Type | List | Title [further info![Display full bibliographical information](http://homepages.bw.edu/bachbib/images/expand.gif) ] | Series | Vol | No | Year![Reorder chronologically](http://homepages.bw.edu/bachbib/images/sort.gif) | Pages | Status |
| 1. | Matai Junankyoku ni tsuite. [On Bach's St Matthew Passion] Lecture given at 50th anniversary Greenwood Harmony Concert on 7 July 2002. Also online at http://www.jade.dti.ne.jp/~jak2000/page002.html#%98_%95%B61[as of 25 October 2006] |
|
| | 7 Jul 2002 |
|
![Japanese](http://homepages.bw.edu/bachbib/images/flags/Japan.gif) |
| 2. | Descubre la música cantando a J.S. Bach: 20 lecciones de solfeo de fácil a mediana dificultad. [Discovering music by singing J.S. Bach: Twenty easy and intermediate lessons in solfege] Valencia: Rivera, 1991. |
|
| | 1991 |
|
![Spanish](http://homepages.bw.edu/bachbib/images/flags/Spain.gif) |
| 3. | Einstein et le temps de X chez Bach et chez Mozart. http://julioestrada.net/?page_id=94 Accessed 18 November 2007 |
|
| | [Accessed] 18 Nov 2007 |
|
![French](http://homepages.bw.edu/bachbib/images/flags/France.gif) |
| 4. | Problemen bij Matthäus-Passion uitvoeringen. Arnhem, 1929. |
|
| | 1929 |
|
![Dutch](http://homepages.bw.edu/bachbib/images/flags/Netherlands.gif) |
| 5. | Bach. Stockholm: Bonnier, 1947. |
|
| | 1947 |
|
![Swedish](http://homepages.bw.edu/bachbib/images/flags/Sweden.gif) |
| 6. | Zwei Menuette für Pianoforte (aus dem Klavierbüchlein Friedemann Bach's) / Joh. Seb. Bach. bearb. v. José Vianna da Motta. - Leipzig: Dieckmann [1893] |
|
| | 1893 |
|
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 7. | Erinnerung an Joh. Seb. Bach. Op. 91. Gesangscene über den Namen des gr. Meisters für Vcello u. Pfte. - Leipzig, Kistner [1881] Mk 2,50. |
|
| | 1881 |
|
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 8. | Zwei Praeludien aus dem wohltemperirten Klavier / Joh. Seb. Bach. für Pianoforte mit obligater Violine bearbeitet von Kasp. Jakob Bischoff. - Leipzig: Kistner, [1881] Mk 1,50. |
|
| | 1881 |
|
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 9. | Saint-Saëns's improvisations on the organ (1862). In: Jann Pasler (ed.), Camille Saint-Saëns and his world. - Princeton University Press, 2012. xviii, 422p. ISBN: 0-691-15555-0; 978-0-691-15555-5; 0-691-15556-9; 978-0-691-15556-2. (= Bard Music Festival), pp. 102-108. |
|
| | 2012 |
102-108 |
![English](http://homepages.bw.edu/bachbib/images/flags/United-Kingdom.gif) |
| 10. | Instruktivnye socinenija I.S. Baha dlja klavira v praktike obucenija tvorceskomu muzicirovaniju. [J.S. Bach's keyboard compositions and the development of enlightened music making] Ufa: n.p., 111p. print. ISBN: 5-87978-101-1. |
|
| | 1998 |
111p |
![Russian](http://homepages.bw.edu/bachbib/images/flags/Russia.gif) |
| 11. | Ongaku Rekishi Monogatari. [Story of Music History] - Tokyo> Kyoeki Shosha, 1948. 148p. [Ongaku no Saikoho (Bach), pp.38-46] |
|
| | 1948 |
148p |
![Japanese](http://homepages.bw.edu/bachbib/images/flags/Japan.gif) |
| 12. | Johann Sebastian Bach. Arles: Actes Sud ; Paris: Classica Répertoire, 2006. 155p. ISBN: 2-7427-5826-7; 978-2-7427-5826-5. |
|
| | 2006 |
155p |
![French](http://homepages.bw.edu/bachbib/images/flags/France.gif) |
| 13. | Barokku no Seigakugiho. Tozui no Kashoho yori [1757] [Anleitung zur Singkunst] Trans. to Japanese by Rolf Klein and Kazuko Ogura. Tokyo: Sinfonia, 1994. 170p. |
|
| | 1994 |
170p |
![Japanese](http://homepages.bw.edu/bachbib/images/flags/Japan.gif) |
| 14. | Bach Mangekyo: Jidai no Gekiryu ni ikita Kyokai Ongakuka. [Bach Kaleidoscope: Church musician who lived in the torrent of time] Tokyo: Nihon Kirisuto Kyodan Shuppankyoku [The Board of Publications, The United Church of Christ in Japan], 2013. 208p. ISBN 978-4-8184-0863-0. |
|
| | 2013 |
208p |
![Japanese](http://homepages.bw.edu/bachbib/images/flags/Japan.gif) |
| 15. | Los Grandes Musicos. I. Bach, Beethoven, Wagner. Madrid: Hernando, 1924. 212p. |
|
| | 1924 |
212p |
![Spanish](http://homepages.bw.edu/bachbib/images/flags/Spain.gif) |
| 16. | Johann Sebastian Bach had a wife. Tyndale House, Wheaton, Illinois, 1987. 214p. ISBN: 0-8423-1908-5. - Living Books, 1988. |
|
| | 1987 |
214p |
![English](http://homepages.bw.edu/bachbib/images/flags/United-Kingdom.gif) |
| 17. | Ongaku Yawa. [About Music] - Tokyo: Baifukan, 1924. 226p. |
|
| | 1924 |
226p |
![Japanese](http://homepages.bw.edu/bachbib/images/flags/Japan.gif) |
| 18. | Bach teologo. Presentazione di Pier Angelo Sequeri. [Trad. di Alberto Odone] 1. ed. Casale Monferrato (Al): Piemme, 1994. 239p |
|
| | 1994 |
239p |
![Italian](http://homepages.bw.edu/bachbib/images/flags/Italy.gif) |
| 19. | Catalogue d'une précieuse collection de musique manuscrits originaux et lettres autographes. Partitions, morceaux de musique, curiosités, etc. des plus grands compositeurs du XVIIIe et du XIXe siècle, tels que: Mozart, Bach, Beethoven, Haydn, Schubert, Mendelssohn, etc. Provenant du cabinet de M. Johann Kafka. Compositeur à Vienne (Autriche) [...] Paris: Charavay [usw.], 1881, 24p. |
|
| | 1881 |
24p |
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 20. | Bach no Koraru o utau. Meikyoku 50 sen. [Singing Bach's chorales. A select collection of 50 pieces] With CD performance by Naoko Imai. Tokyo: Kirisuto Shinbunsha, 2007. 267p. ISBN: 978-4-87395-502-5. |
|
| | 2007 |
267p |
![Japanese](http://homepages.bw.edu/bachbib/images/flags/Japan.gif) |
| 21. | J.S. Bach. Jidai o koeta Kantoru. [J.S. Bach. The Cantor who transcended his age] Tokyo: Nihon Kirisuto Kyodan Shuppankyoku, 2006. 302p. ISBN: 4-8184-0629-5. |
|
| | 2006 |
302p |
![Japanese](http://homepages.bw.edu/bachbib/images/flags/Japan.gif) |
| 22. | Drei Sonaten für Altblockflöte und Cembalo oder Klavier (Violoncello oder Gambe ad libitum) / Johann Sebastian Bach. Eingerichtet von Greta Richert. Generalbaß ausgesetzt von Johannes Snigula. [Klavierpartitur, Stimmen] - Halle: Mitteldt. Verlag, 1950. 31p + 2 St. Best.-Nr. V 1061. [BWV 1033 (Anh. II), 1034, 1035] |
|
| | 1950 |
31p + 2 St |
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 23. | Taisei Ongaku Taika Den. [Biography of The Great Musicians in the Western Music] Ed. Kunitaro Horogai and Jun Arisawa. - Tokyo: Nakagawa Shoten, 1907. 396, 190p. [Bach = 372p] |
|
| | 1907 |
396p |
![Japanese](http://homepages.bw.edu/bachbib/images/flags/Japan.gif) |
| 24. | Fuga v Èeské Hudbì. Praha: Panton, 1987. 442p. |
|
| | 1987 |
442p |
Latin 2 |
| 25. | Meister der Barockmusik: Norddeutsche Musikkultur um Bach und Händel: Eine Dokumentation zum Europäischen Jahr der Musik. Hrsg.: Vereins- u. Westbank Hamburg; Konzeption u. Red.: Gisela Jaacks, Andres W. Jahnke. - Hamburg: Vereins- u. Westbank, 1985. 45p. |
|
| | 1985 |
45p |
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 26. | Air de la Pentecôte: Easter cantata / J. S. Bach transcribed [for organ] by W.J. Westbrook. [Also hat Gott die Welt geliebt. Mein gläubiges Herze, frohlokke, sing', scherze; arr.] - London: William Czerny, [n.d.] 5p. Pl.-Nr. W.C. 318. (= Westbrook (W. J.) Short Melodies, etc. [1872-85] ; No. 10) [BWV 68/2] |
|
| | c 1900 |
5p |
![English](http://homepages.bw.edu/bachbib/images/flags/United-Kingdom.gif) |
| 27. | Präludium aus dem wohltemperierten Klavier von Joh. Seb. Bach. Für Pianoforte mit obligater Violine bearbeitet von Kasp. Jak. Bischoff. - Berlin: Hoffheinz [u.a.] [1891] 5p + St. Pl.-Nr.: E. 55 H. [BWV 872/1] |
|
| | 1891 |
5p + St |
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 28. | Johann Sebastian Bach: A plenitude do gênio. São Paulo: Secretaria de Estado da Cultura, 1986. 63p |
