Type | List | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | A Compositional Testing Ground: Arias in J. S. Bach's Weimar Church Cantatas. |
UnderstandingBach |
12 | | 2017 |
9-20 |
|
| 2. | Formal Deviations in the First Kyrie of the B minor Mass. |
UnderstandingBach |
12 | | 2017 |
21-36 |
|
| 3. | 'Having to perform and direct the music in the Capellmeister's stead for two whole years': Observations on How Bach Understood His Post during the 1740s. |
UnderstandingBach |
12 | | 2017 |
37-58 |
|
| 4. | Creating Clarity and Contrast: A Dialogue with Rachel Podger on the Analysis and Performance of Implied Polyphony in Bach's Unaccompanied Violin Works. |
UnderstandingBach |
12 | | 2017 |
59-84 |
|
| 5. | Evangelists of the Postmodern: Reconfigurations of Bach since 1985. |
UnderstandingBach |
12 | | 2017 |
85-107 |
|
| 6. | Bach and Money: Sources of Salary and Supplemental Income in Leipzig from 1723 to 1750. |
UnderstandingBach |
12 | | 2017 |
111-125 |
|
| 7. | Bach's Unsung Champion: Sir Henry J. Wood. |
UnderstandingBach |
12 | | 2017 |
126-132 |
|
| 8. | Bach in Mind. |
UnderstandingBach |
2 | | 2007 |
9-18 |
|
| 9. | A Polonaise Duet for a Professor, a King and a Merchant: On Cantatas BWV 205, 205a, 216 and 216a by Johann Sebastian Bach. |
UnderstandingBach |
2 | | 2007 |
19-36 |
|
| 10. | Collections, bars and numbers: Analytical coincidence or Bach's design? |
UnderstandingBach |
2 | | 2007 |
37-58 |
|
| 11. | Anna Magdalena as Bach's Copyist. |
UnderstandingBach |
2 | | 2007 |
59-76 |
|
| 12. | 'Ihr Augen weint!' Intersubjective Tears in the Sentimental Concert Hall. |
UnderstandingBach |
2 | | 2007 |
77-94 |
|
| 13. | Bach's Music and Newtonian Science: A Composer in Search of the Foundations of his Art. |
UnderstandingBach |
2 | | 2007 |
95-106 |
|