Type | List | Author | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Williams, Patrick (arr.) | Minuet in G / J. S. Bach. |
|
| | 1949 |
|
|
| 2. | Grimsted, Patricia Kennedy | Bach Scores in Kyiv: The Long-Lost Music Archive of the Berlin Sing-Akademie Surfaces in Ukraine. |
|
| | 2000 |
|
|
| 3. | Grimsted, Patricia Kennedy | Bach Is Back in Berlin: The Return of the Sing-Akademie Archive from Ukraine in the Context of Displaced Cultural Treasures and Restitution Politics. |
|
| | 2003 |
|
|
| 4. | Latrobe, Christian Ignatius (ed.) | Selection of sacred music from the works of some of the most eminent Composers of Germany and Italy: the vocal parts in score, the instrumental adapted to the Piano Forte. |
|
| | 1806-1826 |
|
|
| 5. | Calais, Patrick | Bach en concert: Essai sur les 'Variations Goldberg'. |
|
| | 2017 |
100p |
|
| 6. | Thomson, Beatrice Leslie | Four Musicians. Sketches of Handel, Bach, Haydn, Mozart. |
|
| | 1929 |
124p |
|
| 7. | Steer, Patricia (ed.) | XVI. Internationaler Johann-Sebastian-Bach-Wettbewerb Leipzig 08.-19. Juli 2008; Orgel, Gesang, Violoncello/Barockvioloncello. |
|
| | 2008 |
125p |
|
| 8. | Kirkpatrick, Ralph | Interpreting Bach's Well-tempered Clavier. A Performer's Discourse of Method. |
|
| | 1984 |
132p |
|
| 9. | Hehmann, Patrick | Quoniam tu solus sanctus. Portrait zum Satz aus der H-Moll Messe Johann Sebastian Bachs. Hausarbeit. |
|
| | 2005 |
13p |
|
| 10. | Williams, Patrick (arr.) | Minuet in G / J. S. Bach. |
|
| | 1951 |
13p |
|
| 11. | Williams, Patrick (arr.) | J.S. Bach's organ toccata and fugue in D minor. |
|
| | 1947 |
19, 19p |
|
| 12. | Kirkpatrick, Ralph | 'Le clavier bien tempéré' de Johann Sebastian Bach. |
|
| | 1984 |
192p |
|
| 13. | Bick, Martina; Borchard, Beatrix; Hottmann, Katharina; Warnke, Krista (eds.) | Modell Maria: Beiträge der Vortragsreihen Gender Studies 2004 - 2006 an der Hochschule für Musik und Theater Hamburg. |
|
| | 2007 |
265p |
|
| 14. | Veit, Patrice | Musique et cantiques protestants. |
|
| | 1986 |
290-315 |
|
| 15. | Fallows-Hammond, Patricia | Three Hundred Years at the Keyboard: A Piano Source Book from Bach to the Moderns. Historical background, composers, styles, compositions, national schools. |
|
| | 1984 |
302p |
|
| 16. | Hehmann, Patrick | Quoniam tu solus sanctus. Portrait zum Satz aus der H-Moll Messe Johann Sebastian Bachs. Studienarbeit. |
|
| | 2007 |
36p |
|
| 17. | Williams, Patrick (arr.) | Bist du bei mir. (If Thou art near) / J. S. Bach [recte: G. H. Stölzel] |
|
| | 1958 |
3p |
|
| 18. | Erdely, Beatrice (ed.) | J. C. Bach and F. P. Ricci. Introduction to the Piano: Method or Collection of Elementary Studies for the Forte-Piano or Harpsichord. |
|
| | 1987 |
4 vols |
|
| 19. | Williams, Patrick (arr.) | Minuet in G / J. S. Bach. |
|
| | 1955 |
7p |
|
| 20. | Veit, Patrice | Das Kirchenlied in der Reformation Martin Luthers. Eine thematische und semantische Untersuchung. |
|
| | 1986 |
ix, 224p |
|
| 21. | Fitzpatrick, Horace | The Horn and Horn-Playing and the Austro-Bohemian Tradition from 1680-1830. |
|
| | 1970 |
xiv, 256p |
|
| 22. | Kirkpatrick, Ralph | Domenico Scarlatti |
|
| | 1953 |
xix, 473p |
|
