Type | List | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Composition, Improvisation and the Text: The Scheibe — Birnbaum Controversy and Bach's Notational Practice. |
[cr]Krakow2008 |
| | 2008 |
535-541 |
|
| 2. | Works in progress: J. S. Bach's Suites for Solo Cello as artifacts of improvisatory practices. |
diss. |
| | 2006 |
598p |
|
| 3. | Frozen Improvisations. |
EarlyMAmer |
15 | 2 | Summer 2009 |
61-62 |
|
| 4. | Works in Progress: The Scheibe-Birmbaum Controversy and Bach's Notational Practice. |
[p]AMS_NorthCalifornia |
| | May 2006 |
|
|
| 5. | 'Cet art est la perfection du talent': Chordal Thoroughbass Realization, the Accompaniment of Recitative, and Improvised Solo Performance on the Viol and Cello in the Eighteenth Century. |
[p]AMS_Philadelphia |
| | Nov 2009 |
|
|
| 6. | 'Alles, was man unter der Methode zu spielen verstehet, druckt er mit eigentlichen Noten aus'. Changing attitudes toward notation in the Eighteenth Century: The Scheibe-Birnbaum controversy and Bach's notational practice. |
[p]BICB_Belfast |
| | Jul 2010 |
|
|
| 7. | Works in progress: Bach's Suites for Solo Cello as artifacts of improvisational practices. |
[p]BICB_Manchester |
| | Jul 2004 |
|
|
| 8. | Jakob Adlung on Fantasieren: Further Evidence of a Bach Family Tradition in Jena. |
[p]BICB_Southampton |
| | Jul 2012 |
|
|
| 9. | 'Cet art est la perfection du talent': Improvised Solo Performance, the Accompaniment of Recitative, and Chordal Thoroughbass Realization on the Viol and Cello |
[p]BICB_Warsaw |
| | Jul 2006 |
|
|