|
| | 1986 |
63p |
![Portugese](http://homepages.bw.edu/bachbib/images/flags/Portugal.gif) |
| 29. | Ferruccio Busoni's Cyclus von vier Clavier-Orchester-Abenden. Die Haupterscheinungen auf dem Gebiet des Clavier-Concertes von J. S. Bach bis Fr. Liszt; Saal der Sing-Academie, Berlin, Sonnabend den 29. October 1898, Sonnabend den 5. November 1898, Sonnabend den 12. November 1898, Sonnabend den 19. November 1898, abends 8 Uhr; mit historisch-kritischen Erläuterungen von José Vianna da Motta und einer thematischen Uebersicht der zum Vortrag gelangenden Clavier-Concerte. - Berlin: Concert-Direction Hermann Wolff, 1898. 87p. |
|
| | 1898 |
87p |
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 30. | Obrazno-konceptual'naja interpretacija Variacij na temu horala J. S. Bach Es ist genug E.V. Denisova. [The conceptual interpretation of Edison Denisov’s variations on the theme of J. S. Bach’s chorale Es ist genug] In: Sovremennoe muzykal’noe iskusstvo: Iz veka XX v vek XXI [The musical art of today: The turn of the 21st century] ed. Natal’ja Igorevna Èabovskaja. - Tomsk: Del’taplan, 2004. 140p. ISBN: 5-94154-089-2. |
|
| | 2004 |
90-94 |
Latin 2 |
| 31. | 3.11 Go o ikiru Kirisutokyo: Bultmann, Marx, Bach kara mananda Koto. [Christianity that lives after 3.11: what I learned from Bultmann, Marx and Bach] Tokyo: Shinkyo Publishing Co, 2013. 94p. ISBN:978-4-400-52725-1. |
|
| | 2013 |
94p |
![Japanese](http://homepages.bw.edu/bachbib/images/flags/Japan.gif) |
| 32. | Der Nekrolog auf Johann Sebastian Bach [1754]. Faksimile-Wiedergabe des Erstdrucks von 1754. Zur 65. Widerkehr des Tages ihrer Gründung, dem 27. Januar 1965, für ihre Mitglieder hearusgegeben von der Neuen Bachgesellschaft e. V. [With commentary by Christoph Trautmann.] Leipzig & Hannover: Neue Bachgesellschaft, 1965. [facs of title-page, InhaltPages not numbered. 17 cm. |
|
| | 1965 |
[36p] |
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 33. | Introduction to the Art of Singing. Translation of: Anleitung zur Singkunst: aus dem italiänischen des Herrn Peter Franz Tosi / mit Erläuterungen und Zusätzen von Johann Friedrich Agricola (Berlin: G.L. Winter, 1757) by Julianne C. Baird. Cambridge: Cambridge University Press, 1995. ix, 298p. ISBN: 052145428X. |
|
| | 1995 |
ix, 298p |
![English](http://homepages.bw.edu/bachbib/images/flags/United-Kingdom.gif) |
| 34. | Èeskokrumlovská Mozartiana. Katalog skeladeb W. A. Mozarta z Hudební sbírky Státního oblastního archívu Tøeboò - proboèka Èeský Krumlov. Zpracovali Jitøenka Peškova a Jiøí Záloha. - Státní knihovna ÈSR nositelka Øádu republikz, Praha 1981. lxxviii, 154p. |
|
| | 1981 |
lxxviii, 154p |
Latin 2 |
| 35. | Bach Cantatas Requiring Limited Resources. A Guide to Editions. Lanham, MD; London: Univ. Press of America. 1984. viii, 49p. |
|
| | 1984 |
viii, 49p |
![English](http://homepages.bw.edu/bachbib/images/flags/United-Kingdom.gif) |
| 36. | Anleitung zur Singkunst. Aus dem Italiänischen [P. F. Tosi, 'Opinioni de'cantori...'] mit Erläuterungen und Zusätzen von Johann Friedrich Agricola. Berlin: G.L. Winter, 1757. xvi, 239p. |
|
| | 1757 |
xvi, 239p |
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 37. | Anleitung zur Singkunst [1757]. Faksimile-Neudruck mit Einführung und Kommentar von Kurt Wichmann. Leipzig: Deutscher Verlag für Musik, 1966. xvi, 239p. - New edition from Wiesbaden: Breitkopf & Härtel, 1994. xvi, 239p. (BV 295). ISBN: 3-765-10295-4. |
|
| | 1966 |
xvi, 239p |
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 38. | Kashogeijutsu no Tebiki [1757] [Anleitung zur Singkunst] Trans. by Seiichi Tokawa. Tokyo: Shunju sha, 2005. xvi, 376p. ISBN: 4-393-93018-5. |
|
| | 2005 |
xvi, 376p |
![Japanese](http://homepages.bw.edu/bachbib/images/flags/Japan.gif) |
| 39. | The Story of Music. New York: Longmans, Green & co, 1889. xvii, 212p. - new edn. New York [etc.]: Longmans, Green & Co., 1912. xix, 206p. |
|
| | 1889 |
xvii, 212p |
![English](http://homepages.bw.edu/bachbib/images/flags/United-Kingdom.gif) |
| 40. | Nekrolog or Obituary Notice of Johann Sebastian Bach. [by Carl Philipp Emanuel Bach, Johann Friedrich Agricola, Lorenz Christoph Mizler] Translated with an Introduction, Notes and Two Appendices [by] Walter Emery. 1942. - Facs. reproduction of Emery's handwritten manuscript. London: Travis and Emery Music Bookshop, 2009. xx, 231p. ISBN: 978-1-906857-79-0; 978-1-906857-80-6. |
|
| | 2009 |
xx, 231p |
![English](http://homepages.bw.edu/bachbib/images/flags/United-Kingdom.gif) |
| 41. | Anleitung zur Singkunst [1757]. Reprint der Ausgabe 1757. Mit neu gesetzten, modern geschlüsselten Notenbeispielen. Herausgegeben und kommentiert von Thomas Seedorf, Kassel [u.a.]: Bärenreiter, 2002. xxix, 283p |
|
| | 2002 |
xxix, 283p |
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 42. | Anleitung zur Singkunst (1757, Faksimile-Nachdruck). zusammen mit dem italienischen Original von Pier Francesco Tosi: Opinioni de'cantori antichi e moderni o sieno osservazioni sopra il canto figurato (1723). Neu hrsg., mit einem Vorwort und einem Anhang von Erwin R. Jacobi. [With an English translation of the preface and the appendix by K. B. Tyldesley, and with facsimiles.] Celle: Hermann Moeck Verlag, 1966. xxxviii, xvi, 239, 44p |
|
| | 1966 |
xxxviii, xvi, 239, 44p |
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 43. | Re-making the English organ: Musical and liturgical contexts (1830–1870). |
19cMReview |
12 | 1 | Jun 2015 |
71-93 |
![English](http://homepages.bw.edu/bachbib/images/flags/United-Kingdom.gif) |
| 44. | Tragische Kantaten, für eine oder zwo Singestimmen und das Clavier. Nemlich des Hrn. von Gerstenbergs Ariadne auf Naxos, und Joh. El. Schlegels Prokris und Cephalus. In die Musik gesezt, und nebst einem Sendschreiben, worinnen vom Recitativ überhaupt und von diesen Kantaten insonderheit geredet wird, herausgegeben von Johann Adolph Scheiben, Königl. Dän. Kapellmeister. Koppenhagen und Leipzig, in der Mummischen Buchhandlung. 1765. 26 Bogen in klein Folio. XXVII. |
AllgDBib |
10 | 1 | 1769 |
155-169 |
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 45. | Phillis und Thirsis, eine Cantate in Musik gesezt von C. P. E. Bach. Berlin bey Winter 2 B. Folio. / Erfindungsreich, fremd; aber, zumal für ein so kurzes Stük, an einigen Stellen nicht sliessend genug für die Singstimme. / Georg Simon Löhleins Clavier-Schule, oder kurze und gründliche Anweisung zur Melodie und Harmonie, durchgehends mit praktischen Beyspielen erkläret, Leipzig und Züllichau auf Kosten der Waisenhaus- und Fronmannischen Buchhandlung. 1765. 1 Alph. 2 Bog. in Querquart. Kurze Nachrichten. 6) Schöne Künste. |
AllgDBib |
10 | 1 | 1769 |
241-243 |
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 46. | Musikalisches Vielerley. Herausgegeben von Herrn Carl Philipp Emanuel Bach, Musik Direktor zu Hamburg. Hamburg, gedruckt und verlegt von Michael Ehristian Vock, 1770. in Folio 2 Alphab. 6 Bogen. Kurze Nachrichten. 5. Schöne Künste. a) Musik. [Ausdruck in Bachs Choralvorspielen] |
AllgDBib |
15 | 1 | 1771 |
239 |
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 47. | Drey Sonaten für das Clavier und eine Violine, von Johann Ernst Bach. Erster Theil. Eisenach, bey M. G. Grießbachs sel. Söhnen, 1770. 7 Bogen in Folio. Kurze Nachrichten. 5. Schöne Künste. a) Musik. [Bachs Triosatz als Vorbild] |
AllgDBib |
15 | 1 | 1771 |
240-241 |
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 48. | Vorspiele unterschedener Art für die Orgel, von Johann Christoph Conrad, Organisten zu Eisfeld. Leipzig, gedruckt bey Breitkopfen. 4 Bogen in lang Folio. Kurze Nachrichten. 5. Schöne Künste. Musik. [Druckveröffentlichung von Orgelwerken] |