| 23. | Kirkpatrick, Ralph (ed.) | Keyboard Practice consisting of an Aria with thirty variations for the harpsichord with 2 Manuals Prepared for the Enjoyment of Music-Lovers by Johann Sebastian Bach. |
|
| | 1938 |
xxviii, 83 p |
|
| 24. | Flint de Medicis, Catrina | Nationalism and early music at the French fin de siècle: Three case studies. |
19cMReview |
1 | 2 | 2004 |
43-66 |
|
| 25. | Peire, Patrick | Fluit en hobo in de vocaal-instrumentale composities van J. S. Bach. |
Adem |
16 | 3 | May-Jun 1980 |
109-112 |
|
| 26. | Peire, Patrick | De koperblazers in de cantates en oratoria van J.S. Bach. |
Adem |
21 | 1 | 1985 |
30-33 |
|
| 27. | Peire, Patrick | Dirigeren en repeteren in Bachs tijd. |
Adem |
21 | 3 | 1985 |
145-148 |
|
| 28. | Hulle, Beatrijs Van | Muziek en maatschappij - Een cultuurhistorische reis 'In de voetsporen van Johann Sebastian Bach' |
Adem |
39 | 3 | 2003 |
137-143 |
|
| 29. | Atr. | Herrn Professor Gellerts geistliche Oden und Lieder mit Melodien, nebst einem Anhange zwölf geistlicher Oden und Lieder, von C. P. E. Bach. Fünfte Auflage. Leipzig, bei Breitkopf, 1784. 74 Seiten Querfolio ohne Titel und Vorrede. |
AllgDBib |
66 | 2 | 1786 |
427 |
|
| 30. | McCarty, Patricia | User Friendly Baroque Ornamentation: Five Leading Baroque Performers Clarify Viola Literature. |
AmerStringTeacher |
47 | 1 | Winter 1997 |
43-52 |
|
| 31. | Veit, Patrice | Bach à Berlin en 1829: une 'redécouverte'? |
Annales |
62 | 6 | Nov-Dec 2007 |
1347-1388 |
|
| 32. | Ganz, Beatrice | Problems of Articulation in Baroque Keyboard Music (At the Piano or Organ). |
Bach |
7 | 2 | Apr 1976 |
3-13 |
|
| 33. | Bemmann, Katrin (ed.) | 82. Bachfest der Neuen Bachgesellschaft ; Freiberg/Sa. 20. bis 30. September 2007 in Verbindung mit den 17. Gottfried Silbermann-Tagen ; Silbermanns Orgeln und Bachs Musik. [Silbermanns Orgeln und Bachs Musik] Programm. |
Bachfest |
82 | [Freiberg] | 2007 |
207p |
|
| 34. | Zagrosek, Katrin | Stuttgarter Generationswechsel: Katrin Zagrosek übernahm im September 2018 die geschäftsführende Intendanz der Internationale Bachakademie Stuttgart. |
BachMag |
| 32 | Herbst/Winter 2018 |
24-25 |
|
| 35. | Borchard, Beatrix | Einschreiben in eine männliche Genealogie? Überlegungen zur Bach-Rezeption Fanny Hensels. |
BeitrGesBachRezeption |
1 | | 2007 |
59-76 |
|
| 36. | Oliveira, Katya Beatriz de | José Rodrigues Domingues de Meireles, Leonardo Vinci, Johann Christian Bach: Por uma interpretação vocal. |
CadernosColoquio |
9 | 1 | 2009 |
|
|
| 37. | Dinslage, Patrick | Anspruch und Anpassung: Zur ersten Klaviersonate für Kenner und Liebhaber Wq 55,1 von Carl Philipp Emanuel Bach. |
[ce]CPEB_BeitrLW |
| | 1993 |
81-95 |
|
| 38. | Kirkpatrick, Ralph | Ispolnenie bahovskogo Horošo temperirovannogo klavira. |
[ce]KakIspolnjatBaha |
| | 2006 |
164-173 |
|
| 39. | Kavanaugh, Patrick | Bachov duhovni svet. |
CerkveniGlasbenik |
88 | 4-6 | 1995 |
28-31 |
|
| 40. | Bogdan, Izabela; Miernikiewicz, Patryk | 'Confessio fidei Bachiana'. Religious Experience of God in the Works of Johann Sebastian Bach. |
CompostelaPrize |
2 | | 2002 |
205-215 |
|
| 41. | Williams, Patrick (arr.) | Air: (better known as the Air on the G string) / J. S. Bach |
