Bach Bibliography
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Author : Crist, Stephen A.
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TypeListTitle[further info]SeriesVolNoYearPagesStatus
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1. Bach, Theology, and Harmony: A New Look at the Arias. Bach 27 1 Spring-Summer 1996 1-30
2. The Question of Parody in Bach's Cantata 'Preise dein Glücke, gesegnetes Sachsen', BWV 215. BachPerspectives 1 1995 135-161
3. The Role and Meaning of the Bach Chorale in the Music of Dave Brubeck. BachPerspectives 5 2003 179-215
4. Bach perspectives. Volume Five. Bach in America. BachPerspectives 5 2003 xiv, 227p
5. Aria forms in the Cantatas from Bach's first Leipzig Jahrgang. BachStud 1 1989 36-53
6. Rezitativo to Aria. [ce]BachKantataNoSekai 3 2002 323-353
7. The early works and the heritage of the seventeenth century. [ce]CambridgeCompanion_Bach 1997 75-85
8. Meditatie en gebed. De aria's in de Matthäus-Passion. [ce]GeheimenMatthausPassion 2010 45-55
9. Rezitative und Arien. [ce]WeltBachKantaten 3 1999 193-212
10. Recitatieven en arias. [ce]WereldBachCantates 3 1998 192-211
11. Recitatives and Arias in Bach's Leipzig Church Cantatas. ChoralJ 41 4 Nov 2000 9-20
12. Beyond 'Bach-Centrism': Historiographic Perspectives on Johann Sebastian Bach and Seventeenth-Century Music. ColMSymposium 33-34 1993-94 56-69
13. Aria Forms in the Vocal Works of J. S. Bach, 1714-24. diss. 1988 xv, 337p
14. Historische Theologie und Hymnologie als Interpretationshilfen für Bachs Kantate Ich elender Mensch, wer wird mich erlösen (BWV 48). DortmundBachF 3 2002 303-323
15. Bach's début at Leipzig. Observations on the genesis of Cantatas 75 and 76. EarlyM 13 2 May 1985 212-226
16. Historical Theology and Hymnology as Tools for Interpreting Bach's Church Cantatas: The Case of Ich elender Mensch, wer wird mich erlösen, BWV 48. EastmanStudM 28 2004 57-84
17. Historical Musicology: Sources, Methods, Interpretations. Festschrift for Robert L. Marshall. EastmanStudM 28 2004 448p
18. Bach, Theology, and Harmony: A New Look at the Arias. [fs]Brainard 1996 65-95
19. J. S. Bach and the Conventions of the Da Capo Aria, or How Original was Bach? IrishMStud 4 1996 71-85
20. The Narrative Structure of J. S. Bach's St. Matthew Passion. [p]ABS_Bethlehem May 2008
21. When is an aria not an aria? [p]ABS_NewBrunswick Apr 2004
22. The Role and Meaning of the Bachian Chorale in the Music of Dave Brubeck. [p]ABS_Washington Apr 2000
23. Aria Forms in Bach's First Leipzig Jahrgang. [p]AMS_Allegheny Nov 1987
24. The Compositional History of Bach's Cantata Preise dein Glücke, gesegnetes Sachsen, BWV 215. [p]AMS_AlleghenyCapital Oct 1989
25. Bach's Debut at Leipzig: Observations on the Genesis of BWV 75 and 76. [p]AMS_NewEngland May 1984
26. Harmonic Figures in the Arias of J. S. Bach. [p]AMS_NorthernCalifornia Feb 1992
27. Bach's Debut at Leipzig: Observations on the Genesis of BWV 75 and 76. [p]AMS_Philadelphia Oct 1984
28. Johann Sebastian Bach and Seventeenth-Century Music: Historiographic Perspectives. [p]AMS_SouthCentral Apr 1993
29. When is an aria not an aria? Terminological and generic distinctions among the solos in Bach's vocal works. [p]BICB_Manchester Jul 2004
30. Theology and Musical Conventions in the Arias of J. S. Bach. [p]FMCS_Yale Mar 2007

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