AllgDBib |
19 | 2 | 1773 |
576 |
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 49. | Musikalisches Magazin in Sonaten, Sinfonien, Trios und andern Stücken für das Clavier bestehend. Erster und zweyter Theil. Leipzig bey Breitkopf. Kurze Nachrichten. 6. Schöne Künste.. |
AllgDBib |
2 | 1 | 1766 |
267-270 |
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 50. | Georg Michael Telemanns, ehemaligen Accompanisten am Hamburgischen musikalischen Kirchenchore, und jetzigen Randidaten der H. Gottesgelahrtheit, Unterricht im Generalbaß-Spielen, auf der Orgel, oder sonst einem Clavier-Instrumente. Hamburg, gedruckt und verlegt von Michael Christian Vock. 1773. 14 Bogen in Quart. Kurze Nachrichten. 5. Schöne Künste. [Bachs Lehrmethode im Generalbass, S.243] |
AllgDBib |
22 | 1 | 1774 |
242-248 |
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 51. | Variirte Choräle, für die Orgel, von Johann Christoph Oley. Quedlinburg, bey Christoph August Reußner. 1773. 6 Bogen in lang Folio. Kurze Nachrichten. 4. Schöne Künste. Musik. [Bachs Orgelwerke als Kompositionsmuster] |
AllgDBib |
22 | 2 | 1774 |
531 |
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 52. | Concerto per il Clavicembalo accompagnato da Violino 1mo, Viol 2do Viola e Basso, dedicato al Sr. C. P. E. Bach, maestro di Capella in Hamburgo, da Gio. Feder. Reichardt. In Riga, preso G. F. Hartknoch, 1774. in klein Folio 10 Bogen. Kurze Nachrichten. 5. Schöne Künste. Musik. [Spiel der Violinsolosonaten auf dem Klavichord. S-527] |
AllgDBib |
23 | 2 | 1775 |
524-529 |
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 53. | Johann Sebastian Bachs vierstimmige Choralgesänge, gesammelet von Carl Philipp Emanuel Bach. Erster Theil. Berlin, bey Birnstiel 1765. im Querfolio, 14 Gog. Kurze Nachrichten. 2. Musik. |
AllgDBib |
3 | 2 | 1766 |
285-286 |
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 54. | Sechs leichte Clavier-Sonaten von Carl Philipp Emanuel Bach. Leipzig bey B. C. Breitkopf und Sohn. 1766. in Querfolio 9 1/2 Bogen. Kurze Nachrichten. 5. Schöne Künste. Musik. [Vergleich von Klavierwerken C. P. E. und J. S. Bachs] |
AllgDBib |
5 | 1 | 1767 |
299-300 |
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 55. | [C. P. E. Bach] Sonatina I.II.III. a Cembalo concertato, II. Flauti, II. Violoni, Violetta e BBasso. Fol. Berlino presso Winter. Kurze Nachrichten. 5. Schöne Künste. Musik. |
AllgDBib |
5 | 2 | 1767 |
268-270 |
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 56. | Articulation in Bach: Interpreting Historical Evidence with Common Sense and Good Taste. |
AmerOrganist(2) |
15 | 7 | Jul 1981 |
30-32 |
![English](http://homepages.bw.edu/bachbib/images/flags/United-Kingdom.gif) |
| 57. | Garcia Marquez: Contar cantando (de los vallenatos a las Seis suites para chelo solo de Bach). [Garcia Marquez: Saying it by singing (from the vallenatos to Bach's Six Suites for cello solo)] |
AnalesLitHispanoAmer |
| 25 | 1996 |
255-261 |
![Spanish](http://homepages.bw.edu/bachbib/images/flags/Spain.gif) |
| 58. | Um novo livro sobre J. Sebastian Bach. |
ArteMusical(3) |
7 | 158 | 1905 |
184 |
![Portugese](http://homepages.bw.edu/bachbib/images/flags/Portugal.gif) |
| 59. | Música: El soroll després de Bach. |
Avenc |
| 332 | 2008 |
64-65 |
![Spanish](http://homepages.bw.edu/bachbib/images/flags/Spain.gif) |
| 60. | Observations on Bach's Use of the Horn. |
Bach |
11 | 2 | Apr 1980 |
21-28 |
![English](http://homepages.bw.edu/bachbib/images/flags/United-Kingdom.gif) |
| 61. | Jan Dismas Zelenka. |
Bachfest |
53 | [Marburg] | 1978 |
89-94 |
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 62. | Zum Spannungsfeld Concerto - Sinfonia. |
BachSt |
10 | | 1991 |
155-161 |
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 63. | Die Quellen des stille antico in der Dresdner Musiksammlung um 1730. |
BachSt |
9 | | 1986 |
67-71 |
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 64. | Bach, Lute, soshite Guitar. [Bach, Lute and Guitar] |
BachZenshu |
13 | | Jul 1997 |
50-63 |
![Japanese](http://homepages.bw.edu/bachbib/images/flags/Japan.gif) |
| 65. | Matai Junankyoku o megutte. [On St Matthew Passion] |
BCJ |
| | Mar 2008 |
6-7 |
![Japanese](http://homepages.bw.edu/bachbib/images/flags/Japan.gif) |
| 66. | 'Yohane Junankyoku' Seiritsu no Haikei. 'Gakucho-gata Kantoru' ga Jitsugen saseta Hatsu no Junankyoku. [The background of the development of 'Johannespassion' -- The first Passion realized by 'Capellmeister-type Cantor']. |
BCJ |
| 76 | Apr 2007 |
48-51 |
![Japanese](http://homepages.bw.edu/bachbib/images/flags/Japan.gif) |
| 67. | Program Notes. 'Matai Junankyoku' to Koraru. [St Matthew Passion and Chorales] |
BCJ |
| 97 | Apr 2012 |
10-14 |
![Japanese](http://homepages.bw.edu/bachbib/images/flags/Japan.gif) |
| 68. | Bachs Fuge und Thematik - Motivik - Gestaltvariation: Zum historischen 'Stellenwert' der Bachschen Orchesterfugen. [BWV 1044, 1050] |
BeitrMw |
18 | 2-3 | 1976 |
175-193 |
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 69. | Ausdruckscharaktere in Bachscher Cembalo-, Clavichord- und Lautenmusik. |
BeitrMw |
25 | 2 | 1983 |
120-129 |
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| 70. | Frühe Analysen zweier Stücke aus dem Wohltemperierten Klavier. [BWV 869/2, 889/1] |
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7 | 1 | 1965 |
47-55 |
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| 71. | Were J.S.Bach's Trio Sonatas written for the pedal clavichord? |
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| 72. | J. S. Bach to sono Jidai--Seitan 300-nen ni yosete. [J. S. Bach and his time--a reflection on his 300th birthday] |
BunkaHyoron |
| 294 | Sep 1985 |
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| 73. | Bach to Gendai--Shukyoshin naki Jidai no Shukyo Ongaku. [Bach and present time--religious music in the era without religeous heart] Also available online at http://www.jade.dti.ne.jp/~jak2000/page002.html#%98_%95%B62 |
BunkaHyoron |
| 308 | Nov 1986 |
167-182 |
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| 74. | Modulation in C.P.E. Bach's Versuch. Repr. from in H.C. Robbins Landon and Roger Chapman (eds), Studies in Eighteenth-Century Music: A Tribute to Karl Geiringer on His Seventieth Birthday, London: Allen and Unwin (1970), pp. 333-342. |
[ce]Late18cComposers_CPEB |
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| 75. | [Bachs Urteil über die Orgel der Hamburger Katharinenkirche] |
[ce]MMechOrganoedi |
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| 76. | [Bachs Urteil über die Orgel der Leipziger Johanniskirche] |
[ce]MMechOrganoedi |
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251 |
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| 77. | [Johann Ludwig Krebs als Schüler Bachs] |
[ce]MMechOrganoedi |
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| 78. | [Bachs Forderungen für die Anlage der Klaviatur] |
[ce]MMechOrganoedi |
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23-24 |
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| 79. | [Bachs Urteil über Silbermanns Pianoforte] |
[ce]MMechOrganoedi |
| 2 | 1768 |
116-117 |
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| 80. | [Bauart von Bachs Lautenklavier] |
[ce]MMechOrganoedi |
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139 |
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| 81. | 'Nekrolog' di Johann Sebastian Bach e cantata funebre. |
