Type | List | Author | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Arnold, Denis | Bach. N.Y.: Oxford U.P., 1984, vii, 103p (Past Masters Series) |
|
| | 1984 |
103p |
|
| 2. | Campbell, D. Murray | Intonation et résonances acoustiques des cornets à bouquin et des serpents. [Intonation and acoustic resonance in the cornett and serpent] In Laurent Espié and Vincent Gibiat, eds, Acoustique et instruments anciens: Factures, musique et science. Paris: Cite de la Musique, 1999. 260p.; p. 125-137 |
|
| | 1999 |
125-137 |
|
| 3. | Hoffmann-Axthelm, Dagmar | Die innere Kathedrale: Zur Metamorphose musikalischen Raumes am Beispiel von Kirche und Kammer. In: Musik und Raum: e. Sammlung von Beitr. aus histor. u. künstler. Sicht zur Bedeutung d. Begriffes 'Raum' als Klangträger für d. Musik / hrsg. zum 50 jähr. Bestehen d. 'Kammerkunst Basel' von Thüring Bräm. Mit Beitr. von Barbara Barthelmes. Basel: GS-Verlag, 1986. 112p. ISBN: 3-7185-0057-4. - pp. 17-25. |
|
| | 1986 |
17-25 |
|
| 4. | Arnold, Denis | Bach. Trans. Japanese by Tomoo and Kazuko Ishida. Kyobunkan, 1994. 174p. ISBN: 4764210533. |
|
| | 1994 |
174p |
|
| 5. | Powell, Donald C. (arr.) | CHORALE: O GOD, THOU HOLY GOD from the 24th CANTATA / J. S. BACH Arranged for piano by Donald C. Powell. 1/- net. - London: Augener, c1927. 2-3p. Pl.-Nr.: 16734. [BWV 24/6] |
|
| | 1927 |
3p |
|
| 6. | Powell, Donald C. (arr.) | CHORALE: THUS WE CELEBRATE THE HIGH FESTIVAL from the 4th CANTATA / J. S. BACH Arranged for piano by Donald C. Powell. 1/6 net. [Heading: 'SO FEIERN WIR DAS HOHE FEST'] - London: Augener, c1928. 4p. Pl.-Nr.: 16773. [BWV 4/1+7] |
|
| | 1928 |
4p |
|
| 7. | Powell, Donald C. (arr.) | So Feiern Wir das Hohe Fest = Thus we celebrate the high festival / J.S. Bach arranged by Donald C. Powell. - London: Augener Ltd., c1928. 4p. Pl.-Nr.: 16773. [BWV 4/7] |
|
| | 1928 |
4p |
|
| 8. | Powell, Donald C. (arr.) | Allegretto in modo pastorale: for violin and piano / J. S. Bach transcribed from the 198th cantata by Donald C. Powell. - London: Augener, 1929. 4p + St. Pl.-Nr.: 16927. [BWV 198/5 (?)] |
|
| | 1929 |
4p + St |
|
| 9. | Powell, Donald C. (arr.) | Siciliano: for violin & piano / J. S. Bach transcribed from the twenty-ninth cantata by Donald C. Powell. [score and part] - London: Augener, 1928. 5p + St. Pl.-Nr.: 16812. [BWV 29/5 (?)] |
|
| | 1928 |
5p + St |
|
| 10. | Powell, Donald C. (arr.) | CHORAL PRELUDE: REJOICE YE REDEEMED HOSTS: from the Cantata 'Am feste Johannis des Taüfers' / J. S. BACH arranged for piano by Donald C. Powell. - London: J. & W. Chester, c1928. 2-7p. Pl.-Nr.: 16811. [BWV 30/1] |
|
| | 1928 |
7p |
|
| 11. | Prindle, Daniel E. | The Form of the Preludes to Bach's Unaccompanied Cello Suites. MA diss., University of Massachusetts Amherst, Music Theory, 2011. xii, 107p. |
|
| | 2011 |
xii, 107p |
|
| 12. | Hall, David | The Record book: A guide to the world of the phonograph. International Edition. New York: Oliver Durrell, 1948. xii, 1394p. - Westport, Conn.: Greenwood Press, [1978] (reprint) ISBN: 031320425X. |
