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Bach Bibliography Search Result |
Series : BachStYour search has generated the following results ...
Volume : 8
| Type | List | Author  | Title [further info  ] | Series | Vol | No | Year | Pages | Status |
|---|---|---|---|---|---|---|---|---|---|
 | 1. | Jacobi, Erwin R. (ed.) | Albert Schweitzers nachgelassene Manuskripte über die Verzierungen bei Johann Sebastian Bach. | BachSt | 8 | 129p | |||
 | 2. | Rathey, Markus | In Honor of God and the City: Strategies of Theological and Symbolic Communication in Bach's Cantata Gott ist mein König (BWV 71). | ContextBachStud | 8 | 3-22 | |||
| | 3. | Chafe, Eric | Two 'Johannine' Cantatas: Darzu ist erschienen der Sohn Gottes (BWV 40) and Sehet, welch eine Liebe (BWV 64). | ContextBachStud | 8 | 23-50 | |||
| | 4. | Peters, Mark A. | Death to Life, Sorrow to Joy: Martin Luther's Theology of the Cross and J. S. Bach's Eastertide Cantata Ihr werdet weinen und heulen (BWV 103) | ContextBachStud | 8 | 51-73 | |||
| | 5. | Greer, Mary | Toward an Understanding of J. S. Bach's Use of Red Ink in the Autograph Score of the Matthew Passion. | ContextBachStud | 8 | 75-102 | |||
| | 6. | Petzoldt, Martin | The Theological in Bach Research (2007). | ContextBachStud | 8 | 103-118 | |||
| | 7. | Sanders, Reginald L. | Formal and Motivic Design in the Opening Chorus of J. S. Bach's Magnificat. | ContextBachStud | 8 | 121-137 | |||
| | 8. | Lee, Kayoung | The Tonally Open Ritornello in J. S. Bach's Church Cantatas. | ContextBachStud | 8 | 139-151 | |||
| | 9. | Allanbrook, Wye J. | The Christian Believer and the Sleep of Jesus: 'Mache dich, mein Herze, rein' from J. S. Bach's Matthew Passion. | ContextBachStud | 8 | 153-164 | |||
| | 10. | Schulze, Hans-Joachim | Parody and Text Quality in the Vocal Works of J. S. Bach. | ContextBachStud | 8 | 167-176 | |||
| | 11. | Leaver, Robin A. | J. S. Bach's Parodies of Vocal Music: Conservation or Intensification? | ContextBachStud | 8 | 177-203 | |||
| | 12. | Butler, Gregory | J. S. Bach's Dresden Trip and His Earliest Serenatas for Köthen. | ContextBachStud | 8 | 205-214 | |||
| | 13. | Saunders, Steven | Bach's Second Thoughts on the Christmas Oratorio: The Compositional Revisions to 'Bereite dich, Zion,' BWV 248/4. | ContextBachStud | 8 | 215-224 | |||
| | 14. | Tomita, Yo | The Passions as a Source of Inspiration? A Hypothesis on the Origin and Musical Aim of Well-Tempered Clavier II. | ContextBachStud | 8 | 225-242 | |||
| | 15. | Kevorkian, Tanya | The Leipzig Audiences of J. S. Bach's Matthew Passion to 1750. | ContextBachStud | 8 | 245-259 | |||
| | 16. | Grant, Jason B. | The Vocal Music of the Bach Family in Carl Philipp Emanuel Bach: The Complete Works. | ContextBachStud | 8 | 261-279 | |||
| | 17. | Scheide, William H. | The Need for a New Music: J. S. Bach in Contemporary Context (1946). | ContextBachStud | 8 | 281-295 | |||
| | 18. | Marshall, Robert L. | Bach at the Boundaries of Music History: Preliminary Thoughts on the B-minor Mass and the Late Style Paradigm. | ContextBachStud | 8 | 297-303 | |||
| | 19. | Peters, Mark A.; Sanders, Reginald L. (eds.) | Compositional Choices and Meaning in the Vocal Music of J. S. Bach. | ContextBachStud | 8 | xxi, 328p |