Bach Bibliography
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TypeListAuthor Title[further info]SeriesVolNoYearPagesStatus
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1. Lange, Johann K.Methodus Nova & Perspicua in artem Musicam, Das ist Recht gründtliche Anweisung wie die Edle Music mit allen zugehörigen Stücken auffs allerleichteste und gewisseste nach heutiger neuesten Art fähigen Subjectis in kurtzer Zeit beyzubringen sey. 1688
2. Detheridge, JosephChronology of music composers. 1936-37
3. Higgs, JamesFugue. 1878 113p
4. Domingo, José RamosJuan Sebastian Bach. Cantatas. 1988 120p
5. Brügge, JoachimÜber András Schiff und die 'Goldberg-Variationen' 2020 139p
6. Voigt, Johann CarlGespräch von der Musik, zwischen einem Organisten und Adjuvanten, darinnen nicht nur von verschiedenen Missbräuchen, so bey der Musik eingerissen, gehandelt, sondern auch eines und das andere beym Clavier- und Orgel-Spielen angemerket wird, etc. 1742 140p
7. Domingo, José RamosJuan Sebastián Bach: (las cantatas y la pastoral del canto). 2000 150p
8. Cage, JohnComposition as process: Indeterminacy. 2004 176-186
9. Hennings, Johann; Stahl, WilhelmMusikgeschichte Lübecks. Band 1: Weltliche Musik. 1961 212p
10. Hennings, Johann; Stahl, WilhelmMusikgeschichte Lübecks. Band 2: Geistliche Welt. 1952 212p
11. Vogt, Jean12 melodische Inventionen zur Uebung des polyphonen Klavierspiels u. als Vorbereitung f. das Studium der Joh. Seb. Bach'schen Inventionen. Op. 150. 1882 27p
12. Higgs, James (ed.)Short Preludes and Other Pieces for the Clavier by John Sebastian Bach. 1893 49p
13. Trego, J. Stafford (arr.)BOUREÉE from J. S. BACH'S THIRD SONATA for the VIOLONCELLO 1876 5p
14. Trego, J. Stafford (arr.)Gavotte (LA MUSETTE) from J. S. BACH'S SIXTH SONATA for the VIOLONCELLO 1876 5p
15. Higgs, James (ed.)Inventions in two and three parts for the clavier by John Sebastian Bach. 1893 6, 63p
16. Bridge, J. Frederick; Higgs, James (ed.)Fugue in E flat major: pro organo pleno / [J.S. Bach] 1900 83-88
17. Bridge, J. FrederickDouble Counterpoint and Canon. 1881 ix, 124p
18. Shuckburgh, JulianHarmony & Discord: The Real Life of Johann Sebastian Bach. 2009 x, 390p
19. Fairleigh, James P.Pachelbel's Magnificat-Fugues Models for J. S. Bach. AmerOrganist(2) 14 6 Jun 1980 34-37
20. Brombaugh, JohnInfluence of Johann Sebastian Bach and His Times on Organbuilding in America in the Late 20th Century. AmerOrganist(2) 19 3 Mar 1985 113-117
21. Stockigt, Janice B. 'Nobody rose or joined in these hymns': Premiere Australian performances of J.S. Bach's St. Matthew Passion (1875-76). AustralianMResearch 17 2018 11-28
22. Fairleigh, James P.Italian Prototypes of the Baroque Ritornello. Bach 14 3 Jul 1983 2-11
23. Bužga, JaroslavJan Dismas Zelenka. Bachfest 53 [Marburg] 1978 89-94
24. Stockigt, Janice B.Die 'Annuae Literae' der Leipziger Jesuiten 1719-1740: Ein Bach-Dokument? BachJb 78 1992 77-80
25. Brügge, JoachimJohann Sebastian Bach, Musikalisches Opfer (BWV 1079): Bemerkungen zum 'Canon a 2 per Tonos' BachJb 78 1992 91-100
26. Stockigt, Janice B.Liturgical Music for a New Elector: Origins of Bach's 1733 Missa Revisited. BachPerspectives 12 2018 63-83
27. Bužga, JaroslavDie Quellen des stille antico in der Dresdner Musiksammlung um 1730. BachSt 9 1986 67-71
28. Stockigt, Janice B.Bach's Missa BWV 232I in the context of Catholic Mass settings in Dresden, 1729-1733. [ce]ExploringBMM 2013 39-53
29. Brombaugh, JohnBach's Influence on Late Twentieth-Century. American Organ Building. [ce]JSBOrganist 1986 41-47
30. Stockigt, Janice B.The Court of Saxony-Dresden. [ce]MusicGermanCourts 2011 17-49