|
| | 1948 |
xii, 1394p |
|
| 13. | Sarlo, Dario | The performance style of Jascha Heifetz. Farnham: Ashgate, 2015. xiv, 270p. ISBN: 978-1-4724-4423-3. |
|
| | 2015 |
xiv, 270p |
|
| 14. | Breitenfeld, Tomislav; Vargek Solter, Vesna; Breitenfeld, Darko; Zavoreo, Iris; Demarin, Vida | Johann Sebastian Bach's Strokes. Case Report. |
ActaClinCroat |
45 | 1 | Mar 2006 |
41-44 |
|
| 15. | Breitenfeld, Darko; Thaller, V.; Golik-Gruber, V.; Breitenfeld, Tomislav | Pathographies of Famous Musicians - Johann Christian Bach (1735-1782). |
Alcoholism |
36 | 1 | 2000 |
93-94 |
|
| 16. | Hall, Donald E. | Quantitative Evaluation of Musical Scale Tunings. |
AmerJPhysics |
42 | | 1974 |
543-552 |
|
| 17. | Mitchell, David L. | Reconsidering the Primary Sources for J. S. Bach's Trio Sonatas. |
AmerOrganist(2) |
28 | 10 | Oct 1994 |
58-60 |
|
| 18. | Vogels, David | Musings: Bach at Home. |
AmerOrganist(2) |
38 | 8 | Aug 2004 |
40-41 |
|
| 19. | Sills, David L. | Articulation in J.S. Bach's unaccompanied cello suites. [BWV 1007-1712] |
AmerStringTeacher |
48 | 1 | Winter 1998 |
51-56 |
|
| 20. | Hoffmann-Axthelm, Dagmar | Bach und die Perfidia Iudaica: Zur Symmetrie der Juden-Turbae in der Johannes-Passion. |
BaslerJbHistMpraxis |
13 | | 1989 |
31-54 |
|
| 21. | Jewell, David | What Bach's music means to me. Digest. |
BritishJGeneralPractice |
56 | 523 | Feb 2006 |
151 |
|
| 22. | Sölle, Dorothee | Weihnachtsoratorium. |
[ce]BegegnungenMitBach |
| | 2002 |
7 |
|
| 23. | Tilmouth, Michael; Kimbell, David; Savage, Roger (eds.) | The classics of music: talks, essays, and other writings previously uncollected Donald Francis Tovey. New York: Oxford Univ. Press, 2001. li, 821p. ISBN: 0-19-816214-6; 978-0-19-816214-8. |
[ce]Tovey |
| | 2001 |
li, 821p |
|
| 24. | Hoffmann-Axthelm, Dagmar | 'Es mag sein, dass nicht alle Musiker an Gott glauben; an Bach jedoch alle': Über einige Zusammenhänge zwischen Musik und Andacht. [Mauricio Kagel] |
[cr]Luzern2001 |
| | 2002 |
191-206 |
|
| 25. | Hansell, D. J. K. | Changing structures in German organ music from 1600 to the death of J. S. Bach. MA diss., University of Durham, 1980. |
diss. |
| | 1980 |
|
|
| 26. | Poile, David | Rhythmic Conflicts in the Keyboard Music of J.S. Bach: A Problem of Binary Against Ternary Rhythms. Doctoral diss., Evanston, Illinois: Northwestern University, 1995. 1 vol., typescript, 236p. |
diss. |
| | 1995 |
236p |
|
| 27. | Hill, David S. | The Persistence of Memory: Mode, Trope, and Difference in the Passion Chorale. PhD. State University of New York at Stony Brook, 1994. 302p |
diss. |
| | 1994 |
302p |
|
| 28. | Sarlo, Dario | Investigating Performer Uniqueness: The Case of Jascha Heifetz. PhD diss., Goldsmiths, University of London, 2010. 430p. |
diss. |
| | 2010 |
430p |
|
| 29. | Di Pasquale, Donato | Genesi dei Quattordici Canoni BWV 1087 di Johann Sebastian Bach. Dottore in Discipline delle Arti della Musica e dello Spettacolo. Università degli Studi di Bologna, 2006. 94p. |
