 14 Oct 1945
223. MSThe Johann Sebastian Bach Journey. Germany 18-24 April 2004. Organ 83 328 May-Jul 2004 51-53
224. Williams, SimonSome Aspects of Playing Bach: Margaret Philipps' Lecture at NOTES Manchester Launch Seminar (summary). OrganistsReview 78 3 1992 209-211
225. Williams, PeterThe International Organ Competition, Leipzig, July 2000. OrganistsReview 86 4: 340 Nov 2000 336-337
226. Williams, Peter F.Johann Sebastian Bach's ideal organ. OrganistsReview 94 2 2008 7-13
227. Williams, Peter F.Further on Changing Manuals in Works of J. S. Bach. OrganYb 29 2000 75-90
228. Williams, Peter F.More on the question, Is there a 'Toccata and Fugue in D minor for Organ' by J. S. Bach? OrganYb 33 2004 139-143
229. Williams, Peter F.Again: Was J.S. Bach an expert on organs? OrganYb 36 2007 86-105
230. Vaughan Williams, Ralph; Foster, Arnold (arr.)THE 'GIANT' FUGUE / J. S. BACH. OxfordOrchSer 6 1925 4p
231. Williams, Gerrard (arr.)BACH PRELUDE from 'English' Suite No.5 OxfordOrchSer 7 1925 19p
232. Williams, Gerrard (arr.)A BACH SUITE FOR STRINGS with optional wind and timpani; movements from the piano suites of J. S. BACH. OxfordOrchSer 21 1926 36p
233. Williams, IsabelleMetric Complexity in Bach's Cantata No.182. [p]AMS_NewYorkState Mar 1986
234. Bloch, Robert SamsonThe Art of the Fugue: A Humanist View. [p]AMS_PacificSouthwest Apr 1990
235. Williams, ChristopherBach in the Shop Window: Weill's Mahagonny and the Commodification of Musical Style. [p]AMS_Sanfrancisco Nov 2011
236. Williams, Peter F.2/4 Time and J. S. Bach. [p]AMS_Southeast Mar 1988
237. Williams, BrionySharing a History: Women Composers of the Berlin Sing-Akademie during the Directorship of Carl Friedrich Zelter. [p]IS_Memphis Nov 2003
238. Williams, Meirion (arr.)Two Transcriptions / BACH. Sonatina -- Chorale 'All Glory, Praise and Majesty'. PortraitGallery 51 1939 4p
239. Abdy Williams, Charles FrancisThe Rhythmical Construction of Bach's 'Forty-Eight' Fugues. ProceedRMA 19 1892-93 73-93
240. Finscher, Ludwig; Pelker, Bärbel; Thomsen-Fürst, Rüdiger (eds.)Mannheim - Ein 'Paradies der Tonkünstler'? Kongressbericht Mannheim 1999. QuellenStGesMannheimHofkapelle 8 2002 517p
241. Williams, Peter F.J. S. Bach y la distribución entre las manos derecha e izquierda. Quodlibet 18 Oct 2000 68-84
242. Williams, Peter F.J.S. Bach y el compás de 2/4. Quodlibet 5 Jun 1996 3-18
243. Williams, Peter F.Can editions of Bach or Scarlatti be entirely trusted? RCOJ 1 2007 18-28
244. Williams, Peter F.Some thoughts on Italian elements in certain music of Johann Sebastian Bach. Recercare 11 1999 185-198
245. Brahms, Johannes[Brief an Clara Schumann, Jun 1877] ReclamUBib 8832 1992 135-136
246. Grimsted, Patricia KennedyBach scores in Kyiv: The long-lost music archive of the Berlin Sing-Akademie surfaces in Ukraine. SpoilsWar 7 Aug 2000 22-35
247. Grimsted, Patricia KennedyBach is back in Berlin: The return of the Sing-Akademie Archive from Ukraine in the context of displaced cultural treasures and restitution politics. SpoilsWar 8 May 2003 67-104
248. Darmstadt, GerhartAndante und Mystik: zur Symbolik des Weges in der Barockmusik; Mystik, Wege zu Johann Sebastian Bach. Symbolon 12 1995 43-104
249. Körner, Gotthilf Wilhelm; Kühmstedt, Friedrich (eds.)Präludium und Fuga [in] F-moll von Joh. Sebastian Bach. SämtOrgComp 2 c 1849 18-24
250. Körner, Gotthilf Wilhelm; Kühmstedt, Friedrich (ed.)No 8. Präludium et Fuga [I. in C-dur] pro Organo pleno / J. S. Bach. SämtOrgComp 21 1850 18-23
251. Körner, Gotthilf Wilhelm; Kühmstedt, Friedrich (ed.)Praeludium und Fuge [II. in C-moll] von JOHANN SEBASTIAN BACH. SämtOrgComp 22 1850 11p
252. Körner, Gotthilf Wilhelm; Kühmstedt, Friedrich (eds.)PRAELUDIUM UND FUGE [in B-dur] über den Namen: Bach von JOH. SEB. BACH. SämtOrgComp 31 1851 7p
253. Körner, Gotthilf Wilhelm; Kühmstedt, Friedrich (eds.)Toccata et Fuga [in D-moll von] Joh. Sebastian Bach. SämtOrgComp 49 c 1850 141-152
254. Blomstedt, HerbertBalance und Wahrheit in der Musik Bachs. Herbert Blomstedt über die Kantate BWV 140. ThomanerJ 1 2008 12-14
255. Riemsduk, J. C. M. vanJean Adam Reinken. TijdschrVNedMgeschied 2 1 1885 61-91
256. Thomson, UlfVoraussetzungen und Artungen der österreichischen Generalbasslehre zwischen Albrechtsberger und Sechter. WienVeröffMw 8 1978 148p
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