CramersLibOrgM |
| 35 | 1950 |
3p |
|
| 42. | Williams, Patrick (arr.) | Chorale prelude from Cantata No. 140: Sleepers, wake! / J. S. Bach. |
CramersLibOrgM |
| 37 | 1951 |
9p |
|
| 43. | Williams, Patrick (ed.) | Choral fugue on 'Alles was Odem hat' / Carl Philipp Emauel Bach. |
CramersLibOrgM |
| 49 | 1953 |
11p |
|
| 44. | Williams, Patrick (arr.) | Final Chorus from St. Matthew Passion. 'In Tears of Grief, dear Lord, we leave Thee.' / J. S. Bach. |
CramersLibOrgM |
| 65 | 1955 |
7p |
|
| 45. | Williams, Patrick (arr.) | 'Air': My heart ever faithful (from Cantata No. 68 'God so loved the world') by J. S. Bach |
CramersLibOrgM |
| 109 | 1973 |
8p |
|
| 46. | Parncutt, Richard; Kessler, Annekatrin; Zimmer, Fränk (eds.) | CIM04. Conference on Interdisciplinary Musicology. Abstracts. Graz/Austria, 15-18 April 2004. |
[cr]CIM04_Graz |
| | 2004 |
27, 144, 5p |
|
| 47. | Veit, Patrice | '... daheime seine Zeit mit singen, mit beten und lesen zugebracht': Über den Umgang mit Kirchenliedern im außergottesdienstlichen Kontext. |
[cr]Stuttgart1995 |
| | 1998 |
329-335 |
|
| 48. | Kazarow, Patricia | Aus tiefer Not: Martin Luther's Psalmhymn. |
Diapason |
74 | 11:888 | Nov 1983 |
8-12 |
|
| 49. | Loeser, Annekatrin | Annäherung an Rezeptionsvorgänge. Aspekte der Bach-Rezeption Robert Schumanns. |
diss. |
| | 1986 |
103p |
|
| 50. | Tishkoff, Doris Patricia | Sensibility in the eighteenth century as seen in the fantasias from the Für Kenner und Liebhaber of Carl Philipp Emanuel Bach. |
diss. |
| | 1983 |
193p |
|
| 51. | Metzler, Patrizia | Aria forms and chorus textures in Bach's early cantatas: The influences of Neumeister, Telemann, and Rosenmueller. |
diss. |
| | 2007 |
194p |
|
| 52. | Rosa, Patricia Bretas de Oliveira Sa | Max Reger: Variationen und Fuge über ein Thema von Johann S. Bach für Klavier op. 81--Ensaio interpretativo. |
diss. |
| | 1996 |
220p |
|
| 53. | Redrow, Sean Patrick | The 'Livre d'Orgue' of Nicolas de Grigny and the 'Livre' copies of J.S. Bach and J.G. Walther--A performing edition with critical commentary. |
diss. |
| | 2009 |
276p |
|
| 54. | Flint de Médicis, Catrina | The Schola Cantorum, early music and French political culture, from 1894 to 1914. |
diss. |
| | 2007 |
365p |
|
| 55. | Hopkins, Edwina Patricia | The Use of Pedal in J. S. Bach's French Suites, English Suites, and Partitas: a General Guide to Pedalling in the Keyboard Music. |
diss. |
| | 1980 |
86p |
|
| 56. | Cseszko, Ferenc Patrick | A Comparative Study of Joseph Szigeti's 1931, Arthur Grumiaux's 1960, and Sergiu Luca's 1983 Recordings of Johann Sebastian Bach's Sonata #1 in G Minor for Solo Violin. |
diss. |
| | 2000 |
ii, 81p |
|
| 57. | Duke, Patricia Beryl | Foundations of early music in Melbourne: Leonard Fullard and other pioneers. |
diss. |
| | 2006 |
xii, 454p |
|
| 58. | Kirkpatrick, Ralph | Fifty Years of Harpsichord Playing. |
EarlyM |
11 | 1 | Jan 1983 |
31-41 |
|
| 59. | Kirkpatrick, Gavin | Bach's chorus: an appreciation. |
EarlyM |
27 | 1 | Feb 1999 |
173 |
|
| 60. | Kirkpatrick, Ralph | C.P.E. Bach's Versuch reconsidered. |
EarlyM |
4 | 4 | Oct 1976 |
384-392 |
|