diss. |
| | 2006 |
94p |
|
| 30. | L., D. | Frankfurt a. M. (Mai). Correspondenzen. [Konzerte der Oratorienvereine: Cäcilienverein (Bach, Messe in h-Moll) und Rühlscher Verein] |
DMz |
2 | 27 | 8 Jul 1861 |
214-225 |
|
| 31. | Arnold, Denis | The Baroque in Germany: performing early music on record -- 3. |
EarlyM |
4 | 2 | Apr 1976 |
183-185 |
|
| 32. | Curry, Robert; Gable, David; Marshall, Robert L. (eds.) | Variations on the canon: Essays on music from Bach to Boulez in honor of Charles Rosen on his eightieth birthday. Rochester,NY: University of Rochester, 2008. x, 375p. ISBN: 1-58046-285-8; 978-1-58046-285-3. (= Eastman studies in music, 58) |
EastmanStudM |
58 | | 2008 |
x, 375p |
[fs]Rosen80 |
| 33. | Kaiser, Rainer; Kolb, Dieter M. | Near-Infrared Reflectance Spectroscopy and Authenticity of Performance Indications in Bach's Music Manuscripts. |
InterdisciplSciReview |
15 | 2 | 1990 |
133-138 |
|
| 34. | Hill, David | The Time of the Sign: 'O Haupt voll Blut und Wunden' in Bach's St. Matthew Passion. |
JMcol |
14 | 4 | Autumn 1996 |
514-543 |
|
| 35. | Hill, David | Think of Damnation: J. S. Bach's Cantata 161 and Luther's Sermon on Preparing to Die. |
JMcolResearch |
16 | 1 | 1996 |
17-39 |
|
| 36. | Hall, Donald | The Objective Measurement of Goodness-of-Fit for Tunings and Temperaments. |
JMTheory |
17 | 2 | Autumn 1973 |
274-290 |
|
| 37. | Arnold, Denis | J. S. Bach. Aus dem Englischen übersetzt und bearbeitet von Monika Schmitz-Emans und Reinmar Emans. Göttingen: Vandenhoeck & Ruprecht, 1989. 104p. (= Kleine Vandenhoeck-Reihe, 1539) |
KleineVandenhoeckR |
1539 | | 1989 |
104p |
|
| 38. | La Salle, de | La Passacaille en ut mineur de J. S. Bach. |
LEducM |
15 | 69 | Jun 1960 |
18-20 |
|
| 39. | Nichols, D. | Carmel Festival. |
MCourier |
164 | | Oct 1962 |
34 |
|
| 40. | Reinhold, Daniela | Möglichkeiten und Grenzen. Ein Diskussionsprotokoll. [betr. Musiker-Spielfilme, u.a. über J. S. Bach] |
MGesellschaft |
39 | 2 | Feb 1989 |
58-64 |
|
| 41. | Reinhold, Daniela | Musikfilm - ein Genre auf der Suche. Zur Arbeit des Regisseurs Frank Schleinstein. [betr. Filme über J. S. Bach] |
MGesellschaft |
39 | 2 | Feb 1989 |
65-68 |
|
| 42. | Holl, Dieter | Bachfest Leipzig 1970. Berichte aus der Arbeit. |
MKirche |
41 | 1 | 1971 |
29-30 |
|
| 43. | Holl, Dieter | 46. Bachfest der Neuen Bachgesellschaft [in Bremen] Berichte aus der Arbeit. |
MKirche |
41 | 4 | 1971 |
200-201 |
|
| 44. | Holl, Dieter | 47. Bachfest der Neuen Bachgesellschaft. Berichte aus der Arbeit. |
MKirche |
42 | 5 | 1972 |
237-238 |
|
| 45. | Somervell, D. C. | The Bach Passions and Greek Tragedy. |
MLetters |
27 | 4 | Oct 1946 |
221-224 |
|
| 46. | MacArdle, Donald W. | Beethoven and the Bach Family. |
MLetters |
38 | 4 | Oct 1957 |
353-358 |
|
| 47. | Pownall, Denis | J. S. Bach. Neglected Keyboard Music. |
MOpinion |
73 | 870 | Mar 1950 |
327, 329 |
|
| 48. | Pownall, Denis | Bach Transcriptions. Letters to the Editor. 'Audi Alteram Partem' |