[ce]MusicaPoetica |
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227-240 |
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| 82. | Bachov nekrolog. [Bach's obituary] trans. by Marko Dusinc. |
CerkveniGlasbenik |
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| 83. | Organnye choral'nye obrabotki Bacha. [Bach's chorale preludes.] |
[ce]RusskajaKnigaOBahe |
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222-248 |
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| 84. | Wegzeichen. Studien zur Musikwissenschaft. Berlin: Verlag Neue Musik, 1985. 380p. |
[ce]Wegzeichen |
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380p |
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| 85. | Johann Sebastian Bachs vierstimmige Choralgesänge / Zweyter Theil. [No.101-200] gesammlet von Carl Philipp Emanuel Bach. [Erstausgabe] - Berlin und Leipzig: Friedrich Wilhelm Birnstiel, 1769. 1 Bl (Tbl) pp.53-104 (Nr.101-200) ohne Vorwort und Druckfehlerverzeichnis. [The second volume of Birnstiel edition is furiously denied by CPE Bach (cf. recno 38046 = Dok3/753)] - Faks Repr. Hildesheim, 1975. ii, 104p. (with vol.1) |
Choralgesänge(1) |
2 | | 1769 |
53-104 |
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| 86. | Gendaiteki Kadai to shite no Bach no Ongaku. [Bach's music as a modern subject] Also available online at http://www.jade.dti.ne.jp/~jak2000/page002.html#%98_%95%B63 |
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| 87. | Proceedings of the sixth International Conference on Music Perception and Cognition. Keele: European Society for the Cognitive Sciences of Music (ESCOM), 2000. CD-ROM. ISBN: 0-9539909-0-7; 978-0-9539909-0-0. |
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| 88. | Oskar Merikanto as a developer of liturgical organ music. |
[cr]Helsinki2016 |
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279-301 |
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| 89. | Zum Naturbegriff bei Bach - Aspekte des Scheibe - Birnbaum-Disputs. |
[cr]Leipzig1975 |
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| 90. | Zelenka und Bach im 19. und 18. Jahrhundert. |
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| 91. | BowScribe: Supporting the violinist's performance model. In: Proceedings of the International Symposium on Performance Science 2011. - Bruxelles/Brussel, Netherlands: Association Européenne des Conservatoires, Academies de Musique et Musikhochschulen, 2011. ISBN: 978-94-90306-02-1; 94-90306-02-9. Pages: 655-660. |
[cr]Toronto2011 |
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| 92. | Figure della paternità nell'Ancien Régime: Atti del seminario—Università della Valle d'Aosta, 24 giugno 2009. [Figures of fatherhood in the Ancien Régime: Acts of the conference—Università della Valla d'Aosta, 24 June 2009)] - Torino: Accademia University Press, 2011. 160p. ISBN: 978-88-97523-05-5; 88-97523-05-6. |
[cr]ValleAosta2009 |
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160p |
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| 93. | Bach, Chopin, and the Affordances of Keyboard Instruments during the Long Eighteenth Century. Abstract: pp.282 (pl), 283 (en). |
[cr]Warsaw2017 |
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267-280 |
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| 94. | Garcia Marquez: Contar cantando (de los vallenatos a las Seis suites para chelo solo de Bach). [Garcia Marquez: Saying it by singing (from the vallenatos to Bach's Six Suites for cello solo)] |
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| 95. | Bachiana. |
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23 | | 1901 |
107f, 205f, 213f, 333 |
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| 96. | Towards an identification of the clavichord repertoire among C.P.E. Bach's solo keyboard music: Some preliminary conclusions. |
DeClavicordio |
2 | | 1995 |
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| 97. | The pedal clavichord as a pedagogical tool for organists. |
DeClavicordio |
3 | | 1997 |
109-118 |
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| 98. | Documenting a clavichord by Lindholm and Söderström and a brief history of Swedish measurements. |
DeClavicordio |
4 | | 2000 |
161-176 |
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| 99. | Vézelay. Rostropovitch. Bach. Inspiré par la Basilique, le violoncelliste russe publie enfin sa promière lecture officielle de la Somme ... [CD review. Les 6 Suites pour violoncelle seul. BWV 1007 à 1012. (EMI Classics)] |
Diapason(France) |
| 416 | Jun 1995 |
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| 100. | New transcriptions for viola: Works by J. S. Bach, Frank Bridge, Clara Schumann, and Rebecca Clarke. DMA diss., University of Memphis, 2004. 105p. - Ann Arbor, MI: University Microfilms International (UMI). ISBN: 0-496-74611-1. |
diss. |
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105p |
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| 101. | Juhachi-Seiki Deutsch no Ensoron Kenkyu - J.J. Quantz, E. Bach, Leopold Mozart no Chosho no Hikaku Kento. [A study of 18th-century German performance practice: comparisons of the writings of J.J. Quantz, C.P.E. Bach, and Leopold Mozart.] MA diss., Musicology: Musashino Academy of Music, 1976. 220p. |
diss. |
| | 1976 |
220p |
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| 102. | The Baroque violoncello and the unaccompanied cello suites of J. S. Bach, B.W.V. 1007 - 1012. PhD diss., Music: New York Univ., 1986. 232p. |
diss. |
| | 1986 |
232p |
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| 103. | Carlos Seixas. The Development of the Keyboard Sonata in Eighteenth-Century Portugal. A Lecture Recital together with three Recitals of selected Works of Johann Sebastian Bach... DMA diss., University of North Texas, 1982. 24p |
diss. |
| | 1982 |
24p |
![English](http://homepages.bw.edu/bachbib/images/flags/United-Kingdom.gif) |
| 104. | Maks Reger kak javlenie nemeckoj muzykal'noj kul'tury. [Max Reger and German culture.] PhD diss., History of music: Inst. istorii iskusstv Ministerstva kul'tury SSSR, Moskva, 1976. 24p |
diss. |
| | 1976 |
24p |
![Russian](http://homepages.bw.edu/bachbib/images/flags/Russia.gif) |
| 105. | A study of the solo and chamber literature for the oboe d'amore from 1720-c.1760 with modern performance editions of select unpublished works. DMA diss., Performance and music literature: Eastman School of Music, 1977. 290 p. |
diss. |
| | 1977 |
290p |
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| 106. | Voice-leading patterns in the fugal expositions of J. S. Bach's 'Well-tempered Clavier'. PhD diss., Music Theory: City U. of New York, 1987. 355p. |
diss. |
| | 1987 |
355p |
![English](http://homepages.bw.edu/bachbib/images/flags/United-Kingdom.gif) |
| 107. | The Influence of Baroque Dance in the Performance of Johann Sebastian Bach's 'Six Suites a Violonello Senza Basso' DMA diss., Rice University, 1994. 72p |
diss. |
| | 1994 |
72p |
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| 108. | Bach, the pedal clavichord, and the organist. PhD, Goteborgs Universitet, 2000. ix, 241p. |
diss. |
| | 2000 |
ix, 241p |
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| 109. | The Interpretation of Bach's Well-Tempered Clavier, Book One: A Study in Diversity. DMA diss., University of Rochester, 1969. xiii, 487p. |
diss. |
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xiii, 487p |