| 61. | Kirkpatrick, Ralph | On playing the Clavichord. |
EarlyM |
9 | 3 | Jul 1981 |
293-305 |
|
| 62. | Kirkpatrick, Ralph | On editing Bach's Goldberg variations: For Arthur Mendel (March 31, 1973) |
EastmanStudM |
140 | | 2017 |
99-101 |
|
| 63. | Kirkpatrick, Ralph | Bach and Mozart for violin and harpsichord (ca. 1944) |
EastmanStudM |
140 | | 2017 |
110-142 |
|
| 64. | Kirkpatrick, Ralph | Bach and keyboard instruments. |
EastmanStudM |
140 | | 2017 |
121-129 |
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| 65. | Kirkpatrick, Meredith (ed.) | Reflections of an American harpsichordist: Unpublished memoirs, essays, and lectures of Ralph Kirkpatrick. |
EastmanStudM |
140 | | 2016 |
x, 199p |
|
| 66. | Kirkpatrick, Ralph | The Goldberg Variations. |
EnglishBachFestival(Oxford) |
| | 1963 |
50-51 |
|
| 67. | Harper, Patricia L. | Bach's Chamber Music for Flute: An Expressive Breakthrough. |
FlutistQ |
27 | 1 | Fall 2001 |
32-49 |
|
| 68. | Harper, Patricia L. | Bach's Chamber Music for Flute: An Expressive Breakthrough, addenda. |
FlutistQ |
28 | 3 | Spring 2003 |
20 |
|
| 69. | Stöck, Gilbert; Stöck, Katrin; Föllmer, Golo (eds.) | Facta musicologica: Musikgeschichten zwischen Vision und Wahrheit: Festschrift für Wolfgang Ruf zum 60. Geburtstag. |
[fs]Ruf60 |
| | 2003 |
307p |
|
| 70. | Seidel, Katrin | 'Hier muss Bach draufstehen!' Das 'Neue Bachische Collegium Musicum' ist vor kurzem 25 Jahre alt geworden ... |
GewandhausMag |
| 43 | 2004 |
14-19 |
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| 71. | Marr, Andrew; Haim, Emmanuelle; Greer, Germaine; Quatro, Suzi; Bostridge, Ian; Motion, Andrew; Mitchell, Katie | So what's so good about Bach then? |
Guardian |
| | 12 Dec 2005 |
14-15 |
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| 72. | Reese, Patricia | In memoriam Wilhelm Friedemann Bach. |
HändelHausMt |
| 2 | 1996 |
54f |
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| 73. | Eberl, Katrin | Die Orgelchoräle Friedrich Wilhelm Zachows. |
HändelJb |
51 | | 2005 |
45-58 |
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| 74. | Devine, Patrick F.; White, Harry (eds.) | The Maynooth International Musicological Conference 1995. Selected Proceedings: Part One. |
IrishMStud |
4 | | 1996 |
444p |
|
| 75. | Devine, Patrick F.; White, Harry (eds.) | The Maynooth International Musicological Conference 1995. Selected Proceedings: Part Two. |
IrishMStud |
5 | | 1996 |
409p |
|
| 76. | Le Roux, Frances H.; Bouic, Patrick J.D.; Bester, Maria M. | The Effect of Bach's Magnificat on Emotions, Immune, and Endocrine Paramaters During Physiotherapy Treatment of Patients with Infectious Lung Conditions. |
JMTherapy |
44 | 2 | 2007 |
156-168 |
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| 77. | Kast, Patrick | Mendelssohns schwierige freundschaftliche Verhältnisse. |
KoblenzMendelssohnTage |
Vort 5 | | 2006 |
93-116 |
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| 78. | M¹dry, Alina; Frankowski, Patryk | Perneckher's Harmonia pastorella and C.P.E. Bach's trio in F: A rare example of compositions for concertato bass recorder. |
McolBrunensia |
47 | 1 | 2012 |
189-197 |