31. Owens, Samantha; Reul, Barbara M.; Stockigt, Janice B. (eds.)Music at German courts, 1715-1760: Changing artistic priorities. [ce]MusicGermanCourts 2011 xx, 484p
32. Stockigt, Janice B.The Other Side of the Coin: Catholic Liturgical Music in Lutheran Saxony During Bach's Era. Context 21 Autumn 2001 79-84
33. Page, Janet K. (ed.)Oboe Concertos / Carl Philipp Emanuel Bach. CPEBachCW 3 5 2006 xxi, 85p
34. Stockigt, Janice B.Consideration of Bach's Kyrie e Gloria BWV 232I within the Context of Dresden Catholic Mass Settings, 1729-1733 [cr]Belfast2007 1 2007 52-92
35. Butler, Margaret R.; Page, Janet K. (eds.)SECM in Brooklyn 2010 : Topics in Eighteenth-Century Music I. [cr]Brooklyn2010 2014 xv, 241p
36. Brügge, JoachimAusgewählte Aspekte zur Diskussion der Sonatensatzformen im 18. und frühen 19. Jahrhundert. [cr]Halle1998 2 2000 404-410
37. Bužga, JaroslavZelenka und Bach im 19. und 18. Jahrhundert. [cr]Leipzig1985 1988 367-372
38. Hennings, JohannNeues über Franz Tunder und Dietrich Buxtehude. DMkultur 6 1941-42 157-166
39. Stockigt, Janice B.Pisendel's Contributions to the Performance of Liturgical Music in the Dresden Catholic Court Church. DresdnBeitrMf 3 2010 551-560
40. Higgs, JamesOn the treatment of Bach's organ music. DwightJM 36 10 19 Aug 1876 282-284
41. Higgs, JamesOn the treatment of Bach's organ music (Concluded from page 284). DwightJM 36 11 2 Sep 1875 290-292
42. Page, Janet. K.'To soften the sound of the hoboy': The muted oboe in the 18th and early 19th centuries. EarlyM 21 1 Feb 1993 65-76, 78-80
43. Kraege, Jean-DenisLa Theologie de Jean-Sébastien Bach. EtudesTheolRelig 60 4 1985 553-572
44. Stockigt, Janice B.Fasch Visits Dresden: c.1726-1728. FaschSt 8 2001 29-56
45. Stockigt, Janice B.Italian Influences Observed in the Vespers Psalm Settings of Johann Friedrich Fasch. FaschSt 9 2003 175-202
46. Brügge, Joachim; Födermayr, Franz; Gratzer, Wolfgang; Hochradner, Thomas; Mauser, SiegfriedMusikgeschichte als Verstehensgeschichte: Festschrift für Gernot Gruber zum 65. Geburtstag. [fs]Gruber65 2004 748p
47. G., J.On the Clavichord. Harmonicon 8 1 Jan 1830 13
48. Bužga, JaroslavBach, Zelenka a Èeská hudba 19. století. HudebniVeda 19 1 1982 49-60
49. Bužga, JaroslavPøíspìvky k životopisu Jana Dismase Zelenky. HudebniVeda 21 2 1984 137-145
50. Bužga, JaroslavBachovská konference v Lipsku 1985. HudebniVeda 22 3 1985 285-286
51. Bužga, JaroslavJan Dismas Zelenka na královském dvoøe v Drážðanech. HudebniVeda 23 4 1986 312-329
52. Bužga, JaroslavO vztahu Jana Dismase Zelenky k Johannu Sebastianu Bachovi. HudebniVeda 29 2 1992 91-102
53. Stockigt, Janice B.The royal Polish and electoral Saxon court and state calendars, 1728-50. IrishMStud 8 2004 49-64
54. Bužga, JaroslavDie Kirchenkompositionen Dresdner Komponisten in Böhmen. JbKonfMittDBarockM 2001 2002 203-213
55. Bužga, JaroslavZittauer Ausblicke nach Böhmen. JbKonfMittDBarockM 2006 2007 163-166
56. Hennings, Johann'Tunderiana'. LübeckBl 75 1933 826-830
57. Goodenough, J. P.Annual Bach Festival. [Winter Park/Florida.] MAmer 81 5 May 1961 26
58. Higgs, JamesDr. F. K. Griepenkerl's Metronomic Marks for J. S. Bach's Organ Works. MonMRec 6 72 Dec 1876 185
59. Higgs, JamesC. P. E. Bach. MStandard 8 196 2 May 1868 186
60. Brombaugh, JohnBach and the Organs of his Time: their influence in America. MTimes 126 1705 Mar 1985 171-173, 175-176
61. Brügge, JoachimKV 574: 'Kleine Gigue in G-Dur' - Bach-oder Händel-Einfluß. MtIStiftMozarteum 49 1-4 1992 111-115
62. Bužga, JaroslavJan Dismas Zelenka. Musica 36 2 Mar-Apr 1982 191-193
63. Brügge, JoachimZum Problem der 'Mehrfachlösungen' in den Kanons der Musikalischen Opfers: eine kritische Studie zu Reinhard Böß, Die Kunst des Rätselkanons im Musikalischen Opfer. NMwJb 3 1994 81-101