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| 110. | Der Danziger Bach-Schüler J.G. Goldberg: Zur polnischen Erstausgabe seiner 24 Polonaisen in allen Tonarten für Cembalo. |
DMOsten |
8 | | 1996 |
307-314 |
[cr]Greifswald1993 |
| 111. | 'He ought to have a statue': Mendelssohn, Gauntlett, and the English organ reform. |
EastmanStudM |
118 | | 2014 |
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| 112. | Bach and the pedal clavichord: an organist's guide. Foreword by Hans Davidsson. - Rochester, NY: University of Rochester Press, 2004. 280p (= Eastman studies in music, 26) |
EastmanStudM |
26 | | 2004 |
280p |
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| 113. | Weinen, Klagen, Sorgen, Zagen: Präludium nach Johann Sebastian Bach für Klavier zu zwei Handen ; Variationen über ein Motiv von Bach ; für Klavier zu zwei Händen / Franz Liszt. Herausgegeben von José Vianna da Motta unter Mitarbeit von Felix Raabe. - Leipzig: Breitkopf & Härtel, 1985. 24p. Best.-Nr.: Edition Breitkopf Nr. 7473 Pl.-Nr.: F.L. 66 ; F.L. 68. [BWV 12 arr.] |
EdBreitkopf |
7473 | | 1985 |
24p |
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 114. | Die Blechblasinstrumente in J. S. Bachs Werken. Kassel: Verlag Merseburger, 1994. 152p. ISBN: 3-87537-260-3. (= Edition Merseburger, 1544) |
EdMerseburger |
1544 | | 1994 |
152p |
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| 115. | Regeo yi piano puga wa Baheu yi puga yangsig. [Bachian tradition in the piano fugues of Max Reger] [BWV 540] |
EumagGwaMinjog |
25 | | 2003 |
335-361 |
![Korean](http://homepages.bw.edu/bachbib/images/flags/Korea.gif) |
| 116. | Hindemiteu yi Eum yi yuhyi was Baheu yi Pyeonggyunyul Keulrabi'eo gogjib. [Comparison of Hindemith's Ludus tonalis and Bach's Well-tempered Clavier] |
EumagGwaMinjog |
28 | | 2004 |
201-227 |
![Korean](http://homepages.bw.edu/bachbib/images/flags/Korea.gif) |
| 117. | Baheu yi oreugangog Fantasi wa Fuga g danjo BWV 542 yeongu. [A study on Bach's organ work Fantasy and fugue in G minor BWV 542] |
EumagGwaMinjog |
28 | | 2004 |
282-302 |
![Korean](http://homepages.bw.edu/bachbib/images/flags/Korea.gif) |
| 118. | Baheu yi Passakalri'a wa fuga (BWV 582) yeongu. [A study on J.S. Bach's Passacaglia and fugue BWV 582] |
EumagGwaMinjog |
31 | | 2006 |
91-116 |
![Korean](http://homepages.bw.edu/bachbib/images/flags/Korea.gif) |
| 119. | Baheu yi Matae sunangog e surogdoen koral yeongu. [A study on chorales in Bach's Matthew Passion] |
EumagGwaMinjog |
33 | | 2007 |
217-241 |
![Korean](http://homepages.bw.edu/bachbib/images/flags/Korea.gif) |
| 120. | Baheu B danjo misa yi eum'agjeog tong'ilseong e daehayeo. [A study on the musical coherence of J.S. Bach's B minor mass] |
EumagGwaMinjog |
34 | | 2007 |
245-269 |
![Korean](http://homepages.bw.edu/bachbib/images/flags/Korea.gif) |
| 121. | 'Sidae wa yeogsa reul coweolhaneun je 1 yi gojeonjuyija': Poreukel yi Baheusang. [Forkel's Bach image: Emergence of Romantic interpretation of Bach] |
EumagGwaMinjog |
35 | | 2008 |
203-228 |
![Korean](http://homepages.bw.edu/bachbib/images/flags/Korea.gif) |
| 122. | Baheu moteteu yi sijeog, eum'agjeog gujo. [A study on the musical and textual structure of the motets by J.S. Bach] |
EumagGwaMinjog |
37 | | 2009 |
353-379 |
![Korean](http://homepages.bw.edu/bachbib/images/flags/Korea.gif) |
| 123. | Baheu gyohoekantata yi hyeongtae mic agjangyuhyeong e daehan yeongu. [The stylistic classification of Bach's church cantatas] |
EumagGwaMinjog |
42 | | 2011 |
361-384 |
![Korean](http://homepages.bw.edu/bachbib/images/flags/Korea.gif) |
| 124. | Baheu yi Yohan sunangoggwa Matae sunangogbigyo yeongu. [A study on Bach’s Johannespassion and Matthäuspassion in comparison] |
EumagGwaMinjog |
55 | | 2018 |
293-322 |
![Korean](http://homepages.bw.edu/bachbib/images/flags/Korea.gif) |
| 125. | Mendelseujon yi Matesunangog Baheu sahu coyeon yi baegyeong gwa silje, geurigo gyeolgwa. [Mendelssohn's 19th century premiere of J.S. Bach's St. Matthew Passion: Its context and consequence] |
EumagGwaMunhwa |
| 19 | 2008 |
83-107 |
![Korean](http://homepages.bw.edu/bachbib/images/flags/Korea.gif) |
| 126. | 20-segi baheu suyonggwan yi byeonceon. [Bach reception in the twentieth-century] |
EumagGwaMunhwa |
| 9 | 2003 |
81-106 |
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| 127. | Hugi Beethoven yi daewi beopjeog eoneo, gurigo Bach: Beethoven yi hugi hyeon'ag sa-jungju op. 130 eul jungsimeuro. [The contrapuntal language of Beethoven’s late period, and Bach: Focused on the late string quartet op. 130] |
EumagNondan |
8 | | 2017 |
35-72 |
![Korean](http://homepages.bw.edu/bachbib/images/flags/Korea.gif) |
| 128. | Festa Musicologica: Essays in Honor of George J. Buelow. Stuyvesant, NY: Pendragon Press, 1995. x, 528p. ISBN: 0-945193-70-X. (= Festschrift series, 14) |
FestschriftSer |
14 | | 1995 |
x, 528p |
[fs]Buelow |
| 129. | Structural Scaling in Bach's Cello Suite No. 3. |
Fractals |
15 | 1 | Mar 2007 |
89-95 |
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| 130. | Intervallic Scaling in the Bach Cello Suites. |
Fractals |
17 | 4 | 2009 |
537-545 |
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| 131. | 'Mein Leipzig lob' ich mir': Eine musikalische Bemerkung zur 'Gottsched-Gellert-Weisseschen Wasserflut'. |
[fs]Felix70 |
| | 1997 |
193-201 |
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| 132. | Die Prager Orgelschule ('Organistenschule') 1830-1890. |
[fs]Haselböck70 |
| | 1998 |
75-82 |
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 133. | Donum natalicum: Studia Thaddaeo Przybylski octogenario dedicata. [Birthday gift: Studies dedicated to Tadeusz Przybylski to his 80th birthday] - Kraków: Musica Iagellonica, 2007. 520p. ISBN: 978-83-7099-150-0. |
[fs]Przybylski80 |
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520p |
Latin 2 |
| 134. | Virtus et Fortuna: Zur Deutschen Literatur zwischen 1400 und 1720. Festschrift für Hans-Gert Roloff zu seinem 50 Geburtstag. Bern [u.a.]: Peter Lang, 1983. 638p. ISBN: 3-261-03223-5. |
[fs]Roloff50 |
| | 1983 |
638p |
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 135. | Bultmann, Marx, Bach kara mananda Koto (Shin Rensai 1): '3.11 Igo no Sekai' o ikiru. [What I learned from Bultmann, Marx and Bach (New series, 1): to live the world after 3.11] |
FukuinToSekai |
66 | 10 | Oct 2011 |
66-69 |
![Japanese](http://homepages.bw.edu/bachbib/images/flags/Japan.gif) |
| 136. | Bultmann, Marx, Bach kara mananda Koto (2): Marx to no Deai. [What I learned from Bultmann, Marx and Bach (2): meeting with Marx] |
FukuinToSekai |
66 | 11 | Nov 2011 |
58-61 |
![Japanese](http://homepages.bw.edu/bachbib/images/flags/Japan.gif) |
| 137. | Bultmann, Marx, Bach kara mananda Koto (3): Bultmann kara mananda Mono. [What I learned from Bultmann, Marx and Bach (3): What I learned from Bultmann] |
FukuinToSekai |
66 | 12 | Dec 2011 |
50-53 |
![Japanese](http://homepages.bw.edu/bachbib/images/flags/Japan.gif) |
| 138. | Bultmann, Marx, Bach kara mananda Koto (4): Barth to Bultmann [What I learned from Bultmann, Marx and Bach (4): Barth and Bultmann] |
FukuinToSekai |
67 | 1 | Jan 2012 |
52-55 |
![Japanese](http://homepages.bw.edu/bachbib/images/flags/Japan.gif) |
| 139. | Bultmann, Marx, Bach kara mananda Koto (5): Bach no Ongaku kara kikoete kuru Mono. [What I learned from Bultmann, Marx and Bach (5): What one can hear from Bach's music] |
FukuinToSekai |
67 | 2 | Feb 2012 |
60-63 |
![Japanese](http://homepages.bw.edu/bachbib/images/flags/Japan.gif) |
| 140. | Bultmann, Marx, Bach kara mananda Koto (6): Seisho wa Kami no Kotoba ka. [What I learned from Bultmann, Marx and Bach (6): Is the Bible the word of God?] |