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| 79. | Kast, Patrick | Die Musikanschauung Friedrich Rochlitz': Basis für Felix Mendelssohn Bartholdys Erfolge in Leipzig. |
MendelssohnSt |
12 | | 2001 |
187-204 |
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| 80. | Deurzen, Patrick van | Rabelais in het land van Descartes. |
MensMelodie |
51 | | Nov-Dec 1996 |
474-478 |
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| 81. | Schmidinger, Katrin | Anmerkungen zu den Klavierkompositionen im ersteigerten 'Reisealbum Deutschland - Italien 1839/40' von Fanny Hensel. |
Mf |
53 | 4 | Oct-Dec 2000 |
451-453 |
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| 82. | Bödeker, Hans Erich; Veit, Patrice; Werner, Michael (eds.) | Organisateurs et formes d'organisation du concert en Europe 1700-1920: Institutionnalisation et pratiques. |
MLifeEurope1600-1900 |
11 | | 2008 |
xv, 357p |
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| 83. | Borchard, Beatrix; Schwarz-Danuser, Monika (eds.) | Fanny Hensel geb. Mendelssohn Bartholdy: Komponieren zwischen Geselligkeitsideal und romantischer Musikästhetik. |
MPSchRWissF |
| | 1999 |
xxv, 341p |
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| 84. | Fitzpatrick, Michael | Models and music theory: Reconsidering David Lewin's graph of the 3-2 Cohn cycle. |
MTheoryOnline |
17 | 1 | Apr 2011 |
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| 85. | Patroclus | To Adelina Patti [Fugal entry with a tonal answer from Bach (Rossini Villa, May 24, 186---)] |
MWorld |
59 | 22 | 28 May 1881 |
336 |
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| 86. | Stearns, David Patrick | Writing the book on Bach. |
OperaNews |
79 | 1 | Jul 2014 |
24-27 |
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| 87. | Diprose, Mike; Frankowski, Patryk | Historically Informed Performance practice of Bach music from organological perspective |
[p]BNUK_Warsaw |
| | Jul 2013 |
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| 88. | Bemmann, Katrin | Instrumentales Repertoire der Hofkirche im Schrank II. Werke und Schreiber. |
[p]Dresden |
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| 89. | Borchard, Beatrix | Zur Bach-Rezeption Fanny Hensels. |
[p]IK_Leipzig |
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| 90. | Fitzpatrick, Horace | The Valveless Horn in Modern Performance of Eighteenth-Century Music. |
ProceedRMA |
91 | | 1964-65 |
45-60 |
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| 91. | Lang, Patrick | Cuando Bach estaba pasado de moda. |
Quodlibet(Palacio) |
| 16 | Spring 2015 |
52-59 |
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| 92. | Fitzpatrick, Horace | The Waldhorn and its association in Bach's time. |
RMAResChronicle |
| 3 | 1965 |
51-54 |
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| 93. | Kirkpatrick, Ralph (ed.) | The Goldberg variations: piano or harpsichord / J. S. Bach. |
SchirmerLib |
1980 | | 1993 |
xxviii, 83p |
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| 94. | Bemmann, Katrin | Die katholische Kirchenmusik Johann Gottlieb Naumanns (1741-1801). Ein Beitrag zur Überlieferungs- und Rezeptionsgeschichte. |
SchrRStMw |
13 | | 2008 |
511p |