MOpinion |
73 | 876 | Sep 1950 |
717, 719 |
|
| 49. | Mitchell, Donald | [Freemasons' Hall. Britten, Les Illuminations; Peter Pears (tenor). Bach, Brandenburg Concerto no. 5; John Francis (flutist), Dr. Lofthouse (harpsichordist). Bartók, Divertimento; Jacques Orchestra] Editorial: the Edinburgh Festival. |
MSurvey |
1 | 1 | Autumn 1947 |
1-2 |
|
| 50. | Mitchell, Donald | Exploratory Concert Society, Conway Hall, 15th October, 1948. Concerts. [Orlando Gibbons, Three Fantasias; The London String Trio. Mozart's arrangement for string trio of two Fugues of Bach. Robin Orr, Serenade for string trio (1948). Gerald Finzi, Prelude and Fugue in A minor. Reger, String Trio, op. 141b] |
MSurvey |
1 | 5 | 1949 |
171 |
|
| 51. | Mitchell, Donald | London Philharmonic Orchestra; Boult. Albert Hall, 2nd and 23rd November, 1950. Concerts I. London. [Vaughan Williams, London Symphony. Bach, Mass in B minor; Pears] |
MSurvey |
3 | 3 | Mar 1951 |
204 |
|
| 52. | Gill, Dominic | English Bach Festival: Bach, Couperin. |
MTimes |
109 | 1506 | Aug 1968 |
747 |
|
| 53. | Swale, David | Bach's Fugue after Legrenzi. [BWV 574] |
MTimes |
126 | 1713 | Nov 1985 |
687, 689 |
|
| 54. | Scholz, Dieter David | Kulturstadt-Gehabe. Die Berliner Bach-Tage 1988. |
NZsfM(2) |
149 | 10 | Oct 1988 |
43-44 |
|
| 55. | Hoffmann-Axthelm, Dagmar | Bach und die Perfidia Iudaica. Zur Symmetrie der Juden-Chöre in der Johannes-Passion. |
NZürcherZ |
| Fern 75 | 31 Mar 1994 |
47 |
|
| 56. | Pals, Daniel | Prelude to the Passions: Bach and the Theological Heritage of the Reformation. Paper read at Bach Symposium held at University of Miami from 26 February to 1 March 2003. |
[p]BachsPassions_Miami |
| | Feb-Mar 2003 |
|
|
| 57. | Arnold, Denis | The solo motet in Venice (1625-1775). [BWV 51] |
ProceedRMA |
106 | | 1980 |
56-68 |
|
| 58. | Faravelli, Danilo | La Messa in Si minore (BWV 232) di Johann Sebastian Bach - Descrizione critica. |
RivistaIMSacra |
11 | 4 | 1990 |
375-429 |
|
| 59. | Felsenfeld, Daniel | Illuminating manuscripts. [Dmitry Sitkovetsky discusses his transcriptions of Bach's Goldberg variations for string trio and for string orchestra.] |
Strings |
17 | 8:110 | May-Jun 2003 |
60-67 |
|
| 60. | Neville, Don J.; Stonehouse, Alison; Richards, William (eds.) | Mozart in history, theory, and practice: Selected papers from the international symposium. [symposium, Faculty of Music, University of Western Ontario; London, Ontario; 1990-91] 1993. 212p. (= Studies in music from the University of Western Ontario, 14) |
StudM(WesternOntario) |
14 | | 1993 |
212p |
[cr]Ontario1990 |
| 61. | Kristoviæ, Darko; Breitenfeld, Darko; Kraljiæ, Josipa; | Sudbine njemaèrguljaša skladatelja. [The fate of German composers organists] |
SvetaCecilija |
80 | 1-2 | 2010 |
25-28 |
Latin 2 |
| 62. | Wells, Dominic | In the footsteps of Bach's St. Matthew Passion: The Passion setting of David Lang and James MacMillan. |
Tempo |
67 | 264 | Apr 2013 |
40-51 |
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