FukuinToSekai |
67 | 3 | Mar 2012 |
60-63 |
![Japanese](http://homepages.bw.edu/bachbib/images/flags/Japan.gif) |
| 141. | Bultmann, Marx, Bach kara mananda Koto (7): Seisho wa Kami no Kotoba ka (2). [What I learned from Bultmann, Marx and Bach (7): Is the Bible the word of God? (2)] |
FukuinToSekai |
67 | 4 | Apr 2012 |
54-57 |
![Japanese](http://homepages.bw.edu/bachbib/images/flags/Japan.gif) |
| 142. | Bultmann, Marx, Bach kara mananda Koto (8): Iesu to Kirisuto. [What I learned from Bultmann, Marx and Bach (8): Jesus and Christ] |
FukuinToSekai |
67 | 5 | May 2012 |
52-55 |
![Japanese](http://homepages.bw.edu/bachbib/images/flags/Japan.gif) |
| 143. | Bultmann, Marx, Bach kara mananda Koto (9): Iesu to Kirisuto (2). [What I learned from Bultmann, Marx and Bach (9): Jesus and Christ (2)] |
FukuinToSekai |
67 | 6 | Jun 2012 |
56-59 |
![Japanese](http://homepages.bw.edu/bachbib/images/flags/Japan.gif) |
| 144. | Bultmann, Marx, Bach kara mananda Koto (10): Seisho Kisha no Zen-Rikai. [What I learned from Bultmann, Marx and Bach (10): Pre-understanding of the Gospel reporters] |
FukuinToSekai |
67 | 7 | Jul 2012 |
54-57 |
![Japanese](http://homepages.bw.edu/bachbib/images/flags/Japan.gif) |
| 145. | Bultmann, Marx, Bach kara mananda Koto (11): Sozo no Chitsujo: Rikai Kano no Konkyo. [What I learned from Bultmann, Marx and Bach (11): The order of Creation: The evidence for the understandability] |
FukuinToSekai |
67 | 12 | Dec 2012 |
64-67 |
![Japanese](http://homepages.bw.edu/bachbib/images/flags/Japan.gif) |
| 146. | Bultmann, Marx, Bach kara mananda Koto (12 Saishukai): 3.11 Igo ni Ikiru. [What I learned from Bultmann, Marx and Bach (12, the closing): To live after 3.11] |
FukuinToSekai |
68 | 1 | Jan 2013 |
52-55 |
![Japanese](http://homepages.bw.edu/bachbib/images/flags/Japan.gif) |
| 147. | J. S. Bach no Ongaku ga Gendai ni tsutaeru mono. Tokubetsu Koen. [Special Lecture: What J. S. Bach's music tells the present time. (23rd lecture: Hodanren Iryo Kenkyu Shukai: Life -- its weight and venerableness; life--its joy and hope)] |
GekkanHodanren |
| 993 | Mar 2009 |
13-22 |
![Japanese](http://homepages.bw.edu/bachbib/images/flags/Japan.gif) |
| 148. | Bach no Ongaku to Shoshukyokan no Taiwa no Mondai. Bunka. [Culture: Problem of Bach's music and the dialogue among various religions] |
GekkanHodanren |
| 999 | May 2009 |
61-64 |
![Japanese](http://homepages.bw.edu/bachbib/images/flags/Japan.gif) |
| 149. | Frühe Analysen zweier Stücke aus dem 'Wohltemperierten Klavier'. |
[gs]Vetter |
| | 1969 |
177-183 |
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 150. | Sammlung einiger Nachrichten von berühmten Orgelwerken in Teutschland mit vieler Mühe aufgesetzt von einem Liebhaber der Musik. Breslau, verlegts Carl Gottfried Meyer. 1757. 14 Bogen in 4t. |
HistKritBeytrAufnahmeM |
3 | 6 | 1758 |
486-518 |
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 151. | [Sonáty a partity pro sólové housle BWV 1001-1006] [review - Bach, J. S.. Sonáty a partity pro sólové housle BWV 1001-1006. -- Multisonic, ca 2002] |
HudebniRozhledy |
56 | 2 | 2003 |
47-48 |
Latin 2 |
| 152. | Pražské provedení Bachovy Velké mše. [Prague version of Bach's Great Mass.] |
HudebniRozhledy |
6 | 20 | 1953 |
936-937 |
![Czech](http://homepages.bw.edu/bachbib/images/flags/Czech-Republic.gif) |
| 153. | Problém autorství èeských varhanních skladeb 18. století v Pitschovì 'Museum für Orgelspieler'. [Zum Problem der Autorschaft tschechischer Orgelkompositionen aus dem 18. Jhd. in 'Museum für Orgelspieler' von K. F. Pitsch.] Summary in German, p.257. |
HudebniVeda |
14 | 3 | 1977 |
258-269 |
Latin 2 |
| 154. | Bach, Zelenka a Èeská hudba 19. století. [Bach, Zelenka und die tschechische Musik im 19. Jahrhundert.] |
HudebniVeda |
19 | 1 | 1982 |
49-60 |
Latin 2 |
| 155. | Pøíspìvky k životopisu Jana Dismase Zelenky. [J. D. Zelenka, Beiträge zur Biographie.] |
HudebniVeda |
21 | 2 | 1984 |
137-145 |
Latin 2 |
| 156. | Bachovská konference v Lipsku 1985. |
HudebniVeda |
22 | 3 | 1985 |
285-286 |
![Czech](http://homepages.bw.edu/bachbib/images/flags/Czech-Republic.gif) |
| 157. | Jan Dismas Zelenka na královském dvoøe v Drážðanech. [J. D. Zelenka am Königshofe in Dresden] |
HudebniVeda |
23 | 4 | 1986 |
312-329 |
Latin 2 |
| 158. | O vztahu Jana Dismase Zelenky k Johannu Sebastianu Bachovi. [About relationship of Jan Dismas Zelenka to Johann Sebastian Bach.] |
HudebniVeda |
29 | 2 | 1992 |
91-102 |
![Czech](http://homepages.bw.edu/bachbib/images/flags/Czech-Republic.gif) |
| 159. | Bach, Zelenka a hrabe Hartig. [includes summary in German] |
HudebniVeda |
31 | 2 | 1994 |
145-148 |
![Czech](http://homepages.bw.edu/bachbib/images/flags/Czech-Republic.gif) |
| 160. | Die Kirchenkompositionen Dresdner Komponisten in Böhmen. [Zelenka] |
JbKonfMittDBarockM |
2001 | | 2002 |
203-213 |
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 161. | Die lutherische Musik in Prag von Rudolfs Majestätsbrief bis zur Schlacht am Weißen Berg. |
JbKonfMittDBarockM |
2004 | | 2005 |
207-217 |
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 162. | Zittauer Ausblicke nach Böhmen. |
JbKonfMittDBarockM |
2006 | | 2007 |
163-166 |
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 163. | Of time and eternity: Reflections on 'Das alte Jahr vergangen ist'. Analysis Symposium 'Das alte Jahr vergangen ist,' BWV 614. |
JMTheory |
50 | 1 | Spring 2006 |
64-76 |
![English](http://homepages.bw.edu/bachbib/images/flags/United-Kingdom.gif) |
| 164. | Matthäus-Passion. |
KerkMLiturg |
| | Apr-May 1927 |
|
![Dutch](http://homepages.bw.edu/bachbib/images/flags/Netherlands.gif) |
| 165. | Neue Ausgaben älterer Klavierwerke. |
KlavLehrer |
25 | 25, 26, 27 | 1, 20 Aug, 1 Sep 1902 |
228-230, 243-245, 261-264 |
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 166. | Ein Werk des Altmeister J. S. Bach in neuer Bearbeitung. [Aria mit 30 Veränderungen, für den Konzertvortrag bearbeitet von K. Klindworth.] |
KlavLehrer |
26 | | 1903 |
|
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 167. | Fer. Busoni's Ausgabe der chromatischen Fantasie J. S. Bach's (N. Simrock, Berlin) |
KlavLehrer |
26 | 7 | 1 Apr 1903 |
97-99 |
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 168. | Zum Studium J. S. Bachs. |
KlavLehrer |
30 | 4, 5 | 15 Feb, 1 Mar 1907 |
56-57, 72 |
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 169. | Hidden Fugal Paths: A Schenkerian View of Handel's F major Fugue (Suite II). |
MAnalysis |
14 | 1 | Mar 1995 |
49-67 |
![English](http://homepages.bw.edu/bachbib/images/flags/United-Kingdom.gif) |
| 170. | Felix Mendelssohn Bartholdy: Sämtliche Briefe. Bd 9: September 1842 bis Dezember 1843. hrsg. und kommentiert von Stefan Münnich, Lucian Schiwietz, Uta Wald und Ingrid Jach. - Kassel [u.a.]: Bärenreiter, 2015. 837p. ISBN: 978-3-7618-2309-5. (= Felix Mendelssohn Bartholdy: Sämtliche Briefe; auf der Basis der von Rudolf Elvers angelegten Sammlung herausgegeben von Helmut Loos und Wilhelm Seidel, 9) . |
MendelssohnSämtBriefe |
9 | | 2015 |
837p |
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 171. | Over Busoni's Pianotranscripties van Orgelwerken van J. S. Bach. |
MensMelodie |
29 | | 1974 |
84-87 |
![Dutch](http://homepages.bw.edu/bachbib/images/flags/Netherlands.gif) |
| 172. | Drei unbekannte Autographe von Karl Stamitz in der Musikaliensammlung in Èeský Krumlov. Berichte und Kleine Beiträge. |
Mf |
19 | 4 | Oct-Dec 1966 |
408-411 |
Latin 2 |
| 173. | Verwirklichung der eigenen Dramaturgie. Ruth Zechlin 60. |
MGesellschaft |
36 | 6 | Jun 1986 |
