| Type | List | Author  | Title [further info ] | Series | Vol | No | Year | Pages | Status |
| 1. | Davis, Stacey | Implied polyphony in the unaccompanied string works of J.S. Bach: A rule system for discerning melodic strata. |
[cr]ESCOM_Keele |
| | 2000 |
|
|
| 2. | Davis, Stacey | Implied Polyphony in the Unaccompanied String Works of J. S. Bach: Analysis, Perception, and Performance. |
diss. |
| | 2001 |
266p |
|
| 3. | Davis, Stacey | Implied Polyphony in the Solo String Works of J. S. Bach: A Case for the Perceptual Relevance of Structural Expression. |
MPerception |
23 | 5 | Jun 2006 |
423-446 |
|
| 4. | Davis, Stacey (ed.) | Stream segregation and perceived syncopation: Analyzing the rhythmic effects of implied polyphony in Bach's unaccompanied string works. |
MTheoryOnline |
17 | 1 | Apr 2011 |
|
|
| 5. | Davis, Stacey | Bring out the counterpoint: Exploring the relationship between implied polyphony and rubato in Bach's solo violin music. |
PsycholM |
37 | 3 | Jul 2009 |
301-324 |
|