Bach Bibliography Search Result

Author : Fabian, Dorottya
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Type	List	Author	Title[further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Fabian, Dorottya; Schubert, Emery	An experimental investigation of musical character portrayed by piano versus harpsichord performances of a J.S. Bach excerpt In: Aesthetics and experience in music performance, ed. Elizabeth Mackinlay, Denis Collins and Samantha Owens. Newcastle upon Tyne: Cambridge Scholars Press, 2005. xxiv, 348p. ISBN: 1-904303-50-1; 978-1-904303-50-3; pp.70-84.				2005	70-84
	2.	Fabian, Dorottya	Bach Performance Practice, 1945-1975: A Comprehensive Review of Sound Recordings and Literature. Aldershot: Ashgate, 2003. xiv, 314p. ISBN: 0-7546-0549-3; 978-0-7546-0549-2.				2003	xiv, 314p
	3.	Fabian, Dorottya	Bach performance practice in the twentieth century: recordings, reviews and reception. [Repr. from Anne Leahy / Yo Tomita (Hrsg.), Bach Studies from Dublin, Dublin 2004, S. 179-189 (= Irish Musical Studies 8)]	BachNachwelt	4		2005	157-167
	4.	Fabian, Dorottya; Schubert, Emery	Performed and perceived dotting are different: Implications for performance practice and pedagogy. Poster presented at the Conference on Interdisciplinary Musicology, Graz, 15-18 April 2004. [Abstract]	[cr]CIM04_Graz			2004	74-75
	5.	Fabian, Dorottya	J. S. Bach Recordings 1945-1975: St Matthew and St John Passions, Brandenburg Concertos and Goldberg Variations - A Study of the Changing Style of Performance in the Context of the Early Music Movement. PhD diss., The University of New South Wales, 1998.	diss.			1998
	6.	Fabian, Dorottya	Towards a Performance History of Bach's Sonatas and Partitas for Solo Violin: Preliminary Investigations.	[fs]Somfai70			2005	87-108
	7.	Fabian, Dorottya	The Recordings of Joachim, Ysaÿe and Sarasate in light of their Reception by Nineteenth-Century British Critics.	IReviewAesthSociolM	37	2	Dec 2006	189-211
	8.	Fabian, Dorottya	Bach performance practice in the twentieth century: recordings, reviews and reception.	IrishMStud	8		2004	179-189
	9.	Fabian, Dorottya	Adalékok J.S. Bach szóló hegedûszonátáinak és -partitáinak elõadástörténetéhez. [Towards a performance history of J.S Bach's sonatas and partitas for solo violin: Preliminary investigations] (= Somfai László 70 eves)	MagyarZene	42	3-4	Oct 2004	311-335	Latin 2
	10.	Fabian, Dorottya	The Merits of Archival Research in Music: Reviews of The English Bach Awakening and Musical Entries at Stationers' Hall 1710-1818.	McolAustralia	28		2005-06	127-130
	11.	Fabian, Dorottya; Schubert, Emery	Expressive devices and perceived musical character in 34 performances of Variation 7 from Bach's Goldberg Variations.	MScientiae		[Special Issue]	2003-04	49-68
	12.	Fabian, Dorottya; Schubert, Emery	Musical character and the performance and perception of dotting, articulation and tempo in 34 recordings of Variation 7 from J.S. Bach's Goldberg variations (BWV 988).	MScientiae	12	2	Fall-Winter 2008	177-206
	13.	Fabian, Dorottya	The Changing Style of Performing J. S. Bach's Music 1950-1975. A Paper read at Seventh Biennial Conference on Baroque Music, Univ. of Birmingham, 4-7 July 1996.	[p]BCB_Birmingham			Jul 1996
	14.	Fabian, Dorottya	Bach recordings as a chronicle of performance style: in search of analytical tools for a critical assessment. A Paper read at Eighth Biennial Conference on Baroque Music, Univ. of Exeter, 9-12 July 1996.	[p]BCB_Exeter			Jul 1998
	15.	Fabian, Dorottya; Ornoy, Eitan	Identity in violin playing on records: Interpretation profiles in recordings of solo Bach by early twentieth-century violinists. http://ccdl.libraries.claremont.edu/u?/ppr,3026	PerformPractReview	14		2009	1-40
	16.	Schubert, Emery; Fabian, Dorottya	The dimensions of baroque music performance: a semantic differential study.	PsycholM	34	4	2006	537-587