316-317 |
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 174. | Die Tromba da Tirarsi und ihre Folgen. |
MichaelsteinKonfBer |
50 | | 1996 |
93f |
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 175. | 'Einen guten Flügel und auch ein gutes Clavicord haben': some reflections on the importance of keyboard-instrument landscapes. |
MkolZbornik |
47 | 2 | 2011 |
91-101 |
![English](http://homepages.bw.edu/bachbib/images/flags/United-Kingdom.gif) |
| 176. | Denkmal dreyer verstorbenen Mitglieder der Societät der musikalischen Wissenschaften, oder die Leben Georg Heinr. Bümlers, Brandenburg-Anspachischen Capell-meisters, Gottfr. Heinr. Stölzels, Sächsisch-Gothaischen Capell-meisters und Johann Sebastian Bachs, Musikdirektors zu Leipzig. [Bach = Sekt. VI] |
MlBib |
4 | 1 | 1754 |
129-176 |
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 177. | [Nekrolog auf Johann Sebastian Bach.] Der dritte und letzte ist der im Orgelspielen Weltberühmte HochEdle Herr Johann Sebastian Bach, Königlich-Pohlnischer und Churfürstlich Sächsischer Hofcompositeur, und Musikdirector in Leipzig. Repr. in Bach-Dokumente Bd.III. Im Text zitiert als 'Nekrolog' 1754. |
MlBib |
4 | 1 | 1754 |
158-173 |
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 178. | Emotional Induction in J. S. Bach’s O Mensch, bewein dein Sünde gross BWV 622. |
Mosaic |
2 | | 31 Aug 2012 |
|
![English](http://homepages.bw.edu/bachbib/images/flags/United-Kingdom.gif) |
| 179. | C. P. E. Bach's Essay: An Introduction. |
MQ |
33 | 4 | Oct 1947 |
460-480 |
![English](http://homepages.bw.edu/bachbib/images/flags/United-Kingdom.gif) |
| 180. | Internationales achfestival Seoul 2005. Berichte und Mitteilungen. |
MtblNBG |
| 56 | Sommer 2005 |
41-42 |
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 181. | Structural Patterns in Fugue Subjects and Fugal Expositions. |
MTheorySpec |
13 | 2 | Autumn 1991 |
197-218 |
![English](http://homepages.bw.edu/bachbib/images/flags/United-Kingdom.gif) |
| 182. | A Lecture on Spinets, Harpsichords, and Clavichords. |
MTimes |
26 | 513 | 1 Nov 1885 |
646-649 |
![English](http://homepages.bw.edu/bachbib/images/flags/United-Kingdom.gif) |
| 183. | False Fuguery. |
MTimes |
80 | 1152 | Feb 1939 |
96-98 |
![English](http://homepages.bw.edu/bachbib/images/flags/United-Kingdom.gif) |
| 184. | St. Matthew Passion [Bach Choir's Eastertide performance] |
MTimes |
94 | 1323 | May 1953 |
228-229 |
![English](http://homepages.bw.edu/bachbib/images/flags/United-Kingdom.gif) |
| 185. | Jan Dismas Zelenka. Musica aktuell. |
Musica |
36 | 2 | Mar-Apr 1982 |
191-193 |
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 186. | Bach, Mozart, Einstein e X (ad Amadeus). |
MusicaRealta |
13 | 39 | 1992 |
10-16 |
![Italian](http://homepages.bw.edu/bachbib/images/flags/Italy.gif) |
| 187. | Chemins mystérieux de la fugue: un point de vue schenkérien sur la fugue en fa majeur de la 2e Suite de Händel. [Hidden fugal paths: A Schenkerian view of Handel's F major fugue from the suite no. 2] |
Musurgia |
4 | 2 | 1997 |
12-24 |
![French](http://homepages.bw.edu/bachbib/images/flags/France.gif) |
| 188. | Festivalul Bach. [Organizat de 'Camerata' in Studioul Radioteleviziunii.] [Bach-Festival. Organisiert von der Gruppe 'Camerata' beim Rundfunk und Fernsehen] |
Muzica |
26 | 4 | 1976 |
33-34 |
![Romanian](http://homepages.bw.edu/bachbib/images/flags/Romania.gif) |
| 189. | Festival Bach. |
Muzica |
28 | 6 | 1978 |
33-34 |
![Romanian](http://homepages.bw.edu/bachbib/images/flags/Romania.gif) |
| 190. | Robereuteu Syuman yi 'Baheu e daehan gyeongyi (Hommage à Bach)': BACH e yihan 6-gae yi puga Op.60. ['Hommage à Bach' by Robert Schumann: 6 Fugues on the name of BACH Op.60] |
NangmanQ |
20 | 3 | Summer 2008 |
77-106 |
![Korean](http://homepages.bw.edu/bachbib/images/flags/Korea.gif) |
| 191. | 20-segi cobangi hoehwa eseoyi 'Baheu reunessangseu'. ['Bach Renaissance' in the early 20th-century paintings] |
NangmanQ |
73 | | Winter 2006 |
123-149 |
![Korean](http://homepages.bw.edu/bachbib/images/flags/Korea.gif) |
| 192. | Zur Pflege der Bachschen Klavierwerke. |
NZsfM |
71 | 40 | 28 Sep 1904 |
678-680 |
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 193. | Varhanní fugy na témata J. S. Bacha pøipisované Josefu Segrovi. [Josef Seger zugeschriebene Orgelfugen nach Themen von Bach] [Beitr. Arrangements nach dem Wohltemperierten Klavier] |
OpusMusicum |
1 | 5-6 | 1969 |
155-159 |
Latin 2 |
| 194. | Die Barocktrompete - Eine Begriffsverwirrung? |
Orchester(Mainz) |
44 | 6 | 1996 |
19-20 |
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 195. | Emblems in Published Books of Music. A Paper read at the 14th Biennial International Conference on Baroque Music held at Queen's University Belfast, 30 June-4 July 2010. |
[p]BICB_Belfast |
| | Jul 2010 |
|
![English](http://homepages.bw.edu/bachbib/images/flags/United-Kingdom.gif) |
| 196. | Sturm und Drang na música para teclado de Wilhelm Friedemann Bach: Evidências reveladas na Polonaise No.4 em Ré menor. [Sturm und Drang in the keyboard music of Wilhelm Friedemann Bach: Evidence detected in the polonaise no. 4 in D minor] |
PerMusi |
| 24 | Jul-Dec 2011 |
135-142 |
![Portugese](http://homepages.bw.edu/bachbib/images/flags/Portugal.gif) |
| 197. | Von der frühesten Version des Wohltemperierten Klaviers Bachs zum Bewusstwerden der Fuge als Allzweckform. A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002. |
[p]IMS_Leuven |
| | Aug 2002 |
|
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 198. | Rückblick und Erneuerung: Bachs Fuge in Klaviermusik von Reger, Busoni und Hindemith. [Zugl. PhD diss., Universität Leipzig, 2002]. Frankfurt am Main: Peter Lang, 2003. 244p. ISBN: 3-631-50781-X. (= Quellen und Studien zur Musikgeschichte von der Antike bis in die Gegenwart, 40) |
QuellenStMgesAntikeGegenw |
40 | | 2003 |
244p |
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 199. | Yohane Fukuinsho no Ko. Bach Koborebanashi 5. [The version of St John's Gospel] |
ReihaiToOngaku |
| 135 | Autumn 2007 |
|
![Japanese](http://homepages.bw.edu/bachbib/images/flags/Japan.gif) |
| 200. | Bach no tsukatta Sanbikashu. Bach Koborebanashi 6. [The Choralbuch that Bach used] |
ReihaiToOngaku |
| 136 | Winter 2008 |
64-68 |
![Japanese](http://homepages.bw.edu/bachbib/images/flags/Japan.gif) |
| 201. | Bach no Shunyu to Izokikin. Bach Koborebanashi 7 [Bach's income and bequest fund] |
ReihaiToOngaku |
| 137 | Spring 2008 |
60-64 |
![Japanese](http://homepages.bw.edu/bachbib/images/flags/Japan.gif) |
| 202. | Thomas Kyokai ga Calvin-ha datta toki. [When Thomaskirche was under the Calvin school] |
ReihaiToOngaku |
| 138 | Summer 2008 |
60-64 |
![Japanese](http://homepages.bw.edu/bachbib/images/flags/Japan.gif) |
| 203. | Parodii ga tsukurenai Jidai. Bach Koborebanashi 9 [The era that cannot make use of parodies] |
ReihaiToOngaku |
| 139 | Autumn 2008 |
60-64 |
![Japanese](http://homepages.bw.edu/bachbib/images/flags/Japan.gif) |
| 204. | Tabigeinin kara Machigakushi e. Bach Koborebanashi 10. [From a travelling musicians to a town musician] |
ReihaiToOngaku |
| 140 | Winter 2009 |
60-64 |
![Japanese](http://homepages.bw.edu/bachbib/images/flags/Japan.gif) |
| 205. | Luther to Kantoru. Bach Koborebanashi 11. [Luther and Cantor] |
ReihaiToOngaku |
| 141 | Spring 2009 |
60-64 |
![Japanese](http://homepages.bw.edu/bachbib/images/flags/Japan.gif) |
| 206. | Bach to Kantoru. Bach Koborebanashi 12. [Bach and Cantor] |
ReihaiToOngaku |
| 142 | Summer 2009 |
62-66 |
![Japanese](http://homepages.bw.edu/bachbib/images/flags/Japan.gif) |
