Type | List | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | An experimental investigation of musical character portrayed by piano versus harpsichord performances of a J.S. Bach excerpt In: Aesthetics and experience in music performance, ed. Elizabeth Mackinlay, Denis Collins and Samantha Owens. Newcastle upon Tyne: Cambridge Scholars Press, 2005. xxiv, 348p. ISBN: 1-904303-50-1; 978-1-904303-50-3; pp.70-84. |
|
| | 2005 |
70-84 |
|
| 2. | A musicology of performance: theory and method based on Bach's solos for violin. Cambridge: Open Book Publishers, 2015. ii, 339p. ISBN: 978-1-78374-153-3. |
|
| | 2015 |
ii, 339p |
|
| 3. | Bach Performance Practice, 1945-1975: A Comprehensive Review of Sound Recordings and Literature. Aldershot: Ashgate, 2003. xiv, 314p. ISBN: 0-7546-0549-3; 978-0-7546-0549-2. |
|
| | 2003 |
xiv, 314p |
|
| 4. | Bach performance practice in the twentieth century: recordings, reviews and reception. [Repr. from Anne Leahy / Yo Tomita (Hrsg.), Bach Studies from Dublin, Dublin 2004, S. 179-189 (= Irish Musical Studies 8)] |
BachNachwelt |
4 | | 2005 |
157-167 |
|
| 5. | Commercial Sound Recordings and Trends in Expressive Music Performance: Why Should Experimental Researchers Pay Attention? Part 1: Reception and aesthetics of Western Classical music performance, Chapter 4. [BWV 1004] |
[ce]ExpressivenessMPerform |
| | 2014 |
58-79 |
|
| 6. | A Taxonomy of Listeners' Judgements of Expressiveness in Music Performance. Part 3: Models and Quantifications of Expressive Performance of Western Classical Music, Chapter 16. [BWV 1004] |
[ce]ExpressivenessMPerform |
| | 2014 |
283-303 |
|
| 7. | Expressiveness in music performance: Empirical approaches across styles and cultures. New York: Oxford University Press, 2014. 416p. ISBN: 9780199659647. |
[ce]ExpressivenessMPerform |
| | 2014 |
416p |
|
| 8. | Is diversity in Musical Performance Truly in Decline? The Evidence of Sound Recordings. |
Context |
| 31 | 2006 |
165-180 |
|
| 9. | Performed and perceived dotting are different: Implications for performance practice and pedagogy. Poster presented at the Conference on Interdisciplinary Musicology, Graz, 15-18 April 2004. [Abstract] |
[cr]CIM04_Graz |
| | 2004 |
74-75 |
|
| 10. | Doing without thinking? Aspects of musical decision-making revisited. |
[cr]Vienna2013 |
| | 2013 |
201 |
|
| 11. | J. S. Bach Recordings 1945-1975: St Matthew and St John Passions, Brandenburg Concertos and Goldberg Variations - A Study of the Changing Style of Performance in the Context of the Early Music Movement. PhD diss., The University of New South Wales, 1998. |
diss. |
| | 1998 |
|
|
| 12. | Towards a Performance History of Bach's Sonatas and Partitas for Solo Violin: Preliminary Investigations. |
[fs]Somfai70 |
| | 2005 |
87-108 |
|
| 13. | The Recordings of Joachim, Ysa˙e and Sarasate in light of their Reception by Nineteenth-Century British Critics. [Repr. in Classical and Romantic music. - Farnham: Ashgate, 2011. ISBN: 978-0-7546-2859-0; 0-7546-2859-0. Pages: 97-119] |
IReviewAesthSociolM |
37 | 2 | Dec 2006 |
189-211 |
|
| 14. | Bach performance practice in the twentieth century: recordings, reviews and reception. |
IrishMStud |
8 | | 2004 |
179-189 |
|
| 15. | Adalékok J.S. Bach szóló hegedűszonátáinak és -partitáinak előadástörténetéhez. [Towards a performance history of J.S Bach's sonatas and partitas for solo violin: Preliminary investigations] (= Somfai László 70 eves) |
MagyarZene |
42 | 3-4 | Oct 2004 |
311-335 |
Latin 2 |
| 16. | The Merits of Archival Research in Music: Reviews of The English Bach Awakening and Musical Entries at Stationers' Hall 1710-1818. |
McolAustralia |
28 | | 2005-06 |
127-130 |
|
| 17. | Ornamentation in recent recordings of J.S. Bach's solo sonatas and partitas for violin. |
MinAd |
11 | 2 | 2013 |
1-21 |
|
| 18. | Expressive devices and perceived musical character in 34 performances of Variation 7 from Bach's Goldberg Variations. |
MScientiae |
| Special Issue | 2003 |
49-71 |
|
| 19. | Musical character and the performance and perception of dotting, articulation and tempo in 34 recordings of Variation 7 from J.S. Bach's Goldberg variations (BWV 988). |
MScientiae |
12 | 2 | Fall-Winter 2008 |
177-206 |
|
| 20. | Performing solo Bach: a case study of musical decision-making. |
MScientiae |
18 | 1 | Mar 2014 |
35-52 |
|
| 21. | The Changing Style of Performing J. S. Bach's Music 1950-1975. A Paper read at Seventh Biennial Conference on Baroque Music, Univ. of Birmingham, 4-7 July 1996. |
[p]BCB_Birmingham |
| | Jul 1996 |
|
|
| 22. | Bach recordings as a chronicle of performance style: in search of analytical tools for a critical assessment. A Paper read at Eighth Biennial Conference on Baroque Music, Univ. of Exeter, 9-12 July 1996. |
[p]BCB_Exeter |
| | Jul 1998 |
|
|
| 23. | Identity in violin playing on records: Interpretation profiles in recordings of solo Bach by early twentieth-century violinists. |
PerformPractReview |
14 | 1 | 2009 |
1-40 |
|
| 24. | The dimensions of baroque music performance: a semantic differential study. |
PsycholM |
34 | 4 | 2006 |
537-587 |
|