64. Kaegi, Jean-ClaudeUnzeitgemäße Betrachtungen zu Bach: organ im Gespräch mit Martin Lücker. Organ(Mainz) 3 4 2000 32f
65. Vegt, J. van derBach-Händel-Tour in de DDR. Orgelvriend 24 8 1982
66. Bridge, J. Frederick; Higgs, James (eds.)Eight Short Preludes and Fugues. OrgWorks(Novello) 1 1881 1-25
67. Bridge, J. Frederick; Higgs, James (eds.)Toccata, preludes and fugues. OrgWorks(Novello) 10 1891 196-243
68. Bridge, J. Frederick; Higgs, James (eds.)Four concertos. OrgWorks(Novello) 11 1894 54p
69. Bridge, J. Frederick; Higgs, James (eds.)Preludes, fantasias, fugues, trios, &c. OrgWorks(Novello) 12 1895 55-114
70. Bridge, J. Frederick; Higgs, James, West, John Ebenezer (eds.)The six 'Schübler' chorale prelude and the 'Clavierübung', pt. 3. OrgWorks(Novello) 16 1916 xi, 88p
71. Bridge, J. Frederick; Higgs, James (eds.)Preludes, fugues and trio. OrgWorks(Novello) 2 1881 26-56
72. Bridge, J. Frederick; Higgs, James (eds.)Fantasias, preludes and fugues. OrgWorks(Novello) 3 1884 57-87
73. Bridge, J. Frederick; Higgs, James (eds.)Sonatas or trios for two manuals and pedal (I-III). OrgWorks(Novello) 4 1884 88-123
74. Bridge, J. Frederick; Higgs, James; Emery, Walter (eds.)Six sonatas for two manuals and pedal, I-III. OrgWorks(Novello) 4 [rev1] 1940 88-123
75. Bridge, J. Frederick; Higgs, James (eds.)Sonatas or trios for two manuals and pedal (IV-VI). OrgWorks(Novello) 5 1885 124-162
76. Bridge, J. Frederick; Higgs, James (eds.)Toccata, preludes and fugues. OrgWorks(Novello) 6 1886 41p
77. Bridge, J. Frederick; Higgs, James; Emery, Walter (eds.)Toccatas, preludes, and fugues. OrgWorks(Novello) 6 [rev] 1948 v, 41p
78. Bridge, J. Frederick; Higgs, James (eds.)Preludes and fugues [1]. OrgWorks(Novello) 7 1887 42-87
79. Bridge, J. Frederick; Higgs, James (eds.)Prelude and Fugue in B minor. OrgWorks(Novello) 7 2 1887 52-63
80. Bridge, J. Frederick; Higgs, James (eds.)Preludes and fugues [2]. OrgWorks(Novello) 8 1888 88-135
81. Bridge, J. Frederick; Higgs, James; Emery, Walter (eds.)Fantasia, toccata, preludes & fugues / Bach OrgWorks(Novello) 8 [rev] 1940 88-135
82. Bridge, J. Frederick; Higgs, James (eds.)Preludes and fugues [3]. OrgWorks(Novello) 9 1890 137-195
83. Stockigt, Janice B.Jan Dismas Zelenka (1679-1745): a Bohemian musician at the Court of Dresden. OxfordMonographsM 2000 xxiii, 352p
84. Stockigt, Janice B.Performance Practice of the Electoral Saxon and Royal Polish Hofkapelle: Evidence from the Performance Materials of Gesù al Calvario, Jan Dismas Zelenka, 1735. [p]AMS_Kansas Nov 1999
85. Stockigt, Janice B.Two Zelenka masses in J. S. Bach's Nachlaß. [p]BCB_Exeter Jul 1998
86. Stockigt, Janice B.Organists of Leipzig's royal Catholic chapel 1719-1740 (and beyond). [p]BNUK_Cambridge Jul 2015
87. Stockigt, Janice B.A Te Deum performance in Bautzen by members of Dresden's Hofkapelle: 19 May 1733. [p]BNUK_Warsaw Jul 2013
88. Stockigt, Janice B.; Owens, Samantha; Szuster, Jula; Maddox, Alan'Bach the Sublime': Australasian Reception of the St. Matthew Passion, 1875-1950. [p]BNUK_Warsaw Jul 2013
89. Stockigt, Janice B.Methodische Fragen zur Identifikation von Incerta aus dem Dresdner Instrumentalrepertoire. [p]Dresden Jun 2010
90. Higgs, JamesBach's 'Art of Fugue'. ProceedRMA 3 1876-77 45-73
91. La Fage, Juste Adrien deInauguration de l'orgue de Sainte-Clotilde. RevueGazMParis 27 1 1 Jan 1860 4-5
92. Stockigt, Janice B.The Music of Leipzig's Royal Catholic Chapel during the Reign of August II. UnderstandingBach 11 2016 57-66
93. Stockigt, Janice B.The Visit of Members of the Dresden Hofkapelle to Bautzen: May 1733. UnderstandingBach 9 2014 89-92

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