| 207. | Bach to Orugan. Bach Koborebanashi 13. [Bach and Organ] |
ReihaiToOngaku |
| 143 | Autumn 2009 |
58-62 |
![Japanese](http://homepages.bw.edu/bachbib/images/flags/Japan.gif) |
| 208. | Koethen no Nazo (1). Bach Koborebanashi 14. [Mysteries in Köthen (1)] |
ReihaiToOngaku |
| 144 | Winter 2010 |
58-62 |
![Japanese](http://homepages.bw.edu/bachbib/images/flags/Japan.gif) |
| 209. | Koethen no Nazo (2). Bach Koborebanashi 15. [Mysteries in Köthen (2)] |
ReihaiToOngaku |
| 145 | Spring 2010 |
58-62 |
![Japanese](http://homepages.bw.edu/bachbib/images/flags/Japan.gif) |
| 210. | Bach to Keikenshugi -- Eisenach kara Mühlhausen (1). Bach Koborebanashi 16. [Bach and pietism -- From Eisenach to Mühlhausen (1)] |
ReihaiToOngaku |
| 146 | Summer 2010 |
56-60 |
![Japanese](http://homepages.bw.edu/bachbib/images/flags/Japan.gif) |
| 211. | Bach to Keikenshugi (1) [Bach and pietism] |
ReihaiToOngaku |
| 146 | Summer 2010 |
56-60 |
![Japanese](http://homepages.bw.edu/bachbib/images/flags/Japan.gif) |
| 212. | Bach to Keikenshugi -- Eisenach kara Mühlhausen e (2). Bach Koborebanashi 17. [Bach and pietism -- From Eisenach to Mühlhausen (2)] |
ReihaiToOngaku |
| 147 | Autumn 2010 |
60-64 |
![Japanese](http://homepages.bw.edu/bachbib/images/flags/Japan.gif) |
| 213. | Bach to Keiken Shugi - Buxtehude Taiken. Bach Koborebanashi 18. [Bach and pietism -- experiencing Buxtehude] |
ReihaiToOngaku |
| 148 | Winter 2011 |
60-64 |
![Japanese](http://homepages.bw.edu/bachbib/images/flags/Japan.gif) |
| 214. | Bach no Orugan Kyoku no Shiyo Mokuteki (1). Bach Koborebanashi 19. [The purpose of using Bach's organ music (1)] |
ReihaiToOngaku |
| 149 | Spring 2011 |
60-64 |
![Japanese](http://homepages.bw.edu/bachbib/images/flags/Japan.gif) |
| 215. | Bach no Orugan Kyoku no Shiyo Mokuteki (2). Bach Koborebanashi 20. [The purpose of using Bach's organ music (2)] |
ReihaiToOngaku |
| 150 | Summer 2011 |
58-62 |
![Japanese](http://homepages.bw.edu/bachbib/images/flags/Japan.gif) |
| 216. | Bach no Gakko Kyoiku. Bach Koborebanashi 21. [Bach's school education] |
ReihaiToOngaku |
| 151 | Autumn 2011 |
54-58 |
![Japanese](http://homepages.bw.edu/bachbib/images/flags/Japan.gif) |
| 217. | Bach to Kenetsu. Bach Koborebanashi 22. [Bach and censorship] |
ReihaiToOngaku |
| 152 | Winter 2012 |
54-58 |
![Japanese](http://homepages.bw.edu/bachbib/images/flags/Japan.gif) |
| 218. | Anna Magdalena no Rogo: Leipzig no Kyuhin Seisaku (1). Bach Koborebanashi 23. [Late years of Anna Magdalena: Welfare service in Leipzig (1)] |
ReihaiToOngaku |
| 153 | Spring 2012 |
54-58 |
![Japanese](http://homepages.bw.edu/bachbib/images/flags/Japan.gif) |
| 219. | Anna Magdalena no Rogo: Leipzig no Kyuhin Seisaku (2). Bach Koborebanashi 24. [Late years of Anna Magdalena: Welfare service in Leipzig (2)] |
ReihaiToOngaku |
| 156 | Winter 2013 |
54-58 |
![Japanese](http://homepages.bw.edu/bachbib/images/flags/Japan.gif) |
| 220. | Anna Magdalena no Rogo: Leipzig no Kyuhin Seisaku (3). Bach Koborebanashi 25. [Late years of Anna Magdalena: Welfare service in Leipzig (3)] |
ReihaiToOngaku |
| 157 | Spring 2013 |
42-46 |
![Japanese](http://homepages.bw.edu/bachbib/images/flags/Japan.gif) |
| 221. | Jacques Handschin in Russland: die neu aufgefundenen Texte. Kommentiert und hrsg. von Janna Kniazeva. - Basel: Schwabe, 2011. 1045p. ISBN: 978-3-7965-2659-6. (= Resonanzen, 1) |
Resonanzen |
1 | | 2011 |
1045p |
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 222. | Brahms et Bach: la grande tradition allemande. |
RevueDeuxMondes |
| | Jun 2010 |
|
![French](http://homepages.bw.edu/bachbib/images/flags/France.gif) |
| 223. | Bach made in Japan. |
RevueDeuxMondes |
| | Feb 2008 |
171-174 |
![French](http://homepages.bw.edu/bachbib/images/flags/France.gif) |
| 224. | Carl Philipp Emmanuel, le Bach de Berlin: ou 'le Grand Précurseur'. |
RevueIM |
| 8 | 1950 |
123-132 |
![French](http://homepages.bw.edu/bachbib/images/flags/France.gif) |
| 225. | Prismas: Bach y el cine. |
Scherzo(Spain) |
| 211 | Sep 2006 |
|
![Spanish](http://homepages.bw.edu/bachbib/images/flags/Spain.gif) |
| 226. | Die Dresdner Hoftrompeten des 18. Jahrhunderts. |
Schr_MittDMges |
11 | | 2003 |
47-63 |
![German](http://homepages.bw.edu/bachbib/images/flags/Germany.gif) |
| 227. | Baheu yi tokata gwanryeon oreugan jagpumdeul e daehan yeongu. [A study on the organ toccatas of J.S. Bach] [BWV 538, 540, 564, 565] |
SeoyangEumaghag |
11 | | 2006 |
159-178 |
![Korean](http://homepages.bw.edu/bachbib/images/flags/Korea.gif) |
| 228. | 18-segi hubangi(1750-1800) yi Baheusang. [J.S. Bach's image in the second half of the 18th century] |
SeoyangEumaghag |
14 | | 2007 |
11-32 |
![Korean](http://homepages.bw.edu/bachbib/images/flags/Korea.gif) |
| 229. | Bugdog'il yi 'jeongojeonjuyi': Peurideurihi 2-se yi gungjeong eum'ag gwa Kal Pilrib Emmanu'el Baheu yi keulrabi'eo eum'ag. ['Pre-classicism' in Northern Germany: The court music of Frederick II and keyboard music of C.P.E. Bach] |
SeoyangEumaghag |
20 | | 2009 |
125-147 |
![Korean](http://homepages.bw.edu/bachbib/images/flags/Korea.gif) |
| 230. | Bug dog'il yi 'jeongojeonjuyi': Peurideurihi 2-se yi gungjeong eum'ag gwa Kal Pilrib Emmanu'el Baheu yi keulrabi'eo eum'ag. ['Pre-clasicism' in Northern Germany: The court music of Frederick II and keyboard music of C.P.E. Bach.] |
SeoyangEumaghag |
20 | | 2009 |
125-147 |
![Korean](http://homepages.bw.edu/bachbib/images/flags/Korea.gif) |
| 231. | Baheu yi baiolin soloreul wihan sonata yi pugadeul: Geu jagbeopgwa yimiyi teugiseonge daehayeo. [The fugues in Bach's solo violin sonatas: Focusing on their compositional techniques and particularities] |
SeoyangEumaghag |
20 | 1:43 | 2017 |
11-36 |
![Korean](http://homepages.bw.edu/bachbib/images/flags/Korea.gif) |
| 232. | Baheu yi oreugan koral pyeongog mo'eumjibdeul e daehan yeongu. [A study on Bach's chorale-based composition collections for organ] |
SeoyangEumaghag |
21 | | 2009 |
109-132 |
![Korean](http://homepages.bw.edu/bachbib/images/flags/Korea.gif) |
| 233. | Cangjag sigi e ddareun Baheu gyohoe kantata yi yangsigjeog baljeongwajeong yeongu. [A study on the development process of Bach's church cantatas] |
SeoyangEumaghag |
24 | | 2010 |
11-36 |
![Korean](http://homepages.bw.edu/bachbib/images/flags/Korea.gif) |
| 234. | Yojan Keuristi'an Baheu yi keulrabi'eo hyeobjugog: 'Barokeu eseo gojeonjuyiro' [The keyboard concertos of Johann Christian Bach: 'From Baroque to Classicism'] |
SeoyangEumaghag |
26 | | 2011 |
61-88 |
![Korean](http://homepages.bw.edu/bachbib/images/flags/Korea.gif) |
| 235. | Bujoni yi puga. [Fugues of Ferruccio Busoni] |
SeoyangEumaghag |
7 | | 2004 |
197-225 |
![Korean](http://homepages.bw.edu/bachbib/images/flags/Korea.gif) |
| 236. | Hindemiteu yi piano puga. [Hindemith's piano fugues] |
SeoyangEumaghag |
8 | 1 | 2005 |
185-212 |
![Korean](http://homepages.bw.edu/bachbib/images/flags/Korea.gif) |
| 237. | Baheu yi prelude wa fuga c-jangjo BWV 547 yi jaggog gibyeobjeog yeongu. [A study on Bach's Prelude and fugue in C BWV 547] |
SeoyangEumaghag |
9 | | 2005 |
191-219 |
![Korean](http://homepages.bw.edu/bachbib/images/flags/Korea.gif) |
| 238. | J.S. Bach, muzikoterapie a meditace. [J.S. Bach, music therapy, and meditation] |
SlovenskaHudba |
26 | 4 | 2000 |
425-428 |
![Czech](http://homepages.bw.edu/bachbib/images/flags/Czech-Republic.gif) |
| 239. | Princip tesny v barokni hudbe a architekture. [The principle of stretto in Baroque music and architecture.] |
Umeni |
33 | 6 | 1985 |
473-491 |
![Czech](http://homepages.bw.edu/bachbib/images/flags/Czech-Republic.gif) |