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| 95. | Krahe, Kristin R. M.; Reyersbach, Katrin; Synofzik, Thomas (eds.) | Robert und Clara Schumann im Briefwechsel mit der Familie Mendelssohn. |
SchumannBriefEd |
2 | 1 | 2009 |
517p |
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| 96. | Ganz, Beatrice | Von den geschleiften und den gestoßenen Tönen in der Claviermusik des 18. Jahrhunderts. |
SchweizerischeMzMpädagBl |
114 | 4 | Jul-Aug 1974 |
205-214 |
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| 97. | Lozano, Beatriz | El 'London Bach'. |
Sinfonica |
14 | 166 | Nov 2008 |
7 |
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| 98. | Grimsted, Patricia Kennedy | Bach scores in Kyiv: The long-lost music archive of the Berlin Sing-Akademie surfaces in Ukraine. |
SpoilsWar |
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22-35 |
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| 99. | Grimsted, Patricia Kennedy | Bach is back in Berlin: The return of the Sing-Akademie Archive from Ukraine in the context of displaced cultural treasures and restitution politics. |
SpoilsWar |
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67-104 |
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| 100. | Dinslage, Patrick | Anspruch und Anpassung: Zur ersten Klaviersonate für Kenner und Liebhaber Wq 55,1 von Carl Philipp Emanuel Bach. |
StAI |
38 | | 1989 |
36-50 |
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| 101. | Borchard, Beatrix; Back, Regina; Treydte, Elisabeth; Wenzel, Silke (eds.) | Musik(vermittlung) und Gender(forschung) im Internet: Perspektiven einer anderen Musikgeschichtsschreibung. |
StMaterMw |
92 | | 2016 |
vi, 256p |
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| 102. | Dinslage, Patrick | Edvard Griegs Jugendwerke im Spiegel seiner Leipziger Studienjahre Patrick Dinslage. |
SvenskTidskrMf |
78 | | 1996 |
25-50 |
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| 103. | Grahl, Patrick | Wilhelm Rust (1822-1892). Ein Musiker-Leben für die Leipziger Thomaskirche. |
ThomanerJ |
| 1 | 2008 |
16-17 |
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| 104. | Grahl, Patrick | Felix Mendelssohn Bartholdy (1809-1847). Denkmäler des Komponisten in der Stadt Leipzig. |
ThomanerJ |
| 2 | 2009 |
20-21 |
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| 105. | Grahl, Patrick | Hans-Joachim Rotzsch (* 1929). Freiheit der Kunst stößt an politische Grenzen |
ThomanerJ |
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16-18 |
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| 106. | Grahl, Patrick | Max Reger (1873-1916). Kein Komponist des Entweder-Oder. |
ThomanerJ |
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18-19 |
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| 107. | Grahl, Patrick | Günther Ramin (1898-1956), Ausnahmemusiker in der Nachfolge Bachs |
ThomanerJ |
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| 108. | Vett, Patrice | Gottes Bild und Bild des Menschen in den Liedern Luthers: Untersuchungen zur religiösen Sensibilität. |
WolfenbüttelF |
31 | | 1986 |
7-24 |
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